Celtic Connections 2022 RETURNS!

 

Transatlantic Sessions

Thrilling to hear that CELTIC CONNECTIONS will return January 20^th to 6^th Feb, to celebrate its 29^th year,  as the world premier winter roots, folk and world music festival. It will be held in Glasgow’s iconic venues.  With over a thousand musicians, and events over 18 days. And is famous for its unique collaborations and connections. The focus this year is on young talent with "Tradovation". 

A bright light of emerging talent with a series of concerts from young acts that seek to find innovation, inspiration and exploration within traditional music.  New commissions from musicians at the forefront of the roots, folk, jazz and orchestral scene in Scotland.

Grit Orchestra

New Talent. The opening concert Neath the Gloaming Star – will mean a great deal , after the lockdown months of this Pandemic.“Celtic Connections 2022’s opening concert is a statement of the festival’s commitment to present and hold up emerging acts, recognising what is being done by young musicians in Scotland and internationally to carry the torch for Scots folk song into the future”, Creative Producer, Donald Shaw, “there’s no doubt that this year’s festival has an added significance to it, and in the context of the last couple of years, we’re eager to capture the collective human experience that is at the heart of what’s been missing for people – the sharing of experiences, songs, music and stories.”

Orchestra. 21 January Skye electronic Celtic fusion band Niteworks joined by the Royal Scottish National Orchestra, with Gaelic singers Kathleen MacInnes and Sian, night of commissioned orchestrations.  Capercaillie will be joined by Scottish Symphony Orchestra, led by Greg Lawson in a world premiere of orchestrations of the band’s illustrious back catalogue.

Anniversaries. English folk singer-songwriter Kate Rusby, will celebrate 30 years at Glasgow’s Royal Concert Hall  1 February.   Plus the 20-year anniversary for Quebecois folk quintet Le Vent du Nord, who will bring The Old Fruitmarket to life 28th January with their raucously blend of guitar, fiddle, hurdy gurdy and lusty French vocals. They blend a modern sound, rooted in Celtic music from both Ireland and Brittany, and showcase the festival’s cross-cultural spirit

Indie bands will showcase several gigs, including Twilight Sad at the Old Fruitmarket. Plus the ever popular concerts of the Transatlantic Session and the Roaming Roots Revue.

The festival line up will include Fergus McCreadie, Matt Carmichael, RANT & The Ledger, Kim Carnie, Westward The Light, Hamish Napier & Adam Sutherland, Mairearad Green, Jenn Butterworth, Mike Vass and Charlie Grey & Joseph Peach.

 

** Celtic provides a place of warm cheer with the energy of eclectic, accomplished and enriching roots music for those long, chill January nights and days – that challenge as well as being inspired by the past. Last year the festival was online only which saw over   30K fans worldwide tune in. 

Braebach

 *Celtic Connections began in 1994, when it offered 66 events at one venue. Since then it’s grown more adventurous, experimental and diverse each year and now offers thousands of events in locations across Glasgow.  Funded by - The Scottish Government Festivals Expo Fund by Caledonian MacBrayne, La Bonne Auberge and Holiday Inn Glasgow Theatreland. The BBC has supported Celtic Connections since its first year and the festival is pleased to collaborate once again with them for 2022.

Rachel Sermanni

**Celtic Connections 2021 announced!

**Celtic Connections 2021 announces its first live digital festival from 15th January to 1^st February 2021

Offers a unique content online fro the very first time, hoping to reach an even wider audience with special collaborations and workshops.

 

Donald Shaw, artistic director on Folk nights Radio Two, spoke of his long time collaborations  with American Dirk Powell and of the ceilidh bands he grew up with on the Argyll peninsula. Shaw visited Powell when the Transatlantic Sessions played several concerts over in America a few years back. Shaw likes to soak up the ambience of any region and celebrate our differences and also for the festival to engage internationally.

 

Folk music is about the community and is inter-generational. The old plus the new.

Celtic Connections is Europe’s largest winter music festival – welcoming over 2K artists over 300 events. 2021 will be the festivals 28^th year with some of the biggest names in Scottish music scene and beyond. The full program will be announced in early December – with some fo the well-known and bets-loved acts that have graced the festival stages.

 

Roots music is always at the heart of the festival that unites with cultures and music world wide. The festival will focus on creating new digital content commissioned projects filmed over some fo Glasgow’s iconic venues. To support and encourage creative industries and to protect Scotland’s rich musical legacy. 

 

A number of international artists will be filmed remotely and added to the line up. Shows will be available for a week .

Funded by Glasgow Life, Creative Scotland and the Scottish government.

https://www.celticconnections.com

Famous at Celtic Connections

Famous at Celtic

Eddi Reader

Martha Wainwright

Richard Thompson

Tim O’Brien

Jerry Douglas

Laura Marling

And other well kent faces at the major festival. 

Jerry Douglas

Aly Bain

Dick Gaughan and Karine Polwart

Richard Thompson

Eddi Reader

Julie Fowlis

Laura Marling

Gaelic as a Weapon?

At Celtic Connections festival each year I hear the beautiful and very moving Irish and Scottish Gaelic singers.

I was shocked recently to hear former Northern Ireland politician David Trimble, Ulster Unionist Party, (UUP) claim that the DUP feel the Republicans wish to use the Irish Gaelic language as a weapon!

Part of the discussion over the power sharing at Stormont in Northern Ireland, is over the legal use of the Irish language.By comparison Scots Gaelic and Welsh Gaelic both have equal status for use in schools and on signs etc.

Why not Irish Gaelic?

I assume the cracks run deeper – this is about the struggle between British imperialism and the suppression of indigenous cultures. I’ve often wondered – why can’t the two nations run side by side.

Part of the problem is English entitlement and superiority and empire building attitudes. After the union of England and Scotland in 1707 many Scots poets - Allan Ramsay, Robert Fergusson, Robert Burns and others - while encouraged to write in English, they decided it was only in their native tongue of Scots that they could really express themselves.

Then I read the Wee Ginger Dug’s, Paul Kavanagh (wonderful Scots writer who expresses so well the conflicts for Scotland today) his article on Orange Hate. He had looked into the history behind it all. It appears the first Scots settlers to Northern Ireland were early 17^th century, after the union of the crowns and they spoke Gaelic, oddly!  

The Scots Presbyterians who settled in Northern Ireland during the Plantations in the 17th century came predominantly from Galloway and Ayrshire. At that time those parts of Scotland were mostly Gaelic speaking, and they spoke a dialect of Scottish Gaelic which had more in common with Irish than most of the surviving dialects of the language do. One of the first Presbyterian ministers ordained in Ireland, a certain Jeremiah O'Quin from Bushmills in the north of county Antrim, was a native Irish speaker who was ordained as a Presbyterian minister in 1647. Presbyterian services were conducted in the medium of Irish throughout the next two centuries. One of the first books for people who wished to teach themselves Irish was written and published by a Presbyterian minister. The Rev. William Neilson of Kilmore in County Down published An Introduction to the Irish Language in 1808. It was based on the speech of his own parishoners. In the 19th century there were Presbyterian schools in the Glens of Antrim and Tyrone and all across Northern Ireland which taught Irish speaking Presbyterians to read and write with the aid of the Irish language bible.

The Pope was also an ally of William of Orange – in a battle against France! When William defeated James at the Battle of the Boyne, the Pope ordered the bells of the Vatican to ring in celebration! Ah there’s a thing then – what “side” exactly are Orange men on?!  The establsihments?

This appears to be a battle between British imperialism and one culture dominating another – or Co-existence and acceptance of differences and other cultures, and otherness.

What I don’t understand is why different nations can’t live separately in todays inter connected world and also live side by side…

Info at -  http://www.presbyterianhistoryireland.com/history/presbyterians-and-the-irish-language/

CELTIC Connections Glasgow 2017!

Breabach

I’m excited as this will be my tenth year anniversary covering Celtic Connections.! Hard to believe. Here are some of my strongest memories and personal favourites over my time at the festival.

THE GAELIC SONG

One of my most memorable experiences at Celtic Connections festival is hearing the Gaelic songs – sung by the incomparable beauty of the voices of both Julie Fowlis or Karen Matheson. Also newcomer Mischa MacPherson. I don’t understand each word – but I understand the feelings and there is something expressive in Gaelic that comes over in a way that’s not possible in English. I remember taking to press director Hannah about newcomer singer songwriter Rachel Sermanni. She commented how important it was too to have the Gaelic singers as they were so popular.

THE CEILIDH BAND

Another top memory at Celtic is at the Old worldly atmospheric Old Fruitmarket venue, with its coloured fairy lights is the perfect setting for some of Scotland’s top ceillidh bands - Ceilidh Bands this year include – The Unusual Suspects, Manran, Session A9 and Shooglenity.

Rura

THE INDIE ARTISTS

Celtic provides a platform for hearing quality indie artists and attracts a wide variety of talent and a music lover audience. I heard the top guitarist RM Hubbert and the very loud prog rock band Mogwai at the concert hall.

THE TRADITIONAL SINGERS AND SONGS

Naturally the festival hosts some of the best traditional Scottish singers and musicians - Dick Gaughan, Rod Paterson, Karen Matheson, Siobhan Miller. 

THE DANNY KYLE STAGE  (open mic)

Every day at Celtic its enriching to visit the open mic at 5, which attracts top folk musicians world wide. I’ve heard many top musicians here and sometimes those artists who have gone on to win such as Karine Polwart, Rachel Sermanni, Manran, Genesee. 

MY TOP CONCERTS?

Tricky one and its hard to choose. I have to mention the stand out GRIT opening concert 2015 of Martin Bennett’s class album with the full orchestra. A highly unforgettable experience! Martha Wainwright, who held the Fruitmarket audience with only her guitar, voice and songs. The Tribute concerts led by Rab Noakes for the great Scottish singer songwriters – Gerry Rafferty and Michael Marra. And of course the outstanding Transatlantic Sessions - for the musicianship of the band and the quality singers.

Karine Polwart

At Celtic Connections 2016, I enjoyed the concerts of The Chieftains, Lucinda Williams, Rachel Sermanni, Siobhan Wilson and especially the fun ceilidh bands of Rura and Blazin Fiddles. As usual the highlight was the classy accomplished musicianship of the Transatlantic band with the wonderful singers Rhiannon Giddens and Cara Dillon. 

Adam Holmes

**At Celtic 2017, they will focus on the half of the population often ignored – the women’s voices with the singers and musicians. The women care about home, children and mother earth. There is a story of a south American tribe where the women said, Stop, stop! – there is enough food and shelter and telling the men to stop hunting and killing. Some of the many outstanding women this year include - Laura Marling, Eddi Reader, Mary Chapman Carpenter, Alice Marra, Karine Polwart, Beth Neilson Chapman, Shirley Collins, Olivia Newton john, Roberta Sa 

This year I look forward the wonderful and often unexpected collaborations; Showcase Scotland; Celtic’s Educational Program. Celtic is one of the leading annual festivals of folk, world, and roots music – 18 days of concerts, ceilidhs, talks, art exhibitions, workshops, free events, late sessions and a host of one-off musical collaborations. To the opening concert with Laura Marling and the RSNO.

Eddi Reader

Martha Wainwright

And not forgetting the men – Rab Noakes, Adam Holmes, King Creoste, Billy Bragg, Jerry Douglas and more.

I look forward to the Buzz of the festival – the gathering of like minded music fans and artists!

The festival will also celebrate the anniversary of the independence of Canada and India.  The festivals partner for this year is Brazil.
**This year also holds several major anniversaries.

http://www.celticconnections.com/

Blazin Fiddles

Rab Noakes and Alice Marra

Gaelic Singers

Julie Fowlis

At Celtic Connections I have heard some of the most perfect Gaelic singers -

Karen Matheson, Julie Fowlis, Kathleen MacInnes.

They sing with pure tones in the lilting soft clarity.

I don’t speak any Gaelic but I appreciate the emotion in the songs.

Last year I heard yet another young Gaelic singer at Celtic late session -  Mischa Macpherson

Karen Matheson

Mischa Macpherson

It used to be that we were embarrassed by our Scots accents and the Scottish songs were portrayed as twee chocolate box White Heather club. It is so good to see Scots proud.

Dougie MacLean in an interview for the Herald spoke of his two grandparents who spoke Gaelic.

 When Dougie talks about the magic of songwriting, he knows what he is talking about  - his most famous song Caledonia - has become a music covered part of Scottish culture and has been sung by everyone from Frankie Miller to Ronan Keating.

"My grandparents were Gaelic speakers and my earliest memory is of my grandfather coming up from Dunkeld having had a few glasses of whisky and sitting in the kitchen singing his beautiful Gaelic songs, and the tears would be running down his face. In my family, singing songs was like eating, breathing and sleeping. I think Scotland has that desire to sing, because of that Gaelic heritage that permeates most of our culture.

"But to be able to sing, you need to have songs, and people have to write them. People here have long made their own songs, to sing in the fields or wherever. There's the wonderful traditions of, say, the north-east bothy ballads, of the Gaels making up songs for their work: it's only in modern times that you actually have the concept of the professional songwriter. It's sad we have lost that tradition, of people writing songs for themselves."