Showing posts with label 2017. Show all posts
Showing posts with label 2017. Show all posts

Saturday 23 September 2017

Edinburgh festival (EIF) 2017 and Hidden Edinburgh

Hidden Edinburgh – and the footsteps I dare to walk upon. Remembered and forgotten too. I wandered there. Edinburgh exists on many levels and its easy to wander down closes or hidden alleyways or behind the castle, and under bridges and walkways.  
Festival. Meetings of people who couldn’t possibly have meet another way – people from all walks of life, nationalities, artistic disciplines and establishment and anti-establishment, and those not ‘official.’

There is the obvious tourist Edina, the castle tours, tartan taff, bagpipes, the military tattoo - yet look further underneath – the cobbled narrow lanes, and there’s an Edina, of the once bustling Mercat cross, of Scotland’s enlightenment, where once great thinkers exchanged ideas – of drinking dens, coffee houses and taverns. 

Once places like the Mercat Cross in the 18th century and the Abbotsford bar, where places for great conversations – with great poets such a Hugh MacDiarmid, Iain Crichton Smith and others.

Conversations charlotte sq rooftops
Edinburgh Fringe festival 2017! - had a Record year with over 3,500 shows
The festival Includes – The Edinburgh Tattoo, Edinburgh Art Festival, Edinburgh International festival, Edinburgh international book festival and the Fringe. With 2 million 700 thousand ticket sales this year and up 9% on last year. Reduced Shakespeare, Vive La Fringe…..More than only Edinburgh, a multi-cultural festival. 

Compared to other international cities, Edina is just the right size for a major cultural celebration of all the arts. Edinburgh’s biggest festival is comedy – but there is also many other highlights of major dance, music, literature and arts events well worth exploring.

Aberdeen Aberpella
Story-telling was the way people learned about the past. EIF takes chances, is constantly moving – and a smorgasbord of difference on the global stage;
St Kilda opera, The James Plays, Grit, by Martyn Bennet, St Giles St Magnus.
‘Conflict is truth speaking to power.’  The Arts thrive on difference. In these strange times of odd ‘isms’. Reflect, produce, project.


**EIF celebrates differences on a global stage. The UK punches above it weight internationally because of Edinburgh festival and I don’t think people realise. One important theme emerges – the importance of meeting places to collaborate and discuss important issues.

*The Mercat Cross
William Creech, who was also a councillor and Baillie, was one of Edinburgh’s leading booksellers and publishers. His shop was at the Mercat Cross at the Luckenbooths, where there was seven timber -fronted tenements perched on the north side of St Giles High Kirk that included the offices of Robert Burn’s publisher, Creech and Allan Ramsay’s bookshop, which in 1728 was one of Scotland’s earliest lending libraries. From Creech’s shop door one could look down the canyon of the high st towers towards the forth and the fields of east Lothian beyond…..

A walk across Edina’s historic cobbled streets will take you past the locations for some of Scotland’s greatest writers, both past and present -  Ian Rankin, Alexander McColl Smith, Kenneth Graeme, J M Barrie, Norman MacCaig, Sorley MacLean, Robert Louis Stevenson, Arthur Conan Doyle, Irvine Welsh, and of course Walter Scott and Robert Burns (who stayed in Lady Stairs Close on his time in Edina in 1787.

Robert McCrum Edinburgh book festival
 II   Cambridge Footlights, Opera stars, Ian McKellan and Richard Burton in Scotland. Beyond the Fringe. The Oxbridge talent of Dudley Moore, Peter Cooke, the Oxford Revue made fun of our institutions. John Cleese, Michael Palin all learned their comedy at the Fringe. Edinburgh is like a lead character. Maria Callus, Margaret Fonteyn. Edinburgh was opening things up. It began with high art and then the fringe included low art for everyone. Now the Fringe festival is by far the main event in town and the Peoples art took over the main discourse of the nation.




Monday 31 July 2017

Scottish Summer music festivals 2017

*East Neuk – East Fife, Pittenweem, 27th June – 1st July
The heart of the Festival is classical chamber music, but we also present world, jazz, folk and electronica. In addition to our musical celebrations, we’ve commissioned films, exhibitions, art installations and literature events as well as guided walks.

 *Tartan Heart festival, Belladrum – Inverness – 3rd – 5th August.
Franz Ferdinand, Pretenders, Twin Atlantic, more.

*TRNSMT – Glasgow Green,   7th July. Radiohead, Biffy Clyro, Kaiser Chiefs,  man more! Replacing T in the Park.

*Mugstock – Mugdock country park -  28th – 30th
Boutique and family run event

*Doune Rabbit hole –  Cardross estate – 18th – 20th August
Peatbog Fairies, Aiden Moffat

*Merchant city festival, Glasgow – 31st July – 13th August

*Fringe By the Sea – North Berwick. 7th – 13th August.
Eric Bibb band, KT Tunstall,


Thursday 25 May 2017

Cara Dillon at Milngavie folk club 2017

Sam Lakemand & Cara Dillon
Cara sings with  a purity of tone and very natural sound.

She both looks and sounds angelic. Dillon and her talented husband Sam Lakeman (brother to Seth Lakeman) performed a full set at Milngavie town hall stage along with their top quality folk band - Luke Daniels (accordion), Niel Murphy (fiddle),  Ed Boyd (guitar).


With only Sam on piano, on ‘Bright Morning Star’ Cara encouraged her audience to join her chorus, with the words ‘Day is breaking in my Soul’. She also sang an intimate version of Beth Sorrentino’s ‘River Run.’

She sang a moving Tommy Sands ‘There were Roses’ for these turbulent days and a hope there may remain peace in Ireland. She sang of that the shamrock and thistle may flourish together.

She performed an expressive ‘She’s like the Swallow’, and the folk classic ‘Black is the Colour.’ Along with two new album songs and a couple of Irish language songs. She does many quality interpretations of folk classics – although I missed her wonderful take on Dougie MacLean’s ‘Garden Valley’. Her songs touch on themes of love, human frailty,

Between songs we enjoyed her friendly chat. There is a special close synergy between Lakeman’s dynamic piano and Dillon’s perfect subtle floating voice.

Cara also sang her excellent interpretation of  Van Morrison’s ’Crazy Love’  and then she finished her set with her award-winning song ‘Hill of Thieves’.

An evening of intimate song and heartfelt honesty, as Cara wished us joy with her encore song ‘Parting Glass.’
*Luke Donnelly from her band, was the entertaining support with his ‘Revolve and Rotate’ from the 1880.

ALBUMS, A Thousand Hearts 2014, Hill of Thieves 2009, Cara Dillon 2001, Sweet Liberty 2003, Upon a Winters Nights 2016.
http://www.caradillon.co.uk


Tuesday 14 February 2017

Rab Noakes at the Old Fruitmarket Celtic Connections




Rab looked smart in a black and grey stripped suit and with his good looking band, began his show with ‘Let The Show Begin’! This was an evening of song and stories.

Rab introduced his band - Innes Watson (fiddle), Una MacGlone  (double bass), Stuart Brown (drums), Una McImrpov, Christine Hanson (cello), Lisbee Roo IBanjo), and Jill Jackson (vocals), I was impressed as he had four woman musicians in his band along with two men! And they did an accomplished job too.

He sang his landmark songs – ‘Together Forever’ (which was covered by the band Lindisfarme back in 1969), ‘Edens Flow’, and ‘Clear Day’ (a call and response song). These song may not have made pop charts but they were hits with young folk singers. Rab performed on the BBCs Old Grey Whistle Test and record in Nashville.

He performed his quality song ‘Gently Does It’, when he expertly played the melody on guitar and spoke of being inspired by the acclaimed folk singer Alex Campbell and of what a great performer he was the way he built up his set.

He sang the ‘Twa Corbies’, along with the perfect-toned voice of Gaelic singer Kathleen Innes. And a new stand out song, which was 'a Scots song nod to Dylan and a Bob Dylan nod to Scots song' ‘Tramp and Immigrants’ – a mash up of Dylan’s ‘Pity the Poor Immigrant’ and Scots song ‘Tramps and Hawkers’.


***II  For a defiant start of his second set, Rab sang ‘That won’t stop me’ from his Treatment Tapes Cd. This 70/50 concert was a double celebration - Rab will be 70 this year and it was now 50 years of performing his songs.

He sang songs of travelling long gone folk and of things you taught me, with ‘Jackson Greyhound.’ He sang he maturity of experience, lessons learnt and hard fought for acceptance of being that bit older. He spoke of his travels in the deep American south – starting at New Orleans, and on up to Nashville, Georgia, Alabama, Louisiana - with the civil rights on one hand/ music on the other. He said it was important to let the song tell the tale when he sang ‘A Voice Over my Shoulder’.

Rab took part in the project ‘Scotland Sings - Hands up for Trad’ when he had re-engaged with the Scots song tradition through working with Kathleen. He wrote his song about the treatment of asylum seekers being lined up for farm work with ‘The Handwash Feein Mairket.’

He thanked his wife Steph for her help during his cancer treatment and sang of love, with ‘Just One Look’ and ‘I Always Will’. He also spoke of writing songs with her – and sang ‘O Me O My (O Fly Away)’

Rab always enjoys looking back and treated us to special songs of the past and along with Kathleen he sang an emotional full stop song for his encore with the 1947 song ‘Tennessee Waltz’, which had the Fruitmarket audience on its feet and it was clear his emotion.

Noakes sings with an American twang he picked up listening to radio back in the days. At the time there were American ships in Glasgow and America was the dream place with music fans here in the thrall of the American blues and rock. Times they are a changing recently…

Noakes is unassuming, genuine, and a keen observer of life. It was clear he had put a great deal of consideration into the song choices for his concert. A memorable night.
**SONGS

Let the Show Begin, By the Day (One More Shave n’ Haircut), Together Forever, Gently Does it, The Twa Corbies, Tramps and Immigrants, Water is my friend, I’m Walkin Here, Clear day,
II  That won’t Stop me, Where Dead Voices Gather, A Voice over my Shoulder, Jackson Greyhound, Eden’s Flow, Handwash feein’ mairket, Just One Look, I Always Will, On me oh my (Fly way oh fly away), Out of Your Sight, Tennessee Waltz.