Celtic Connections 2026 kicks off!

Celtic Connections 2026 kicks off next week - Thursday, 15 January - and is set to attracts thousands of music lovers  across the world to Glasgow for the premier winter music festival of its kind. Famed for its adventurous spirit, the festival will stage more than 300 events across 25 venues and spanning more than 10 genres across 18 days.

I have attended, covered and photographed at the festival since 2008, nearly twenty years now!! The lighting at concerts is now much more sophisticated. At this cold, dark time of year Celtic Connections offers some joyous warmth with the range, quality and diversity of their unique and international collaborations. Over the years I’ve been to so many memorable concerts. 

 

Everything You Need to Know About Celtic Connections 2026

 

The renowned festival every year transforms Glasgow in January into a must-visit destination for music lovers is now just over a week away.

Celtic Connections – Scotland’s premier winter festival of its kind – attracts thousands of fans and performers to the city from all corners of the world, offering unforgettable moments, groundbreaking collaborations, and a love for music that only Glasgow can provide with its many outstanding venues.

 

When is it?

The countdown is on! Celtic Connections 2026 runs from 15 January to 1 February 2026. Over 300 events at 25+ venues across the city, with audiences of more than 110,000 expected to experience Glasgow’s biggest winter celebration of music and culture.

 

Who’s performing?

With a lineup of over 1,200 artists, of global icons, homegrown heroes and breakthrough names.

Headliners 2026 include country music royalty Emmylou Harris, legendary Cuban collective Buena Vista All Stars, Americana powerhouse Lucinda Williams,Scottish folk-rock pioneers Skerryvore, Grammy-winning banjo virtuoso Béla Fleck, Senegalese orchestral sensation Baobab,

 

Québec’s vibrant music scene contributes acts like Le Vent du Nord and Bon Débarras, highlighting the festival’s commitment to international cultural exchange. indie duo Watchhouse and Mon Rovîa, who tells his refugee story through the healing sound of Afro-Appalachian folk.

Opening Concert at the Glasgow Royal Concert Hall, World Connections, and a range of one-off collaborations featured throughout the programme. Festival favourites return, including Roaming Roots Revue (Icons Vol. 2), Transatlantic Sessions, and the Danny Kyle Open Stage that showcases emerging talent.

 

Is it for young people?

Absolutely! Celtic Connections is dedicated to making world-class music accessible to everyone, including the next generation. The popular Under 26 Festival Pass is back, providing discounted entry for those aged 18 - 25 to a selection of events – perfect for students, young professionals, and anyone discovering new sounds.

Additionally, the acclaimed Education Programme returns, with thousands of local schoolchildren invited to special concerts and workshops, planting the seeds for a lifelong love of music.

 

What type of music can you hear?

Celtic Connections is famed for its adventurous spirit – audiences will enjoy traditional folk, roots, indie, and world music; blues, jazz, orchestral, Americana, and even electronic influences. 

Experience Gaelic song and Scottish ballads, orchestral world premieres, like The Ayoub Sisters’ Arabic Symphony, roots collaborations linking Scotland with Brazil, Mexico, and beyond, and captivating new commissions. Whether you crave the pulse of a late-night ceilidh or the intimacy of story-driven folk, the festival showcases music in all its diversity.

 

What’s new for 2026?

Once again ambitious collaborations and boundary-pushing debuts take centre stage:

•    For the first time, the Emirates Arena will host two back to back shows: an incredible farewell show from Emmylou Harris and its largest folk-rock party yet with Skerryvore

•    Citizens Theatre becomes an official festival venue for the first time, welcoming the likes of Glasgow’s own spellbinding Alice Faye and Òran Ùr, a night celebrating 25 years of new Gaelic songs

•    Cross-cultural projects bring together musicians from Scotland, Sweden, Ireland, Mexico, Brazil and Iraq

•    Innovative shows like Tràigh Mhòr will bring Brazilian and Scottish roots together, and the world premiere of Delusions blends music, spoken word and multimedia art, while the Maclean Brothers’ night will celebrate extraordinary stories of endurance and global connection

•    A new multi-year partnership with the Edinburgh International Book Festival sees groundbreaking collaborations between Scotland's celebrated writers and musicians including The Golden Road featuring William Dalrymple, India Alba and renowned artists.

 

How do I get a ticket?

Tickets for the festival are available now at www.celticconnections.com. 

 

Celtic Connections Creative Producer, Donald Shaw, said: “Celtic Connections is big, bold and inspiring – it’s a festival that isn’t afraid to take risks, champions artistic expression and believes in collaboration, and having fun. There’s a special kind of magic that fills Glasgow every January during Celtic Connections. Come and join us to experience unforgettable shows, world-class artists, and surprises around every corner. We can’t wait to share these moments with everyone who loves music as much as we do!”

 

This year’s festival, delivered by Glasgow Life in partnership with Innis & Gunn, promises inspiration, discovery and the warmest of welcomes – here’s everything you need to know.

Celtic Connections is delivered with funding from Glasgow City Council through Glasgow Life. Creative Scotland and The Scottish Government Festivals Expo Fund continue to provide invaluable support to Celtic Connections.

The Statutes of Iona 1609

 

On a beautiful sunny day under perfect blue skies, we visited the peaceful island of Iona, where I discovered a plaque to the –

Statutes of Iona of 1609

James VI brought the clan chiefs together for a meeting on Iona. He was the son of Mary Queen of Scots and heir to queen Elizabeth of England – with the Union of the Crowns in 1603.

 

He required that the eldest sons of Highland chiefs be educated in England

 

The Statutes of Iona aimed to civilize the Highlands into English culture and language in order to suppress Gaelic culture, and to bring clan leaders under royal control by making them accountable in Edinburgh. 

 

To eliminate Scottish Memory by outlawing Gaelic bards. 

 Just as had happened in Ireland outlawing Irish Gaelic. 

Key Aspects of the Statutes of Iona (1609):

·       Education for Heirs: Chiefs had to send their firstborn sons (or other heirs) to be educated in Lowland Scotland.

·       Religious Compliance: Support Protestant ministers and outlaw Gaelic bards (who preserved traditional culture).

·       Royal Control: Chiefs had to appear annually before the Privy Council in Edinburgh to answer for their actions.

·       Goal: To pacify the Highlands, assert royal authority, and assimilate the region into the more "civilized" Lowland Scottish & English culture, reducing the power of the clan system. 

 

Women support Scottish Independence

I noticed in the photos of many far right marches that most protesters were male. Many men today feel angrily disenfranchised by the failed capitalist economic models and the rise of AI. 

There are movements such as ‘Women Against the far Right’ (a woman’s Claim of Right in Scotland 1991)

 

By contrast more women now support Scotland’s independence as they see the chaos, erosion of human rights and a toxic Westminster culture - and also the erosion of women’s rights under Trump’s America – Roe vs Wade. 

 

Plus the rise of Nigel Farage’s Reform party and his far right ideology, against equality and human rights.

A vote of Scotland’s indy is a vote against English nationalism, racism, and narrow ideology. 

People in general want more control over their lies – via improved local governance.

 

A vote for indy is a vote of more progressive policies, for equal rights, and gender just welfare state.

Craigmaddie Reservoir PHOTOS at Mugdock

 

Craigmaddie Reservoir PHOTOS at Mugdock, one of our best local places to walk. Often the reflected light here is very moving and beautiful. 

Robert Burns Art influences

 

Robert Burns and other poets wrote with Scots Voices. In the 1700s many worked to write down and collect the old Scots songs.  

At a time when mainly Tory unionist voices were being heard - no other writer has done more to keep Scots voices and language alive than Burns. 

I was taken aback at the new Scottish Art galleries Edinburgh on my visit in October 2023, that there was only one mention of Robert Burns – with regard to his “Hunt” poem in an Edinburgh tearoom painting. I felt Burns legacy was a deliberate forgetting. Did his writing influence Scottish art? The main focus in the galleries was on the works of Walter Scott. 

 

Burns was influenced himself when he met many of the major enlightenment figures in Edinburgh in 1786, particularly James Hutton - whose theory was of the whole earth as a living organism. Burns explored the symbolism and spiritualism connections between the natural world, the creative fires and the established church teachings from his father – where dance was frowned upon.  

 

Burns thought of how he might fuse all these new ideas together in his poetry. Later in 1794, he wrote My luv is like a Red Red Rose - ‘ I will love you still my dear till all the seas gang try and the rocks melt with the sun.”  Burns collected and rewrote many of the auld Scots ballads.

 

Burns most famous narrative poem Tam O’ Shanter, was about warlocks, witches, faeries, demons – of the struggles between Old Spunkie’s creative fires and the church teaching - Tam O Shanter. He wrote this poem after a dream, on his walk along the River Nith at Ellisland farm. The Scottish painter Lachlan Goudie and his father were inspired to illustrate a book of the scary ghosts and witches in Tam O’Shanter. 

It was wonderful to see the new Scottish galleries in 2023. 

I realise Scott lived in Edinburgh but Burns was there for quite a few months in 1786 ad 1787. And was greatly influenced by his time there. He visited the men’s social clubs – Fencible Chronicles down Anchor Close. He visited William Creech’s bookshop and publishing house at the Tollbooth near St Giles cathedral and the Mercat Cross, where each day the great and the good met. 

 

He met the great love of his life here, late 1787, Agnes McLahose (or his Clarinda) – who he wrote many letters to, and his great parting song Ae Fond Kiss.

 

**Scott may have been read widely worldwide in the 1800s, but to my mind (and most Scots) Burns is our national hero and bard. He was painted by his good friend Alexander Nasmyth on their walks to Rosslyn. I realise Scott did write memorable books and poems – but his books seems one-sided and narrow of a mythical Scotland that is lost and gone forever. Of a Tory unionist Scotland, that is only part of Scotland.

 

As I walked around the Scottish art galleries – I thought ‘which’ Scotland are we emboldening and remembering here? After the first section covering the romantic period, I entered the brighter more modern period, with the windows open to the east Princes street gardens views and which display some of Scotland’s great impressionist artists – The Glasgow Boys, James Guthrie, John Lavery, William Macgregor: The Scottish Colourists, John Peploe, John Fergusson, Francis Cadell, Leslie Hunter. A memorable display.  

 

Burns was influenced by the Ossian poems of James MacPherson, as the first Scots bard – and also by the other great Scots poets. Burns was writing and collecting Scots poems before Scott, in fact he met a young sixteen year old Walter Scott at an Edinburgh literary party, after which Scott wore about Burns. 

*     *     *     *

 

 

Burns words, images and narratives are all pervasive, whether its his emotive love poems, his love of nature, his voice for all the people with his Socts a Hae and Mans a Man. His poetry has a big impact worldwide on authors in America and on Russian Burns clubs. Steinbeck’s 'Of Mice and Men' and J.D Salinger’s ‘Catcher in the Rye’.

Burns is the most significant Scotch image, heritage, word and song. We should be very proud of his legacies!

SCOTS Activists Groups

 Here are some of the most significant major Scots activist groups, who since 2014

 - working hard for Scotland’s future democracy. 

 

Scotland Act 1998 – to give us a referendum.

Is Scotland colonised?

 

 

Liberation Scotland

 

Salvo

 

Believe in Scotland

 

Common Weal

 

Scottish Currency Group

 

Scottish Constitution Group

 

The National Newspaper

 

Revival Scots Language

 

I attended a talk last week by the Scots poet Len Pennie at Dreamworks Bookshop Milngavie

Pennie’s poems have more lilting lyrical musicality than her English poetry. Her poems pack immediate emotional directness and punch. She says it was all the grandmothers who kept the Scots voices and language alive. 

 

Welsh Labour are proud of Welsh Gaelic and the Welsh flag. We cannot say the same of Scottish labour, would they stand in front of the saltire and speak in Scots Gaelic or Scots? There’s been a long story of religious divisions in Scotland – the divide and rule tactic of the empire elites.

 

She suffered dreadful trolling online abuse. For many years the Scots language has been treated as a ‘pretendy language’ and oddly often by hostile Scots, it’s a centuries old saga. Yet Scots have been historically influenced by their connections and trade to Flanders and Ireland. 

II  Back when James VI held a clan gathering on Iona, he insisted that the clans had their eldest son educated in England, and taught to speak ‘correct English’. This practice continues to this day, with the private school accents. All the assimilation, repression of cultural difference. In the 20^thcentury English managers and middle class professionals came to Scotland – and Scots speaking workers were treated as second class citizens in their own country. 

 

The opposite was true back after union 1700s though – the Scots were the workers of the British empire, when after Reformation many Scots were highly educated and there were more ancient universities in Scotland – 

 

So what changed?

During the 1700s several poets wrote to keep the scots language alive  - Allan Ramsey, Robert Fergusson and notably Robert Burns. Burns wrote in English, the language of his education in books. But it was when he read the Scots poems of Fergusson he was inspired to write in Scots, the language closest to his heart. His mother knew and sang all the old Scots ballads. Burns collected, added to and edited the auld Scots songs from his many Scotia travels. 

 

English is of course the global language after the spread of the British empire. But crucially cultural diversity matters so much – both back in Burns day and today. We can have global trade and connectedness AND also have our own voices. We can have both. Why must it be either or?

 

For decades Scots children were rapped over the knuckles if they spoke with a Scots accent or belted if they used Scots words or dialects. Broadcaster Lorraine Kelly was initially told she must tone down her Scots accent if she wanted to be successful - and she thought why should I? 

 

In the 1950s most radio and tv presenters spoke with a clipped Oxford English. Today we have many accents – yet worryingly Scots students attending Edinburgh university continue to be mocked for speaking with a Scots accent – and told to ‘speak more correctly’ by English private school students. When I travelled across Edinburgh on the top of the bus I heard English accents of students in brightly coloured blazers and thought, where are they from? Around 25% of Edinburgh students attend private schools. This creates an unhealthy two-tier society which holds many children back.  

 

At Celtic Connections there are many hauntingly beautiful Gaelic singers 

When Scots writer Billy Kay gave a speech in Scot in the Scottish parliament, he was ridiculed by many Scots. The usual Scots versus Scots. In Switzerland they can speak both local and high German languages – the two languages sit by side by side and not in opposition to each other.

 

Why must Scots chose a side? Religious wars are now centuries old – while the British Constitution of 1688 continues to dominate. Why cant we have English and Scots and Scots Gaelic alongside each other?

 

The Scots language is not merely a side issue – its crucial to our Scots identity and unique voice. Diversity matters. 

 

**The Scots language has been recognised on Spotify – Iona Fyfe

 

Scots is now taught in Scottish schools.