Walter Scott’s fake nationalism and false myths of Scotland

“pervasive, second-rate sentimentalist, associated with tartan nostalgia.”

 For Walter Scott - “the past is gone, beyond recall.” ….it evokes a national past never to revive it.”

.... no part of political or social mobilization of present by a mythical emphasis on

 

Walter Scott’s novels were read across the world, and his contribution to the rising tide of national romanticism, was a great one.  – “however it was great everywhere but in his own nation of Scotland.” Scott wrote of a  “romantic national culture and the rise of a kitsch Scotland.”

 

Tom Nairn, leading political theorist, denounces Scots novelist Walter Scott- ..”the destruction of Celtic Scotland was to haunt Lowlanders or the Scotland of Sir Walter Scott. He showed us “how not to be nationalist during an ascendant political nationalism. Its the language of Tory unionism and of progress”/ 

 

“From Ossian to Walter Scott played a large part in generating and defining romantic consciousness for the rest of Europe while degrading his own nation. Which led to rootlessness, a void, which cultural and literary historians deplore.  The continuity between (heroic) past and present.”…....  The heart may regret but never the head.”

 

Nairn writes of the failures of Scottish Nationalism, during the 1800s under the false romantic myths such as the writing of Walter Scott and of a bereft Scottish literature at this time.  Two examples – cultural emigration and the Kailyard school of vulgar tartanry.”,,, 

 

Scotland reverted to being a province 1800s, while prosperous and imperial. Why? Scotland became void and rootless. 1. Absence of political nationalism 2. Absence of a mature cultural romanticism. The poor Highland's world and comparatively prosperous Lowland world, and the total repression of Highland culture and social structure. The highland were once half of the population of Scotland.

Scott monument Edinburgh

By contrast the real purpose of romantic history was different – cultural nationalism was the mythical resuscitation of the past, to serve the present and the future. 

 

Scott caused disintegration of a great national culture. Elsewhere in Europe, “the middle classes felt the development for people was impossible without rapid mobilization of their own resources and rejection of alien rule.”

 

Nairn claims Scotland is unique in Europe, where nationalism struggled with its national identity and along with the rise of nationalism 1800s and the rise of nation states across Europe, as the "result of the uneven development of capitalism."

 

That the Scottish Enlightenment was very much a Tory project. While Scotland prospered during the 1800s with manufacturing, its literary voice became bereft. He sees Walter Scott’s work of a mythical Scotland and Scots heroes, as very much glorifying a past that was gone and to be forgotten. Scotland became north Britain. While Scott’s romantic and mythical novels were highly successful across the world. 

 

The real interests of Scotland diverge from the auld sang

Finland Awakes, Art & Culture shape our Destiny

Music crosses borders but also expresses our souls 

"Finland doesn’t have a history of kings and castles. We have always been occupied.  When we finally became free it was built on language, literature, painting and music. Jean Sibelius created the idea of what Finland sounds like. You can hear his enthusiasm for discovering the Finnish sagas – folklore that’s ours alone, even as he was becoming a universal composer.”

writes Dalen Stasevska (BBC Symphony Orchestra principle guest conductor) 

who returned as principle conductor to Lahiti – home to Jean Sibelius. 

 

Sibelius (1865 – 1957) helped force Finland’s independence in 1917.  He was a violinist who found inspiration in Finland’s myths, sagas and folklore, particularly in the poetry of Kalevala.

 

Jean married Aino Janefelt, whose family was artistic and activist – her three brothers were a painter, composer and writer. Their mother was determined to fight for Finnish independence and she gathered a Finnish-speaking, pro-independence circle around her, including Sibelius.

Aino Janefelt & Jean Sibelius

Defiant Finlandia

“we fought a 100 years for our freedom and I am part of the generation that achieved it. This is the song of our battle – our hymn of Victory. “  Aino Janefelt

But after a civil war, Russia again attacked during the WW1. 

Lahiti built Sibelius hall from wood in 1996. At this time there was 28% unemployment, so it was hard to justify a new concert hall. But the government was keen for a prestigious building as part of the Year of Wood, Plus they had the backing of businesses – Metsa and UMP.

 

The concert hall now hosts a Sibelius festival and is rated in the top ten for acoustics. The area was rejuvenated around the site with restaurants, and a new marina developed.

 

Jean Sibelius

(extracted from Lesley Riddoch article - Finnish composer and the lessons we can learn from Nordic neighbours

 

Edinburgh festivals 2022

Its good to see tradition and history given due regard – with the new to challenge and move things forward. We need both. Freedom to move, to express. Its important to notice the ancient history we pass, under the gawdy and tacky. So many tourists walk past so fast – but it’s the auld stories, historic buildings, that give us the authentic character. and sense of our past stories.

 And no better place to do so than historic, cobbled Edinburgh, with its steep closes and wynds, atmospheric high street, around its Mercat Cross, Signet Library, Scottish Parliament, St Giles – publishing, Reformation, enlightenment, Stewarts, and Georgian new town. 

 

Sunday at Biblos after my high street walk. Good to see that the buzz has returned this year. Talk Fintan OToole at EIBF, who spoke of the known and the unknown, the Ireland he’s known since 1958. Later I entered the atmospheric musical realm of Sandy Bells. I used to be here in my twenties and enjoyed fun folk nights here. 

St Giles

High street trails were once again packed with several shows and tourists. 

**St Giles  There was a lovely choral choir singing which lent an ethereal and spiritual air. 

The Writers corner – Margaret Oliphant, Robert Fergusson, Robert Louis Stephenson,

Robert Lorimer, Elsie Inglis,

St Giles cathedral was cleaned up in the 1980s and is considered the home of the Scots Presbyterian religion, and its famous minister John Knox. They were against having the Bishops hierarchy and believed everyone had their right to access the Bible and God for themselves, which all led to the War of the Three Kingdoms and education for all.

Burns memorial window

Did our genius Scots bard Robert Burns talk to all of Scotland and also to the world, rather than his humble beginnings in Ayrshire. In Edinburgh, where his second edition was published and very much shaped him where he seems forgotten – the Fencibles club, his memorial to the poet Robert Fergusson, attending William Creech Publishing house. 

I later discover there is now a Burns Memorial window in St Giles. In 1985 it was felt there was no central memorial to our great national bard – the window illustrates the natural world Burns loved, the middle section human unity and with a vibrant red sun of love at the top. Its easy though to walk past the window, as I did without realising. With the service for the Queen taking place here September.

Sandy Bells

This year there were several challenging shows and talks.

**SHOWS

*Bloody Difficult Woman – about Theresa May and her clash with Gina Miller over her lack of consulting parliament over her hasty Brexit. Tim Walker’s debut drama which received good reviews and sold out performances in Edinburgh – but lacked attention in England as the extreme right seeks to suppress any Brexit negatives. Debut drama

Tim Walker - writes that in England people are starting to give up on national political discourse -  and even the idea of democracy itself. He feels regarded as an enemy of the people. He write show grateful he is for the positive recognition  of his play in Scotland. “ My gratitude to the people of Scotland is heartfelt. You still have something  very valuable – please don’t loose it.”

*BURN with Allan Cumming – on the darker more controversial side of our national bard with an emotional interpretation of the man behind the shortbread tin myths.

*Comedy- Frankie Boyle, Kevin Bridges

*Music - Edinburgh hosted several world class orchestras.

Scottish Sessions, Surgeons hall; Queens halls concerts, Princes street gardens gigs. 

 

*Edinburgh Art festival

A Taste of Impressionism at the National Galleries, explores the rich collections by Scots collectors

Michele Roberts Three women and the artist Matisse

Barbara Hepworth Exhibition

Edinburgh film festival

Children  festival – Sold out Peppa Pig orchestra, and much more.

Ocean Vuong

Omar Musa

Art college

**EIBF talks - Diana Gabaldon, Fintan Otoole, Brian Cox, Oliver Bullough, Lea Yi, Good Grief, Noam Chomsky, 

Music. PJ Harvey, Martha Wainwright, Stuart Cosgrove, 

Bigger names – Brian Cox, Alan Cumming, Maggie O’Farrell

EIBF encourages us to debate, question, and look for truths, via a wide range of writers from to academics, novelists, historians, journalists, politicians, artists, poets and more. 

Some might claim Edinburgh festivals are not radical enough,

 

There are questions over whether Edinburgh festivals have become too big. Edinburgh festivals started in 1947 with 8 companies – by 1980 at 380, 1985 to 1,091 companies and  3,841 companies in 2019. Ticket sales down and it will be four or five year journey back

Edinburgh festivals have also suffered from overkill and overload of tourists, Sometimes quantity rather than quality. Perhaps the pandemic will mean a reset, and rethink. To streamline and reset. 

Sunshine at the Edinburgh art galleries

Edinburgh festival Shows

1973 – 184

1976 – 426

1985 – 1,091

2015 – 3,314

2019 – 3,841

 

Ticket sales

\1973 – 128,900

1985 – 523,000

2014 – 2,183,591

2019 – 3,012,490

Saving the Scots Language

Iona Fyfe

There’s the issues of Russia’s recent imperialism invasion of Ukraine, is this cultural genocide or fear of the economic successes of a more democratic Ukraine, or both? Does Putin want to erase Ukrainian culture, language and arts?

In Ireland one of the biggest issues is the Irish language which - unionists are fiercely against. In Scotland its not so long ago that children were belted in class for speaking in Scots, and teachers here were told they would sound ignorant if they spokein Scots! Its about the imperial domination of one culture over another. This is totally fake as Scotland was and is a world leader. Its a disgrace the way Scotland is usually portrayed in films as an ignorant or backward country, when this is a lie.

Why can’t we have both a common language and also celebrate our differences? In Switzerland they have high German in university lectures but speak Swiss German in their breaks.

 

Billy Kay recently gave an address to the Scottish parliament in Scots. to which there was a backlash by Labour politicians, claiming Scots is not a language. He is the author of the book, The Mother Tongue, published in 2006?

 

After the Brexit failures, it is British or English nationalism that is the problem. Suppressions of your culture has a devastating effect and left Scots feeling second class and inferior. I had hoped the days of imperial vandalism and repression were behind us now. 

 

 

**Scots Language recognised

Scots singer Iona Fyfe campaigned recently to have Scots language added on Spotify.

She had noticed on Spotify that there were all other living languages – Welsh, Cornish, Gaelic, Irish,

But no Scots. She contacted Spotify, asking to have Scots recognised also, but was ignored. 

 Then she met a Spotify executive at a music event in America and told him of her request and within a few days Scots had been added. 

Result. Well done Iona!  I took photos of Iona at Celtic Connections and was impressed with her voice. Check her out here –  https://ionafyfe.com

 

 

**Scottish nationalism - doesn’t want a superior voice just an equal one. Its inclusive or civic and about all who want to make their home in Scotland – its about places, unique Scottish geography surrounded by open seas at the edge of Europe and close to our Nordic cousins. 

 

Shetland is a mere 140 miles from Norway -. Orkney is home to the Brognar of Ness – which was an ancient temple, visited by people from all over Europe. 

And also Scapa Flow Orkney, where the naval fleet was stationed in the war. 

Sadly though the Homecoming Scotland excluded Jamaican Scots 2014, we importantly need to reconsider our vast Scots diaspora. 

 

 By contrast the words ‘all in England’ or the English or viewed as more ethnic and doesn’t include all who live in England. According to leading psychologist Stephen Reicher, at St Andrews university.

Its important indy supporters make it clear Scotland’s independence Is not about ‘ethnicity’ but about all who live Scotland.    #¥esScots

Reasons for Scotland’s Independence

Many write lengthy reasons for why they want to see Scotland’s independence, as I have too - and there are many reasons certainly. Many people don’t have the time for complex explanations. Here are my main reasons - Democracy, Economic, elites, Resources, Culture, History & Belief. 

 

Scottish Democracy.  Scotland does not get the government it votes for, for the past 75 years. This is mainly because of an out-dated first-past-the-post voting system.  On top of this the UK boasts the largest unelected second chamber (after China). The UK is a failed and superficial democracy. The first Parliament of Britain was set up as long ago as 1707, before universal suffrage or a constitution and crucially Westminster shows no sign of any desire to reform. The UK abuses the powers of the “Crown” with its highly centralised state.

Constitution. The UK operates with no constitution, so I want a new Scotland to set up a constitution to protect our human rights and protect democracy. 

 

Economic. One main reason is economic. The UK economy has been set up for decades to service the city of London – to increase its house prices and serve the finance centre. This holds back and sucks from the rUK, and means any manufacturing base is discouraged. Manufacturing business is the basis for a healthy economy. In order for Scotland to have economic control we require our own currency and central bank. 

Elites. Another reason is the unworthy elite, and the UKs proliferation of Boarding and Private schools. This 2-tier system holds back large numbers of children from future successes.

And leading on from this is Social Justice – so all children are given a fair chance in life. Otherwise our nation is held back .This is not about being equal, because clearly we’re all different, but about fair opportunities.

Resources. For Scotland to control our own resources and land. Our resources have been exploited and stolen for centuries.

 

Another is Cultural. 

To improve our knowledge of our past stories and our sense of place: to know our heritage in art, music, literature. Scotland suffered centuries of having our Scots language, culture and history suppressed. Scotland is one of the oldest nations in Europe and dates back to the 9^th century – so its very important to protect our stories, culture and history. 

 

History. The teaching of history urgently needs improved and to continue history teaching throughout primary and secondary schools and to move on from projects on the Roman empire, to broader and more recent topics of Europe, America, and Scotland. Scotland was at the centre of the Enlightenment, Post Reformation with many top scholars taught in Paris and key figures such as - John Mair (1467-1550), James Dalyrumple (1619-1695), Duns Scotus (1265 – 1308),  Francis Hutcheson, 1694 –1746), George Buchanan (1506 – 1582), David Hune (1711- 1776), Adam Smith (1723- 1790). Scotland was a much part of Europe as France!

 

Scots Media and Broadcasting. To set up Scotland’s very own media. When the British broadcasting corporation BBC, was set up 1933, its strange that Scotland, an ancient nation begun 9^th century, did not insist on its own media – when Scotland has always kept its church, law and education. Its been a cultural disaster for Scotland,

Security. To set up a proper defence system. 

Belief. In Scottish people and our ability to make our own decisions. 

 

What Scottish independence is NOT – it is not about nationality. Scotland is multi-national and international. Scotland welcomes all who want to make their home here. What Scotland independence is about, is making our own decisions for our ancient nation with a new de-centralised model and greater local government. Boris Johnson keeps calling those who want Scotland’s democracy “nationalists” – this is totally fake and WHY is he allowed to keep calling the SNP the ‘Nationalist party? He thinks this slow drip is very clever and the SNP must fight back with a SLOGAN – 

‘SNP for Scottish democracy” and make it much clearer what we are fighting for here. 

The National stands for the nations best interests. 

 

We might argue also in these times of turbulence Scotland needs the protection of independence more than ever before - to secure our energy policy, protect our resources and economy, protect our jobs, and futures and much more besides. We don’t need every detail decided ahead, only broad outlines, because the whole point of independence is to be flexible, innovative, creative and adaptable! 

 

There are no risk free options, rather we must consider what path is in our country’s best interests.  (OR a so-called union that holds Scotland back.) The Scottish independence movement must now make the Westminster supporters or the unionists defend their positions! Tory catastrophes – Windrush scandal, Grenfell, Brexit, Covid failure and deaths, bombs to Yemen, billions to PPI scandal. (Plus the Failures of the Labour opposition).

 

The UK portrays itself as a ‘benign democracy’ – when the reality is that the powers of the crown means a highly centralized government, that is often unaccountable, corrupt and elitist. I hope an independent Scotland gives us the chance to meet these challenges and to build a reformed and better Scotland.

 

Ultimately the Scottish Independence question becomes - is Scotland a nation with its own culture, history and stories distinctively and if so, how is Scotland best governed? The national interest is considered  a good thing around the world! The question returns to – is Scotland a distinct nation or simple part of Britain? It used to be Scotland was an integral part of the UK – but today the Scottish Parliament has less powers than a hundred years ago. The biggest issue driving a wedge into the UK right now is English nationalism.

 

Step back for the bigger picture with the crises of rising seas, loss of workers rights, drives to net zero and. It truly makes so much sense for Scotland to forge its own future in the 21^st century. Any arguments to hold onto the past mistakes only ring hallow and false. We shouldn’t hesitate to vote for the future and not the past. Enlightened thought matters as much today as it ever did.

 

I don’t know if these reasons are in order of importance, because culture seems central and all about how we see ourselves. It is the smaller nations that are more successful and adaptable. With only limited devolution powers it is not possible to achieve these goals. Only with full independence. #¥esScots

 

 

(**In 2022 we see the passion and drive of Ukrainians. Theirs is a fight is between democracy, their rights and freedom AND autocratic dictatorship, that rules through fear. )

Edinburgh 2020, MY LIGHT SHINES ON!

August means Edinburgh festivals and in particular its international book festival. I grew up in this northern capital, dominated by its castle, Arthur seat and historic Royal mile. The Edinburgh festival has been taking place each August since 1947. After the devastation of war Austrian Rudolf Bing, decided Europe could be brought together to heal by a large scale cultural festival. He decided on Edina, as it reminded him of Salzburg, and it became the worlds biggest cultural arts event. This is the first year for 72 years since 1947 the Edinburgh festival has not been held.

There is the main international festival, the fringe, the comedy, dance, opera, musicals, drama, concerts, mime, art, debates and of course the performers in the high street..

Edinburgh is a great cultural city, with a rich past and present, and hosts the world’s biggest multi national major festival, that celebrates not only comedy, theatre, music, dance and the arts – but the intersections and connections between and the significance of the arts for all of us. Glasgow has a wealth of iconic music venues – King Tuts, Barrowlands, Oran Mor and celebrates all the genres as well as its links via shipping to America and beyond. It was the once world’s shipbuilder.

The Edinburgh International book festival EIBF, the first of its kind is where Charlotte square Edinburgh comes alive with the written and spoken word.

welcomes many well kent faces – celebrities, scientists, academics, historians, illustrators, children’s authors, politicians, economists and more. Its such an adrenalin buzz of coming together, informed debates and renewal, a chance to recharge and be inspired by other creatives..

Instead this year the EIBF will host 140 events online program  - https://www.facebook.com/edbookfest/

 

Charlotte Square gardens

Of course many Edina locals have been finding the surge of crowds overwhelming the city as the festival got bigger and bigger every year. While many others enjoy and attend events. Another issue has been that the global companies involved which has meant money going off to London and elsewhere. More money needs to be kept back to be spent on Edinburgh infrastructure and roads. 

 MY LIGHT SHINES ON .....

I took a trip over the Edinburgh - it was strange to see the quiet streets and I hope these times of reflection will bring us all deeper appreciation of what the ARTS mean for our lives. 

 **Strange and Challenged Times

Art is crucial

Art is how we move forward, broaden horizons, question and exchange ideas, culture and heritage ultimately matters more – more than any political rhetoric. 

We had lockdown from March for three long months until easing began. Its been a worrying, disconcerting experience. There have been plus sides too - less pollution noise, clear air, no crime!

Prices will be low this year, perhaps I might go over and just walk about – down the Dean village, the water of Leith, the forth estuary harbour front of Newhaven (where I went to secondary school) or Cramond walks or the famous Royal mile. Will anything be open though? 

“Creative families want to be back together felt quite emotional – its a vocation, we love it – to feel it coming back.  So much talent in Scotland. “

I have been taking photos at the Edinburgh Festival since 2007. Perhaps this is a year to step back, and renew our attitudes and ideas or make a change of direction. Perhaps this is much needed reflections and contemplations.

So this year is very strange for me, August is Edinburgh! EIF is a great melting pot. 

There will be online performances from the SCO, RSNO

Aiden O’Rourke, Rachel Sermanni, Allan Cumming, and many more.

For details BBC Scotland

Festival facebook page - https://www.facebook.com/edfringe/

WHY EDINBURGH?  “Certain preconditions were obviously required of such a centre. It should be a town of reasonable size, capable of absorbing and entertaining anything between 50,000 and 150,000 visitors over a period of three weeks to a month. It should, like Salzburg, have considerable scenic and picturesque appeal and it should be set in a country likely to be attractive to tourists and foreign visitors. It should have sufficient number of theatres, concert halls and open spaces for the adequate staging of a programme of an ambitious and varied character. Above all it should be a city likely to embrace the opportunity and willing to make the festival a major preoccupation not only in the City Chambers but in the heart and home of every citizen, however modest. Greatly daring but not without confidence I recommended Edinburgh as the centre and promised to make preliminary investigations.^”

Art is how I imagine and visualise my references.

Music is my main point of wonder, escape and emotional release. 

Poetry is how I make sense of the turmoil, confusion and troubles. 

And the stories we tell ourselves. 

Scotla's Cultural Renewals

The Sunday Times has been running debates on whether Scots culture has declined in recent years, with an article by Hugh Andrew: criticising the quality of Scots culture today and claiming it is only about clichés and worn-out tat.  (Andrew is Director Birlinn publishers). David Keenan asks if Scots are the only nation that consume cheap tat – well this is certainly not true! Go to any major city worldwide then and find even cheaper .

While historian Tom Devine wondered Scots are too keen on ‘celebrities of limited talent’ over great writers, scientists, artists and scholars. The article also wondered, why has there not been more celebration of the 700 years of  the Declaration of Arbroath: the world’s greatest documents of nationhood, liberty, and freedom – well that is next April 2020 and we’ll celebrate then! 

I find all this astonishing and not my experience at all. The unionist press likes to run articles demeaning the Scots and Scotland - because don’t we need our Etonian masters in London making decisions for us? Well Hello magazine and the Daily Mail are not Scottish publications! Celebrity culture has reached us from America.  

However author Denise Mina, wisely writes that talent often develops from a rich cultural soil, rather than any controlled executive. 

SCOTS TRADITIONS: The School of Scottish Studies archives  was set up in 1951, by Calum Maclean (brother of poet Sorley Maclean) and by folklorist and poet Hamish Henderson. They collaborated with American folklorist Alan Lomax. Folklorist Margaret Bennet also worked at the school: they worked to keep Gaelic, Scots and traditional ballads alive. A degree course was established in 1986, and is now known as Celtic and Scottish Studies. Bennet’s son, Martyn mixed traditional voices, Bothy ballads, and pipes with contemporary dance grooves. At Celtic Connections 2014, Greg Lawson's innovative Grit orchestra performed Bennet's album to great acclaim .

In 1994 Aly Bain and other musicians began a small Glasgow winter festival, Celtic Connections, which has now evolved into the world biggest folk, roots and world music festival and takes place in 32 venues over 18 days and with artists coming worldwide. Many artists perform Robert Burns and other traditional songs, as well as singing in Gaelic. Glasgow is ideal for the folk festival with its many diverse and much loved venues – Barrowlands, King Tuts, Oran Mor, Old Fruitmarket  concert hall and more. - https://www.celticconnections.com

Edinburgh also is the perfect historic city for its major arts festival each August – begun in 1947, it attracts visitors worldwide and is one of the world’s oldest and most significant cultural events. Edinburgh International festival - https://www.eif.co.uk

Aly Bain

Dougie MacLean

Mogwai

SCOTS ARTS. Glasgow also boasts the work of the Glasgow Boys Colourists, 1890s to 1910. 

Glasgow’s Rennie Mackintosh Art School may have been destroyed by fire, but more people than ever appreciate and enjoy Macintosh’s work at the Home for an Art Lover and at the LIghthouse. In Glasgow there is also the impressive Kelvingrove and the Burrell collection. While Edinburgh boasts the Scottish Portrait gallery and National Galleries. In the 90s the head of Scottish Arts wanted to close the portrait galleries, claiming no significant Scottish art! 

SCOTS MEDIA. We’re poorly served by media and by Creative Scotland though, with a struggle to build Scotland a film studio (amazingly considering Wales, Northern Ireland, Birmingham have studios). Even though we have some of the world’s greatest scenery. And no Scottish TV channels: when even the poorest European country, Moldova, has its own tv channel.  However the global success of Outlander has seen a film studio built. While the new BBC Scotland channel is mostly playing it safe. 

What has been a problem is Scots institutions being run by outsiders who don’t value or understand Scot’s traditions or history. I studied art, history at school in Edinburgh, in the 70s, but learned nothing of Scots culture, history or heritage. I’m now teaching myself and learning of our great enlightenment, art and song.  For decades, no centuries, there has been deliberate policies to suppress Scots culture.  

SCOTS MUSIC. Scots music has enjoyed a renaissance since the 70s –  Average White band, Simple Minds, Deacon Blue, Franz Ferdinand, Lulu, Texas, Snow Patrol, Gerry Rafferty, Annie Lennox, Del Amitri – to name a few. With some of the most innovative and creative talent. Scots artists have achieved great success in 2019 – a particular shout out to the newcomer Lewis Capaldi. Plus Calvin Harris, Mogwai, Emeli Sande, Chvrches, Tom Walker, Kathryn Joseph, Young Fathers, C Duncan, Be Charlotte, Frightened Rabbit,... Scotland definitely punches above its size.

On the folk Trad scene there is outstanding talent both young and old – Karine Polwart, Braebach, Rura, Blazin Fiddles, Dick Gaughan, Rab Noakes, Blue Rose Code, Dougie MacLean, Skerryvore, Julie Fowlis, many more

Alexander MacColl Smith

I attend Edinburgh Book festival each year, which was begun in 1983 and is the UKs oldest book festival. Scots literature is not only thriving, but producing some of the worlds best known writers – Val McDermid, Ian Rankin, Iain Banks, Christopher Brookmyre, Alexander MacColl Smith, Ali Smith, Alasdair Gray, more …Dundee games industry is a world leader and now also boasts the iconic Dundee V & A designed by Kengo Kuma.-  https://www.edbookfest.co.uk

What has been a problem is Scots institutions being run by outsiders who don’t value or understand Scot’s traditions or history. I studied art, history at school in Edinburgh, in the 70s, but learned nothing of Scots culture, history or heritage. I’m now teaching myself and learning of our great enlightenment, art and song.  For decades, no centuries, there has been deliberate policies to suppress Scots culture.  

II  Since the Scottish Parliament opened in 1999 twenty years ago, there has been renewed confidence to believe in and understand our rich Scots traditions and heritage. Artists are now proud to sing in their Scots accent. Gaelic is more popular than ever. My local folk club is flourishing. We also have many highly respected academics such as the distinguished historian Tom Devine, along with 4 fo the world's top universities. 

Scotland is creative and bold, but we allow other places (such as London) to make money out of our creativity. Big London outfits are profiting from turning Edinburgh into a Scottish Disneyland of the North. More money must be kept in Scotland to improve roads and infrastructure. We must teach more business in Schools and how to protect and keep the money here in Scotland: and build our own infrastructures.

For our size our cultural contributions are outstanding. They are also grassroots, rather than top down by some Big Label machine – and in my opinion much healthier and creative for it. 

Postscript

**Special mention to artist and writer Alasdair Gray 1934 – 2019. We have just lost one of Scotland’s great artists and innovators. I took photos of him Edinburgh a few years back – what a great character!