Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

TOP FOLK songs

 

My TOP FOLK songs

Jock O Hazeldean, Walter Scott

The Blacksmith, traditional

Ye Banks and Braes, Robert Burns

Westlin Winds, Robert Burns

Gently Does It, Rab Noakes

Scotland Yet, Davy Steele

Garden Valley, Dougie MacLean

 

Both Sides Now, Joni MItchell

The Times they are a changing, Bob Dylan

Stevie Nicks captivated a packed Glasgow OVO Hydro

Held us spellbound and captivated. 

Nicks took us through her musical journeys, taking flight through her story-telling, her husky, forthright, mesmerising voice. With her haunting energy and the charm of her vast back catalogue of songs. So many classics and nostalgia.

Many audience members were dressed in hipster skirts and hats – and were all ages. She sang her own hits, some Fleetwood Mac songs, as well as Tom Petty songs. 

In between songs she regaled us with the stories of how Fleetwood Mac came into being , which brought a human touch and brought her musical journey to life. 

She finished with her encore of Rhiannon, Landslide and with Got a hold on Me , herribute to her band mate Christine McVie, who died in 2022, along with powerful black and white images of their lasting friendship. Fleetwood Mac were musically led by their two songbirds. 

Nicks and her band have been doing her European tour for over two years and uniquely this Glasgow concert was the last night. 

She wore her heart on her dancing sleeves. Nicks apologized for having to cancel her previous Glasgow concert and explained she had suddenly come down with an illness. She is a melodic bird in flights of fantasy and song.

**SONGS

Running down a Dream, Outside the Rain, Dreams, 

If anyone falls, Stop dragging my heart around, 

For what its Worth, Gypsy, Wild Heart, Bella Donna, Stand Back, 

Free Falling, gold Dust Woman, Leather and Lace, 

ENCORE: Rhiannon, Landslide, Got a hold on Me. 

 

Lindsay Lou

American singer songwriter Lindsay Lou performed at the Transatlantic Sessions as part of Celtic Connections 2024

Lindsay's silky smooth and rhythmic voice mixes bluegrass with modern Americana. Her performance was magnetic as she danced along to her emotive songs, Nothings Working and Love Calls. New album Queen of Time released 2023.   #ccfest2024

Dick Gaughan’s appearance at Red Clydesides John Maclean concert

 

Billy Bragg & Dick Gaughan at concert Celtic Connections 2024

 One aspect of folk music is its inclusive, open culture – its for everyone. Its not about a few musicians on stage. All can sing the choruses, dance or clap along. 

 

This year traditional Scots musician Dick Gaughan made a surprise appearance at the concert for Red Clydesider John MacLean to a standing ovation. Gaughan had a stroke a few years back and has been unable to perform or play his guitar. Gaughan has become something of a legend on the Scottish and world folk circuits for more than 40 years. He is an interpreter of Scotland’s traditional folk ballads with his distinctive style of guitar playing, with open chords and timing that he learnt from guitarist Davey Graham. 

John Maclean socialist reformer 1879 - 1923

 

I remember Dick Gaughan standing near the Celtic Connections press office. He was happy to chat, maybe he remembered me from the intimate Milngavie folk club concerts, where some musicians there said he was a living Scots legend. My younger son came to hear him and was impressed with his dramatic guitar playing, and the strength of his guttural voice on his highly memorable and meaningful folk songs. 

 

Dick Gaughan is a song collector, songwriter and traditional ballad singer and musician. I remember Gaughan singing telling his stories and songs -  The Yew Tree, What you do with what you’ve got, The Flowers of the Forrest, Westlin Winds,

 

In 2018, Celtic Connections held a tribute concert for Dick Gaughan at the Old Fruitmarket. With the Wilson Family, guitarists Tony McManus and Martin Simpson, Karine Polwart ,The Bevvy Sisters, Mary Macmaster, Patsy Seddon and Dougie MacLean, They performed songs with a social conscience – of Grenfell tower monument to greed and selfishness, Aberfan disaster, miners strikes, Jute mill songs, Neil Gow’s fiddle. Where are the young voices of protest today to stand up for people’s rights?  DickGaughan Tribute concert 2018

 

The first time I heard Robert Burns Parcel of Rogues was Gaughan’s interpretation at the festivals Auld Lang Syne concert in 2009. I had no idea before this that Burns was such a radical reformer and like many, I had thought he mostly wrote his love songs and poems. 

Certainly an Outlaw and Dreamer like no other! An inspiration.

I have taken photos at Dick Gaughan’s concerts over the past years since 2006 and here are some of them. 

Many of this generation of folk singers are now getting older and I wonder who among the younger musicians can replace them? In 20 we lost Dundonian character songwriter Michael Marra (more later), in 2012 the iconic Scots songwriter Gerry Rafferty (I took photos at a concert to his memory at Celtic Connections) and just last year the wonderful Rab Noakes, who I knew well from his concerts and taking his photos there. What an interesting gentleman and creative songwriter he was. I remember in my twenties in my folk days, we would often sing in harmonies his early songs – Branch, Clear Day, Eden’s Flow -  Happy Days indeed! Another massive Bob Dylan fan. Noakes started out playing with Gerry Rafferty in the Humblebums.

 

Transatlantic Sessions 2024 Review II

This was a concert of memories, escapism and also expectations – as well as the fun banter, expert musicianship, quality vocals and top songs. Session bands don’t come any better than this TS band.

Young Irish folk singer-songwriter Joshua Burnside gave a strong performance with his thoughtful songs Louis Mercer and 26^th Street. He is influenced from contemporary electronica and traditional Irish songs, evoking lush landscapes, bad dreams and wistful vistas. His debut album Ephrata was awarded the Northern Ireland Music Prize for Best Album.

Joshua Burnside

We were then treated to Scots singer songwriter, Kim Carnie engrossing and pure Gaelic voice. She is also lead singer of Mànran and Staran and winner of the Scots Trad Music Awards Gaelic singer of the year.  While American singer songwriter Lindsay Lou’s silky smooth and rhythmic voice mixes bluegrass with modern Americana. Her performance was magnetic as she danced along to her emotive songs, Nothings Working and Love Calls. New album Queen of Time released 2023.

Kim Carnie

Lindsay Lou

Canadian duo Allison de Groot & Tatiana Hargreaves returned on banjo and fiddle with their jaunty tunes!. They are winners Instrumental Group of the Year and Traditional Album of the Year at the 2023 Canadian Folk Music Awards. And we enjoyed hearing the talents on double bass of Daniel Kimbro, on the humorous song Michael Collins.

A highlight was Grammy nominated singer-songwriter Carlene Carter­ - daughter of music legends June Carter and Carl Smith, and Johnny Cash’s stepdaughter – who performed her songs, Every Little Thing, Wildwood Flower - as well as June Carter’s Ring of Fire, for a rousing sing along finale.

Lindsay Lou

The two music directors with their fun chat kept the show and the band grounded – Jerry Douglas with his expressive dubro and Aly Bain with his moving Shetland fiddle. Alongside the other excellent players. The packed audience appreciated Phil Cunningham’s tune Melody for Eve and Aly Bain’s Smuggler’s Set

This concert stirs so many emotions, with both the thoughtful songs and joyful playing. This kind of vibrant playing take us out of those everyday struggles for a while. Its all about how good the collaborative vibe is between all the artists, from youthful exuberance to the experienced traditional players. I’ve attended the Transatlantic Sessions since 2008 and while they are always an excellent standard, tonight’s was one of the best! Tremendous fun!

The house band, is led by Aly Bain and Jerry Douglas, features renowned Celtic roots musicians Phil Cunningham, John Doyle, Michael McGoldrick, John McCusker, Donald Shaw, James Mackintosh and Daniel Kimbro. 

 

Photos & Review Pauline Keightley -  https://pkimage.co.uk

 

SONGS make a Nation

The Proclaimers

And the poetry and art. Since the 60s Scots have been singing in their own Scots and Gaelic voices – first with Flower of Scotland on the football terraces, the resurgence of Scots folk protest songs such as Hamish Henderson’s Freedom Come All Ye and then with the Proclaimers songs. 

We might ask who is writing new songs for the union?

 

“Now everyone sings Scottish songs and if I were a unionist politician of whatever party, but especially the Labour party, I would be counting the songs, have a habit of making the laws also.” Ian Hamilton wrote. 

 

Since the 60s and 70s, the resurgence of Scots voices, culture and arts have had more impact on our hearts and minds - than the often hollow and ignorant political chat. Early in 1970s Edinburgh, traditional folk songs were flourishing around the folk clubs, bars and folk festivals – Girvan, Ayr, Arran, Sandy Bells and many more. 

Before this I had mainly listened to music on recorded albums, so the live local music scene was a revelation for me, with its foot-stomping fiddles, the strumming banjos, guitar and bohran, the perfect unaccompanied singers, and the traditional Scots ballads. 

 

The impact of the Proclaimers first tv appearance on channel Four’s music program the Tube – when they performed Letter to American in strong Scottish accent was immediate. They combined folk and punk music. Then we also have dougie macLleans powerful Caledonia and David Steele's Scotland Yet.

 

As attitudes towards the British empire changed after the war, in the mid 1960s at the men’s football game they started to boo and agitate and to sing their own songs as the band played the national anthem, God Save the Queen. In 1966-67 fans started to sing Flower of Scotland – and eventually authorities recognised this and dropped the UK National Anthem for Scotland.

 

The Corries

Ian Hamilton, who along with other student stole the Stone of Destiny from Westminster Abbey, wrote -

“Nobody sang in Scotland in the ­middle part of the century. To be more correct, those who sang did not derive their songs from Scotland. Their sources were ­foreign and what they sang was only an alien copy of other people’s ways of life.”    He saw a very different Scotland in the early 1990s compared to the past: “Now everyone sings Scottish songs, and if I were a Unionist politician of whatever party, but especially of the Labour ­Party, I would be counting the songs, rather than the votes. The people who make the songs of a country have a habit of making the laws also.”

Perhaps that is a little too romantic for some but it contains a kernel of truth. What we sing and who sings says something about who we see ourselves as ­being and how we stake our claim in the world. Maybe in his heart, Ally McCoist knows this too.

Extracted The Songs We Sing, Gerry Hassan, The Sunday National 17^th September 202 - 

https://www.thenational.scot/news/23794397.gerry-hassan-god-save-king-flower-scotland-unites-us/

 

 

Celtic Connections 30th 2023!

Transatlantic Sessions

19th January – 5th February 2023.   @ccfest

Celtic Connections music festival returns this January with one of its most diverse and exciting programs.

The festival is one of the world’s largest winter festival celebrates roots, folk and world music returns this January for its uplifting warm music nights! With outstanding musicianship, challenging collaborations, innovative composers, alongside musical traditions and heritage, Gaelic song and famous orchestras.

1200 musicians will take to the stage for 300 events at more than 25 venues across the city, with shows spanning traditional folk, roots, Americana, jazz, soul and world music. 

Its good to see the new generations coming up and given a bigger platform at Celtic Connections. There is a growing confidence in Scotland’s arts and media, and its traditional music scene – which is world class. Celtic Connections plays an integral role as our major folk and roots festival the past 30 years. 

Violinist Duncan Chisholm - “We’re at a point now that is the most exciting, for traditional music here, that there has ever been. Our music is spinning off in all sorts of directions. It is definitely in a much better place than it was when cc started 30 years ago, and I think that is to do with the festival itself.”

The Opening Concert celebrates both past and new artists, international and local, collaborative and cross-genre spirit - with Karine Polwart, Sierra Hull, Basco, Peat & Diesel, TRIP, Maeve Gilchrist, Rachel Sermanni and Michael McGoldrick, Hannah Fisher, Ross Ainslie, Anna Massie, Alyn Cosker, James Mackintosh, Duncan Lyall and Sorren Maclean.

Duncan Chisholm

Aly Bain

Martha Wainwright

Transatlantic Sessions celebrate 20th Anniversary with all-star line-up - Martha Wainwright, Hothouse Flowers frontman Liam Ó Maonlai, Capercaillie’s Karen Matheson and Amethyst Kiah. Plus house band of Celtic & Americana talent – Phil Cunningham, John Dole, Michael McGodlrick, John McCusker, Donald Shaw, James Mackintosh and Daniel Kimbro and masters of ceremonies Sherland fiddler Aly Bain and dubro master Jerry Douglas.

PLUS favourites - Irish-American Cherish the Ladies, Scots strings Blazin’ Fiddles, trad fusion powerhouse Treacherous Orchestra, Colin Hay, Australia’s Grammy-winning Men at Work, Quebec’s Vent du Nord. Piper Ross Ainslie & American roots musician Dirk Powell. The Song Circle show with Mary Chapin Carpenter, Karine Polwart, Julie Fowlis & Robert Vincent at Theatre Royal. Duncan Chisholm and Kim Carnie at the concert hall.

And the live mic at the Danny Kyle stage the Late Sessions and Folk club and much more. Showcase Scotland will see Brittany showcased, to advance opportunities, along with Wales, celebrates the folk traditions of two of Scotland’s closest Celtic cousins. 

The festival encourages both innovation and traditions, quality musicianship and authenticity. To follow a natural artistic path, to be genuine. Along with welcoming our important connections from elsewhere. Scots have been one of the most travelled nations and they took their music across the world – particularly to America. 

**Tickets for Celtic Connections 2023 at www.celticconnections.com.

Blazin Fiddles

Audience Old Fruitmarket

Braebach

 Donald Shaw, Creative Producer for Celtic Connections, said: “It feels remarkable that in just a matter of days the 30th edition of Celtic Connections will kick off in Glasgow, celebrating all genres of music, a variety of world cultures, and bringing communities together from across the globe. A huge amount of work and preparation has gone into this year’s festival; it is testament to the strength and tenacity of the Scottish music industry, which has successfully overcome an incredibly tough period."

“We are so appreciative of the musicians and artists who have contributed in all manner of ways to Celtic Connections over the past three decades, and we will pay homage to them throughout the 2023 festival, as well as looking forward towards a bright and hopeful future. We look forward to seeing venues full, artists doing what they do best and the musical community thriving right across the city in a week’s time.”