Celtic Connections 2024!

 

 

Folk music. What is folk music?

This festival is definitively NOT about only about folk music. Some might argue it should be more narrowly about Trad – while others want to hear experimental cross overs and colorations. 

Celtic Connections is definitely full of unexpected collaboration. One of its strengths is it diversity – crossing boundaries while drawing on Celtic heritage and traditions, 

 

There is always a wide variety of MUSIC at Celtic Connections – with its breadth of genres and cultures. The festival is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. 

 

Americana – Bruce Hornsby, Bela Fleck, Molly Fleck. 

Pipes – Finlay MacDonald, Skerryvore (folk rock), Ross Ainslie and Ali Hutton. 

Gaelic – Julie Fowlis, Joy Dunlop, Breabach, Daimh

New composition, orchestral

Fusion, and rock bands, 

Trad music, jazz and blues

Ceilidh and dance, 

 

Some highlights - 

Concert for revolutionary John MacLean - Red Clydeside . 

Irish group, the Bothy Band -

Dougie MacLean anniversary concert. 

 

The festival includes a Showcase, education, open mic, late night sessions, new talent, multi-cultural. Plus the Scottish National Whisky festival

Celtic Connections of one of the world’s largest winter music and folk festivals, I always remember being in the Press office with a London reporter. I said you must have folk festivals like this in London – he replied, ’Oh nothing at all on this scale!”

“Celtic Connections stands as a testament to Glasgow’s status as the UK’s top cultural and creative city, honoured by the European commission. The festival embodies a global tapestry of music, welcoming diverse traditions from across the world. “

 

I’ve been covering Celtic Connections concerts from 2008-2024 (over 16 years) with both reviews and photos. I have so many highlights to recall – impressive opening concerts, old Fruitmarket buzz, the ABC venue (sadly no longer there due to the art school fire), the late sessions, Danny Kyle stage – and so much more.

TICKETS   at www.celticconnections.com. Celtic Connections 2024. 

 

Duncan Chisholm at Celtic Connections 2023

Transported us with his engaging playing

 Chisholm has performed at every Celtic Connections since 1993. Duncan Chisholm engaged us with beautiful videos of his violin during the isolation of Covid, often shot on perfect locations on the Western Isles. His music has range of tone and atmosphere, transcends time and space. He has composed music of the Western Isles – of the swift-changing skies of Scotland’s western coastlines and dramatic mountain ranges; often foreboding but illuminating and hopeful as light breaks through.

 

**Tonight he played compositions from his new 2022 album Black Cullins –  the ragged range of jagged rocky mountains on the Isle of Skye. He was backed by an impressive line-up of award-winning Trad musicians - Jalath Henderson on uilleann pipes, Ross Ainslie on low whistle, Hamish Napier on keyboards and piano, Innes Watson on rhythm guitar, and Ross Hamilton on electric bass and guitar. Along with a string section led by Greg Lawson.

 

He began with the tender and forlorn Black Cuillin Theme with accompanying strings; Born on the Wind of Chaos soared with the full band, bass and electric guitar. The band took the energy and vibe up further with piano, pipes, whistle, percussion and rhythm guitar for the tune, To the High Mountain. Beneath the Fortress about the Skye bridge was majestic, as was the intimacy of Donald Shaw’s A Precious Place, who played piano on this tune, and the drama of pipes on Islands on the Edge.

The tune The Blue Cuillins of the Islands was Inspired by a poem of Sorley McLean’s. Followed by a touching performance of Donald Shaw’s Constellations. Chisholm played Phil Cunningham’s subdued, haunting When the Snow Melts, with only piano for his finale. Heart-warming.    https://www.duncanchisholm.com

 

Music of Resolutions.

Chisholm was supported by the excellent Gaelic singer Kim Carnie - Review and Photos here - 

 

Black Cuillin’ tells of a dream journey through this landscape over a day and a night.” 

Duncan Chisholm, Scottish fiddle player and composer, has released six solo albums. He tours with the Scots Gaelic singer Julie Fowlis and has toured with the folk rock band Wolfstone and the band Runrig.

 

 

REVIEW Celtic Connections 2020

I always look forward to this very special folk, roots and world winter music festival, which offers a great start each year and is one of the highlights of my year. The central hub is the Glasgow concert hall, with its 5 venues spaces which comes alive to the sounds of pipes, whistles, song and those foot-stomping reels! 

This is also very much an international festival with musicians and visitors coming worldwide. For the 18 days of the festival take over Glasgow venues. This year the festival twinned with Finland. 

Celtic Music Radio is the place to hear the Danny Kyle stage open mic performers. This takes place each day 5 – 7pm at the concert hall. This year I heard finalists Muckle Spree and John Edge and the Kings of Nowhere.

On the first weekend there was a festival within the festival - Coastal Connections celebrating the vast and scenically majestic Scottish coastlines and islands. For the price of one ticket we were treated to many top performers – Tiree based Skerryvore, from the West Highlands Diamh, from Oban Capercaillie and from Orkney’s Fara.  A dramatic 10 metre sea goddess puppet made from reeds and named STORM, walked from the Clyde to the concert hall. 

Daimh

For the opening night concert the unique GRIT orchestra performed the Declaration – with 6 new compositions commissioned to celebrate the 700^th anniversary of the Declaration of Arbroath. As well as some of ever popular Martyn Bennet’s music.  

The Auld Lang Syne concert celebrated our great Scots bard Robert Burns, at the Glasgow concert hall when his songs were performed by Eddi Reader, Karen Matheson, Shona Donaldson and all were on top form. I was impressed by Jarlath Henderson, piper, composer and singer from Ireland.

GRIT orchestra the Declaration

Auld Lang Syne

I also enjoy the atmospheric Old Fruitmarket venue and this year saw This Caledonian Soul hosted by Blue Rose Code and his top soul band. His biggest influences are John Martyn and  he performed the song Fine Lines and a new song from his upcoming album. I’m a fan, and I highly recommend his albums.

Blue Rose Code, Caledonian Soul

Julie Fowlis

Rachel Sermanni

Plus the Scottish National Orchestra who performed Scottish composer, pianist, harpist Phamie Gow, composition Lammermuir, along with musicians Jarlath Henderson, Alasdair Fraser, Mairi Campbell.

To top all this I enjoyed the excellence of  the Transatlantic Sessions band with guest singers– Americans Cahelen Morrison, Sierra Hull; Irish Cathy Jordan and Scots singers Rachel Sermanni. Other highlights included – Cherish the Ladies, Roaming Roots Revue, Phil Cunningham’s 60^th, Salsa Celtica, Blazin Fiddles and much more.

Celtic Connections festival supports new artists –  with workshops, the open stage, and the

Scottish Showcase – with over 200 delegates from 23 countries.

Karen Matheson

Transatlantic Sessions 2020

The arts bring us together. Celtic connections is a class example of music crossing boundaries. There is mainstream pop – then there is the craft, heritage and depth of making of the live folk songs. It inspired Bob Dylan to do something more authentic. .

Photos 2018

2018 was a confusing year.  In Scotland we enjoyed the grand opening of the new V & A Dundee, which is a wondrous new landmark and attraction on the river Tay. 

Journeys

I travelled the Scottish islands – Orkney, which was awesome, and all its history. Orkney gently tells many stories – ancient sagas from its rich past. The outer Hebrides and the beauty of the shimmering soft blues of those landscapes is breathtaking, with its expanse of sands and surging seas....

Ross Wilson

Emeli Sande

MUSIC - Rab Noakes, Blue Rose Code,

Photo of Brian May In Edinburgh - also Karl Ove Knausgaard, Murray Lachlan Young, Gina Miller.

We learn invaluable lessons by following those who walked before us. 

I’ve been searching for Scotia – in Edina’s ancient streets ….

Brian May

Gina Miller

Welcoming Different Cultures

It makes me unspeakably angry. The two big events I attend, take photos at and greatly enjoy each year – Celtic Connections and Edinburgh international book festival - are solidly based on diversity, inclusion, openness and collaboration from different cultures.

Since the Brexit vote it has become impossible for some international artists to travel to these festivals. This year several major African artists have decided it is far too difficult to try to attend Scottish festivals. 

The visa application process for artists, musicians and writers has been made so difficult by the UK Home Office, that many are now deciding its not worth the hassle. Donald Shaw (director of Celtic Connections) and Nick Barley (director of EIBF), both report that Britain is now a closed gate, particularly for African visas, and that festivals here will now have to be less international. Celtic Connections has been running for 26 years and EIBF, the oldest UK book festival since 1982; as well as hitting the main Edinburgh International festival.  

What will it mean for international festivals if our doors appear closed? Breixt sends out totally the wrong message. As Pat Kane puts it so well (National November 2018) – "Scottish nationalism is a cosmopolitan nationalism, as some German academics recently described their own country’s mainstream identity."  

British Nationals misunderstand Scottish Nationalism – which is not about isolationism but about democracy: its about all voices having a say, inclusiveness, more local government, equality and not isolation at all!?

Many artists, musicians and writers depend and thrive on cultural exchanges. Creatives value the ‘Four Freedoms’ – free movement of goods, services, capital and people. The academics, entrepreneurs and financial sectors also do. 

African acts were also unable to attended Peter Gabriel’s Womad festival, ‘ Do we really want  a white breaded Brexit flatland? A country that is losing the will to welcome the world?”

The withdrawal of the acts, from Mali and Senegal, has emerged months after Mr 

Shaw warned the festival may have to become less international in future over concerns Brexit would create a financial and logistical “nightmare.” 

Shaw has previously had to scale back his programme due to the plunging value of sterling since the EU vote. Celtic Connections has been hit months after the Edinburgh International Book Festival revealed up to a dozen authors had faced prolonged problems. 

Director Nick Barley warned the “humiliating” process – including demands to provide bank statements and birth certificates, and undergo biometric tests – would deter artists from visiting the UK in future. 

Mr Shaw said: “We had two quite large world music acts who I had pencilled in to perform that both pulled out about six weeks ago due to the hassle and stress of the visa application process. 

They just felt it wasn’t worth the grief. The application process was made so difficult for them they decided not to persevere. “These are top-class musicians who have been travelling around the world for 20 years. Britain now has a very solidly-locked gate, certainly in terms of African visas. 

“The whole thing undermines us as a Scottish festival with an international outlook. We always looked to embrace an internationalist programme. Anything that restricts that is disappointing. I don’t see any good reason for it.”