A Night for Dick Gaughan at Celtic Connections 2026

Gaughan is a voice of deep humanity in our present dark world. 

And a Message from Chicago, that spoke of playing Gaughan’s songs on the long drives to work to remind him of our shared humanity, in these dark times facing Americans today 

 

Gaughan brought many of the traditional Irish and Scots Celtic songs to new life. I’d never heard Robert Burns Westlin Winds before Gaugan introduced this as one of the best songs ever written. Guaghan searched through the Scottish national archives for the best traditional ballads. Like Burns and Dylan before him Gaughan has been a genius song collector and remaker of the old songs. Gaughan drew on his Scots and Irish traditions to develop his song craft and performance. 

 

I first heard Dick Gaughan in the 70s at the Police folk club Edinburgh. A musician friend raved about how incredible and distinctive his guitar playing was. Many years later (after being in America for nearly ten years) I heard Gaughan again at Milngavie Folk club in 2007. This was an intimate gig where his chat and stories between songs while he tuned his guitar, was worth going for alone. In his own distinctive voice, Gaughan hammers and speaks with his acoustic guitar.

 

Testament to Dick’s fame and widespread appeal among legends of the folk music scene, several had travelled far and wide to perform tonight from Ireland, England and Scotland, to perform Gaughan’s well loved songs. 

Mike Harding

**The CONCERT

What a joyful celebration of the legend that is Dick Gaughan – the most influential folk artist, musician and singer of the folk song of the 20^th century. 

 

The Dick Gaughan tribute concert was amazing! So emotional, so many folk icons. He’s the most respected Scots folk artist, song collector and awesome guitarist of the past century. The concert began with a black and white video of Gaughan performing at a folk singing session back in the 70s. 

Tonight’s concert was hosted by presenter Mike Harding and comedian Stewart Lee. Harding read warm messages from fans and from several folk icons – Ralph McTell, Peggy Seeger and more. And a Message from Chicago, that spoke of playing Gaughan’s songs on the long drives to work to remind him of our shared humanity, in these dark times facing Americans today 

 

There was a lot of love and camaraderie in the room tonight! The quality house band boasted Michael McGoldrick, Euan Burton, Innes White, Dave Milligan, Megan Henderson, Louis Abbott, They played an energetic opening performance of Workers’ Song, sung by Paul McKenna, Karine Polwart, Kris Drever, and Siobhan Miller.  

Karen Matheson

Ross and Lorraine Macintosh 

Karine Polwart

This was followed by the song Erin Go Brach sung by Paul McKenna. There were performances by accomplished guitarists – Martin Simpson, Kris Drever, Brian McNeill, Paul McKenna and Seamie O’Dowd.  And moving singers - Karen Matheson with the song Language of the Gaels, Karine Polwart sang an intimate Craigie Hill. While Ricky Ross and Lorraine Macintosh of Deacon Blue, sang Wages Day.

Lisa O'Neil

Seamie O'Dowd

The Irish folk artists impressed – Lisa O’Neil sang two of her own songs: Rock the Machine, and The Wind Doesn’t Blow This Far Right.Karen Casey who performed The haunting The Snows they melt the Soonest.

There was a powerful performance by Billy Bragg, with the song The World Turned Upside Down. The second set began with Kris Dreversinging Gaughan’s most loved Burns song, Westlin Winds. The Irish guitarist Seamie O’Dowd who performed Song for Ireland was so good, one of those hushed silence moments….  And an emotional performance by Martyn McCarthy of the song Bonny Woodha carefully assisted by Eliza McCarthy, and given warm applause by the audience. 

Dick Gaughan was there towards the end and sang a bit – the song The Shipyard’s Apprentice as a tribute to Archie Fisher. The passing of a generation. The concert finished with the rousing community singing of a Gaughan favourite Both Sides the Tweed, a song of unity and hope, led by Matheson, Casey, Bragg and Polwart. And after by Hamish Henderson’s social call Freedom Come all Ye. 

Martyn McCarthy & Eliza McCarthy

Dick Gaughan

Billy Bragg

Siobhan Miller

Billy Bragg, Karen Matheson & Karen Casey

Songs of social conscience and of contrast, quality and sincerity. Gaughan has became a legend on the Scottish and world folk circuits for more than 40 years. He is an interpreter of Scotland’s traditional folk ballads with his distinctive style of guitar playing, with open chords and timing that he learnt from guitarist Davey Graham. 

 

Gaughan is Scots/ Irish and has spent his life in Leith Edinburgh. He’s a social protester, a profound storyteller who crosses boundaries, forges alliances through the depth of his story telling, song and dramatic guitar playing. His songs don’t flow easily to the shore and they also share the full range of emotions.  Gaughan is plain spoken and holds firmly held beliefs on the rights of everyman. 

 

Tonight was a wonderful tribute and celebration to Gaughan’s genuine authenticity. He cares about the truth of things and of digging below the surface for the stories behind the songs. What an excellent song list and cast of musicians, a veritable who’s who of the folk scene, for what proved a most memorable, poignant and quality concert. The joy and enthusiasm of the performers was palpable. 

 

So glad to hope the younger generations are carrying the stream. (More so in Ireland perhaps?). I have to admit the most emotional Celtic concert I’ve been to. So many memories….You come away from his gigs questioning and renewed in the faith of our shared humanity. 

**SONGS – Erin Go Bragh, Workers Song, The Snows they Melt the Soonest, No Gods, Wages Day, Language of the Gaels, Song for Ireland, Westlin winds, Daughters and Sons, Craigie Hill, What you do with what you’ve got,  Both Sides the Tweed.

Gaughan is plain spoken and holds firmly held beliefs on the rights of everyman. Gaughan had a stroke in 2016, which means he can no longer play the guitar. He’s not been able to play for nearly ten years. Gaughan’s album Handful of Earth became an iconic folk album. 

·       (R/evolution: 1969–83) was released in January 2026 along with 

·       Live at the BBC: 1972–79 (vinyl). 

 

* The concert was recorded by BBC Radio Scotland. (Celtic concerts used to be recorded by the BBC Scotland tv.)

GUITAR  Earthy, real and powerful guitar playing, an incredible presence and depth. Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. His distinctive style of guitar playing, with open chords and timing that he learnt from guitarist Davey Graham which was tuned differently. 

 

Karine Polwart, 

Ricky Ross and Lorraine MacIntosh, 

Billy Bragg, 

Kris Drever, 

Paul Mckenna, 

Siobhan Miller, 

Karen Matheson, 

Martin and Eliza Carthy, 

Michael McGoldrick, 

Martin Simpson, 

Tommy Sands, 

Karan Casey, 

Brian McNeil, 

Seamie O'Dowd  

Lisa O'Neil 

From Ireland – Karen Casey, Tommy Sands, Lisa O’Neill, Seamie O’Dowd.

From England  - Billy Bragg, Martyn Carthy, Martin Simpson, Michael McGoldrick

From Scotland – Ricky Ross, Lorraine Macintosh, Karine Polwart, Kris Drever, Karen Matheson, Siobhan Miller, Brian McNeill, Paul McKenna.

(Gaughan is challenging Celtic Music over the copyright ownership rights of of his music. Colin Harper has set up Go fund Campaign. Gaughan has never been paid any royalties. With Photography I allow people to ‘use’ to my photos, but I never loose copyright ownership. His music has been held back from streaming and Celtic Music claims ownership of eight albums from 1972. Other musicians have also battled over ownership of their music.)

SCOTS Activists Groups

 Here are some of the most significant major Scots activist groups, who since 2014

 - working hard for Scotland’s future democracy. 

 

Scotland Act 1998 – to give us a referendum.

Is Scotland colonised?

 

 

Liberation Scotland

 

Salvo

 

Believe in Scotland

 

Common Weal

 

Scottish Currency Group

 

Scottish Constitution Group

 

The National Newspaper

 

Revival Scots Language

 

I attended a talk last week by the Scots poet Len Pennie at Dreamworks Bookshop Milngavie

Pennie’s poems have more lilting lyrical musicality than her English poetry. Her poems pack immediate emotional directness and punch. She says it was all the grandmothers who kept the Scots voices and language alive. 

 

Welsh Labour are proud of Welsh Gaelic and the Welsh flag. We cannot say the same of Scottish labour, would they stand in front of the saltire and speak in Scots Gaelic or Scots? There’s been a long story of religious divisions in Scotland – the divide and rule tactic of the empire elites.

 

She suffered dreadful trolling online abuse. For many years the Scots language has been treated as a ‘pretendy language’ and oddly often by hostile Scots, it’s a centuries old saga. Yet Scots have been historically influenced by their connections and trade to Flanders and Ireland. 

II  Back when James VI held a clan gathering on Iona, he insisted that the clans had their eldest son educated in England, and taught to speak ‘correct English’. This practice continues to this day, with the private school accents. All the assimilation, repression of cultural difference. In the 20^thcentury English managers and middle class professionals came to Scotland – and Scots speaking workers were treated as second class citizens in their own country. 

 

The opposite was true back after union 1700s though – the Scots were the workers of the British empire, when after Reformation many Scots were highly educated and there were more ancient universities in Scotland – 

 

So what changed?

During the 1700s several poets wrote to keep the scots language alive  - Allan Ramsey, Robert Fergusson and notably Robert Burns. Burns wrote in English, the language of his education in books. But it was when he read the Scots poems of Fergusson he was inspired to write in Scots, the language closest to his heart. His mother knew and sang all the old Scots ballads. Burns collected, added to and edited the auld Scots songs from his many Scotia travels. 

 

English is of course the global language after the spread of the British empire. But crucially cultural diversity matters so much – both back in Burns day and today. We can have global trade and connectedness AND also have our own voices. We can have both. Why must it be either or?

 

For decades Scots children were rapped over the knuckles if they spoke with a Scots accent or belted if they used Scots words or dialects. Broadcaster Lorraine Kelly was initially told she must tone down her Scots accent if she wanted to be successful - and she thought why should I? 

 

In the 1950s most radio and tv presenters spoke with a clipped Oxford English. Today we have many accents – yet worryingly Scots students attending Edinburgh university continue to be mocked for speaking with a Scots accent – and told to ‘speak more correctly’ by English private school students. When I travelled across Edinburgh on the top of the bus I heard English accents of students in brightly coloured blazers and thought, where are they from? Around 25% of Edinburgh students attend private schools. This creates an unhealthy two-tier society which holds many children back.  

 

At Celtic Connections there are many hauntingly beautiful Gaelic singers 

When Scots writer Billy Kay gave a speech in Scot in the Scottish parliament, he was ridiculed by many Scots. The usual Scots versus Scots. In Switzerland they can speak both local and high German languages – the two languages sit by side by side and not in opposition to each other.

 

Why must Scots chose a side? Religious wars are now centuries old – while the British Constitution of 1688 continues to dominate. Why cant we have English and Scots and Scots Gaelic alongside each other?

 

The Scots language is not merely a side issue – its crucial to our Scots identity and unique voice. Diversity matters. 

 

**The Scots language has been recognised on Spotify – Iona Fyfe

 

Scots is now taught in Scottish schools. 

Cultural History Disconnects

Cultural History Disconnects

 

I had a big disconnect between my primary school and secondary school. At primary we had Scottish dancing, Scots poetry and song. Then at secondary we had no Scottish history, culture or music at all. Only English literature, history and music. Quite a strange disconnect. We used to go to the military tattoo at the castle every year. 

 

Then I attended college down the cobbled royal mile Edinburgh, and wondered about all the history here – the Canongate Kirkyard, John Knox house, St Giles, Holyrood, the Grassmarket – and the castle. 

 

Going to secondary school Edina, I travelled across the town by bus via princes street. I passed a statue to the Scotch Bard Robert Burns at the bottom of Leith walk each day. On the top deck there were many teenagers in brightly coloured blazers who spoke with posh English accents and I wondered where they came from. In Edina around 25% of children attend private schools. 

 

No it wasn’t and isn’t an integrated melting pot at all but a stiff social hierarchy here. Back in the 60s though, young people had more options to go to study. Houses were built to offer greater social mixing, but that often hasn't succeeded. When people don't feel they have things in common, many put up defensive barriers. 

 

Visiting Holyrood palace I once picked up a small blue book on the Stuart kings of Scotland. I became fascinated by the Scots history and stories. I visited the Scottish national galleries, with their many portraits of Scottish royalty. My parents were from Northern Ireland, so I was very confused, as no doubt they were too. 

Mark Kermode Front list with Brian Cox EIBF 2025

Film critic Mark Kermode gave a Front List talk with renowned Scots actor Brian Cox, and Scots actors Kate Dickie and Michelle Gomez.

 

Brian Cox spoke of his background; he is 88% Irish, 12% Burnt island Scottish. He was in both Braveheart and Rob Roy films – he said that Braveheart was a lie and the film didn’t make sense and they didn’t have kilts then. Wheras Rob Roy was a really well written script and had a wonderful director. 

 

They discussed that all drama is politicised when you have a voice its important to speak up. Kate spoke of all the Palestine authors and shows at the festival (Put your soul in your hands and walk). She spoke of having to pretend that she lived in London to get work.

Mark Kermode

Kermode asked about their Scots Identity

Kate spoke: “I love England as a neighbour, but if you’re roof is leaking, you don’t ask your neighbour to fix it.” 

 

Brian: The boomers have dropped the ball and now we have to fight again. The horror of Gaza, Ukraine and Trump – we all have to speak up. There are good guys in America but they are not good with women.

 

We need good people: honest, true and good I don’t like Starmer. He doesn’t believe in anything, he’s closed everything down. Scots are authentic but have an inner depression. Scots are not boastful about what we’ve contributed. We should boast more for our self confidence. Scots are popular in America with many having Scots heritage. And by the way, Scotch is the correct term, and was used in Burns day!  As is used by Scotch whisky too.

 

His new film Glenrothan will debut at Toronto film festival  He said with directing you are a cog in the wheel, for everyone contributing. He spoke of troubled times at Edinburgh film festival, with tickets not selling.

 

Kate Dickie

Brian Cox's new film is a directorial feature debut called Glenrothan, a Scottish family whisky drama where he also stars opposite Alan Cumming. Described as a "love letter to Scotland," the film features Cox and Cumming as estranged brothers who reunite to save their family's distillery. The film was shot in Scotland and is expected to have its premiere at the Toronto International Film Festival in September 2025.

Brian Cox

Brian Cox and Michelle Gomez

Scots & 250 Years of Founding American Independence

 

The general ignorance of Scots history and contributions worldwide. How many Scots have heard of the “Scottish Enlightenment” – or have any idea what it was about? I’d guess only a few Scots have any idea at all. I’d never heard of the Scottish enlightenment until I attended at talk by historian Tom Devine. And I studied for higher History at school – which was all English history. 

 

Ian Houston from Global Scots network - discussed the direct part Scots played in the foundations of American independence. The linkages and the connections. 

 

Many Key Philosophical ideas came from the Scottish Enlightenment from 1740s onward and - " The social contract that government derives its power from the consent of the governed." And from the Declaration of Arbroath 1320.

Declaration of Arbroath 1320

Professor Small was teaching in Virginia, and one of the pupils was Thomas Jefferson, one of America's founding fathers. While Benjamin Franklin visited Scotland and met the Scottish philosophers – David Hume and Adam Smith.

There are many opportunities for modern Scotland – with its progressive universities and social enterprise. To embrace opportunities, to be aspirational. 

Houston said there is lots to be celebrated and all the diversity that exists in Scotland. He also said there ’has also been difficulties over the years in America with – the Bill of Rights, civil war, slavery.

 

https://www.globalscot.com/