CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Opening concert Celtic connections 2025 Glasgow 850

Tonight’s welcome return Opening Concert of Celtic Connections the world leading folk and roots music festival, began with the dramatic horn blowing of an ancient Celtic instrument the  Carnyx, (a wind instrument used by the Celts during the Iron Age, between c. 200 BCE and c. 200 CE), brought over the heads of the venue. 

 

Glasgow 850 Opening concert, heralded the start of the city’s year-long 850th birthday celebration. ‘Let Glasgow Flourish’ is the motto on the city’s coat of arms, and this special concert paid tribute to the city’s rich artistic heritage and flourishing future through a concert incorporating music, spoken-word, dance and film. 

 

This concert was hosted by Siobhan Miller and Roddy Hart, and celebrated the breadth and talent of musicians, artists and poets Glasgow has produced and how this has fed into the very heart of Celtic Connections. Glasgow is a diverse, multi-cultural and vibrant city.

Glasgow Trad Collective

First there was energetic reels and jigs from the Glasgow’s Trad Collective (of Ben Nevis bar). We had nostalgia with the Bluebell’s 80s song 'Young at Heart'. Behind the stage were projected black and white images of Glasgow by photographer – Oscar Marzaroli.

 

Glasgow was celebrated with performances by the Joyous choir of Maryhill, While the Indian collective Qawali Project raised the energy levels with warm applause. The talented pipers Ross Ainslie and Finlay Macdonald impressed as did the string ensemble who performed world-renowned Glasgow composer Craig Armstrong’s Immer (Forever). 

 

Grammy award-winning American singer songwriter Madison Cunningham impressed with her haunting vocals on her song ‘Home’.Glaswegian James Grant, performed several Glasgow songs – and along with Siobhan Miller and Paul McKenna delighted us with their rendition of Michael Marra’s song “Mither Glasgow.” After which we were treated to a grand finale of multi-instrumentalists and uplifting tunes. 

James Grant

Glasgow has world class art galleries, and an ancient and leading university. Glasgow is the city of music and boasts world famous venues including the Barrowlands  King Tuts, Oran Mor, Old Fruitmarket. 

  

Image: 'Playing Ring, Gorbals, School Playground’ 1963, © Oscar Marzaroli Collection, courtesy of Street Level Photoworks.

 From the permanent exhibition ‘Oscar Marzaroli’s Gorbals’ at Gorbals Library.

 CELTIC CONNECTIONS - https://www.celticconnections.com

Celtic Connections 2024!

 

 

Folk music. What is folk music?

This festival is definitively NOT about only about folk music. Some might argue it should be more narrowly about Trad – while others want to hear experimental cross overs and colorations. 

Celtic Connections is definitely full of unexpected collaboration. One of its strengths is it diversity – crossing boundaries while drawing on Celtic heritage and traditions, 

 

There is always a wide variety of MUSIC at Celtic Connections – with its breadth of genres and cultures. The festival is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. 

 

Americana – Bruce Hornsby, Bela Fleck, Molly Fleck. 

Pipes – Finlay MacDonald, Skerryvore (folk rock), Ross Ainslie and Ali Hutton. 

Gaelic – Julie Fowlis, Joy Dunlop, Breabach, Daimh

New composition, orchestral

Fusion, and rock bands, 

Trad music, jazz and blues

Ceilidh and dance, 

 

Some highlights - 

Concert for revolutionary John MacLean - Red Clydeside . 

Irish group, the Bothy Band -

Dougie MacLean anniversary concert. 

 

The festival includes a Showcase, education, open mic, late night sessions, new talent, multi-cultural. Plus the Scottish National Whisky festival

Celtic Connections of one of the world’s largest winter music and folk festivals, I always remember being in the Press office with a London reporter. I said you must have folk festivals like this in London – he replied, ’Oh nothing at all on this scale!”

“Celtic Connections stands as a testament to Glasgow’s status as the UK’s top cultural and creative city, honoured by the European commission. The festival embodies a global tapestry of music, welcoming diverse traditions from across the world. “

 

I’ve been covering Celtic Connections concerts from 2008-2024 (over 16 years) with both reviews and photos. I have so many highlights to recall – impressive opening concerts, old Fruitmarket buzz, the ABC venue (sadly no longer there due to the art school fire), the late sessions, Danny Kyle stage – and so much more.

TICKETS   at www.celticconnections.com. Celtic Connections 2024. 

 

Celtic Connections Review 2023

 

2023 marked a welcome return. with long queues at the Danny Kyle open mic stage, packed venues and an excitement to have the popular festival back, after the restricted lockdown years of the Covid. (2021, 2022): and showcasing performances from some of the world’s most celebrated artists  Europe’s premier folk, roots and world music festival Celtic Connections drew to a close after 18 days of spectacular concerts, unique and powerful collaborations and captivating screenings. 

Celtic Connections, one of the world’s largest winter music festivals and this year saw its 30^th year, celebrated with an exciting line-up for its Opening concert – The Big Band plus -  Sierra Hull’s mandolin, Hebridean Peat and Diesel folk rock; Maeve Gilchrist harp melodies; Mali’s duo Dre Cali, Liam O Maonial’s band Hot House Flowers, singers Karine Polwart, Kim Carnie, Rachel Sermann, and Fergus McCreadie’s jazz piano.  

 

The concert included musicians who have been involve since its beginning, as well as providing a platform for future talent, everything from contemporary dance to punk-inspired folk rock.

The world-renowned festival,19th January to 5th February, was held without restrictions for the first time since 2020, staging more than 300 events with more than 100,000 attendances at 25 venues across Glasgow, from the famous Glasgow Royal Concert Hall to the Mackintosh Church in the west end and Tramway in the southside.(There was also over 10,000 attendances at free events). 

Irish Celtic Music. Róisín Reimagined with award-winning Irish singer Muireann Nic Amhlaoibh and Irish Chamber Orchestra teamed up for a new project that combined exceptional vocals with fresh orchestral arrangements of sean nós songs, breathing new life into the noble, classical music of 16th-19th century Gaelic Ireland. 

Another notable performance was Rise Kagona, lead guitarist and only remaining member of the mega-successful Zimbabwean rock band The Bhundu Boys. One of the most successful contemporary folk musicians from Finland, Maija Kauhanen, combined her expressive voice with Finnish kantele when she performed with composer Andrew Waite. Rozi Plain performed tracks from her upcoming fifth LP, Prize and local musician Terra Kin presented their debut EP Too Far Gone.

Other highlights - Malian duo Amadou Bagayoko and Mariam Doumbia, with their rich and radiant blend of desert blues, Afro-pop, rock and hip-hop. Hen Hoose, a songwriting collective, brought together artists with ground-breaking music. Man of the Minch, at the forefront of Scottish folk music performed tracks from his debut album, The Tide is at the Turning. One of Mali’s most dynamic artists Rokia Koné  gave her first live performance in the UK of her debut album Bamanan, which was named one of the New York Times Best Albums of 2022.

The popular Cherish the Ladies, all-female American supergroup, champions of Celtic music, captivated with soulful singing, uplifting traditional Irish tunes and energetic dancing, as they celebrated 38 years. 

The sold out Transatlantic sessions brought together accomplished musicians and talented solo performers and went on tour to six UK venues. My personal highlights were Danny Kyle open stage, Vent du Nord, Duncan Chisholm, Kim Carnie and TS concerts

**Showcase Scotland, highlighted international partners Brittany and Wales during the six-day programme. The music industry event, which returned for the first time in two years, introduced delegates from across the world to the Scottish music sector, featuring this year’s partners Spectacle vivant en Bretagne - EPCC, and Wales Arts International - Celfyddydau Rhyngwladol Cymru.

Donald Shaw, Creative Producer for Celtic Connections, said: “It has been incredible to celebrate the 30th edition of Celtic Connections and showcase folk, roots and world music, bringing communities from across the globe together in Glasgow. This year’s festival was a huge success and the calibre of the artists was incredible.

“We are honoured to have brought Europe's largest winter music festival to audiences from all over the world for the last 30 years. This year, we paid homage to all the musicians and artists who have contributed to Celtic Connections over the past three decades. We can’t wait to return in 2024 and once again bring music from around the world to the heart of Glasgow.”

Vent du Nord

Fergus McCreadie

Sierra Hull

**New Talent at Celtic Connections -  Lewis McLaughlin, who won the Glastonbury emerging talent

Kim Carnie, award winning Gaelic singer and composer, Mercury nominated Fergus McCreadie jazz pianist, 

*Danny Kyle Stage, 24^th year – Binky Blue – Carnan – Chloe Matharu – Falasgair – Tem and Will Boyd-Wallis

*Winner Young Trad Musician 2023 – pianist Amy Laurence, who mixes traditions from Shetland

This year’s winner of the prestigious award joins a list which recently has included amongst others the 2022 winner fiddler Eryn Rae, pianist Michael Biggins, piper Ali Levack, fiddler Benedict Morris and singer Hannah Rarity.  Amy said: “I am stunned and delighted to be the BBC Radio Scotland Young Traditional Musician for 2023 and to follow in the footsteps of past winners, who are such an inspiration.”

Originally from Shetland, Amy began her journey through traditional music at the age of 16 when she began attending lessons from Violet Tulloch, who she still considers a large influence.   In 2017 she made the move to Glasgow to study Classical Piano at The Royal Conservatoire of Scotland before making the switch, in 2019, to the traditional department where she was awarded a first-class honours degree in traditional music.  As part of the 2023 award, Amy wins a recording session with BBC Scotland, an opportunity to perform at the Scots Trad Music Awards later in the year, plus a one-year membership to the Musicians Union.

CELTIC CONNECTIONS OPENS!

 

Alongside the usual varied musical selection, visitors can enjoy ceilidhs, workshops, talks, exhibitions and more over the 18 days.

The festival will run from Thursday 19 January to Sunday 5 February 2023. Follow the conversation   at @ccfest.

Europe’s premier winter music festival, Celtic Connections opens in Glasgow today, Thursday 19th January, showcasing performances from some of Scotland and the world’s brightest emerging musical talent alongside stalwarts of the scene and returning favourites, and runs to Sunday 5th February. Thousands of musicians from across the world - USA, Ireland, Mali, Morocco, will perform across Glasgow over its two weeks as it celebrates 30 years of pushing the boundaries of traditional folk, roots, Americana, jazz, soul and world music.

With thousands of visitors passing through the doors of Celtic Connections each year, the festival’s contribution over the last three decades to Scotland’s cultural landscape and international reputation, and the Glasgow economy during the dark month of January, cannot be understated. Since the festival’s inception in 1994, the number of events staged at Celtic Connections has quadrupled and the number of venues has grown 25-fold. 

Education program. Since its learning programme was established in 1999, more than 200,000 children and young people have taken part in its cultural events. This year sees the return of its educational arm in earnest, with three free school concerts and 44 workshops set to be delivered to school children throughout Glasgow.

 

The festival’s legacy for championing emerging talent with the much-loved Danny Kyle Open Stage and has showcased 146 finalists comprising 440 artists and the festival’s New Voices strand, which allows young musicians to develop and perform brand new compositions, will this year top 76 stunning commissions. Celtic Connections is also supported by a team of 100 volunteers.

**Tonight’s 30^th opening concert Glasgow Royal Concert Hall will celebrate Celtic Connections’ rich history with artists who have featured over the last three decades. The once-in-a-lifetime line up includes Basco, Duncan Chisholm, Fergus McCreadie and Matt Carmichael, Karine Polwart, Kathleen MacInnes, Liam Ó Maonlaí, Maeve Gilchris, Peat & Diesel, Rachel Sermanni, Sierra Hull, Scottish Dance Theatre, TRIP, and The National Youth Pipe Band of Scotland.  They are joined by a special big band, originally brought together for the 2021 digital opening night - Duncan Lyall, Sorren Maclean, Fraser Fifield, Patsy Reid, Graham MacKenzie, Laura Wilkie, Michael McGoldrick, Hannah Fisher, Ross Ainslie, Anna Massie, Greg Lawson,Alice Allen, Alyn Cosker, James Mackintosh.

Mercury-nominated jazz pianist and Scottish Album of the Year Fergus McCreadie and acclaimed harpist Maeve Gilchrist team up with Mr McFall’s String Quartet for a performance at The Mackintosh Church, while Ian Carr & The Various Artists and Madeleine Stewart Trio at Drygate Brewery.

This weekend’s packed schedule includes festivals legends Saltfishforty along with award-winning Scandinavian band Basco; Treacherous Orchestra, alongside VÍÍK, who combine Scandinavian song tradition, progressive jazz and alternative rock. Colonel Mustard and The Dijon 5 , and the legendary John McCusker will celebrate 30 years with a host of special guests at City Halls.

*Highlights  include - Shetland musicians Jenna Reid and Harris Playfair, celebrating the upcoming release of their long-awaited duo record; When Mountains Meet / Jub Milain Pahaar: A musical adventure from Scotland to Pakistan combines Scottish and South Asian influenced music, storytelling, and striking visual images to recount the true story of Anne Wood as she sets forth on a voyage from the Scottish Highlands to the Himalayas.

Glasgow Royal Concert Hall’s Strathclyde Suite will host dementia-friendly concerts, with Josie Duncan and Owen Sinclair, and Robyn Stapleton and Claire Hastings showcasing the power of music and its ability to kick-start the brain and unlock memories. 

Afro Celtic Connections - Saint Luke’s play host to Rise Kagona, with lead guitarist of the Zimbabwean band The Bhundu Boys, Diwan, who bring an exuberant fusion of funky mbalax and Afrobeat grooves, with ska, rock and Senegalese soul led by Senegalese singer Samba Sene, and Chief Cheb, a celebrated African philosopher, poet storyteller and teacher.

Tramway will host the world premiere of Moving Cloud – a collaboration of contemporary dance and traditional music created by Celtic Connections and Scottish Dance Theatre, with a new score performed by a 14-piece folk ensemble  with TRIP and Sian along with Greg Lawson and Alice Allen. 

Celtic Odyssée perform atz Glasgow Royal Concert Hall along with the Festival Interceltique de Lorient, with 18 artists from the eight European Celtic nations coming together in a celebration of a shared heritage. Musical Director is Breton piper Ronan Le Bars, along with Denez Prigent (Brittany), Karen Matheson (Scotland), Karan Casey (Ireland), Cerys Hafana (Wales), Fransy Gonzàlez (Galicia), Sylvia Quesada (Asturias), Lauren Chandler (Cornwall), Finlay MacDonald (Scotland) and many more. They will share the stage with Scottish fiddle-led four-piece FARA, who will bring their unique mix of intricate fiddle harmonies and skilled storytelling.

Troubadour Jim Malcolm, trad singer Susie Malcolm, their daughter, Beth Malcolm, and fiddle legend Pete Clark will celebrate Burns Night with an evening of song at The National Piping Centre, while record label Last Night will host a show at Oran Mòr, celebrating three of the label's most recent successes: wojtek the bear, Sister John, and Album Club.

James Grant and The Hallelujah Strings will perform at the beautiful Kelvingrove Art Gallery and Museum this year, not once but twice, after a second date was added due to demand. Audiences will be treated to James’ signature rich vocals and outstanding guitar work, his incredible back catalogue performed alongside the Hallelujah Strings, a 14-piece string section led by Greg Lawson.

The festival will draw to a close on Sunday 5 February when the hotly contested BBC Young Traditional Musician of the Year competition reaches its conclusion, while Transatlantic Sessions celebrates its 20th year of showcasing the shared traditions of Scotland, Ireland and the US, and the GRAMMY Award-winning Fantastic Negrito plays tracks from his new album, supported by talented Nashville-based singer-songwriter and performer Tommy Prine.  

Donald Shaw, Creative Producer for Celtic Connections, said: “Sharing our music and our arts is a vital part of our human existence – it allows us to feel rooted in place and connected to one another, enriching our lives in the process. Over the last 30 years, this is what Celtic Connections has always been about. As we take a moment to recognise and appreciate what we’ve managed to achieve over the last three decades, we go into this year’s festival with feelings of immense determination, pride and gratitude.

“As ever we’re incredibly excited to be welcoming people from across Scotland and the world to Glasgow to enjoy the very best in Celtic, folk, roots and world music. I know our musicians and everyone involved in the festival is ready to make this another incredibly special one in the calendar. With an incredible array of entertainment on offer, audiences can expect to be amazed wherever they find themselves across the city. It’s amazing how when the atmosphere in a venue is so warm and the music so restorative, you don’t notice the January rain or the wind outside.”

Bailie Annette Christie, Chair of Glasgow Life, said: “The curtain rising on Celtic Connections’ showcase of outstanding musical talent from Scotland and all over the world, with its vibrant programme of wonderful live performances in our city’s venues, is always exciting.  And it’s a particularly special occasion this year as we celebrate the 30^th anniversary of the festival and acknowledge the huge contribution it has made over three decades to Glasgow’s rich cultural offer. 

“The richly deserved, exceptional reputation Celtic Connections has earned as Europe’s leading traditional music festival - and the event’s great importance to the city as a much-loved highlight that attracts thousands of visitors, enriching the lives of local, national and international audiences - is something that Glasgow takes great pride in. We are very much looking forward to welcoming everyone taking part in this year’s festival.”

Culture Secretary Angus Robertson said: “Celtic Connections shines a bright cultural light in the winter darkness and I’m delighted the Scottish Government is able to support this year’s 30^th anniversary event. This year’s stunning line up of musicians reflects the huge amount of talent we have in Scotland and also the festival’s standing internationally as world-famous artists travel to Glasgow to take part in the celebrations.”

Tickets for Celtic Connections 2023 are available from www.celticconnections.com.