Thursday 30 November 2023

The Break up of Britain Conference in recognition Tom Nairn November 2023

 



 
Tom Nairn has been a guiding light. 

He took Scotland’s constitutional questions and nationalism onto the global stage. Nairn gave us secure political foundations on which to build. He was instrumental in changing Scotland’s nationalism from a parochial to a more international and wide ranging civic nationalism. 

 

After the failed 1978 Scottish assembly referendum – there was broad movements for democratic renewal. Nairn marched every step of the way. He was deeply humane. He was both a poet and philosopher: he was a revolutionary and son of European culture. He was Professor of politics Melbourne. 

 

Clive Lewis


The conference brought voices from around all the four nations together.

*Green MP Caroline Lucas

English people also feel without a voice. Some cling to delusions and divisions – Brexit has deepened the crisis: every English region voted to leave. Who are the English? has been hijacked by the right. England is also the land of Tom Paine, chartists, suffragettes and ancient multi-cultural heritage. Is there another England – its urgent and important we must rediscover a new England Free these histories.

 

*Plaid Cymru MP Leanne Woods

Brexit vote expressed the democratic crisis – with our unelected elite making our decisions. Labour are about continuity and only so such devolution: its never enough. She spoke of the devastation of the miners  strikes and disaster, didn’t matter. Our binary outcomes – with PR, won’t go beyond red tie/ blue tie. Welsh devolution not more than the Welsh assembly and of the preservation and control from the centre. 

 

*CLVE LEWIS labour MP for Norwich south.

Who defied his labour whip to attend. He also spoke of the stories we tell ourselves. We need a new story of Britain – not the Enoch Powell (1950) version of ‘plucky Britain’. He spoke of the international questions and crisis and of viewing the crisis in the international context of the global elites who hoard the wealth. He said collaboration stopped at Westminster. Unawareness in the rest of UK of conversation of Scotland. Yorkshire flag – says they don’t want to be part of the elites. Labour won’t let discussion happen. Clive spoke of Corbyn – he had some good ideas but wrong messenger. Labour should embrace conversations – but can it seriously be changed from within?

 

*Lesley Riddoch, journalist and activist – Time to Create a new state.

There’s another state waiting: different conception of what Britain might be. Exceptionalism is falling apart. Riddoch was proud – and said, we’ve wasted so much time. It was good to get all perspectives. She spoke of Denmark, which used to control an empire but lost all of them 1864 in a terrible war. Scandinavia learned to let go without fighting. The problem in archaic British state is the divine right of kings is held with the PM, who can do as he likes.


There were also several break out rooms that covered topics such as – Irish re-unification, the monarchy, what next, Scotland in Europe. 


Hilary Wainwright said we must tear down the barricades (as in 1968) for democratic change. 
Or should we join Labour to make changes!” is this truly possible?? Is it British nationalism that has a problem – of denial, exceptionalism, and divisiveness. Britain denies nationalism. Scottish identity is not so deep rooted and has been stripped so often by Brittishness and empire. 

Scotland lacks agency and that’s not how a modern state functions. People should be active citizens. But can we reform the British state?

 

Nairn wrote that Scotland was the only county to jump ahead early 1700s, from a backward country to a trading and enlightened one. As a result of Walter Scott’s mythical novels – of a Scotland lost forever – Scottish literature lost its way in the 1800s. Scotland was not part of the rise of nationalism across Europe over the 1800s. 

 

Irish times journalist Fintan O’Toole writes that “Ireland only became truly independent with inter-dependence in Europe.” This may be a hard concept for British unionists to understand, that is the shared, co-operative project trading partnership of the EU.


II  As I left the conference to walk east along George st – the Hanoverian project – the long view is of the ugliest and tallest statue to the tyrant Henry Dundas, behind which is now the ugliest modern statue of the new Edina shopping centre, known as the Turd. Do these e statues and symbols matter?

 

Henry Dundas statue and the Turd behind

Vote for a fairer voting system and for democratic conversations across the UK. In Britain people are not trusted by politicians. 

The summer of democracy of 2014.... when reality came close to the dream….! 


New Scottish Art Galleries BURNS excluded

 



Burns and other poets) wrote with Scots voices and language - why is Robert Burns not included here?

At a time when mainly English Tory unionist voices were being heard late 1700s. No other writer has done more than burns. I was taken back, at the new Scottish galleries that there is only one mention of DB, with regard his The Hunt poem and an Edinburgh tea room painting. 

Its wonderful to see the new galleries. I realise Scott lived in Edinburgh, but Burns was there for quite a few months over the late 1786 and into 1787, and he was greatly influenced by his time there – he visited the men’s clubs – the Crochallan Fencibles Anchor close; William Creech’s bookshop and publishing house, at the Luckenbooths near St Giles, where each day the great and the good met; and the literary parties that Burns was invited to, where he met the renowned scholars of the Scottish enlightenment. He also met the great love of his life late 1786, Agnes McLahose: (his Clarinda) who he wrote many love letters to and his famous song of parting Ae Fond Kiss.

 

Scott may have been read widely in 1800s – but to my mind (and most other Scots) Burns is our national hero and bard. We was painted by his good friend, the artist Alexander Nasmyth – on their walks to Rosslyn.





As i walked around the Scottish art I thought
  - which Scotland are we emboldening and remembering here? After the first section covering the romantic period – we enter the brighter more modern period, with the windows open to the east Princes st garden views. 

I felt that the Burns creative legacy was a deliberately forgetting – Question? does his writing influence Scottish art. Burns was himself influenced by art – the symbolism and spiritual connection between the natural world, the creative fires and the established church teachings from his father – where dance was frowned upon. These strong interconnections.

He was influenced by the Ossian poems –by James MacPherson as the first Scot’s bard and also by other great poets. Burns was writing and collecting song before Scott – in fact he met the young 16 year old Scott at an Edinburgh literary party and Scott wrote about Burns after this great meeting. 

 

Burns was influenced by art and the close ties between our emotional life and nature – when he wrote one of the best love songs ever written - "Till a’ the seas gang dry, my Dear/ And the rocks melt wi’ the sun/ I will luve thee still, my dear, While the sands o’ life shall run."

It is hard to believe that Burns didn’t influence Scottish art with all the myths, memorabilia, statues and more that surround the great poet. Even so, his songs and poems were not enough to prevent the forgetting that occurred across Scotland over the 1800s. Today, as Lesley Riddoch writes in her 2023 book Thrive, ‘Scots know of William Wallace and Robert Bruce but nothing in-between up to modern times. Only in the past few decades have Scots recognised other great Scots from the 1980s onwards – with statues to James Clerk Maxwell and Adam Smith.

 

*      *      *      *       *


novelist Walter Scott

Scots bard Robert Burns
II   The galleries hold 60,000 works of Scottish art – from David Willkie, Alexander Nasmyth, Andrew Geddes, The Glasgow boys impress, particularly James Guthrie, and grand displays of William McTaggarts work.  

BUT Which Scotland – the empty Scotland or militarised? The proud Scotland or the shot stag. Romance or reality; mountain or flood;Ttory or Jacobin?

 

At the start of the exhibition there is an emphasis on the influence of Walter Scott’s historical fiction – Waverly and Heart of Midlothian. Scott was the inventor of historical novel. There is the claim “Nobody did more to popularise Scotland than Scott.’ There are photos of the construction of the imposing Scott monument nearby. David Octavious Hill’s pioneering photography, (a photography department at RSA 1857). On display is the painter John Drummond, and David Allan’s’ paintings of everyday life, the Porteous Riots.

*But I was surprised and saddened no mention of our great bard Robert Burns.


Moving on into the bright lit galleries with windows looking out onto east Princes st gardens displaying more modern art – the Glasgow boys, William McTaggert – The Sailing of the Emigrant ship, who was influenced by Constable 1776 – 1837 and Turner (1775- 1857). The Impressionist and Japanese print influences – of James Guthrie, Arthur Melville, Edward Arthur Waltour.



James Guthrie


Symbolism and Celtic revival 1890s - the alternative world of dreams, myths and visions. 
With John Peploe, George Leslie Hunter. And good to see several wmen artists – Frances Campbell Cadell, Anne Redpath. Margaret Macdonald, 

There is so much to be impressed with here and both the particular Scottish influence of Scotland soft ever changing light. The weather beaten and mountainous landscapes – the Celtic Ossian, Gaelic poetry, alongside other great Scots scholars and poets 1700s - Dunbar, Allan Ramsay, Robert Fergusson, Robert Burns - who kept Scot’s voices alive. 

And of course Walter Scott’’s historical novels, which were popular worldwide. Political philosopher Tom Nairn criticised Scott - that he told of a ‘romanticised Scotland’ that was gone and lost forever’. This led to Scotland’s literacy voice being lost over the 1800s.

 


  

My Scotia ARTS BLOG from 2007- PKIMAGE musicfootnotes


My Scotia ARTS BLOG from 2007 PKIMAGE musicfootnotes - http://www.musicfootnotes.com - which has had over a million hits and interest worldwide.

*PHOTOGRAPHY - I’ve been pursuing photography since 2008 and have had images published in various media including print media and tv. I cover major arts festival, such as Celtic Connections and Edinburgh book festival. My main interest is portraiture, street photography and music. I was using Canon MKIII, but I’m now using a smaller Sony a7 and enjoy my prime lens and a portrait lens

 

*IMAGINING SCOTIA I’m proud Scotland has leading universities and innovative scientists, I’m proud Scotland has major international festivals and a vibrant successful creative community of artists and musicians. I’m proud Scotland has a wealth of resources – whisky, quality food, and the potential to be a world leader in renewables. 

I grew up in Edinburgh, lived in America ten years and now live north of Glasgow, which I hope gives me unique perspectives. I never realised I should be a Proud Scot though until recently.

 

Scotland boasts historic universities - the 4 oldest UK universities. innovations,

 

I support self-determination for a socially democratic and greener Scotland.

 

Recent BLOGS -  Celtic Connections 2024 announced; Songs Make a Nation, Images Scotia from Enlightenment to Kailyard, Edinburgh festivals 2023, Tom Nairn, To set up Scotland’s very own Media,

 

 



 

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SCOTS Booker Prize winners


Maggie O’Farrell

Alexander McColl Smith

Disgracefully as usual in a Time article there is no mention of Scotland’s recent Booker prize winners. The Scottish literary scene boasts several Booker prize winners – 2020 Douglas Stuart’s, Shuggie Bain, 1994 James Kelman’s, How Late It Was, How Late. 

Plus Booker shortlisted authors – Ali Smith, Andrew O’Hagan, AL Kennedy, Graham McCrea Burnett, Muriel Spark. World famous Scots novelists of modern times include –Iain Banks, Val McDermid, Irvine Welsh, Ian Rankin, Louise Welsh, Liz Lochhead, Alan Bisset, Chris Brookmyre, Denise Mina, Alexander McColl Smith, Alasdair Gray, Janice Galloway, William McIlcanney, Maggie O’Farrell, 

 

Famous Scots writers of the past – Arthur Conan Doyle, J M Barrie, John Buchan, Robert Louis Stevenson, James Boswell, John Barbour, Adam Smith, 

Irvine Welsh

Iain Banks

Ian Rankin


Hackett quotes Irish writer Magee, “The English may be too comfortable to write great novels.”  

At least six times in her article she labels ‘Britain/ England’ as one and the same, the England label can never include Scots or the Welsh and we’ll never regard Britain as England as our cultural or historic home, even though so many Scots remain in ignorance of Scotland’s rich histories of which we might be proud. Its time Londoners woke up to this reality. 

Our creative stories, arts and music are intrinsic to our shared voices and view of self.

 

Perhaps creative thinkers either can’t afford or don’t want to be in London. In ‘Britain/ England’ mind-set little exists outside of London. In the 80s London boasted a thriving literary scene around Soho. But today’s London is dominated in its skyline by foreign oligarchs empty high-rises, populist musicals, global chain outlets and over priced art. 


Photos copyright Pauline Keightley

 

 

**BOOKS

Anthology of Scottish stories – Gerard Caruthers

Scottish literature, an introduction – Alan Riach.

The Fair Botanist – Sara Sheridan

 

Scottish Pastoral: Robert Burns and British Romanticism -