Duncan Chisholm at Celtic Connections 2023

Transported us with his engaging playing

 Chisholm has performed at every Celtic Connections since 1993. Duncan Chisholm engaged us with beautiful videos of his violin during the isolation of Covid, often shot on perfect locations on the Western Isles. His music has range of tone and atmosphere, transcends time and space. He has composed music of the Western Isles – of the swift-changing skies of Scotland’s western coastlines and dramatic mountain ranges; often foreboding but illuminating and hopeful as light breaks through.

 

**Tonight he played compositions from his new 2022 album Black Cullins –  the ragged range of jagged rocky mountains on the Isle of Skye. He was backed by an impressive line-up of award-winning Trad musicians - Jalath Henderson on uilleann pipes, Ross Ainslie on low whistle, Hamish Napier on keyboards and piano, Innes Watson on rhythm guitar, and Ross Hamilton on electric bass and guitar. Along with a string section led by Greg Lawson.

 

He began with the tender and forlorn Black Cuillin Theme with accompanying strings; Born on the Wind of Chaos soared with the full band, bass and electric guitar. The band took the energy and vibe up further with piano, pipes, whistle, percussion and rhythm guitar for the tune, To the High Mountain. Beneath the Fortress about the Skye bridge was majestic, as was the intimacy of Donald Shaw’s A Precious Place, who played piano on this tune, and the drama of pipes on Islands on the Edge.

The tune The Blue Cuillins of the Islands was Inspired by a poem of Sorley McLean’s. Followed by a touching performance of Donald Shaw’s Constellations. Chisholm played Phil Cunningham’s subdued, haunting When the Snow Melts, with only piano for his finale. Heart-warming.    https://www.duncanchisholm.com

 

Music of Resolutions.

Chisholm was supported by the excellent Gaelic singer Kim Carnie - Review and Photos here - 

 

Black Cuillin’ tells of a dream journey through this landscape over a day and a night.” 

Duncan Chisholm, Scottish fiddle player and composer, has released six solo albums. He tours with the Scots Gaelic singer Julie Fowlis and has toured with the folk rock band Wolfstone and the band Runrig.

 

 

REVIEW Celtic Connections 2020

I always look forward to this very special folk, roots and world winter music festival, which offers a great start each year and is one of the highlights of my year. The central hub is the Glasgow concert hall, with its 5 venues spaces which comes alive to the sounds of pipes, whistles, song and those foot-stomping reels! 

This is also very much an international festival with musicians and visitors coming worldwide. For the 18 days of the festival take over Glasgow venues. This year the festival twinned with Finland. 

Celtic Music Radio is the place to hear the Danny Kyle stage open mic performers. This takes place each day 5 – 7pm at the concert hall. This year I heard finalists Muckle Spree and John Edge and the Kings of Nowhere.

On the first weekend there was a festival within the festival - Coastal Connections celebrating the vast and scenically majestic Scottish coastlines and islands. For the price of one ticket we were treated to many top performers – Tiree based Skerryvore, from the West Highlands Diamh, from Oban Capercaillie and from Orkney’s Fara.  A dramatic 10 metre sea goddess puppet made from reeds and named STORM, walked from the Clyde to the concert hall. 

Daimh

For the opening night concert the unique GRIT orchestra performed the Declaration – with 6 new compositions commissioned to celebrate the 700^th anniversary of the Declaration of Arbroath. As well as some of ever popular Martyn Bennet’s music.  

The Auld Lang Syne concert celebrated our great Scots bard Robert Burns, at the Glasgow concert hall when his songs were performed by Eddi Reader, Karen Matheson, Shona Donaldson and all were on top form. I was impressed by Jarlath Henderson, piper, composer and singer from Ireland.

GRIT orchestra the Declaration

Auld Lang Syne

I also enjoy the atmospheric Old Fruitmarket venue and this year saw This Caledonian Soul hosted by Blue Rose Code and his top soul band. His biggest influences are John Martyn and  he performed the song Fine Lines and a new song from his upcoming album. I’m a fan, and I highly recommend his albums.

Blue Rose Code, Caledonian Soul

Julie Fowlis

Rachel Sermanni

Plus the Scottish National Orchestra who performed Scottish composer, pianist, harpist Phamie Gow, composition Lammermuir, along with musicians Jarlath Henderson, Alasdair Fraser, Mairi Campbell.

To top all this I enjoyed the excellence of  the Transatlantic Sessions band with guest singers– Americans Cahelen Morrison, Sierra Hull; Irish Cathy Jordan and Scots singers Rachel Sermanni. Other highlights included – Cherish the Ladies, Roaming Roots Revue, Phil Cunningham’s 60^th, Salsa Celtica, Blazin Fiddles and much more.

Celtic Connections festival supports new artists –  with workshops, the open stage, and the

Scottish Showcase – with over 200 delegates from 23 countries.

Karen Matheson

Transatlantic Sessions 2020

The arts bring us together. Celtic connections is a class example of music crossing boundaries. There is mainstream pop – then there is the craft, heritage and depth of making of the live folk songs. It inspired Bob Dylan to do something more authentic. .

Photos 2018

2018 was a confusing year.  In Scotland we enjoyed the grand opening of the new V & A Dundee, which is a wondrous new landmark and attraction on the river Tay. 

Journeys

I travelled the Scottish islands – Orkney, which was awesome, and all its history. Orkney gently tells many stories – ancient sagas from its rich past. The outer Hebrides and the beauty of the shimmering soft blues of those landscapes is breathtaking, with its expanse of sands and surging seas....

Ross Wilson

Emeli Sande

MUSIC - Rab Noakes, Blue Rose Code,

Photo of Brian May In Edinburgh - also Karl Ove Knausgaard, Murray Lachlan Young, Gina Miller.

We learn invaluable lessons by following those who walked before us. 

I’ve been searching for Scotia – in Edina’s ancient streets ….

Brian May

Gina Miller

Welcoming Different Cultures

It makes me unspeakably angry. The two big events I attend, take photos at and greatly enjoy each year – Celtic Connections and Edinburgh international book festival - are solidly based on diversity, inclusion, openness and collaboration from different cultures.

Since the Brexit vote it has become impossible for some international artists to travel to these festivals. This year several major African artists have decided it is far too difficult to try to attend Scottish festivals. 

The visa application process for artists, musicians and writers has been made so difficult by the UK Home Office, that many are now deciding its not worth the hassle. Donald Shaw (director of Celtic Connections) and Nick Barley (director of EIBF), both report that Britain is now a closed gate, particularly for African visas, and that festivals here will now have to be less international. Celtic Connections has been running for 26 years and EIBF, the oldest UK book festival since 1982; as well as hitting the main Edinburgh International festival.  

What will it mean for international festivals if our doors appear closed? Breixt sends out totally the wrong message. As Pat Kane puts it so well (National November 2018) – "Scottish nationalism is a cosmopolitan nationalism, as some German academics recently described their own country’s mainstream identity."  

British Nationals misunderstand Scottish Nationalism – which is not about isolationism but about democracy: its about all voices having a say, inclusiveness, more local government, equality and not isolation at all!?

Many artists, musicians and writers depend and thrive on cultural exchanges. Creatives value the ‘Four Freedoms’ – free movement of goods, services, capital and people. The academics, entrepreneurs and financial sectors also do. 

African acts were also unable to attended Peter Gabriel’s Womad festival, ‘ Do we really want  a white breaded Brexit flatland? A country that is losing the will to welcome the world?”

The withdrawal of the acts, from Mali and Senegal, has emerged months after Mr 

Shaw warned the festival may have to become less international in future over concerns Brexit would create a financial and logistical “nightmare.” 

Shaw has previously had to scale back his programme due to the plunging value of sterling since the EU vote. Celtic Connections has been hit months after the Edinburgh International Book Festival revealed up to a dozen authors had faced prolonged problems. 

Director Nick Barley warned the “humiliating” process – including demands to provide bank statements and birth certificates, and undergo biometric tests – would deter artists from visiting the UK in future. 

Mr Shaw said: “We had two quite large world music acts who I had pencilled in to perform that both pulled out about six weeks ago due to the hassle and stress of the visa application process. 

They just felt it wasn’t worth the grief. The application process was made so difficult for them they decided not to persevere. “These are top-class musicians who have been travelling around the world for 20 years. Britain now has a very solidly-locked gate, certainly in terms of African visas. 

“The whole thing undermines us as a Scottish festival with an international outlook. We always looked to embrace an internationalist programme. Anything that restricts that is disappointing. I don’t see any good reason for it.” 

CELTIC CONNECTIONS 2019 launched!

Rab Noakes Old Fruitmarket

Celtic Connections 2019 announced today for its 18 days major winter music festival, 

From 17^thJanuary to 3^rdFebruary

The UKs premier celebration of celtic music. Over 20 venues in Glasgow, 300 events and 2,100 artists.  

The festival will feature alongside one of special event concerts – film screenings workshops, talks, theatre, ceilidhs, exhibitions, free events and late night sessions.

Celtic Connections includes innovative collaborations while respecting past traditions and encourages new talent with late sessions, open mic and more.

Cara Dillon and Scottish National orchestra City Halls

Karen Matheson & Julie Fowlis

In this year of young people, the Opening Concert2019 will celebrate new talent and the passing of traditions between the generations and 15 years since Harvest 2004.

Appearing in 2019 – Rhiannon Giddens, Loudon Wainwright III, Graham Nash, Judy Collins, Kathy Mattea, Eddi Reader, Blazin Fiddles, Cherish the Ladies, Karen Matheson, John Grant, Elephant Sessions, Aiden Moffat and RM Hubbert. 

Special one off concerts include - 

Gaelic singer Kathleen MacInneswill perform with Amilinafrom Iceland, and string section for Sigur Ros. Rachel Sermanni and Jariath Hendersonwith the Scottish Chamber Orchestra: Karine Polwart and Kris Dreverwith the SCO. 

A celebration of folk-blues singer-guitarist John Martyn’s Grace and Danger album with a special line up – Paul Weller, Lucy Rose, Eddi Reader, Ross Wilson, Rory, Butler, Eric Bibb, John Smith, Katie Spencer.

Punch Brothers concert hall

Richard Thompson

*Visual Performances – showcase of Brave in Concert 

And The Bards Tale – a virtual journey through an 18^th century Scotland with music, gameplay and acting and some of Scotland’s  finest singers.

Along with Showcase Scotland, World music, Celtic cousins (Ireland, wales Basque country) 

Full details & TICKETS Celtic Connections website - https://www.celticconnections.com/

**Celtic Connections Journeys and Photos since 2008.

I’ve been looking over some of my favourite images from Celtic festival. I’ve been honoured to shoot at the festival since 2008. Its hard to pick my best memories because there are so many!

From the top ceilidh bands, the famous, well kent faces, the emerging young talent, the skilled musicians, indie rock bands, the exciting collaborations and beautiful singers, the pipes and Gaelic song, world music and Irish dance – Celtic has them all and more.

Mogwai

Danny Thompson