Sunday, 5 August 2012

Emeli Sande sang Welsh song 'Abide With Me' London Olympic Opening ceremony


Emeli Sande sang a haunting version of the Welsh song 'Abide With Me' at the London Olympic Opening ceremony which was very moving and a tribute to the victims of terrorism in recent years. Oddly American station NBC decided to cut the segment in favour of an interview.
On  Saturday when Jessica Annis won her gold medal for the heptathlon they played Emeli’s songs River.

Thursday, 26 July 2012

Those Blues Lines of The Rolling Stones


Those strong R & B signature guitar lines were so danceable, the rhythms and weaving guitars that were the basis for their music. The Stones were the first, biggest and the 'bad boys sexually charged' rock band.
Brian Jones. It was Jones who started the band and gave it their name and more than that their 'electric blues' sound. He realised that the niche market for R & B could be taken to a mainstream audience. The lost boy, never satisfied and sadly he became the first of the '27 Club'. He was the UK's first slide guitarist and one of the best blues guitarists in London at that time. Before he left his hometown, Jones said - 'I'm gonna move to London, start a band and I'm going to become rich and famous.'    

Every time 'Brown Sugar' played at student parties, people took to the dance floor and the track never failed to get everyone on their feet. Mick Jagger is rarely still on stage - so does their music reflect his dancing or vice versa!  The French students that were in abundance In Princes street gardens Edinburgh over the summer months in the city also loved the Stones. Former school mates Jagger and Keith Richards became the main songwriting team in the band. At the start the band was led by Brian Jones, known for his mop top long blond fringe and cool demeanour( he was the hip mod), and they played mostly cover songs, that had been selected by Jones - such as Little Red Rooster. I started this blog a month ago as The Stones were another huge influence on my musical tastes. The past week I noticed coincidentally that it is The Stones 50th anniversary. I think I'm getting psychic over music now! 
Brian Jones, The Stones 1962- 69. There is a very good article on Brian Jones, founder of The Rolling Stones in Mojo - the band were initially called the 'Brian Jones Blues band.'  He started the Stones sound and then was sadly sidelined, perhaps due to his own personal difficulties - drugs, abusing women and paying himself more than the rest of the band, not always the best idea.  He brought the tunes of Robert Johnston, Elmore Jones, Muddy Waters, and leading British bluesman Cyril Davies. Jones unlocked the blues secrets for Richards, taught Jagger the first rules of showmanship and brought invention and flamboyance to the band's extraordinary run of 60s singles. Try 'Singles Collection: The London Years.' 

While Jones' main instruments were the guitar and the harmonica, he was also a talented  multi-instrumentalist. Since his school days he had a focused interest in the music of skiffle, trad jazz, modern jazz and  the blues.  He started out playing jazz with local bands and later became Britain's first slide guitarist. Jones studied American blues music and was influenced by bluesman Cyril Davies, who was himself a devotee of Leadbelly's. Davies was perhaps the best player on the British trad and folk blues scene and his playing matched the intensity of the Chicago originals. Brian was influenced by Elmore Jones open D tuning on guitar and also by bluesman at the crossorads Robert Johnston. Then the New Orleans styled jazz and blues band of Chris Barber and Alexis Korner came to Cheltenham (Barber introduced Europe to the music of Big Bill Broonzy, Sister Rosetta Tharpe and Muddy Waters).

Jones moved to London to continue working on his music. There the opening of the damp basement 'Ealing Club' became a defining place as the cradle of British rock, from The Stones to Led Zepplin.  
Mick Jagger, Keith Richards and Dick Taylor were the first recruits for the 'Brian Jones Blues band'.  When they got a BBC session Brian supplied the new name - the 'Rollin Stones' which was the title of a Muddy Waters song. They started playing at the London's Marquee club and Charlie Watts joined as the drummer. Glyn Jones, their first producer recalled, 'Brian was very much the leader, he was quite specific about what they wanted.. He had a complete grip on everything.' Another producer Eddie Kramer said, 'Brian was the most musically gifted. his sense of tone colour was magnificent, he always thought out of the box. ..the marimbas on Under My Thumb. I can still remember being amazed when he brought out the recorder for Ruby Tuesday.'  
Jones sadly was the Stone unable to gain satisfaction in life, pun intended! whether it was with drugs or fast living. The lost boy, never satisfied. Bill Wyman remembers Jones as a visionary who could not deal with the Jagger-Oldham-Richards trio and he left it too late to fight back. However there were other issues too. Jones didn't view himself as a team player, he kept to himself on tour and paid himself more than the other band members. He was asked to leave in the band in June and died a month later in July 1969. Original Stones bassist Wyman stated about Jones, "...he formed the band. He chose the members. He named the band. He chose the music we played. He got us gigs. Very influential, very important, and then slowly lost it - highly intelligent - and just kind of wasted it and blew it all away." Jones had close relationships and was respected by other well known artists of the time - Dylan, Harrison, McCartney, Townsend, Hendrix and more.  These were simpler times - no internet, or online scrutiny - simply the touring. The youth culture had exploded with the baby boomers after the war.  Basically Jones saw that mixing the new and the old brought something exciting and fresh. 
The success of the Rolling Stones led to more popularity for blues music and musicians such as Muddy Waters who wrote 'Rollin Stone' the song the band drew its name from.  While they are best known for their No 1 rock and roll dance tracks (Brown Sugar, Lets' Spend the night Together, Satisfaction, Paint It Black, Little Red Rooster, Gimme Shelter, Jumpin Jack Flash, Get Off My Cloud, Honky Tonk Woman), they also played some unforgettable slow songs (Ruby Tuesday, As Tears Go By,The Last Time, It’s All Over Now)  Top Albums – Let It Bleed, Sticky Fingers, Aftermath.  A band for the road, The Rolling Stones have probably spent more time on stage, performed more dates, been to more cities and rocked more crowds than any other band. Ever. 
The Stones have had a prolific and long career and one of the longest of any rock band.  Also a prolific out put of recorded music and live albums - 29 studio albums, 12 live albums, and 107 singles.

Footnote :  I took a listen to my favourite Stones tracks -  Let It Bleed(69), Out Of Time (66), Under my Thumb (69), Time Is On my Side (69 ) Rugby Tuesday (66),.Play With Fire (65), The Last Time (65)
The song Rugby Tuesday, such a classic -. Marianne Faithful recalled that  Brian Jones presented an early version of this melody to the rest of the Rolling Stones. According to Victor Bockris, Richards came up with the basic track and the words and finished the song with Jones in the studio.  I began to think Jones was the inspiration but that Richards and Jagger took it on to write future songs and that much of the Stones best material was done while Jones was still playing with the band he created. 

The Rolling Stones 'endurance and relevance' ( Quote critic and musicologist Robert Palmer) is due to the band being 'rooted in traditional verities, in rhythm-and-blues and soul music' while 'more ephemeral pop fashions have come and gone.' Though R & B and blues cover songs dominated the Stones early material their repertoire has always included rock and roll.  (References from Mojo August 2012)  

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Tuesday, 24 July 2012

Music Photography

Broken  Records Queens Hall

Mumford  ABC Glasgow
Viking Galaxy Classic Grande
Michael Marra
Sometimes at gigs something magic happens…. the audience is really up for it, as are the musicians on the stage.  It is as if it all comes together in that one time and place. And it is at these rare gigs that I am able to  get a good position and shot unobtrusively for the entire gig – and I am not restricted to those ridiculous 3 songs (which I know matter for the bigger stages).  The trouble with restrictions is it creates a ‘manic’ grab for photographers while it can be an adrenaline rush. Also I am not sure it’s the best situation for portfolio images or a quality photoshoot. Sometimes.

I got into music photography by chance. I took some photos at a gig several years ago and realised I had a talent for capturing the right moments. While I should add I have studied art and portraiture many years, so perhaps photography is a natural progression. Also as I am a huge music fan it made sense for me and music is my motivation - from Mozart to pop.


Snowpatrol Bellahouston

Tuesday, 17 July 2012

Dougie McLean Milngavie Folk Club June 30 2012

Dougie was magic. He was on good form and like a choir master he really got everyone singing in full voice.  

This event took place to an expectant and warmly enthusiastic Milngavie Town Hall audience. Some were clearly die-hard McLean fans and some had travelled long journeys for the gig.
Premier Scottish songwriter is best known for his song Caledonia which has become part of Scottish culture and is often performed at weddings and played by pipebands. He also wrote the theme The Gael for the The Last of the Mohicans (1992).

McLean performed songs from his 2012 album Resolution, as well as some of his large back catalogue. He gave us a full two entertaining sets of his warm thoughtful songs.
He began with the song Holding Back - 'a wee song about contentment' he said. (there may well have been a few more songs I didn't manage to get the title of).

First Set: Holding Back/ Don’t Look Down/ Another Time/ Loving One (She Loves me when I'm gone, She thinks about me when I'm gone)/ Some Hearts/

Second Set: Resolution/ Not Look Down/ Scythe Song/ In Darkness/ Broken Wings/ Caledonia/ For his encore he sang the song You Sing Loud (Shine on, oh shine on over me) 
 

He encouraged us to sing and he said that people were never passive in Scottish music - he explained that they joined in and that is why the old folk songs had so many refrains. For the song Some Hearts he conducted our singing and he suggested we sang with more harmonies.

He also spoke about how music can heal and the inspirational work of Nordoff Robbins Music therapy for terminally ill children. 
He said - I travel with my little songs. McLean has a touching compassionate voice in his songs.

His song themes appear subtle and soothing sitting alongside calming melodies but actually they carry powerful messages and emotions. McLean is something of a philosopher in his songs which offer thoughtful insights on life with a strong sincerity. He fully recognises and accepts the emotional draw of the 'song'. His songs are personal but also intimate and universal, as if speaking directly to you.

His songs have lines such as - You may fall but you must not lie down/Some hearts will fill with wonder/ Some hearts will break in two/ Some hearts will wait for summer/ Time will turn.
Price we have to pay/ Place we started from to resolution’ 
Lost in the fiddle’s sweet sound….For a moment free from one more endless day.

He said that we must make loads of mistakes in order to really ‘live’ life. He said that music wasn't always kind and it can sometimes be a heart breaking kind of thing

McLean has been a professional musician for 38 years since a chance encounter with the Tannahill Weavers.
Try Dougie McLean songs - She Will Find Me, Another Time (about his father), Broken Wings, Holding Back,

Sometimes subtle messages in song can be even more powerful
.  http://www.dougiemaclean.com/

Friday, 13 July 2012

The Best Male Voices

The Falsetto

Some of the best loved falsetto voices were The Beach Boys surfing California sound. There is something inspirational and heaven ward in the beauty of the high male voice – much more so than the female soprano voice.
The best known church choirs are the young male choristers. The falsetto was also often heard in the soul and Motown songs coming out of America. Are these voices taking us closer to heaven? They can be sweet and tender and they appeal greatly to women who melt and swoon over it.  For women they offer empathy and show the sensitive side of men.
Other examples of wonderful falsettos are the singers from Earth Wind and Fire; Freddy Mercury of Queen; The Bee Gees.

One of the greatest male singers ever was Jeff Buckley who blended his love of Nina Simone and Led Zeppelin to weave his wild vocal expressions that have influenced a new generation of male singers. Hybrid masculine and feminine sensibilities.
Hyden Thorpe of the Wild Beasts feels the falsetto expresses the vulnerable hurting side of yourself and pulls him out of the everyday experiences with a freer way of singing.

While I also enjoy the more rough edged male vocals given the choice I prefer the soaring high male voice.
My favourite soul singer was Otis Redding, along with pop singers John Lennon and the Bee Gees.  

some quotes from the  BBC 'Imagine' Just One Falsetto'- http://www.bbc.co.uk/programmes/

  

Warpaint

Warpaint impressed the audience and they played an ethereal sound and the band describe themselves as experimental art rock. First girl band I've photographed. They were in soft-blue stage lighting which wasn't so easy to photograph! 
http://www.warpaintwarpaint.com/

Warpaint is an American art rock group from Los Angeles, formed in 2004. The band's members are Emily Kokal (vocals, guitar), Theresa Wayman (guitar, vocals), Jenny Lee Lindberg (bass, vocals), and Stella Mozgawa (drums, vocals). Warpaint released their debut EP, Exquisite Corpse, in 2009, followed by their full length album, The Fool, released in 2010. "Shadows" was the first single release from their debut and was playlisted by BBC Radio 1 as part of the In New Music We Trust. Warpaint toured in the United States and Europe in 2011 to promote the album. They played at Bonnaroo, Glastonbury Festival, Reading and Leeds Festivals, Coachella Valley Music and Arts Festival, Rock Werchter and Electric Picnic.

Monday, 9 July 2012

Rachel Sermanni, Katie Sutherland and Laura Marling

Laura Marling

Rachel Sermanni
Katie Sutherland

 

Folk vs Pop? – the different routes into the business.
I first saw Rachel Sermanni at a Celtic Connections Open Mic at the Concert hall a couple of years back and noticed then her lovely voice and songs. That year she won the open mic at the festival.http://www.rachelsermanni.net/

Also here in Glasgow I went to gigs by Katie Sutherland in 2009, another 22 year old Scottish singer with a lovely vocals and catchy songs who also looked good. Katie, who was then calling herself ‘Pearl and the Puppets’, had put her songs up on myspace where they drew the attention of record labels. Katie has a mesmerising honey toned voice live. http://www.katiesutherland.co.uk/
I know of several other young people given major record label deals a few years back – the thing is they are little more than an advance and young people should be warned of the pitfalls here.
This year Katie has been recording an album and using Pledge Music to fund this and Rachel is playing several UK festivals this summer. I can’t help wondering comparing the two that going via the folk route can bring more ‘respect’ generally in the industry but can also mean less attention sometimes. It’s a very strange thing music. At the end of the day it should be all about the talent.  

Then there is also the very young Laura Marling – who sings slightly folk influenced songs. She has a distinctive image and sound which is also key and her father runs a studio. She is also Neil Young influenced and her voice has edge and depth in it. She has managed that valued cross over between being respected and also having commercial successes. Laura is from Hampshire and drew attention on the London folk circuit and it seems to be easier for younger artists in London to get the right label deals into the industry. Marling is playing at the London Albert Hall this weekend. http://www.lauramarling.com/

Even more worrying is the lack of many young male singer songwriters with much depth or much to say- where are they? Marling became prominent with the London folk scene, she has also toured with a number of well-known indie artists in the UK. Her debut album Alas, I Cannot Swim and her second album I Speak Because I Can were nominated for the Mercury Music Prize in 2008 and 2010 respectively. She won Best Female Solo Artist at the 2011 Brit Awards.

Wednesday, 4 July 2012

Scottish Bands Oran Mor final night Westend festival

Aidan Moffat and Bill Wells – whose 2011 album “Everything's Getting Older” recently won the first “Scottish Album of the Year (SAY) Award 2012. 

For the final night if the Glasgow Westend Festival 2012 The Oran Mor staged an event featuring several new bands and artists across their 3 venues.
The event featured headliners We Were Promised Jetpacks and more…in the Auditorium. Also in this Auditorium were – Monoganon (surely shades of the Low Anthem here), Miaoux Miaoux (one man electronic band recently album of the week on Radio Scotland’s Tom Morton show), Three Blind Wolves and Remember Remember.
Performing in the Whisky Bar were The Dirty Beggars, a bluegrass band who performed also at Celtic this year; plus Apples of Energy and Wounded Knee.
In the basement Venue were Aidan Moffat and Bill Wells whose 2011 album “Everything's Getting Older” recently won the “Scottish Album of the Year (SAY) Award 2012". Moffat’s sound has a rough edged voice with a deep oak timbre and he surely is a fan of Dundee’s treasure - humorous and quirky singer songwriter Michael Marra!  While Well’s piano provided the perfect backdrop. Also in the Venue - Gav Prentice, Olympic Swimmers, John Knox Sex Club, guitarist R M Hubbert and singer songwriter Withered Hand.

There were strong folk and singer songwriter elements to the event with many of the artists on the line-up and with WWPJ providing more of a rock band finale to the evening. 


Worth checking out Withered Hand, Dirty Beggars, Monoganon and Aiden Moffat and Bill Wells. Sorry no photos for this event. I have covered many events at the Oran Mor over the past years with the venue being my closest and probably my favourite Glasgow music venue.  I always thoroughly review the musicians I shoot and take a lot of care over the reviews I post. 
Bill Wells and Aidan Moffat's “Everything's Getting Older” has been named the “Scottish Album of the Year (SAY) Award 2012. The duo won £20,000 for their work, which was eight years in the making, beating acts such as Mogwai and Conquering Animal Sound. The Scottish Album of the Year (Say) prize is a new award billed as the equivalent of the Mercury Music Prize. The winning album was awarded by the Scottish Music Industry Association at a ceremony in Glasgow Film City.

Saturday, 30 June 2012

Festivals 2012


Summer festival season started this weekend with heavy rain making a mud wash out for those travelling.  Lets hope the UK weather picks up. 

Sadly I am very busy this year with other commitments while I would wish to be attending more live gigs and festivals. I hope at least to make Edinburgh in August for a short while anyway. I have weddings and more in the middle of it all.    

Glasgow Westend Festival 1st – 24th June

*Isle of Wight 22nd – 24th June,
 Bruce Springsteen, Biffy Clyro, Elbow, Pearl Jam,

*T in The Park 7th July 2012, Belado, Scotland,
Snowpatrol, Kasabian, The Stone Roses,

*Latitude  13th – 15th July, Suffolk
Bon Iver, Elbow, Paul weller,

*V festival 18th August, Chelmsford, Essex
The Stone Ross, The Killers, Snowpatrol,

Doune the Rabbit Hole 24th August  , north Kilsyth Carron Valley, Scotland -  Phantom Band, King Creoste, Aidan Moffat, http://dounetherabbithole.co.uk/
Other festivals Scotland - Wickerman 20th August - http://www.thewickermanfestival.co.uk  
Belladrum 3rd August Inverness - http://www.tartanheartfestival.co.uk/

Monday, 25 June 2012

Lana Del Rey 'National Anthem' Video

Lana has released artwork for her forthcoming video for her single National Anthem. She has a very unique style and she likes her music to be about the images too. The video is set to see Lana taking on the role of Jackie O with rapper A$AP Rocky playing John F. Kennedy. Del Rey cited the video as "definitely the most beautiful thing" she's ever done. As of June 29, 2012, it has garnered over one and a half million views.
REVIEW What Culture -http://whatculture.com/music/lana-del-rey-national-anthem-music-video-review.php - It’s actually really really sad and a truly stunning video (especially the end monologue) – it is all about nostalgia, memories, life, love and loss. I preferred the more upbeat demo version of National Anthem originally but I think this video makes the most of the new more forlorn version and bolsters it upwards. Will it set the charts alight…if it does provide a breakthrough then it is much deserved. Get ready for the Summertime Sadness video soon but in the meantime, rejoice in a national anthem that everyone can actually remember the words to.  Stars, stripes and serenading the President are all in a day’s work for the 2012′s First Lady of Pop as she delivers another note-worthy all-American visual.

Born to Die has sold more than 1.4 million copies worldwide. It peaked at number one in Greece, Austria, Switzerland, the United Kingdom and other European countries.
Del Rey's music has been noted for its cinematic sound and its references to various aspects of pop culture, particularly that of 1950s and '60s Americana. The singer has been described as a "self-styled gangsta Nancy Sinatra" and cites many contemporary artists such as Elvis Presley,Britney Spears, Nina Simone, Nirvana, Leonard Cohen, Bob Dylan, The Beach Boys, and Antony and the Johnsons amongst her musical influences.
Del Rey possesses a wide contralto vocal range, which has been described as unique, captivating and highly emotive, being able to transcend from sounding high and girlish in her timbre, down to a low and jazzy sound with great ease, although both these areas of the voice can be conflicting in their sound and polarise opinion. 
http://youtu.be/60cvtxwlJr8

Lana Del Rey wows crowd at Hackney Weekend!

It is good to see Lana is now performing with scaled back stings and piano rather than the out-of-step rock band that backed her on her Saturday Night Live performance and which didn't match her range of jazz infused soul sound at all.
Lana performed her next single National Anthem as her encore and shook hands with the enthusiastic crowd. http://www.youtube.com/watch?v=ejg2zFpvTzI 


Interesting. Also I heard this track on the radio today. Lana Del Rey and Bobby Womack 'Dayglo Reflection' - http://www.youtube.com/watch?v=_eJkETkfdSg –
Del Rey is due to play a host of UK festivals, including this weekend's Isle Of Wight Festival as well as Radio 1's Hackney Weekend and Latitude Festival.  Earlier this month she played Los Angeles' El Rey Theatre and debuted a brand new song, 'Body Electric', at the show.

I watched LDR on the YouTube clips when she received poor reviews of her performance on Letterman. I also watched some other clips, where she performed with only piano and I posted on YouTube how much better she sounded with the piano backing rather than the band, where she looked and sounded ill at ease and rather lost.
Del Rey has spoken about how hard she found being judged by music fans and critics at the start of the year. "When you focus on being a writer for ten years and then after that people start listening to the work and they decide that they don't like you and that's kind of off-putting," she told BBC Radio 1. Adding: "Just because when you've put all your work into crafting words and melodies and then people start thinking about you as a person, that's a little off-putting."
As of March 2012, Born to Die has sold more than 3 million copies worldwide. It peaked at number one in Greece, Austria, Switzerland, the United Kingdom and other European countries.

Friday, 22 June 2012

Emeli Sande Olympic Torch Relay George Square June 2012


 

Emeli Sande performed at as part of the George Square Olympic Torch Relay celebrations 8th June 2012.  She performed songs from her number one UK Album Chart, Our Version of Events, which was released in February 2012.
Emeli sang her album songs – Heaven, Tiger, Breaking the Law, My Kind of Love, Daddy, Wonder, Next To Me.
She asked us to join in her last two songs. A very young child behind me, who was about five, was singing along and knew all the words. Her mum said she had heard them on the car cd player. Emeli said that ‘Wonder’ would be the summer single, and it’s hum along chorus works well with stadium audiences – as does ;Next To Me;.

Sande appeared as a guest artist on Professor Green’s single 'Read All About It' which reached the number one spot on the UK Top 40 Singles chart in October 2011. Emeli Sandé is a Scottish R & B and soul artist and songwriter. Before pursuing her musical career, Sandé studied medicine at Glasgow University. Sandé first became known to the public eye after she featured on rapper Chipmunk’s, ;Diamond Rings; which entered the UK top Ten Singles chart. Also a top ten hit with Wiley’s 'Never Be Your Woman; Sandé released her first solo single 'Heaven' in 2011 which made No. 2 UK Singles chart.  Her album 'Our Version of Events' was released in America in June 2012 to good reviews.. Emeli Sande Photo Gallery - ttp://www.zenfolio.com/pkimage/emelisande 

Transatlantic Band


Every January I take a front row seat at the Transatlantic Sessions at Celtic Connections Glasgow. This is a very unique concert and is about the band firstly and live bands don't come much better than this one! The musical directors are Shetland fiddler Aly Bain and dobro player Jerry Douglas.
Transatlantic Band. Ruth Moody, Declan O’Rourke, Tim O’Brien, Aly Bain, Jerry Douglas, Russ Barenberg, Danny Thompson, Michael McGoldrick, John McCusker, Donald Shaw, Darrell Scott, Bruce Molsky

There is a real earthy sound here. Folk tunes, as Dylan found out, touch a deep place and yes you can play the tunes over and over. The top class singers are centre stage surrounded by the warm tones of the traditional instruments - banjo, fiddle, cello, mandolin, accordion, dubro. 

TS Singers include some of the most iconic Scots, Irish and American celtic folk voices - such as  Eddi Reader, Karen Matheson, Cara Dillon, Darrell Scott, Tim O'Brien, Paul Brady, Julie Fowlis.
Folk music has stood the test of time and much like good wine gets better with age. 


Friday, 15 June 2012

Would Dylan Get a Record Deal Today?


Today the Industry would put Bob Dylan, Sandy Denny, Rab Noakes, Paul Simon – all the great legends and outstanding talents of the 60s and have them in ‘backrooms’ studios to write for singers such as – Frankie this, or Johnny that, or Elvis shake your hips – so they can sing ( as Dick Gaughan put it) about what it is like at summer camp – I despair! 

Fortunately in the 60s there was more creative freedom, and artists were able to stand up for what they believed in. There were several reasons for this –

There was a lot more money in the music industry; bands played at club nights and social venues; solo artists played residencies at bars and clubs. 
I know there still are wonderful venues in places like London (the Troubadour, Bedford, RegalRoom, ) and Glasgow (Oran Mor, King Tuts, Nice n Sleazys ) and there are still many promoters who care about independent music. 

My son’s band played recently at a ‘Grease the movie’ party and had so much fun covering those classic songs of the 70s. They also played some Motown and such great bass lines for him to play. They played an 8 song set and everyone was dancing and having a great time. After the DJ set came back on and it was so dull by comparison to the ‘live’ band. They could easily have played for longer. I told my son that’s what it was like at the clubs back when. There would be a DJ in one room and a live band in another room. The live band was so much better ( well usually) than the DJ.

It’s all about a fast profit today though and DJs are so much cheaper - and all the cheap club nights now.

The sad thing is now bands feel its’ a performance with the audience standing to listen. When I saw Aloe Blacc here last year – he attempted to make a path in the audience for those who wished to dance. Folk singers used to simply play in bars while ‘audiences or rather customers simply sat and chatted. It was all less rigid and formal – it’s all so formal now.  I’m talking here about learning the craft of live music. Once a band or artist is established and people pay to hear them, that’s a different ball game. It seems that developing artists now spend much less of their time playing live.   

It is just as well there were guys like John Hammond who was willing to take a risk with Dylan - after all he didn't look or sound quite right but he had charisma.Now the music industry simply can't afford to take any risks, its too expensive. That's why it is important that we support independent music.   

 I listen to young artists today and many lack any substance behind their songs. 

 John Hammond was an American record producer, Civil Rights activist, non-musician and music critic from the 1930s to the early 1980s. In his service as a Talent scout, Hammond became one of the most influential figures in 20th century popular music. Hammond was instrumental in sparking or furthering numerous musical careers, including those of  Benny Goodman, Billie Holiday, Count Bassie, Pete Seeger, Aretha Franklin,  George Benson, Bob Dylan, Leonard Cohen, Bruce Springsteen,
He was largely responsible for the revival of delta blues artist Robert Johnson's music (who was a big influence on Dylan) .  He also strived for racial integration, not only in the musical frontier but in the United States in general.
Where are the free thinkers today.......? 

Monday, 11 June 2012

Alternative Music Festivals UK 2012


There are ‘alternative’ festivals to the mainstream festivals - which are aimed at the more 'serious' music lovers rather than those simply seeking a party weekend. 

Cambridge Folk. http://www.cambridgefolkfestival.co.uk/
Doune the Rabbit Hole. http://dounetherabbithole.co.uk/
Celtic Connections. http://www.celticconnections.com/

Hop Farm with headliners Dylan and Peter Gabrielle is the festival I would head to. but I've not applied to any far away festivals for photo passes this year. I’m not prepared to deal with a tent for two nights, although I know many provide up-market camping with Yurts and more.

In Scotland T In the Parkhttp://www.tinthepark.com/ is the second biggest UK festival with many well known headliners, offering a wide range of artists but this festival can also be over commercialised. While Rockness http://www.rockness.co.uk/ is a better bet for outstanding scenery and a more alternative, eclectic and indie music line up.

With the recession and debt crisis attendance at festivals was down in 2011. There are also more festivals to choose from as well as there being loads of top festivals abroad with excellent line ups (such as Benicassim http://www.benicassim.org.uk/ ) which offer the hope of better weather and avoiding mud and rain!  New Scottish festival Doune the Rabbit Hole is a good bet for seeing up and coming Scottish bands.  


The biggest and best UK festival continues to be Glastonbury as it pursues its charity approach to avoid being over commercialised. Every fourth year they have to allow the fields to go fallow to recover. There is no Glastonbury 2012 however due to a lack of Portaloos and police officers caused by the London Olympics!. There you go : )  With the Jubilee and Olympics just as well we can think of the debt crisis after?