Monday, 23 February 2015

Celtic Connections music 2015!

Every year at Celtic I am astonished by the musical talent in Scotland and beyond. I wish the festival might not end (!) while I know it must!  It is intense, challenging, rewarding, varied, colourful with packed out halls and venues all over Glasgow.

Some GREAT Celtic Connections concerts this year and even better than last year!  How can they top things year on year!  The high quality of the sound, lighting, great audiences, quality musicianship, exciting new younger musicians, the collaborations, beautiful singing. The festival is so enriching and obvious the care and thought  that goes into bringing it all together.  
Transatlantic Sessions
The opening concert this year was just epic and a premier a one off!  The Concert hall concerts are at 7.30 and if I'm doing photos I need to be there before 7, so I go into the open mic for some nice live music beforehand. There are also very fun ceilidh bands at the wonderful Old Fruitmarket venue, which are usually later on and start about 9.30 or 10pm - I sat beside Eddi Reader at one!  It is fun to pass all the familiar faces each year - Donald Shaw, Rab Noakes, Phil Cunningham, Roddy Hart and others.  

-Thankfully I did not miss the awesome Opening Concert Nae Regrets - We were treated to an outstanding opening concert!  Highly innovative. Multi-talented, multi-layered orchestra. Put a smile on my face. -The Martin Bennett epic one off opening concert - so worth watching in BBC iplayer.  Martyn Bennett's 2003 GRIT was given its live premier with a colourful score by composer Greg Lawson and the concert proved one of the best events I've been to at Celtic Connections music festival.
Bennett was a Scottish musician and composer and the concert marked the tenth anniversary of his untimely death at the age of thirty-three - poignantly he wrote the album while he was dying of cancer. The album offers a musical journey - producing pounding bass rhythms, hesitant strings, gradual and also unexpected crescendos, brass epic grandeur, haunting Gaelic voices, thematic stirring pipes and also humour. The Grit album is about pushing the boundaries and limitations. The orchestra of over 80 musicians on the Glasgow concert hall stage tonight consisted of mostly younger folk, jazz and classical musicians. I expect they enjoyed playing a new piece that felt contemporary yet drawing strongly on past traditions. Conductor Greg appeared overcome as he reached the summit tonight, after years in the planning and he commented that he needed a crash helmet as it felt like his head might explode!

ALSO...The festival always ensures such a high standard of concerts. When the brochure arrives it is always a challenge to select which concerts to attend - especially over the busy weekends when there are often several events on on the same evenings. Also this year there was such a heavy snowfall on the first Friday that I missed my first Old Fruitmarket gig, Horizons, with Kate Rusby and Karine Polwart and others. I made up for it though by enjoying the wonderful Fruitmarket venue on the Thursday for the fun ceilidh bands - the highly accomplished and entertaining Alan Kelly Gang and Braebach,  alongside the soothing New Zealand sounds of Horomana Horo.
Punch Brothers
Top events for me this year included  -  The Craig Armstrong concert of his film music with full orchestra was incredible - he wrote music for Romeo and Juliet and the Great Gatsby and more. New album out, wrote this -  https://www.youtube.com/romeoandjuliet
The Punch Brothers were delightful with their high tempo banjos, quality acapella vocal harmonies. They are a contemporary American bluegrass band and sung on the Coen Brothers 2013 film Inside LLewyn Davis (cool movie). The concert for the life-affirming songs of folk revivalist Ewan MacColl, with Martin Carthy, Jarvis Cocker and Paul Buchanan.  On top of all this it was a huge treat to hear live the powerhouse voice and music of legend Van Morrison. Mind-blowing. And not to forget the perfect concert with the Transatlantic band. 
Concert for Ewan MacColls songs

Celtic Connections 2016! will be announced in October 2015 when the popular concert hall concerts sell out quite fast. Much depends what kind of concert you prefer - dancing ceilidh, singer songwriters, traditional, indie, world music, Americana or other... Karine Polwart, Eddi Reader and Julie Fowlis are all great singers.

There are pure traditionalist who believe in keeping traditions alive (such as Ewan MacColl, Dick Gaughan). There are folk musicians who believe the genre needs to be taken forward - such as in the incomparable Martyn Bennett (what a loss of talent). I believe there is a need for both strands to run side by side, for the roots and traditions to build on but also the need for creativity and inspirations. This festival is for those who don't want their music brought to them by big media outlets or by Radio One. 
Sara Watkins

A massive thanks to all the welcoming media and artists who come together to make this such a vibrant festival. Back a couple of decades ago it would have been unthinkable and only a dream that folk musicians might one day play to packed out concert halls. In no small part all this is thanks to those who worked for the folk revival both here and in the US - including Ewan MacColl, Pete Seeger, Bob Dylan, Woody Guthrie, Dick Gaughan and others. 

This is my eight year (where does time go!) covering Celtic and the festival gets better year on tear. it's culturally a great boost for Glasgow.
All in all yet another wonderful 18 days of Celtic music to warm the days and the soul..
http://www.celticconnections.com/Pages/default.aspx
Carthy Family
McCrary Sisters
Patty Griffith
*Another note. Celtic Connections festival is also run by a Scot, Donald Shaw, who is from south of Oban, which is unusual (or rather unique!) in itself, as most major creative arts post in Scotland are held by non-Scots.  No Scot has been head of the Scottish National theatre or Creative Scotland.  

Posh Culture

Eddie Redmayne in The Theory of Everything
Once the regenerating resurgence of the 60s and 70s social mobility meant a vibrant and energizing arts creativity. There was a wealth of working class musicians who listened to American blues artists and realized that anyone might aspire to pick up a guitar and play rock and roll. 

Sadly this is not so today. I wondered a few years back over more recent UK bands that hailed from middle class and upper middle class backgrounds - such as Mumford, Coldplay and others - have been squeezing out those young people not so favoured.  

It appears I am not alone thinking these thoughts. Scottish actress Elaine C Smith writing in the Sunday Herald, “Does it matter if UK culture is increasingly dominated by a privately educated elite? You bet it does.”
‘there is no doubt that the old guard are back in charge, with a wealthy, privileged, white, male, privately educated elite dominating our arts, film and TV. The big problem is that for young people today there are few opportunities if you attend a state school

I lived in the US for ten years where I noticed that the tv soaps were never about any divisive 'them and us' class system. Today in the UK we have either posh TV soaps such as Downton Abbey  -  or working class soaps like Eastenders. 

Notably recently several of the new younger actors are from privileged backgrounds, such as - 
Benedict Cumberbatch, Eddi Redmayne, Domimic West.

We have Oxbridge graduates coming up to Scotland to run The Scottish National theatre and Creative Scotland, as well as other major cultural events here, who don’t have grounding in what Scotland is about. In fact a Scot has never run these major Scottish creative bodies (to my great surprise!). I don’t suspect that France would wish to have Germans or Americans running their culture!

Question remains – who is in charge of our arts – universities, galleries, theatre companies, festivals, opera, ballet and so on. And do we need outsiders telling us they know better how to develop our culture?

And no, this is not about the politics of envy, as James Blunt suggested, but rather that this stifles and misrepresents culture. This is also about providing for cultural diversity.

Scottish actor James McAvoy expresses his concern: "As soon as you get one tiny pocket of society creating all the arts, or culture starts to become representative not of everybody, but of one tiny part, and that's not fair to begin with, but it's also damaging for society."
Mumford
Benedict Cumberbatch attended boarding school Brambletye School
Eddi Redmayne attended Eton.
Domimic West also attended Eton and Trinity college. 
Chris Martin boarded at Sherborne School, a boys' independent school Dorset where he met future Coldplay manager Phil Harvey.
Mumford attended private school King’s College School Wimbledon.
James Blunt was educated at private school Harrow.

There are around 2,500 independent schools in the UK, which educate around 615,000 children, being some 7 per cent of all British children and 18 per cent of pupils over the age of 16. yet those from independent schools dominate at Oxford, Cambridge, government, and other leading roles. A big part of this is confidence and networking.

Tuesday, 17 February 2015

The Late Sessions Celtic Connections 2015

Mischa Macpherson 
Mhairi Campbell
Shine
Danny Kyle Stage

The Late Sessions Stage at Celtic Connections 2015 - the concerts were held at the Glasgow concert hall this year, from 10.30. The events are one of the festival highlights and are held over the festival weekends. Earlier the Danny Kyle open stage is held here too , and are an opportunity for new musicians to showcase their music. You can be lucky and find outstanding artists here and spend some delightful time with live music! One of my favourites! at the festival

Twisted Pine



Wednesday, 11 February 2015

Transatlantic Sessions 2015


The Transatlantic Sessions is the final weekend for Celtic Connections and the biggest sell out draw. 
The mix of American bluegrass and country music, sits alongside the Scottish fiddles and flutes so well. Mesmerising. This concert is led by two highly skilled musicians - Shetland fiddler Aly Bain and American world class Dobro (resonator guitar and lap steel)  player Jerry Douglas, who has worked with the likes of Allison Krauss, Ray Charles, Paul Simon, Dolly Parton and many more.    
Tim O'Brien


Fiddler Aly Bain plays with comfortable and assured playing, he iss a pleasure to hear. Douglas plays melodically and expressively - and he is also a joy to hear! Indeed I agree with the lady behind me at the gig who commented that Douglas's solo after the interval was her favourite part of the concert. Another big favourite is the Scottish tunes, going by the audience response, which was led by Aly Bain and his long time musical collaborator on accordion and piano, Phil Cunningham.
Kathleen MacInnes
Sara Watkins
Jerry Douglas
Rodney Crowell
John Smith
On top of all this the band as usual had invited a quality cast of singers to join them in 2015. It must be wonderful to sing with such a class backing band!  They included this year - Kathleen MacInnes, Sara Watkins, John Smith, Patty Griffith, and Rodney Crowell. Crowell was the star attraction this year and he year and he has won two Grammy awards – for the song After All This Time and for his 2014 album Old Yellow Moon.

The Transatlantic band consists of -  Aly Bain, Jerry Douglas, Phil Cunningham, Danny Thompson, Russ Barenberg, Tom O'Brien, Dirk Powell, Mike McGoldrick, John Doyle, John McCusker, James Mackintosh and Donald Shaw.

After Celtic Connections the Transatlantic band tours to Newcastle and London.
Sara Watkins
Patty Griffith
Tune Waiting for the Federals,
Tim O'Brien - You Were On my mind Today and Cowboys Life.
Sara Watkins - Take Up Your Spade, You and Me.
Dirk Powell  - Down The River I Go.
Kathleen MacInnes snag Reul Alainn.
Tunes - Lochinside/Wedding Reels/ Crarae
John Smith, Freezing Winds of Change
Russ Barenburg, Miles To Go
Patty Griffith - Cold As It Gets, Mom and Daddy Waltz.
Tunes, Whalley Range set.
RodneyCrowell - you know How much, Flyboy and The Kid.

Jerry Douglas - Senia's Lament
Kathleen MacInnes - Oran Na Cloiche
John Smith - Great Lakes fo Love, Salty and Sweet
Sara Watkins - Be There
Dirk - Waterbound.
Tim O'Brien - Before This Time Next Year.
Phil's Air - Patty Griffin, Coming home and Truth.
John Doyle - I'll Never Let you Go,
Tunes, Leaving Friday Harbour.
Rodney Crowell - I'll gain Control Again and Leavin Louisiana