Celtic Connections Review 2023

 

2023 marked a welcome return. with long queues at the Danny Kyle open mic stage, packed venues and an excitement to have the popular festival back, after the restricted lockdown years of the Covid. (2021, 2022): and showcasing performances from some of the world’s most celebrated artists  Europe’s premier folk, roots and world music festival Celtic Connections drew to a close after 18 days of spectacular concerts, unique and powerful collaborations and captivating screenings. 

Celtic Connections, one of the world’s largest winter music festivals and this year saw its 30^th year, celebrated with an exciting line-up for its Opening concert – The Big Band plus -  Sierra Hull’s mandolin, Hebridean Peat and Diesel folk rock; Maeve Gilchrist harp melodies; Mali’s duo Dre Cali, Liam O Maonial’s band Hot House Flowers, singers Karine Polwart, Kim Carnie, Rachel Sermann, and Fergus McCreadie’s jazz piano.  

 

The concert included musicians who have been involve since its beginning, as well as providing a platform for future talent, everything from contemporary dance to punk-inspired folk rock.

The world-renowned festival,19th January to 5th February, was held without restrictions for the first time since 2020, staging more than 300 events with more than 100,000 attendances at 25 venues across Glasgow, from the famous Glasgow Royal Concert Hall to the Mackintosh Church in the west end and Tramway in the southside.(There was also over 10,000 attendances at free events). 

Irish Celtic Music. Róisín Reimagined with award-winning Irish singer Muireann Nic Amhlaoibh and Irish Chamber Orchestra teamed up for a new project that combined exceptional vocals with fresh orchestral arrangements of sean nós songs, breathing new life into the noble, classical music of 16th-19th century Gaelic Ireland. 

Another notable performance was Rise Kagona, lead guitarist and only remaining member of the mega-successful Zimbabwean rock band The Bhundu Boys. One of the most successful contemporary folk musicians from Finland, Maija Kauhanen, combined her expressive voice with Finnish kantele when she performed with composer Andrew Waite. Rozi Plain performed tracks from her upcoming fifth LP, Prize and local musician Terra Kin presented their debut EP Too Far Gone.

Other highlights - Malian duo Amadou Bagayoko and Mariam Doumbia, with their rich and radiant blend of desert blues, Afro-pop, rock and hip-hop. Hen Hoose, a songwriting collective, brought together artists with ground-breaking music. Man of the Minch, at the forefront of Scottish folk music performed tracks from his debut album, The Tide is at the Turning. One of Mali’s most dynamic artists Rokia Koné  gave her first live performance in the UK of her debut album Bamanan, which was named one of the New York Times Best Albums of 2022.

The popular Cherish the Ladies, all-female American supergroup, champions of Celtic music, captivated with soulful singing, uplifting traditional Irish tunes and energetic dancing, as they celebrated 38 years. 

The sold out Transatlantic sessions brought together accomplished musicians and talented solo performers and went on tour to six UK venues. My personal highlights were Danny Kyle open stage, Vent du Nord, Duncan Chisholm, Kim Carnie and TS concerts

**Showcase Scotland, highlighted international partners Brittany and Wales during the six-day programme. The music industry event, which returned for the first time in two years, introduced delegates from across the world to the Scottish music sector, featuring this year’s partners Spectacle vivant en Bretagne - EPCC, and Wales Arts International - Celfyddydau Rhyngwladol Cymru.

Donald Shaw, Creative Producer for Celtic Connections, said: “It has been incredible to celebrate the 30th edition of Celtic Connections and showcase folk, roots and world music, bringing communities from across the globe together in Glasgow. This year’s festival was a huge success and the calibre of the artists was incredible.

“We are honoured to have brought Europe's largest winter music festival to audiences from all over the world for the last 30 years. This year, we paid homage to all the musicians and artists who have contributed to Celtic Connections over the past three decades. We can’t wait to return in 2024 and once again bring music from around the world to the heart of Glasgow.”

Vent du Nord

Fergus McCreadie

Sierra Hull

**New Talent at Celtic Connections -  Lewis McLaughlin, who won the Glastonbury emerging talent

Kim Carnie, award winning Gaelic singer and composer, Mercury nominated Fergus McCreadie jazz pianist, 

*Danny Kyle Stage, 24^th year – Binky Blue – Carnan – Chloe Matharu – Falasgair – Tem and Will Boyd-Wallis

*Winner Young Trad Musician 2023 – pianist Amy Laurence, who mixes traditions from Shetland

This year’s winner of the prestigious award joins a list which recently has included amongst others the 2022 winner fiddler Eryn Rae, pianist Michael Biggins, piper Ali Levack, fiddler Benedict Morris and singer Hannah Rarity.  Amy said: “I am stunned and delighted to be the BBC Radio Scotland Young Traditional Musician for 2023 and to follow in the footsteps of past winners, who are such an inspiration.”

Originally from Shetland, Amy began her journey through traditional music at the age of 16 when she began attending lessons from Violet Tulloch, who she still considers a large influence.   In 2017 she made the move to Glasgow to study Classical Piano at The Royal Conservatoire of Scotland before making the switch, in 2019, to the traditional department where she was awarded a first-class honours degree in traditional music.  As part of the 2023 award, Amy wins a recording session with BBC Scotland, an opportunity to perform at the Scots Trad Music Awards later in the year, plus a one-year membership to the Musicians Union.

Bob Dylan on Good Voice Ovo Armadillo Glasgow

Dylan held us inspired with his voice, the master of his song craft, and the unforgettable storyteller. Our iconic bard held sway with his top-rated band – Bob Britt’s flying-V guitar solos, multi instrumentalist Donnie Herron on lapsteel, mandolin and fiddle, the dynamic, unconventional drummer Charlie Drayton, Tony Garnier on upright bass. 

Dylan was centre stage and he stood at times behind his wooden piano: he’s worked to get the sound just right and though he’s mostly in shadow, he appeared upbeat. Dylan digs deep into the American and the more distant European songbooks –and he states both the Scots and Irish folk ballads as influences, along with the classics. He mixes up with Chicago blues, blistering rock n roll, new Orleans flavoured knockabouts and stately melodic reflections.

*Tonight Dylan sang his new album, Rough and Rowdy Ways, 

Bob is proud of his new album which has had top reviews, his first of new songs since Tempest in 2012. Dressed all in black, the band are silhouettes and as the songs begin they are illuminated by the brightly lit squares beneath them, backdropped by deep red velvet – as if floating to that promised land Dylan’s’ words and songs offer us. He’s the true prophet of our times, even though he asks not to be! 

We’ve entered slower paced past times before mobile phones, before flashing lights, to inhabit the moment and be free of burdens. The band are strung as one, emphasising the rush and flow – asking, questioning, apologising, and quiet searching of our souls. Dylan’s been through many doorways, seen many distant shorelines. At 80 he’s given us another classic album.

 

Now at 80 he continues as the journeyman going strong – His band are on top form with surging guitars, to subtle, gentle, backing rhythms surrounding the deep power of Dylan’s words. He savours the live experience, that exchange of song and audience, sharing his voice with his long standing and admiring fans. He seems more at ease with himself, and certainly the new album is slower tempo, chilled and intimate: while still offering the questioning and grit we expect. His songs don’t come easy and they get under your skin. 

**SONGS

**Dylan sang 17 songs tonight – 9 from his 2022 album Rough and Rowdy Ways

He began his show with Watching the River Flow (written 1971) about those creative urges so crucial to his life. And followed by the complex opening track from R & R, I Contain Multitudes.

The memorable and often quoted lyrics of False Prophet and When I Make my Masterpiece. The intimate stillness of a lovely love song I’ve made up my Mind to give Myself to You. He sang an impressive Black Rider, with unexpected key changes, ‘The road that you’re on, same road that you knew, just not the same as it was a minute ago.” My mind is at war, Hnag off your arm. 

Followed by My Own Version of You, Mother of Muses.The haunting slow drumbeat of Crossing the Rubicon, a metaphor to take a leap into the unknown and commit to certain journeys - Take the big road, whatever road you can. Bob sang the chilled relaxed happy rituals of favourite track Key West. We were left in harmony. After which he said, “Hello everyone”. Dylan was centre stage and he stood at times behind his wooden piano: he’s worked to get the sound just right and though he’s mostly in shadow, he appeared upbeat

 

**Other than the album, Dylan performed Most Likely You’ll go your Way and I’ll go Mine from Blonde on Blonde album. Followed by one of his ultimate classics with surging guitars Gotta Serve Someone, from Slow Train Coming album – backed by Bob Britt’s surging guitar, Donnie Herron’s dynamic pedal steel guitar and the thundering drummer Charlie Drayton. And a very slow version of I’ll be Your Baby Tonight; a cheerful and an cheerful upbeat Be Alone with You, from 1969 album Nashville Skyline - Under the starlight sky; and a swinging cover version of That Old Black Magic. 

Dylan performed a rousing rock blues Goodbye Jimmy Reid on which he plays harmonica – an upbeat tribute to the blues giant. To those having a free voice. When Dylan said, ”Thank you everybody, Hope you are all well.” For their final song the band performed Every Grain of Sand – and with band introductions. 

After which the band and Dylan lined up centre stage, then exited and came back for a final bow, when there was a rush of applause when I thought how much Dylan’s songs and music have meant to so many, and especially for those musicians in his footsteps (and for me). Like the Scots bard Robert Burns, Dylan looks back to the great writers before him and also to what lies ahead.

I might have hoped, as in 2011, Dylan had encored two of his classics (Rolling stone, All Along the Watchtower), but this show was about new material mostly and we left grateful, satisfied and thankful.  He sits at the turbulent crossroads. He continues being the journeyman bringing his messages of a better way. Hope of those journeys, Fear of time taking us all. 

 

In my life by far, his long life of music and poet of our times. I’ll cross that Rubicon to the Promised land. Take me to the river – free me from sin. Will he still be touring at 80, still the journeyman, journey home. The Never ending Tour runs through 2024.

This is Bob at his classic and contemporary best! This is my third Dylan concert. First was with my son at the SECC Glasgow, when Dylan was hunched over his keyboards. The second gig, 2011, was a much livelier Dylan performance at the Braehead arena, where Dylan even danced! And we stood alongside his long-standing disciples at the front. The fan beside me was my age and also with his son and he had been to every Dylan concert here since his first one in Scotland – at the age of 18. It was a humbling experience and Dylan performed several of his classic songs (set lists are online)

Dylan clearly much prefers the smaller venues and this concert in 2022 at the Armadillo was more intimate and old worldly, took us back in time, before mobile phones, before internet and before flashing lights, glitz and glamour- when we could simply be in the moment to listen clearly to the quality, aged instruments, to the changes in tempo, clarity, depth, resonance and range of voice. We’ve forgotten today how to be in the moment, how to look or listen, as we disappear into our virtual realities.

I hope Dylan continues on his ever ending world tour and continues to write and perform such memorable and hard hitting words and music. And that I get to hear him some more live – it’s a surreal and uplifting experience.

**SET LIST

*Watching the River Flow

*Most Likely You’ll go your way and I’ll go Mine

I Contain multitudes

False Prophet

When I make my Masterpiece

Black Rider

My Own Version of you

*I’ll be our Baby Tonight

Crossing the Rubicon

*Be Alone with you

Key West

*Gotta Serve Someone

I’ve made up my mind to give myself to You

*That Old Black Magic

Mother of Muses

**REVIEWS

Neil McCormick on the Telegraph, as “one long magnificent ride for his most loyal fans and “The wise old poet has stirred up a cryptic cauldron of truths and clues, philosophy, myths and magic.”

 

“Breath of its cultural references and the depth of Dylan’s lyrics ‘ Mikal Wood Los Angeles Times.

“old blues songs, Shakespeare, classical mythology, the bible and pop culture” Kenny Doole Exclaim

 “why are intellectual references so rare in contemporary music.”

 

Rolling Stone ranked Key West as second best songs of 2020 and 7^th in a list of 25 best Bob Dylan songs 20^th century. 

“ a poetic balm for a world in profound turmoil.” 

Bob Dylan, All the Songs, Philippe Margolin and Jean Michel Guesdon, claim R & R is placed between Highway 61 Revisited, Blond on Blonde and Blood on the Tracks, and in other words on the same level as his master works. Several stand out tracks are singled out for mention – Key West, I Contain Multitudes, Black Rider. 

Rough and Rowdy Ways album -  is the 39^th studio album by American singer-songwriter Bob Dylan released on June 2020, through Columbia Records.It is Dylan's first album of original songs since his 2012 album Tempest following three releases, one a triple album a triple album that covered traditional pop standards. The album was recorded at Sound City Studios in January and February 2020. The session musicians included all of the then-current members of Dylan's Never Ending tour band alongside other musicians, such as Blake Mills and Fiona Apple. The album's sound was described by critics as Americana, folk, blues and R & B. 

Rough and Rowdy Ways was preceded by the singles "Murder Most Foul", "I Contain Multitudes" and "False Prophet", "Murder Most Foul" became Dylan's first song to top any US Billboard chart. The album was universally praised by critics, described as being one of Dylan's best works and placing highly in many year-end album lists, including the top spot on four lists. It peaked at No. 1 in more than ten countries and No. 2 in the United States and Australia.

Surrounding Dylan, leaning in like heliotropes, are three guitarists playing electric, acoustic, lap steel, mandolin and fiddle (the latter three are by Donnie Herron, and not all at the same time). Longtime electric upright bassist Tony Garnier plucks away next to newbie Charley Drayton, a loose and bouncy drummer who seems to make contact with his kit via anything but wooden sticks. The transitions between the songs are jazzy and fantasia-like, as though each cut played is conjured afresh out of a shimmering ether.

Crucially, there’s an air of playfulness here – testament to Dylan actually being in a very good mood

Chrissie Hynde sings Bob Dylan and other songs Queens Hall

‘Hippy stuff much easier than rock!’

Hynde sang an effortless, heady mix of folk, jazz and rock – which draws the audience in with her great blues voice.

The Queens hall, Edinburgh, was the perfect size for a socially distance audience in the middle sitting at small round tables. Edinburgh was honoured to host one of the most popular female rock singers of our generation! 

These acoustic concerts showcased songs from Hynde’s recent album: 'Standing In The Doorway’, Chrissie Hynde Sings Bob Dylan’ which was recorded in lockdown by Chrissie and her Pretender’s band mate, guitarist James Walbourne, by text message. James recorded on his phone and sent it off to Chrissie to add her vocal, before the tracks were mixed by renowned producer Tchad Blake. 

Hynde was backed by her expert, high quality band enjoying themselves greatly! The Bob Dylan Quartet of James Walbourne guitarist of The Pogues and The Pretenders, Carwyn Ellis keyboards, Danny Williams double bass. 

 

She opened with the song ‘In the Summer Time, Sweetheart like You, Don’t Fall apart on me Tonight, Every Grain of Sand, Time is a Jet Plane, Desolation Row, Tomorrow is a Long Time’ - Hynde’s song choices from Dylan’s extensive catalogue were unusual. 

 

And included a brighter change of tempo with the songs - ‘You’re s Big Girl Now’ from Blood on the Tracks (1974); two songs from ‘Shot of Love’ (1981) from Dylan’s religious period, and three from the Infidels Sessions (1983); ‘Tomorrow is a Long Time’, a moving love song from the Freewheelin’ session(1963), and ‘Love Minus Zero/No Limit’ from Bringing It All Back Home (1965) .

 

A highlight was her insightful interpretation of Dylan’s ‘Blind Willie McTell’ backed by a wonderful interplay of instrumental lines. Her choice of a couple of Ray Davies of the Kinks, songs were also popular – ‘I go to Sleep’.

Later in the set she stood to perform which changed the vibe totally – and sang Stuck in the Middle, I get along without you, Crying in Public, For her encore Hydne performed the unexpected and expertly woven treasure the French song “Que reste-t-il de nos amours”, Chauliac-Trenet classic from her album Valve Bone Woe. 

Her voice gives goose bumps and is instantly memorable and magnetically expressive, with the distinctive depth and range of her husky tones that hug her lower register. My favourite Chrissie song is I’ll stand by you and I might have wished she would have performed a few more favourites for us all to sing along to. How wonderful to be back in a live gig though!

The Rails

**Hynde was well supported by the duo The Rails, Kami Thompson (daughter of Richard and Linda) and James Walbourne (guitarist with The Pretenders) previous winners of Best New Artist at the BBC Radio 2 Folk Awards and I enjoyed their song, ‘Breakneck Speed.’ 

A companion film called 'Tomorrow Is A Long Time', which details the recording of the album, is also available via Sky Arts.

. 

Val McDermid’s Song Choices!

Nicola Sturgeon and Val McDermid

Alyson Moyet - Blue

Joni Mitchell -  For the Roses

Leonard Cohen’s - I Loved you in the morning

Mark Knopfler - 

Dore Straits – Private Investigations

Annie Lennox - Sisters are doing it for themselves

The National - Lucky You

The Jam – Down in the Tube Station

Rab Noakes – Downtown lights (Blue Nile)

Blondie –  T Birds

Andreas Johnson - Glorious

Dusty Springfield – I close eyes and count to ten

Proclaimers – Letter From America

So I was fortunate to catch the Fun Lovin Crime Writersat the EIBf Unbound this August! – and Val surprised with her strong vocals. What a fun night!! 

*On BBC Radio Six Music Val McDermid did the Paperback Song Choice September 4th. McDermid is one of the most highly respected Scottish crime writers. 

Val spoke of singing and folk clubs when she was younger, and of of trying the open guitar tuning used by Joni. She chose the song For the Roses, because it was about fame, and what fame does to people. And how we must not loose sight of where we come from. She spoke of writing to music without lyrics and of how much music means for her.  

and of the story inside the songs. 

Her final song choice was the Proclaimers song, Letter to America, when Val spoke of her pride in Scotland history – and the sadness over the large Diaspora and of all those who left to make the life they wanted. She hopes that now our country offers a better future and a place they can make the lives they want.. 

Great song choices.

Siobhan Wilson’s All the Saints

Scottish singer song writer and talented musician, Siobhan’s album All The Saints,is on the SAY shortlist – Scottish album of the Year 2018. As well as BBC Radio 6 record of the day.  https://www.sayaward.com

I have heard Siobhan at a couple of gigs and she sings with a purity and engrossing voice. In September she is off on a tour of Canada. A very special and unique voice. 

I wish her good luck! 

SIOBHAN WILSON

https://www.siobhan-wilson.com

REVIEWS

One of the most stunning collections of songs to be released in a long time" - Drowned in Sound

"A sparse, tender record tying English indie-folk with European classical music to spellbinding effect. - The Skinny

Blue Rose Code and Caledonia Soul Voices, Queens hall

I missed his guitar playing, but the song selection was fab – long live Celtic Soul! .

Tonight’s Fringe show was a celebration of Caledonia soul voices (in association with Made in Scotland)

Blue Rose Code, aka Ross Wilson, played a full on, energetic set of a classy selection of soul-influenced Celtic songs and with a quality line up of Duke Special, Eddi Reader, Julie Fowlis and Hamish Stuart of the Average White band. I first heard Ross last year at my local folk club and became a fan after hearing his authentic and charged soul voice. Born in Edinburgh, Ross has also been south for several years and now returned to his home town, for which he has written his homage song Edina.

Ross showed us his major musical influences tonight, in the perfect surrounding of the Queens hall – in this celebration of soul and Celtic music - and he has great taste! His firm favourites being legends John Martyn, from Glasgow and London, and Van the Man from Belfast (and the deep south influences). Both mix great bass rhythms with perfect expressive soul voices.  

Ross was clearly up for enjoying this packed show and he was sporting new look longer hair and no beard!  He was backed by a full 14-piece band with a string section. He performed some of his own songs, as well as his soul selection. He finished the first set with John Martyn’s, I Only Want to Know About Love. Then in the second set his well loved song, Edina morphed into the Proclaimers ever popular, My Heart.  

Eddi Reader treated us to an upbeat Perfect. It was another joy to hear accomplished guitarist Hamish Stuart, who performed My Fathers Son and a memorable No More Days. While Gaelic singer Julie Fowlis sang, I Just can’t Get Over You (from the film Garden State) and she knows how to take a song on an emotional and intimate journey.  

BRC spoke of John Martyn’s ‘killing it’, and how seeing him live inspired him to be a soul singer too. Ross said, for him the best Van Morrison album was his live 1975 one and his Caledonia soul orchestra. Ross has an ear for the deep emotion of a song, that catches your breath. And none other than Martyn’s double bass player Danny Thompson played on his album.

For the full encore line up finale we enjoyed the cool vibes of renowned Edwyn Collin’s hit song, I Never met a Girl Like you Before, and an inspired version of Van Morrison's Crazy Love - and of course an exhilarating version of the Average White Band’s Pick up the Pieces! 

What a fun night!  Top marks. Thanks Ross.

Postscript: 

A few nights later legendary queen of soul Aretha Franklin died, sadly BRC hadn’t included any Aretha songs!

Van Morrison grew up listening to his dad’s collection of blues and R & B records.  – and mixed his Celtic and soul influences to create a unique soul genre and fusion: when the poignant Celtic moods and stories mixed with the riffs, vibes and relaxed R & B. Along with the improvisation and instinctiveness of the live musicianship of jazz.  

Ross has worked with renowned Gaelic singers Julie Fowlis, Kathleen MacInnes, BBC Folk Award Winner, Ross Ainslie, 2017’s Scottish Jazz Awards’ instrumentalist of the year Konrad Wiszniewski, leading violinist Seonaid Aitken and three of Scotland's finest jazz musicians; John Lowrie, Colin Steele and James Lindsay. His album ‘THE BALLADS OF PECKHAM RYE’, was nominated for SAY awards 2014 (Scottish Album Of The Year) and featured Danny Thompson, Karine Polwart, John Wetton, Aidan O’Rourke and Kathryn Williams.  He can be heard on BBC (TV and Radio), STV, Alba, TG4, Virgin Radio. He has toured the length of the UK to sold out venues and to festivals Celtic Connections, Edinburgh Fringe, Looe, Summer Isles, Lindisfarne, Southern Fried, Underneath The stars.

Music and Art Edinburgh festival

Mogwai

*ART

Scottish Photography at the City Arts Centre -  charting the development of fine art photography in Scotland. The exhibition features work by a range of historic and contemporary artists - Hill and Adamson, Thomas Begbie, Joseph McKenzie, David Williams, Maud Sulter, Wendy McMurdo, Calum Colvin, Christine Borland and Dalziel + Scullion. https://edinburghartfestival.com/whats-on/detail/in-focus-scottish-photography

Rembrandt at the National galleries Mound. 

Victoria Crowe: Beyond Likeness– Scottish Portrait gallery - https://edinburghartfestival.com/whats-on/detail/beyond-likeness (also A Certain Light at the Scottish gallery)  #edartfest

https://edinburghartfestival.com

*MUSIC on offer at Edinburgh festival caters for every taste – from guitar blues, live folk sessions,, grand opera, lively musicals, fun acapella choirs, exciting live shows, intimate concerts Queens hall - Blue Rose Code, Lindisfarne, Blazin Fiddles; and impressive classical orchestras – which include Scottish and international artists; long term favourites such as Tom Jones and Brian Wilson; contemporary performers such as Paloma Faith, Rag n Bone Man; progressive rockers Mogwai at the Leith theatre; folk artists. 

Blue Rose Code

There is the Summer Nights at Princes street gardens- 

Monday 6th August: Tom Jones, with Into The Ark 
Thursday 9th August: Bastille, and The Vaccines, and Retro Video Club 
Tuesday 14th August: Rag n Bone Man, with Grace Carter, and The LaFontaines 
Friday 17th August: Paloma Faith, with Ward Thomas 
Saturday 18th August: Kasabian, plus special guests
Sunday 19th August: Brian Wilson presents Pet Sounds, with Al Jardine + Blondie Chaplinand Beat Root Revival.

#edfringe

#edmusicfest

COMEDY is of course the main event with many respected and well known comedians appearing – Pleasance venue, Underbelly and many more.

VENUES – Assembly Rooms, Edinburgh Festival theatre, George Square theatre, Pleasance, Lyceum, 

Make time for a walk up the Royal mile and down the Mound to Princes street to savour the unique, colourful and often very obscure street entertainment!  Well worth it. Hope the weather holds…..