Finland Awakes, Art & Culture shape our Destiny

Music crosses borders but also expresses our souls 

"Finland doesn’t have a history of kings and castles. We have always been occupied.  When we finally became free it was built on language, literature, painting and music. Jean Sibelius created the idea of what Finland sounds like. You can hear his enthusiasm for discovering the Finnish sagas – folklore that’s ours alone, even as he was becoming a universal composer.”

writes Dalen Stasevska (BBC Symphony Orchestra principle guest conductor) 

who returned as principle conductor to Lahiti – home to Jean Sibelius. 

 

Sibelius (1865 – 1957) helped force Finland’s independence in 1917.  He was a violinist who found inspiration in Finland’s myths, sagas and folklore, particularly in the poetry of Kalevala.

 

Jean married Aino Janefelt, whose family was artistic and activist – her three brothers were a painter, composer and writer. Their mother was determined to fight for Finnish independence and she gathered a Finnish-speaking, pro-independence circle around her, including Sibelius.

Aino Janefelt & Jean Sibelius

Defiant Finlandia

“we fought a 100 years for our freedom and I am part of the generation that achieved it. This is the song of our battle – our hymn of Victory. “  Aino Janefelt

But after a civil war, Russia again attacked during the WW1. 

Lahiti built Sibelius hall from wood in 1996. At this time there was 28% unemployment, so it was hard to justify a new concert hall. But the government was keen for a prestigious building as part of the Year of Wood, Plus they had the backing of businesses – Metsa and UMP.

 

The concert hall now hosts a Sibelius festival and is rated in the top ten for acoustics. The area was rejuvenated around the site with restaurants, and a new marina developed.

 

Jean Sibelius

(extracted from Lesley Riddoch article - Finnish composer and the lessons we can learn from Nordic neighbours

 

Celtic Connections 2022 RETURNS!

 

Transatlantic Sessions

Thrilling to hear that CELTIC CONNECTIONS will return January 20^th to 6^th Feb, to celebrate its 29^th year,  as the world premier winter roots, folk and world music festival. It will be held in Glasgow’s iconic venues.  With over a thousand musicians, and events over 18 days. And is famous for its unique collaborations and connections. The focus this year is on young talent with "Tradovation". 

A bright light of emerging talent with a series of concerts from young acts that seek to find innovation, inspiration and exploration within traditional music.  New commissions from musicians at the forefront of the roots, folk, jazz and orchestral scene in Scotland.

Grit Orchestra

New Talent. The opening concert Neath the Gloaming Star – will mean a great deal , after the lockdown months of this Pandemic.“Celtic Connections 2022’s opening concert is a statement of the festival’s commitment to present and hold up emerging acts, recognising what is being done by young musicians in Scotland and internationally to carry the torch for Scots folk song into the future”, Creative Producer, Donald Shaw, “there’s no doubt that this year’s festival has an added significance to it, and in the context of the last couple of years, we’re eager to capture the collective human experience that is at the heart of what’s been missing for people – the sharing of experiences, songs, music and stories.”

Orchestra. 21 January Skye electronic Celtic fusion band Niteworks joined by the Royal Scottish National Orchestra, with Gaelic singers Kathleen MacInnes and Sian, night of commissioned orchestrations.  Capercaillie will be joined by Scottish Symphony Orchestra, led by Greg Lawson in a world premiere of orchestrations of the band’s illustrious back catalogue.

Anniversaries. English folk singer-songwriter Kate Rusby, will celebrate 30 years at Glasgow’s Royal Concert Hall  1 February.   Plus the 20-year anniversary for Quebecois folk quintet Le Vent du Nord, who will bring The Old Fruitmarket to life 28th January with their raucously blend of guitar, fiddle, hurdy gurdy and lusty French vocals. They blend a modern sound, rooted in Celtic music from both Ireland and Brittany, and showcase the festival’s cross-cultural spirit

Indie bands will showcase several gigs, including Twilight Sad at the Old Fruitmarket. Plus the ever popular concerts of the Transatlantic Session and the Roaming Roots Revue.

The festival line up will include Fergus McCreadie, Matt Carmichael, RANT & The Ledger, Kim Carnie, Westward The Light, Hamish Napier & Adam Sutherland, Mairearad Green, Jenn Butterworth, Mike Vass and Charlie Grey & Joseph Peach.

 

** Celtic provides a place of warm cheer with the energy of eclectic, accomplished and enriching roots music for those long, chill January nights and days – that challenge as well as being inspired by the past. Last year the festival was online only which saw over   30K fans worldwide tune in. 

Braebach

 *Celtic Connections began in 1994, when it offered 66 events at one venue. Since then it’s grown more adventurous, experimental and diverse each year and now offers thousands of events in locations across Glasgow.  Funded by - The Scottish Government Festivals Expo Fund by Caledonian MacBrayne, La Bonne Auberge and Holiday Inn Glasgow Theatreland. The BBC has supported Celtic Connections since its first year and the festival is pleased to collaborate once again with them for 2022.

Rachel Sermanni

REVIEW Celtic Connections 2020

I always look forward to this very special folk, roots and world winter music festival, which offers a great start each year and is one of the highlights of my year. The central hub is the Glasgow concert hall, with its 5 venues spaces which comes alive to the sounds of pipes, whistles, song and those foot-stomping reels! 

This is also very much an international festival with musicians and visitors coming worldwide. For the 18 days of the festival take over Glasgow venues. This year the festival twinned with Finland. 

Celtic Music Radio is the place to hear the Danny Kyle stage open mic performers. This takes place each day 5 – 7pm at the concert hall. This year I heard finalists Muckle Spree and John Edge and the Kings of Nowhere.

On the first weekend there was a festival within the festival - Coastal Connections celebrating the vast and scenically majestic Scottish coastlines and islands. For the price of one ticket we were treated to many top performers – Tiree based Skerryvore, from the West Highlands Diamh, from Oban Capercaillie and from Orkney’s Fara.  A dramatic 10 metre sea goddess puppet made from reeds and named STORM, walked from the Clyde to the concert hall. 

Daimh

For the opening night concert the unique GRIT orchestra performed the Declaration – with 6 new compositions commissioned to celebrate the 700^th anniversary of the Declaration of Arbroath. As well as some of ever popular Martyn Bennet’s music.  

The Auld Lang Syne concert celebrated our great Scots bard Robert Burns, at the Glasgow concert hall when his songs were performed by Eddi Reader, Karen Matheson, Shona Donaldson and all were on top form. I was impressed by Jarlath Henderson, piper, composer and singer from Ireland.

GRIT orchestra the Declaration

Auld Lang Syne

I also enjoy the atmospheric Old Fruitmarket venue and this year saw This Caledonian Soul hosted by Blue Rose Code and his top soul band. His biggest influences are John Martyn and  he performed the song Fine Lines and a new song from his upcoming album. I’m a fan, and I highly recommend his albums.

Blue Rose Code, Caledonian Soul

Julie Fowlis

Rachel Sermanni

Plus the Scottish National Orchestra who performed Scottish composer, pianist, harpist Phamie Gow, composition Lammermuir, along with musicians Jarlath Henderson, Alasdair Fraser, Mairi Campbell.

To top all this I enjoyed the excellence of  the Transatlantic Sessions band with guest singers– Americans Cahelen Morrison, Sierra Hull; Irish Cathy Jordan and Scots singers Rachel Sermanni. Other highlights included – Cherish the Ladies, Roaming Roots Revue, Phil Cunningham’s 60^th, Salsa Celtica, Blazin Fiddles and much more.

Celtic Connections festival supports new artists –  with workshops, the open stage, and the

Scottish Showcase – with over 200 delegates from 23 countries.

Karen Matheson

Transatlantic Sessions 2020

The arts bring us together. Celtic connections is a class example of music crossing boundaries. There is mainstream pop – then there is the craft, heritage and depth of making of the live folk songs. It inspired Bob Dylan to do something more authentic. .

GRIT orchestra Opening concert CELTIC CONNECTIONS

GRIT orchestra perform the Declaration:  A triumphant opening concert with the excellent and exuberant GRIT orchestra!

The concert hall buzzed in anticipation of this years festival. Some may think  - isn’t January a low month – not when the Celtic fiddles dance; along to the feet-tapping dance rhythms of percussion and drums; the vibrant rich brass; the mellow, haunting flutes; the heart-topping pipes – and all topped with the melodic, soaring voices such as Gaelic singer Karen Matheson and Fiona Hunter. 

The Grit Orchestra is an 80-piece ensemble of folk, jazz and classical musicians, who first performed Martyn Bennet’s  ground breaking album, with conductor Greg Lawson at the festival in 2015. 

For the first half of the concert they performed new compositions for one of the most famous statements for freedom, Declaration of Arbroath, ahead of its 700th anniversary in April and also inspired by Bennet’s own innovative creations.To explore concepts of freedom and what does freedom mean?

The new compositions for the Grit orchestra were – first cellist Rudi de Groote piece, Declaration Opening which offered a haunting anticipation; followed by fiddler Patsy Reid’s Suppliant Hearts with upbeat fiddles juxtaposed with stirring pipes; Oran do loch lall, a Donald Shaw introspective composition then captured a more gentle mood with the perfect voice of Gaelic singer Karen Matheson; next was the climatic freedom piece Ve Skerries by fiddler Chris Stout and harpist Catriona Mackay, with the impressive male voices of the all male Chapel choir and a Freedom poem read by poet Liz Lochhead - “What matters is not what we say, but what we do.”

This was followed by Fraser Fifield’s, atmospheric Secret Histories and saxophonist Paul Towndrow’s Declaration Ending, when woodwind and brass solos sounded the hope filled finale. 

  

II  For the second half of the concert the orchestra treated us again to Martyn Bennet’s Grit album tracks, with firm favourites and sung by Fiona Hunter - No Regrets, Blackbird, Play the melody on the chanter. Alongside Bennet’s drama and dance grooves, he understood the significance of the memorable melody. The Grit orchestra music is a unique contemporary sound that fuses  traditions, folk songs and modern dance beats. 

The Declaration compositions were described by festival director Donald Shaw as “a declaration of intent to grasp the thistle and give a sense of confidence to orchestral works from Scottish folk composers. It’s about freedom, exploration and intent. 

Conductor Greg Lawson said, “We must strive to be different and understand our differences – which will make us stronger.”

The Arbroath Declaration

...for, as long as but a hundred of us remain alive, never will we on any conditions be brought under English rule. It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom – for that alone, which no honest man gives up but with life itself.

1st half

Rudi de Groote - Declaration Opening

Suppliant Hearts - Patsy Reid

Oran do loch lall - Alexander Cameron/Donald Shaw/Norman MacLean

Ve Skerries - Chris Stout& Catriona Mackay

Secret Histories - Fraser Fifield

Paul Towndrow - Declaration Ending

2nd half

Move 

Nae Regrets 

Blackbird 

Aye

Karabach 

Chanter

Celtic Connections 2020 launched!

CELTIC CONNECTIONS 2020 launched!

16th Jan - 2nd Feb 2020

“That cross-cultural, interdisciplinary spirit is at the heart of Celtic Connections,”   

18 days of live music across Glasgow to warm our winter days!  The world’s premier celtic music festival 27^thyear, begun in 1994!  One-off musical collaborations, talks, workshops, film screenings, theatre productions, ceilidhs, exhibitions, free events, late-night sessions. Of traditional folk, roots, Americana, jazz, soul and world music. Celtic Connections brings together and celebrates special artistic collaborations. Many of the great innovations are brought about this way. 

GRIT orchestra Bothy Culture Hydro

**Opening concert the GRIT orchestra with new compositions -  “it is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom".   

Premiere for - 700^th anniversary of the 1320 Declaration of Arbroath: declaration of Scottish independence - by leading Scottish composers, commissioned for Celtic Connections and performed by the GRIT orchestra, legendary ensemble of folk, jazz and classical musicians and led by conductor Greg Lawson. Founded to continue the legacy of Martyn Bennett, who pioneered the fusion ofl folk with techno dance beats. Composers - Jazz-folk musicianFraser Fifield, cellist Rudi de Groote, Clarsach composer Catriona McKay, saxophonist Paul Towndrow, fiddlers Patsy Reid and Chris Stout. 

Lawson said the new work would interpret concepts of freedom expressed in the declaration within a modern context. “To be really free we need to be equal, we need to be diverse, we need to be open, we need to care.  You could say we are taking the declaration and turning it into an appeal: for tolerance, diversity, openness, respect. That's what freedom actually means." 

Niteworks

CONCERTS - A Celebration of Women in Piping  - Louise Mulcahy, Alana MacInnes, Síle Friel, Máire Ní Ghráda, Marion McCarthy, Enora Morice and Robyn Ada McKay.

Auld Lang Syne Burns celebration, with BBC Scottish Symphony Orchestra with Eddi Reader, Karen Matheson, Jarlath Henderson, Shona Donaldson.

Transatlantic Sessionsfestival favourite’s all-star line-up. Guitar virtuoso Tommy Emmanuel, Tennessee native Sierra Hull, multi-instrumentals Cahalen Morrison. Dervish lead vocalist Cathy Jordan and singer-songwriter Rachel Sermanni.

Transatlantic Sessions

**PLUS – Scottish music with Salsa Celtica, Braebach, Lau, Rura, Blazin fiddles, Mànran,Kinnaris, RANT, Hamish Napier, Sarah-Jane Summers. 

Americana music -  Iris De Ment, Sturgill Simpson, Anais Mitchell, The Lone Bellow, Frazey Ford, Della Mae, The Felice Brothers. 

CELTIC CONNECTIONS ALSO INLCUDES - BBC Radio Scotland Young Traditional Musician of the Year , Showcase Scotland, The Danny Kyle stage, and its education program. 

Talisk

Blue Rose Code

Rab Noakes

Aly Bain

TICKETS - https://www.celticconnections.com

Opening Concert Celtic Connections 2019 - Syne of the Times

The Celtic Connections opening night was a rousing concert with over a hundred young musicians on stage, to celebrate the passing traditions between the generations. They enjoyed a memorable experience of Gaelic music alongside some of Scotland’s most celebrated folk musicians.   

  

This opening concert began with a moving film by a young musician and composer from the isle of Grimsby - of his grandfather and father and his hope that the traditions and Gaelic can be passed on through the generations by preserving and celebrating our heritage and culture through music. 

After which we were treated to rousing tunes by the Celtic Galician folk orchestra Son De Seu. There are seven Celtic nations. This year Celtic Connections festival is paired with the small Celtic country of Galicia. 

Also performing were the Orkney youth musicians, HadHirgaan and the young musicians from the 5 Feisean, which is held annually around Scotland.

The evening was led by music director and fiddler Duncan Chisholm. Also appearing were Gaelic singer Julie Fowlis, fiddler Lauren MacColl,folk band Daimh, fiddler Aiden O”Rourke, piper Brighde Chaumbeu, and Donald Shaw (festival director) and his Harvest music. Celtic Connections also celebrates folk musicians who gained their success through attention at the festival.

I hope the young musicians were inspired by this memorable opening concert. 

What a first class experience for the young performers tonight. 

I don’t understand Gaelic, but I enjoy the Gaelic singers who perform each year at Celtic Connections. There is something magical about it and Gaelic song is very popular at Celtic. 

2018 was the year of the young people in Scotland, who I hope were encouraged to have their voices heard. 

“English is the universal language French the language of diplomacy but Gaelic is the language of the Gods."

Interesting. This year Celtic Connections festival is paired with the small Celtic country of Galicia. 

Galicia sits on the north west corner of Spain – and has had to fight for it autonomy..

They were controlled by Franco's dictatorship. Their democracy was restored when the legislature passed the Statute of Autonomy of 1981 approved in referendum and currently in force, providing Galicia with self-government. (Galicia has a population of 2.7 million)

Galicia, is an autonomous community in Spain’s northwest, is a verdant region with an Atlantic coastline. The cathedral of regional capital Santiago de Compostela is the reputed burial place of the biblical apostle Saint James the Great, and the destination for those following the Camino de Santiago pilgrimage route. The western cliffs of Cape Finisterre were considered by the Romans to be the end of the known world.