Capercaillie 40 year anniversary new album Reloved

Widely respected trailblazers of Celtic music, Capercaillie are credited with being the major force in bringing Gaelic music to the world stage and inspiring the great resurgence so evident today. From their homeland roots of Argyll in the highlands of Scotland, the band’s musical journey has seen them tour 30+ countries, sell over a million albums, perform in Rob Roy (1995) alongside Liam Neeson and Jessica Lange, and enter the pop charts with Coisich a Ruin - the first Gaelic single to reach the Top 40.

To celebrate their 40th anniversary, Capercaillie release a new album “Reloved” realising their dream of creating full symphonic arrangements for their music. Comprising material from their much loved repertoire it encapsulates the spirit of the band with strident waulkings songs from the Hebrides, hypnotic groove infused instrumentals and epic modern ballads and love songs.

Capercaillie is led by Donald Shaw and Karen Matheson and is one of Scotland’s most respected bands. The band draw on rich ballad traditions, as well as their fusion of folk and more contemporary influences., while also staying with more traditional arrangements and instruments. Their music has been used in films. 

This ground-breaking and genre-defying Scots band, celebrate their 40 years of success in music. With Karen Matheson’s pure and haunting Gaelic voice. While Donald Shaw is a highly regarded Scots composer and musician, as well as musical director of Celtic connections festival since 2004. His composing credits include Bafta nominated scores for TV and film. 

 

Shaw and Matheson from Oban are married   - they are a formidable team! - https://capercaillie.co.uk

Scots Gaelic Kim Carnie Transatlantic Sessions, Celtic Connections 2024, #ccfest2024,

 

Scots Gaelic singer songwriter, Kim Carnie, lead singer with Manran, performed at the Transatlantic Sessions, Celtic Connections 2024, #ccfest2024,

SCOTS TRAD AWARDS 2023

 

Kim Carnie

Blazin fiddles

21st^st MG ALBA Scots Trad Music awards

Took place at the Dundee Caird hall this November and was presented by Alistair Heather and Mary Ann Kennedy – the awards reflect the success and Scotland’s rich cultural heritage. 

Along with grand performances by Joy Dunlop, Duncan Chisholm, Peatbog Fairies and Scottish Trad party starters Manran.

Duncan Chisholm

**AWARD WINNERS INCLUDE - 

Ducan Chisholm – Album of the year

Peatbog Fairies – (Skye folk fusion)  - folk band of the year

Julie Fowlis – Musician of the year

Joy Dunlop – Gaelic singer

Eilidh Cormack - Gaelic Singer of the Year,

Iona Fyfe – Citty Finlayson Scots Singer of the Year

Blazin Fiddles – Folk band of the year

The Shand- Up and coming artist of the year 

Trail West – live act of the year

**The Gatherin south sessions – club of the year

Julie Fowlis

Kim Carnie at Celtic Connections 202

 Charmed with her soft, mesmerising voice

 

Carnie was the support artist for Duncan Chisholm, tonight and was backed by the strings and piano, and with Megan Henderson on vocals and violin and with Innes White on guitar. For tonight’s concert she performed Gaelic heritage songs. 

The song Chan Eil A’ Chuis was based on the work of a female bard, a hymn of the morning light and was backed with only piano, beautiful. Carnie has written new compositions for her album and with the festivals artistic director Donald Shaw producing – And So We Gather and She Moves Me. She has a bubble personality and it would be good to hear more of her upbeat and infectious final song – Nighearn sin Thall. The Gaelic song is ever popular with cc audiences and she performed with her clear tones and poignant songs. More please!

Queen Elizabeth's Respect for the Scottish Nation

 

Professor Tom Devine was commenting on the radio on this historic week after Queen Elizabeth’s death, as her cortege left Balmoral’s estates. He said the Queen showed a deep affection for Scotland and recognised the distinctive Scottish nationhood - perhaps reminiscent of past generations that we appear to have lost in our modern times.

 As Scotland pre-eminent historian, he was knighted by the Queen a few years ago. At this ceremony, the queen said that she was pleased to be honouring a Scots scholar and historian and she raised her voice – “who has written extensively on Scottish history.“  

 Devine said, “Its  a shame some UK politicians can’t speak of Scotland with the same level of respect. “

I notice the Welsh language had pride of place in the Welsh ascension ceremony today for new King Charles. So why is the Scots language still treated as an embarrassment? Its shocking that Scots history and culture have been so deliberately suppressed over the past century in Scotland. Children were belted in schools for speaking in Scots and teachers were told they would sound ignorant if they spoke in Scots! 

 

In Maori schools in New Zealand, Maori children are taught  Maori words and culture and to be proud of their heritage. So why on earth must Scots be embarrassed of their wonderful Scots culture? Many Scots are totally ignorant of Scots history and have been taught only English culture. 

 

The Welsh also sang the Welsh national anthem. We in Scotland urgently need new words to Flower of Scotland OR a new Scots national anthem!! Hint, hint Proclaimers, Dougie MacLean…etc.

 

I would like to emphasize to those who like the union with England, Wales and Northern Ireland – 

Scotland’s independence is NOT in any way about not having “unity” here in the UK. In fact I hope we can have much better and more successful unity after indy – its about how Scotland is best governed in the best interests of all those who live in Scotland.

I lived many years in the United States – the states are united, but also independently run their own affairs. For instance, each state organises their own trade deals, vat rates, immigration, laws, and other economic levers. So I firmly believe that Scotland needs their own self governing levers to best address the needs and best interests of the people of Scotland. I would be for a slimmed down monarchy, and I don’t like the term ‘subject’ and would much prefer ‘citizen.

I hope the recant services and ceremonies around the Queen’s death, show any doubters that Scotland is its own distinct nation, one of the oldest in Europe. I hope all those who dislike Scottish traditions, were able to appreciate the beauty of Karen Matheson’s Gaelic song at the St Giles service. It was highly significant that the ancient Scots crown of James IV was placed on the queens coffin, as Queen of Scots. 

I had heard from several sources that Operation Unicorn was well planned ahead of time. I hope we can have unity as well as the best of self government. As Succession actor Brian Cox recently said in his chat with Nicola Sturgeon at the Edinburgh book festival, " Its not about personalities but about country and democracy." 

“Its time to be free!”

The Poems of Ossian

Macpherson’s poems of Ossian translations from the Gaelic traditions – had a profound influence on many painters, poets and writers. And his books were read internationally. The poet MacDiarmid lamented for Scotia’s lost music. 

Professor Alan Raich writes in his National articles - Immense, deep ... and surprisingly rich: The legacy of Ossian

By Alan Riach Professor of Scottish Literature at Glasgow University

“The poems of Ossian had a profound influence but the idea that Macpherson perpetrated a “hoax” persists. This is unjust and inadequate. In Fiona Stafford’s words, Macpherson’s Ossian is “pre-eminently a text of the margins – not in the sense that it is peripheral to serious literary study but because it inhabits the margins of contrasting, oppositional cultures.

“For Macpherson’s ‘translations’ involved acts of interpretation not only between Gaelic and English, but also between the oral culture of the depressed rural communities of the Scottish Highlands, and the prosperous urban centres of Lowland Britain, where the printed word was increasingly dominant.”

In this context, they are “less the work of an inexpert linguist, or an unscrupulous ‘Scotsman on the make’ than a sophisticated attempt to mediate between two apparently irreconcilable cultures.”

The legacy of Ossian, beyond Macpherson’s actual works, is immense, deep and surprisingly rich. Images of Ossian have perennially been a subject for the visual arts. 

“To remember the great music and to look

At Scotland and the world today is to hear

An Barr Buadh again where there are none to answer

And to feel like Oisin d’ éis na Féine or like Christ.”

And it is not only paintings and drawings. The literary influence is there, too, and was felt early. Wordsworth (1770-1850), in “Glen-Almain; or, the Narrow Glen” (1803), a result of his tour in Scotland, writes:

“In this still place, remote from men,

Sleeps Ossian, in the NARROW GLEN;

In this still place, where murmurs on

But one meek streamlet, only one:”

Ghosts and graves and windy hills and caves are an essential parts of the story - 

as in the short, haunting poem

 “Ossian’s Grave” by the Russian writer Mikhail Lermontov (1814-41), here given in my own translation:

“In the Highlands of Scotland I love, 

Storm clouds curve down on the dark fields and strands,

With icy grey mist closing in from above –

Here Ossian’s grave still stands.

In dreams my heart races to be there,

To deeply breathe in its native air –

And from this long-forgotten shrine

Take its second life as mine.

** The Gaelic phrases relate to this. In footnotes, MacDiarmid explains “An Barr Buadh” is “somewhat in a state between existence and non-existence.”

And “d’ éis na Féine” is:  “A withered babbling old man, ‘Oisin after the Fianna’ (ie when his love for Ireland made him return to it from Tir-na-nog) in that immortal phrase which has in it more than Virgilian tears.”

In other words, the evocation of Ossian “after the Fianna” –

after his father and family and companions of high youth, health and vigour, have all gone into the past, leaving him old, blind and alone – delivers a permanent image of tragic and irrecoverable loss, encompassing and predating other ancient religions and civilisations.

And there is no fraud or hoax involved in that. Its permanence is also Ossian’s legacy.

Alan Raich National - https://www.thenational.scot/news/.immense-deep-surprisingly-rich-legacy-ossian/

The Highest Apple

The Highest Apple

An Abhal as Airde

"The best apple will be on the higher bough."

 An Anthology of Scottish Gaelic literature, 7^th century  to present of 

 Saints, Scribes and Sea lords 600 - 1600

Professor Alan Raich of Glasgow University, highly recommends this book in the National newspaper. He writes this is the most important book of recent times. 

 “For the health of our nation and enrichment of all our people” 

The book explores connections to Ireland; Bards schools; the Ceilidh house; Narrative prose. 

And the adventures of warriors – such as Fionn mac Cumhaill, Alasdair mae Mhaighstir

And the Greatest Gaelic poems of the 1700s

Gaelic proverbs – “An end will l come to the world, but love and music will endure.”

Thig crioch air an t-saoghal, ach n airidh goal is ceol.”

Victimhood in a kilt

**Scottish Cringe

Historian Tom Devine talks of ‘Victimhood in a kilt” – particularly the popular John Prebble books - 

Glencoe, Highland Clearances. 

Not so long ago, and even now, we are told Scotland needs hand outs and is too wee and too poor! It’s a total lie.

But Scots must stop apologising! The Gulf stream makes our weather temperate and our weather (while it may be changeable) is actually better than many places! I lived in Chicago which in winter has15 feet snow drifts and minus 15 degrees wind chill. Some places suffer tornadoes or Tsunamis.

I grew up with the Scottish cringe. ‘Donald where’s your troosers and naff white heather club sashes. Now at Celtic Connections I see respect for our old bothy traditions and Gaelic songs – for our Scottish enlightenment and our innovations.  

We should in fact be proud!  The trouble is our history has been neglected and suppressed , especially over the past decades. In fact we’ve been told lies and disinformation. 

People in Northern Ireland know about England’s rivers but not about the rivers in Ireland. The Irish were told it was the Scots who murdered when an independence and reform uprising in Wexford in 1798. So then fifty years later Irish troops were used for the Highland Clearances when the people were chased off their lands and put on ships to Canada. 

Celtic Connections 2020 launched!

CELTIC CONNECTIONS 2020 launched!

16th Jan - 2nd Feb 2020

“That cross-cultural, interdisciplinary spirit is at the heart of Celtic Connections,”   

18 days of live music across Glasgow to warm our winter days!  The world’s premier celtic music festival 27^thyear, begun in 1994!  One-off musical collaborations, talks, workshops, film screenings, theatre productions, ceilidhs, exhibitions, free events, late-night sessions. Of traditional folk, roots, Americana, jazz, soul and world music. Celtic Connections brings together and celebrates special artistic collaborations. Many of the great innovations are brought about this way. 

GRIT orchestra Bothy Culture Hydro

**Opening concert the GRIT orchestra with new compositions -  “it is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom".   

Premiere for - 700^th anniversary of the 1320 Declaration of Arbroath: declaration of Scottish independence - by leading Scottish composers, commissioned for Celtic Connections and performed by the GRIT orchestra, legendary ensemble of folk, jazz and classical musicians and led by conductor Greg Lawson. Founded to continue the legacy of Martyn Bennett, who pioneered the fusion ofl folk with techno dance beats. Composers - Jazz-folk musicianFraser Fifield, cellist Rudi de Groote, Clarsach composer Catriona McKay, saxophonist Paul Towndrow, fiddlers Patsy Reid and Chris Stout. 

Lawson said the new work would interpret concepts of freedom expressed in the declaration within a modern context. “To be really free we need to be equal, we need to be diverse, we need to be open, we need to care.  You could say we are taking the declaration and turning it into an appeal: for tolerance, diversity, openness, respect. That's what freedom actually means." 

Niteworks

CONCERTS - A Celebration of Women in Piping  - Louise Mulcahy, Alana MacInnes, Síle Friel, Máire Ní Ghráda, Marion McCarthy, Enora Morice and Robyn Ada McKay.

Auld Lang Syne Burns celebration, with BBC Scottish Symphony Orchestra with Eddi Reader, Karen Matheson, Jarlath Henderson, Shona Donaldson.

Transatlantic Sessionsfestival favourite’s all-star line-up. Guitar virtuoso Tommy Emmanuel, Tennessee native Sierra Hull, multi-instrumentals Cahalen Morrison. Dervish lead vocalist Cathy Jordan and singer-songwriter Rachel Sermanni.

Transatlantic Sessions

**PLUS – Scottish music with Salsa Celtica, Braebach, Lau, Rura, Blazin fiddles, Mànran,Kinnaris, RANT, Hamish Napier, Sarah-Jane Summers. 

Americana music -  Iris De Ment, Sturgill Simpson, Anais Mitchell, The Lone Bellow, Frazey Ford, Della Mae, The Felice Brothers. 

CELTIC CONNECTIONS ALSO INLCUDES - BBC Radio Scotland Young Traditional Musician of the Year , Showcase Scotland, The Danny Kyle stage, and its education program. 

Talisk

Blue Rose Code

Rab Noakes

Aly Bain

TICKETS - https://www.celticconnections.com