Robert Burns Art influences

 

Robert Burns and other poets wrote with Scots Voices. In the 1700s many worked to write down and collect the old Scots songs.  

At a time when mainly Tory unionist voices where being heard - no other writer has done more to keep Scots voices and language alive than Burns. 

 

I was taken aback at the new Scottish art galleries Edinburgh on my visit in October 2023, that there was only one mention of Robert Burns – with regard to his “Hunt” poem and an Edinburgh tearoom painting. I felt Burns legacy was a deliberate forgetting. Did his writing influence Scottish art? The main focus here was on the works of Walter Scott. 

 

Burns was influenced himself when he met many of the major enlightenment figures in Edinburgh in 1786, particularly James Hutton - whose theory was of the whole earth as a living organism. Burns explored the symbolism and spiritualism connection between the natural world, the creative fires and the established church teachings from his father – where dance was frowned upon.  

 

Burns thought of how he might fuse all these new ideas together in his poetry. Later in 1794, he wrote My luv is like a Red Red Rose - ‘ I will love you still my dear till all the seas gang try and the rocks melt with the sun.”  Burns collected rewrote many of the auld Scots ballads.

 

Burns most famous narrative poem Tam O’ Shanter, was about warlocks, witches, faeries, demons – of the struggles between old spunkie creative fires and church teaching - Tam O Shanter. He wrote this poem after a dream, on his walk along the River Nith at Ellisland farm. The Scottish painter Alexander Goudie and his father were inspired to illustrate a book of the scary ghosts and witches of Tam O’Shanter. 

It was wonderful to see the new Scottish galleries in 2023. 

I realise Scott lived in Edinburgh but Burns was there for quite a few months in 1786 ad 1787. And was greatly influenced by his time there. He visited the men’s social clubs – Fencible Chronicles down Anchor close. He visited William Creech’s bookshop and publishing house at the Tollbooth near St Giles cathedral and the Mercat Cross where each day the great and the good met each day. 

 

He met the great love of his life here, late 1787, Agnes McLahose (or his Clarinda) – who he wrote many letters to, and his great parting song Ae Fond Kiss.

 

**Scott may have been read widely in the 1800s, but to my mind (and most Scots) Burns is our national hero and bard. He was painted by his good friend Alexander Nasmyth on their walks to Rosslyn. Scott wrote memorable books and poems – but his books seems one-sided and narrow of a mythical Scotland that is lost and gone forever. Of a Tory unionist Scotland, that is only a part of Scotland.

 

As I walked around the Scottish art galleries – I thought ‘which’ Scotland are we emboldening and remembering here? After the first section covering the romantic period, I entered the brighter more modern period, with the windows open to the east Princes street gardens views and which display some of Scotland’s great impressionist artists – The Glasgow Boys, James Guthrie, John Lavery, William Macgregor: The Scottish Colourists, John Peploe, John Fergusson, Francis Cadell, Leslie Hunter. An memorable display.   

 

Burns was influenced by the Ossian poems of James MacPherson, as the first Scots bard – and also by the other great Scots poets. Burns was writing and collecting Scots poems before Scott, in fact he met a young Walter Scott at an Edinburgh literary party, after which Scott wore about Burns. 

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Burns words, images and narratives are all pervasive, whether its his emotive love poems, his love of nature - from his Scots Wa  Hae and A Mans a Man. His poetry has a big impact worldwide on authors in America and on Russian Burns clubs.

Burns is the most significant Scotch image, heritage, word and song. We should be very proud of his legacies!

 

Revival Scots Language

 

I attended a talk last week by the Scots poet Len Pennie at Dreamworks Bookshop Milngavie

Pennie’s poems have more lilting lyrical musicality than her English poetry. Her poems pack immediate emotional directness and punch. She says it was all the grandmothers who kept the Scots voices and language alive. 

 

Welsh Labour are proud of Welsh Gaelic and the Welsh flag. We cannot say the same of Scottish labour, would they stand in front of the saltire and speak in Scots Gaelic or Scots? There’s been a long story of religious divisions in Scotland – the divide and rule tactic of the empire elites.

 

She suffered dreadful trolling online abuse. For many years the Scots language has been treated as a ‘pretendy language’ and oddly often by hostile Scots, it’s a centuries old saga. Yet Scots have been historically influenced by their connections and trade to Flanders and Ireland. 

II  Back when James VI held a clan gathering on Iona, he insisted that the clans had their eldest son educated in England, and taught to speak ‘correct English’. This practice continues to this day, with the private school accents. All the assimilation, repression of cultural difference. In the 20^thcentury English managers and middle class professionals came to Scotland – and Scots speaking workers were treated as second class citizens in their own country. 

 

The opposite was true back after union 1700s though – the Scots were the workers of the British empire, when after Reformation many Scots were highly educated and there were more ancient universities in Scotland – 

 

So what changed?

During the 1700s several poets wrote to keep the scots language alive  - Allan Ramsey, Robert Fergusson and notably Robert Burns. Burns wrote in English, the language of his education in books. But it was when he read the Scots poems of Fergusson he was inspired to write in Scots, the language closest to his heart. His mother knew and sang all the old Scots ballads. Burns collected, added to and edited the auld Scots songs from his many Scotia travels. 

 

English is of course the global language after the spread of the British empire. But crucially cultural diversity matters so much – both back in Burns day and today. We can have global trade and connectedness AND also have our own voices. We can have both. Why must it be either or?

 

For decades Scots children were rapped over the knuckles if they spoke with a Scots accent or belted if they used Scots words or dialects. Broadcaster Lorraine Kelly was initially told she must tone down her Scots accent if she wanted to be successful - and she thought why should I? 

 

In the 1950s most radio and tv presenters spoke with a clipped Oxford English. Today we have many accents – yet worryingly Scots students attending Edinburgh university continue to be mocked for speaking with a Scots accent – and told to ‘speak more correctly’ by English private school students. When I travelled across Edinburgh on the top of the bus I heard English accents of students in brightly coloured blazers and thought, where are they from? Around 25% of Edinburgh students attend private schools. This creates an unhealthy two-tier society which holds many children back.  

 

At Celtic Connections there are many hauntingly beautiful Gaelic singers 

When Scots writer Billy Kay gave a speech in Scot in the Scottish parliament, he was ridiculed by many Scots. The usual Scots versus Scots. In Switzerland they can speak both local and high German languages – the two languages sit by side by side and not in opposition to each other.

 

Why must Scots chose a side? Religious wars are now centuries old – while the British Constitution of 1688 continues to dominate. Why cant we have English and Scots and Scots Gaelic alongside each other?

 

The Scots language is not merely a side issue – its crucial to our Scots identity and unique voice. Diversity matters. 

 

**The Scots language has been recognised on Spotify – Iona Fyfe

 

Scots is now taught in Scottish schools. 

Mark Kermode Front list with Brian Cox EIBF 2025

Film critic Mark Kermode gave a Front List talk with renowned Scots actor Brian Cox, and Scots actors Kate Dickie and Michelle Gomez.

 

Brian Cox spoke of his background; he is 88% Irish, 12% Burnt island Scottish. He was in both Braveheart and Rob Roy films – he said that Braveheart was a lie and the film didn’t make sense and they didn’t have kilts then. Wheras Rob Roy was a really well written script and had a wonderful director. 

 

They discussed that all drama is politicised when you have a voice its important to speak up. Kate spoke of all the Palestine authors and shows at the festival (Put your soul in your hands and walk). She spoke of having to pretend that she lived in London to get work.

Mark Kermode

Kermode asked about their Scots Identity

Kate spoke: “I love England as a neighbour, but if you’re roof is leaking, you don’t ask your neighbour to fix it.” 

 

Brian: The boomers have dropped the ball and now we have to fight again. The horror of Gaza, Ukraine and Trump – we all have to speak up. There are good guys in America but they are not good with women.

 

We need good people: honest, true and good I don’t like Starmer. He doesn’t believe in anything, he’s closed everything down. Scots are authentic but have an inner depression. Scots are not boastful about what we’ve contributed. We should boast more for our self confidence. Scots are popular in America with many having Scots heritage. And by the way, Scotch is the correct term, and was used in Burns day!  As is used by Scotch whisky too.

 

His new film Glenrothan will debut at Toronto film festival  He said with directing you are a cog in the wheel, for everyone contributing. He spoke of troubled times at Edinburgh film festival, with tickets not selling.

 

Kate Dickie

Brian Cox's new film is a directorial feature debut called Glenrothan, a Scottish family whisky drama where he also stars opposite Alan Cumming. Described as a "love letter to Scotland," the film features Cox and Cumming as estranged brothers who reunite to save their family's distillery. The film was shot in Scotland and is expected to have its premiere at the Toronto International Film Festival in September 2025.

Brian Cox

Brian Cox and Michelle Gomez

Festivals made in London shipped to Scotland

The Edinburgh Film festival Is the oldest film festival in the world, honouring over 70 years.

However - The Edinburgh Film Festival has become “a festival made in London and then shipped up to Edinburgh Scotland”, according to Siobhan Sinnuck, the BBC media correspondent. She claims that all jobs and 90% of the Submissions are based outside of Scotland – with only one submission from Scotland. 

 

How can this be a stepping stone for Scottish film makers? Or be key to offering young people opportunities. Also these festivals are backed and funded by the tax payer via Creative Scotland funds. Jobs are not available to Scots. 

 

The BBC is also shutting down Scotland’s longest running soap, River City, another stepping stone here in Scotland for aspiring actors and film makers.  

This year the Film Festival 2025 will show the six Sean Connery Bond films, a documentary on Irvine Welsh, plus a premier by new director Renée Zellweger. The EFF website claims the festival is “rooted in local Scots contest whilst embracing the international diversity of creative expression.”

EFF 2025 offers - 

“Sean Connery Prize for Feature Filmmaking Excellence” – and a world class showcase for independent films.

 To embrace a sense of discovery, experimentation and cross-arts collaborations. 

https://www.edfilmfest.org

Is Wales ahead of Scotland now

 

Wales has decided to improve the faulty supposedly PR (proportional representation) voting system given to its Devolved government in 1999, to a proper proportional system. 

Wales is proud of their Welsh language and culture. Even the Welsh Labour party stands before Welsh flags and uses Welsh Gaelic! Imagine that happening here in Scotland? 

 

By contrast Scots Labour stands in front of a Union Jack and is ashamed of Scots language and culture. They detest the use of Scots language or Gaelic in the Scottish parliament or in song. 

 

Its the usual Scots against Scots fight – that was encouraged here after Culloden. Were you a Jacobin/ Jacobite or a Hanoverian? Was this divide and rule by the British state not employed in Wales too? Was in all about religion?

 

Protecting Scots Gaelic

 

Funding for Welsh Gaelic – 125m

Scots Gaelic- 25m

Irish Gaelic – 80m

 

Support for the Scots Celtic language is not enough.  

Welsh Gaelic is their national language. 

 

By contrast Scots Gaelic has become a regional language due to the suppressions after Culloden and since. There is BBC Alba in Scots Gaelic.  Gaelic does offer economic potential 

 

The Deliberate Forgetting

Scottish culture has been not just ignored, but deliberately suppressed by the British state. That’s my main reason for wanting Scotland’s independence. Especially not because I want to be nostalgic about the past – of the Walter Scott’s version of a "romantic Scot's past, lost and gone forever" -  but of the living breathing here and now. The stories and songs that make Scotland unique in the world. 

Dick Gaughan Retrospective, interview Radio Scotland

 

Dick Gaughan Retrospective, interview BBC Radio Scotland Anna Massie 

 

Thursday 17 July, 7.30pm - https://www.bbc.co.uk/programmes/p0lqmsnp/p0lqmrsj

 

Gaughan had a stroke in 2016, which means he can no longer play the guitar or perform for nearly ten years. 

 

His guitar is earthy, real and powerful –  an incredible presence and depth. 

 

Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. 

There has been fundraising to support Gaughan's battle to reclaim his music. Please support -

 

https://www.gofundme.com/f/aatux2

 

Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

Bob Dylan and his Scots folk music traditions

I enjoyed reading the informed article 'The Scottish folk origins of Dylan’s best loved tracks', Ruairdh Mackenzie, Sunday National 15/12/2024

It reminded me that a few years back I was listening to a Radio Six Music program – Cerys Matthews: A Birthday Tribute to Bob Dylan, May - 2014 

She was having a chat with one of Dylan’s legion of serious music fans. They were discussing the influence of British or Anglo-folk on Dylan’s music. Mathews asked whether Irish folk had a major influence on Dylan’s music. 

The fan replied, “well apart from being close with the Clancy Brothers during their time in Greenwich village, not so much, but that Scottish folk music....."  Mathews interrupted and stopped him, not once, but TWICE. And then she said, “Oh we cant single out one region of the UK for particular attention.” 

I was very disappointed as I was looking forward to a discussion on Scottish traditional folk music’s influence on Dylan’s music.It took me aback and I thought, clearly those in England view Scotland as a region, merely due equal attention of other regions of England – say Yorkshire or Northumberland – and not a nation or country in its own right. This is truly shocking and clearly politically driven. 

Afterwards I felt convinced there must be messaging from the BBC to the effect of – “any reference to Scotland as a unique or separate nation should be avoided.  In all respects only the viable UK should be promoted as an entire whole – that is Wales, Scotland and NI are merely regions of the United Kingdom.” Of course I could be entirely wrong about this??!  I did receive a response from the BBC asking where in the program I heard these comments. 

 

Dylan’s early songs were adapted from Scots folk tunes – He wrote his early classis of ‘A Hard Rain a Gonna Fall’ based on the 17^th century Scots border ballad Lord Randal. His ‘Times They are a Changing’ is based on Hamish Henderson’s Banks O Sicily.

Interestingly Mackenzie writes that when Dylan arrived in Greenwich village as a young 20yr old, he shared a flat with Scots singer Jean Redpath. She taught Dylan about Burns and Scots traditional music. “Giving Dylan the poetry and tunes to rise to the top of the New York folk music scene.”

 

On his 30^th studio album Time Out of Mind, the final track is Highlands,

Well my hearts in the highlands, gentle and fair,

Honeysuckle bloomin in the wildwood air,

Bluebells bloomin where the Aberdeen waters flow

Well my herats in the highlands

I’m goonna go there when I feel good enough to go.”,

 

So ten years later I get some answers to the my questions over Scottish tradiitonal folk music’s influence on Dylan’s song writing! I’ve been studying both Bob Dylan and Robert Burns genius song writing over the past decade. Dylan later names Burns "A Red Red Rose" as the song that most influenced his work.  

Make music organically. In 2009 Dylan purchased a mansion at Nithy Bridge in the Cairngorms. Here was an artist going home to his roots. 

‘A Complete Unknown’ film with Timothy Chalamet, due out 17^th Jan 2025 in the UK

 Sunday National - The Scottish folk origins of Bob Dylan’s best-loved tracks

https://www.thenational.scot/culture/24795016.scottish-folk-origins-bob-dylans-best-loved-tracks/

Timothy Chalamet in A Complete Unknown

A Just Transition who decides

 

Its crucial we have sustainable and realistic moves to Net Zero. For a fair just transition should a small group of activists decide?

 

Fossil free Books (FFB), campaigned in 2023 to have UKs book festivals ban major sponsorship by Baillie Gifford investment bank, who also fund Edinburgh’s children’s program. This was brought to a head by Greta Thunberg’s cancellation of her major event at Edinburgh’s Playhouse last year. This also effected the Hay and Cheltenham’s book festivals in England.

 

It turns out only 2% the Baillie Gifford investment is for fossil fuels – and that most financial investment banks have 11% fossil fuel investments. Bookshop Waterstone’s are backed by Elliot advisors investment bank, who have oil and gas funds - as have Amazon books. in fact book production itself requires fossil fuels. 

 

The Green economy requires both private and public funding. The Greens, in the Scottish government partnership have encouraged ‘active travel’ – which is fine – but at the huge expense of drastic cuts to road infrastructure. Quite simply not everyone can ride a bike to work. Spending on main A trunk roads  - in 2016, 500m/ 2021, 54m/ and 2024, 12m. 

 

Book festivals are a major platform for informed and constructive debate on many major issues facing us, such as the climate emergency. The Arts funding, particularly after Covid, are under serious financial strain. Did book festivals appear an easy target? I attend EIBF each year and its an unmatched place for informed debate, intellectual collaboration and creative thinking. Why are green activists targeting a place of free add open ideas for our future? When there are so many fake, ignorant click baits on so much of online media?

 

We must question why a small group of extreme activists must hold the rest of us to account? I’m as keen as anyone on a just transition but it must start at the cliff face. That is by consumers asking for plastic free food. Twenty years ago our fruit and veg would not come wrapped in plastic, but rather cardboard or brown bags. A main culprit to the climate crisis, is plastic clothes and there must be another way of producing plastic free practical sweat tops etc. I buy cotton when its available. I prefer organic and vegetarian food.

 

This rush to Net Zero is not all about electric cars. Its about improved infrastructure – park and ride, joined up transport, better insulation etc. Scandinavia has been planning for net zero since the 70s. Britain is far behind this curve. About biodiversity, natural woodlands, and protecting our seas.. Meanwhile Baillie Gifford invests in several green innovations such as – Northvolt (Swedish battery company), Climeworks (carbon capture Iceland), Solagen (Texas, first carbon-negative molecule)

 

Who decides on planning for this huge pylon destruction of Scotland’s beautiful countryside? – the local council, the Scottish government or the UK government. Energy policy is reserved to Westminster. 

New oilrigs are much more efficient while the older rigs are more carbon inefficient – so the carbon intensity must be analysed on a case by case basis – as the SNP are advising. Scotland will require the engineering skills of UK companies to aid with green innovations for our just transition. 

 

I agree we must encourage a green economy and jobs for the future – as Biden has done in America with a green deal. The reality is complicated with the need for investment. Its such as farce – when ignorance leads to misguided judgements and imposing fake opinions on how both scientific innovation and investment actually works. The green economy requires both private and public funding and for oil companies to drive innovation to a greener future. 

 

The green activists would turn off the oil and gas taps tomorrow. This is not practical. The UKs older homes are poorly insulated. What about petrochemicals that are used in medicine, dyes, paint, clothes, supplies for industry and more. Until an alternative can be found we will need oil and gas for decades to come.