*I lost my Heart to Joni Mitchell – Both Sides Now

I lost my Heart to Joni Mitchell – Both Sides Now 

It's life illusions I recall, I really don't know life at all.'

So I grew up on Joni Mitchell.

Her Voice. Well actually I first learnt to play and sing the stage musicals and Burns songs.  I can't remember when I first heard Joni's pure and touching voice but her personal and intimate songs became ingrained in my head, in particular Both Sides Now.

Her dreams and passion took me skyward when I was young and the sands of time stood still for those moments. She sang of her sorrows and offered us a voice. Most memorable was her pure soaring voice. She wrote of loss, of heartache and love with more creative insights than I'd heard before. 

I remember the deep blue colours on her 'Blue' album sleeve. I bought the sheet music and played it often. Like Dylan some of her lyrics are so true we never forget them.  For me Joni is at her best when her songs are lost in those confessional deeply felt emotions. 

Songwriting. By 1974 her songs had been hits for other artists - Both Sides Now for July Collins and Woodstock for Crosby, Stills and Nash.  She may have been known as an also ran folk artist with a cult following or as a folk confessional romantic but many of her songs also show clever wit,irony.   

Joni also states Debussy and classical as big influences on her music and her songs show harmonic complexity and melodic invention. 

"I want the full hyphen: folk-rock-country-jazz-classical, so finally when you get all the hyphens in, maybe they'll drop them all, and get down to just some American music."

Lyrics. She states that she is a painter first and a musician second  and certainly the words of her songs paint such clear honesty I was instantly captivated.....

 'I am a lonely painter, I live in a box of paints,'

'Tears and fears and feeling proud, To say I love you right out loud. ...

And dreams and schemes and circus crowds, I've looked at life that way,

But now it's just another show, You leave them laughing when you go,

So if you care don't let them know, Don't give yourself away.'  

'The times you impress me most are the times when you dont' even try.'

Discography. Her ALBUMS from 1971 to 1975 were her greatest output - Ladies of the Canyon 1970; Blue  ; For the Roses; Court and Spark, 1974, No Billboard chart; Miles of Aisles; The Hissing of Summer Lawns.

Help Me was her only top ten single from her Court and Spark album.  C & S was her biggest selling album (when she brought in a backing band). 

Her Blue album is autobiographical and its' narrative shows her as one the best at writing in the first person. Joni had a young pregnancy and gave away the child and the memory of this loss haunted her and she wrote of this in Little Green.

From 1975 Joni changed direction as she turned to jazz-infusion and sythn sounds, and her music felt less accessible for many fans. http://jonimitchell.com/

Was she too much the real deal and even too good to be popular?  What an intelligent and individual force of nature she is.  'We love our loving but not like we love our freedom.' 

Beth Hart - Take it Easy on Me

Something a bit cheesy - quite like it though. Lots of soul and piano. Thanks Tom X

*The Beatles

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My best friends brother had all the Beatles vinyl albums and they used to come in those lovely sleeves when we could enjoy the art work as we listened to the latest one.  I also remember those times singing intimate harmonies to their songs back in my twenties..... it always worked perfectly. 

There was some magic thing going on there between them all. Some special 'synergy.' 

McCartney's 'Let It Be' is a totally life-affirming love song. Paul's piano melodies are the heart of his work, even without the words - but then the words sit on top as if they arrived at the same time. He clearly 'feels' in music. My piano lifts us up..

Lennon on the other hand had more energy and thought outward. 'Imagine' about our shared humanity is perhaps the best song ever written about love. Lennon's words ring very true.  

My words might heal...

Harrison, the often overlooked Beatle, wrote some of the most loved Beatles songs - 'Something' and 'Here Comes the Sun'. His guitar playing was highly expressive and admired by other guitarists. He added more to the Beatles sound than many realized.

And my guitar gently weeps.....

My Favourite Beatles songs in no particular order -  Let It Be, Strawberry Fields, Another Day, A Day in the Life, If I Fell, The long and Winding Road, If I Needed Someone, Things We Said,  You Wont' See Me, Because, Two of Us, Carry That Weight, Penny Lane, Eleanor Rigby, News Today, Day Tripper, Lucy in the Sky, Here Comes The Sun, Something,
... The Beatles prove that genius can come from anywhere, perhaps that is the key thing. And it doesn't have to be complicated.     

Ok have to admit to loving McCartney's' songs -  The Long and Winding Road (except for Phil Spector's dreadful plonking OTT production) and Let It Be. Here's the real natural version of The Long and Winding Road. 

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*Michael Marra Milngavie folk club

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'He paints with Words'

I have heard Marra twice at the Mugdock theatre, which with the grand piano off to the left is simply the perfect venue for him, and I list his concerts there as some of my favourite ever small venue gigs.  The first thing that I noticed at his gigs was how frail he looked, but then when he performed he surprised me with this deep gravelly voice. 

With endearing heart and ironic dry wit Marra led us through his medley of songs which were brim full of unforgettable characters and carefully crafted images of places and time.  Oddly he props his keyboards on top of a small ironing board.  He has a strong character for photos with his humour and expressive eyes.

In March the Milngavie Fraser centre was packed for his gig for the Milngavie Folk Club.    

Marra played piano and guitar during his set here and he sang songs with grand titles such as -  'If Dundee was Africa', 'Bob Dylan's Visit to Embra', 'Grace Kelly's Visit to Dundee,' 'Muggie Shaw', 'Freda Kohl's Visit to the Tay Bridge Bar', and 'Lonesome Death of Francis Clarke'.  In 'Schenectady Calling', Marra paid tribute to Peerie Willie Johnson, a noted folk musician from Shetland.  He finished his set with a Burns song ' Green Grow the Rashes O' and an encore song 'Mary Skeffington' by the late Gerry Rafferty of Paisley.  

Marra's songs often mix Scottish places with a fantasy of American celebrity. He writes songs about such diverse topics as football, ladies choirs, and American idols!  At times his stories and songs are highly amusing, while other songs are thoughtful and touching. He derives his musical influences from the likes of Tom Waits, Randy Newman and Bob Dylan.  His music has grown out of both his Dundee Scottish roots and his American musical tastes, and he calls his sound 'groovy traditional music.'

Although predominantly known as a songwriter, Marra has worked extensively in theatre, radio and television.  Marra's children, Alice Marra Clark and Matthew Marra, are are members of The Hazy Janes. Marra was in a band called Skeets Boliver in the late seventies.

'There's Love in this world for everyone, Every precious smile you make, Be sure love is out there looking for you.'   Michael Marra

*Paul McCartney Hampden Glasgow 20th June 2010 The Up and Coming Tour

The magic of the Beatles and of music - how do you TOP that? - legend. Paul enjoyed playing to the Hampden crowd, and paused over the entrance moment while a lead was fixed.

He often makes eye contact, not only do you feel the love and that he adores doing the live shows. As with the Beatles songs, it all feels personal even in this massive crowd. Many songs (and not only Hey Jude) were about the audience singing along with that communal live gig experience.

He did most of the classic Beatles I hoped to hear 'Eleanor Rigby',  'Blackbird', 'A day in the Life'  that became 'Give Peace A Chance'...'I've Got a Feeling', 'Paperback Writer', more, more... some with the full band, some with only Paul and guitar, and some at the grand piano. 

Paul likes to rock it up and I was thrilled to hear 'Day Tripper', 'Back in the USSR' and 'Get Back' as encore songs.   They also performed  'Yesterday' with only Paul and guitar, and 'Mull of Kintyre' with a school Pipe band backing the band.  We felt the hot flames of fireworks for 'Live and Let Die.' 

 

Songs included  'Rock n Roll it To You' a tribute to Hendrix.  He paid tribute to his band mates Lennon and George. He talked of George's ukulele and his version of Harrison’s perfect  'Something' was very moving I thought. . At one point he said that he never would have thought growing up he would ever talk with the Russian Defence minister, and he said to Paul, 'We learned English through the Beatles songs.' Paul's music isn't about sending out any idealist message - more about the love and peace we might all hope to share, and having fun with life!  

As McCartney pulled from his vast back catalogue of songs I wondered could there possibly be more classics to hear and oh yes there are!  He took to piano for his moving slower songs - 'The Long and Winding Road', 'Let It Be', 'And I Love Her' - his tribute to Linda.  He made many guitar changes, from an original Beatles guitar to a Gibson fender.  His comment was - 'well I have them all so I might as well show them off!'

His band seemed to enjoy playing with Paul and they performed for two and a half hours, and the set covered the whole range of Paul's music, through early Beatles to Wings.  The music brought back the 60s and those origins of pop music.  Paul seemed as full of love and life and music as ever, and I can feel that sense of 'magic' that was part of the Beatles there on stage.

I met my old primary school friend for the gig, and we sat on the grass near Hampden for a picnic.  We used to listen to all the Beatles albums many moons ago - her older brother had the entire collection, and I can remember how in awe I was of both their music and album covers! Her brother sadly died of motor neuron disease several years ago so I am sure the gig was very poignant for her. 

We had tears at 'Let It Be' - for those remembered. Simply the best sure enough.

 It has been a dream hoping to hear Paul live one day, and to hear those songs I have loved for so long, to take photos just an incredible experience and my ultimate dream. I thought I never would.

Thank you Paul for the dreams. Unforgettable.

Fyfe Dangerfield ABC Glasgow Celtic Connections 20th January 2010

Fyfe was FUN! That's the first thing to say. He really puts so much into his performing. His songs are quality, and he draws from the Beatles, but with is own personality stamped on them. I really enjoyed this gig - from the heartbreak of 'Barricades' to the joy of 'Faster than the Setting Sun'.

Dangerfield stormed the ABC Glasgow as part of the Celtic connections festival with his latest solo album 'Yellow Moon'. He is a vibrant, energetic and expressive performer, who brought the audience with him with fun and interactive chat. This is an album of love songs, that covers all the high euphoria and depths of feeling that the first rush of love can bring. Fyfe plays guitar and also for several songs he had violin strings with him as he played piano. With Fyfe on piano he performed a tear jerker called 'Barricades' which moves the heart with stirring emotions. Other stand out songs were the light guitar song 'Livewire'; the very quiet 'Firebird' that sings of 'that bicycle made for two'; the comforting lyrics of 'my memories ring like telephones' in the sunshine feel of 'She Needs Me'; and the instant feel of 'Don't Be shy' with lyrics such as 'Ask her to sing for you, adore you.'
For the rock song 'Faster than the Setting Sun' Fyfe used a foot pedal and managed a truly tight professional sound.

Elton John: Music Magic Rocket Man SECC

Elton – Music Magic from the Rocket Man SECC Glasgow June 2009
Elton John was fabulous – dynamic vocals and piano and even after all these years performing he seems to thrive on it, while his voice gets better and better. Elton appeared up the steps and paused to bask in the audiences thrill to see him there!

Elton John...- I had forgotten how much I love ‘Your Song’ –  Great gig!.  Adrenalin rush to the head..I’m still standing!  

These photos of Elton were such an honour for me and I was hugely excited about my first time shooting at the SECC. It seemed quite restrictive and they were surprised I was there to shoot the support artist too. I always shoot support artists too, well you never know they might be big one day! Other press snappers turned up and we were all taken into the arena, where there was more waiting about in the dark at the front of the wide stage. Elton’s piano was the only shape lit up and then suddenly through the darkness he appeared up the side steps. We were only allowed the one song and the adrenalin rush was incredible and the knowing you only have such a short time to get that one shot. Nerve wracking!!  I thought after what an honour to shoot Elton.

Elton was wearing a pink shirt and pink glasses and a black jacket covered in colourful music notes and a keyboard and with the words ’music magic’ embroidered on the back. He ran through his back catalogue of hits and the packed SECC loved him. 

He built up the energy with strong renditions of 'I Guess That’s Why They Call it the Blues' and 'Daniel'.  Followed  by a full fifteen minute arrangement of his well known hit ‘Rocket Man’ which took the energy up after which he performed 'Sad Songs' and 'Sorry' which took the tempo down. 

The most moving moment was ‘Candle in the Wind‘ when you could hear a pin drop  in the dark with only Elton and his spot lit piano it felt like candles blowing in the air of the vast arena.  I heard echoes of Norma Jean and of Diana both beautiful ladies who shone for a brief time. He also sang 'I Need Love', 'Fly Away', 'Are You Ready For Love' and more from his wonderful back catalogue. He had his long time band members with him and Nigel Olsen on drums.  I was pleased that for his encore he played my favourite Elton song 'Your Song'. I had my Your Song piano sheet music with me with the vague hopes of getting it signed. I did get down near the front for the last songs and Elton was signing autographs, mostly gig tickets.

Elton writes piano melodies that touch people’s hearts and you could feel the love! Now this year I’ve taken photos of Richard Thompson and Elton both. If I could ever take shots of Paul McCartney (!!) I could die happy. I’d no idea what to expect and I guess the next time I take photos at the SECC I won’t be so nervous!