GRIT orchestra Opening concert CELTIC CONNECTIONS

GRIT orchestra perform the Declaration:  A triumphant opening concert with the excellent and exuberant GRIT orchestra!

The concert hall buzzed in anticipation of this years festival. Some may think  - isn’t January a low month – not when the Celtic fiddles dance; along to the feet-tapping dance rhythms of percussion and drums; the vibrant rich brass; the mellow, haunting flutes; the heart-topping pipes – and all topped with the melodic, soaring voices such as Gaelic singer Karen Matheson and Fiona Hunter. 

The Grit Orchestra is an 80-piece ensemble of folk, jazz and classical musicians, who first performed Martyn Bennet’s  ground breaking album, with conductor Greg Lawson at the festival in 2015. 

For the first half of the concert they performed new compositions for one of the most famous statements for freedom, Declaration of Arbroath, ahead of its 700th anniversary in April and also inspired by Bennet’s own innovative creations.To explore concepts of freedom and what does freedom mean?

The new compositions for the Grit orchestra were – first cellist Rudi de Groote piece, Declaration Opening which offered a haunting anticipation; followed by fiddler Patsy Reid’s Suppliant Hearts with upbeat fiddles juxtaposed with stirring pipes; Oran do loch lall, a Donald Shaw introspective composition then captured a more gentle mood with the perfect voice of Gaelic singer Karen Matheson; next was the climatic freedom piece Ve Skerries by fiddler Chris Stout and harpist Catriona Mackay, with the impressive male voices of the all male Chapel choir and a Freedom poem read by poet Liz Lochhead - “What matters is not what we say, but what we do.”

This was followed by Fraser Fifield’s, atmospheric Secret Histories and saxophonist Paul Towndrow’s Declaration Ending, when woodwind and brass solos sounded the hope filled finale. 

  

II  For the second half of the concert the orchestra treated us again to Martyn Bennet’s Grit album tracks, with firm favourites and sung by Fiona Hunter - No Regrets, Blackbird, Play the melody on the chanter. Alongside Bennet’s drama and dance grooves, he understood the significance of the memorable melody. The Grit orchestra music is a unique contemporary sound that fuses  traditions, folk songs and modern dance beats. 

The Declaration compositions were described by festival director Donald Shaw as “a declaration of intent to grasp the thistle and give a sense of confidence to orchestral works from Scottish folk composers. It’s about freedom, exploration and intent. 

Conductor Greg Lawson said, “We must strive to be different and understand our differences – which will make us stronger.”

The Arbroath Declaration

...for, as long as but a hundred of us remain alive, never will we on any conditions be brought under English rule. It is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom – for that alone, which no honest man gives up but with life itself.

1st half

Rudi de Groote - Declaration Opening

Suppliant Hearts - Patsy Reid

Oran do loch lall - Alexander Cameron/Donald Shaw/Norman MacLean

Ve Skerries - Chris Stout& Catriona Mackay

Secret Histories - Fraser Fifield

Paul Towndrow - Declaration Ending

2nd half

Move 

Nae Regrets 

Blackbird 

Aye

Karabach 

Chanter

Celtic Connections 2020 launched!

CELTIC CONNECTIONS 2020 launched!

16th Jan - 2nd Feb 2020

“That cross-cultural, interdisciplinary spirit is at the heart of Celtic Connections,”   

18 days of live music across Glasgow to warm our winter days!  The world’s premier celtic music festival 27^thyear, begun in 1994!  One-off musical collaborations, talks, workshops, film screenings, theatre productions, ceilidhs, exhibitions, free events, late-night sessions. Of traditional folk, roots, Americana, jazz, soul and world music. Celtic Connections brings together and celebrates special artistic collaborations. Many of the great innovations are brought about this way. 

GRIT orchestra Bothy Culture Hydro

**Opening concert the GRIT orchestra with new compositions -  “it is in truth not for glory, nor riches, nor honours that we are fighting, but for freedom".   

Premiere for - 700^th anniversary of the 1320 Declaration of Arbroath: declaration of Scottish independence - by leading Scottish composers, commissioned for Celtic Connections and performed by the GRIT orchestra, legendary ensemble of folk, jazz and classical musicians and led by conductor Greg Lawson. Founded to continue the legacy of Martyn Bennett, who pioneered the fusion ofl folk with techno dance beats. Composers - Jazz-folk musicianFraser Fifield, cellist Rudi de Groote, Clarsach composer Catriona McKay, saxophonist Paul Towndrow, fiddlers Patsy Reid and Chris Stout. 

Lawson said the new work would interpret concepts of freedom expressed in the declaration within a modern context. “To be really free we need to be equal, we need to be diverse, we need to be open, we need to care.  You could say we are taking the declaration and turning it into an appeal: for tolerance, diversity, openness, respect. That's what freedom actually means." 

Niteworks

CONCERTS - A Celebration of Women in Piping  - Louise Mulcahy, Alana MacInnes, Síle Friel, Máire Ní Ghráda, Marion McCarthy, Enora Morice and Robyn Ada McKay.

Auld Lang Syne Burns celebration, with BBC Scottish Symphony Orchestra with Eddi Reader, Karen Matheson, Jarlath Henderson, Shona Donaldson.

Transatlantic Sessionsfestival favourite’s all-star line-up. Guitar virtuoso Tommy Emmanuel, Tennessee native Sierra Hull, multi-instrumentals Cahalen Morrison. Dervish lead vocalist Cathy Jordan and singer-songwriter Rachel Sermanni.

Transatlantic Sessions

**PLUS – Scottish music with Salsa Celtica, Braebach, Lau, Rura, Blazin fiddles, Mànran,Kinnaris, RANT, Hamish Napier, Sarah-Jane Summers. 

Americana music -  Iris De Ment, Sturgill Simpson, Anais Mitchell, The Lone Bellow, Frazey Ford, Della Mae, The Felice Brothers. 

CELTIC CONNECTIONS ALSO INLCUDES - BBC Radio Scotland Young Traditional Musician of the Year , Showcase Scotland, The Danny Kyle stage, and its education program. 

Talisk

Blue Rose Code

Rab Noakes

Aly Bain

TICKETS - https://www.celticconnections.com

‘Bothy Culture and Beyond’ Celtic Connections 2018

At a packed Glasgow Hydro, the audience was enthralled with a world premier performance of Martyn Bennett’s, Bothy Culture and Beyond, as part of Celtic Connections. The GRIT orchestra and was arranged and conducted by Greg Lawson.

Three years ago I went to the Celtic Connections opening concert Nae Regrets – and what a night it was!  The GRIT orchestra played Martyn Bennett’s first album (conducted by Lawson). Bennett composed Celtic fusion music that successfully mixed the old and the new, Celtic traditions along with electronic techno. He was known as the Techo Piper with his deadlocks and innovative playing. He sadly died young at 33 from Hodgkin’s lymphoma. He performed at Edinburgh Hogmanay and T in the Park.

Aerial dancers All or Nothing

*Lawson introduced the players and the stage was set for an outstanding performance of pipes, dance and celebration. He told us, “To find identity, we need different perspectives (all welcoming Scotland) to find truth and embrace difference, so both sides are enhanced and everyone is enriched – an evolution.”  As well as classical and jazz musicians the orchestra featured renowned folk fiddlers  - Duncan Chisholm, Aidan O’Rourke, Chris Stout, Megan Henderson, Sarah Jane Summers, Charlie McKerron, Eilidh Shaw and Laura Wilkie

This concert was full of ‘joie de vivre’ and the drama of Scotland’s landscapes, from its tallest peaks to its rushing waters and in-between the cultural melting pots of her vibrant cities. Bennet’s music tells of youth, the ancient stone hilltop Bothys along with the rich cultural voices he inherited from his mother, folklorist Margaret Bennett.

Many tracks transcended time and place. The concert began with the sweeping Orcadian Strip the Willow. Then the concert was brought alive visually by aerial dancers All or Nothing who shimmied on hoops and ropes for Aye. There was powerhouse brass and Celtic whistles with Shputnik in Glenshiel. While others tracks had the ‘get up and groove’ to the pipes, such as on Ud the Doudouk.

Fiona Hunter haunting vocals were followed by the Glasgow chapel choir, who were eerily ethereal on Blackbird, when ancient voices met contemporary vibes. At this point stunt cyclist Danny MacAskill rode on his mountain bike around a track laid out around the arena, and then on the Skye mountain backdrop behind the stage.  (His ride of the Black Cuillin Ridge Skye, is sound tracked by Bennett’s Blackbird , 55m Views YouTube).

On the moving track Hallaig, Sorley Maclean’s poem was read by the actor David Hayman -

“A wood going up beside the stream, Heartbreak of the tale.”

The crowd in the Hydro were all ages and danced and sang along to Bennett’s life-enhancing music. The set closed with the drama of the lone piper Finlay Macdonald for Waltz by Hector. 

Bennett challenged the norms – with whistles, brass, electronic beats and his chanter.

There were several web kent faces in the crowd  Well done to all the talented performers and to Bennett himself. This was the biggest audience I’ve seen at Celtic Connections and festival director Donald Shaw says he wants to focus on more larger scale productions.

Niteworks

**Skye outfit Niteworks played a blistering set of electronica meets  Gaelic voice to open the concert  - hypnotic. Ruairidh Graham, Allan MacDonald, Christopher Nicolson and Innes Strachan.

I’ve arrived at venues for sound checks when they are cold blue, empty – it’s a strange transformation. People gradually start to arrive – music is played as all changes to the vibrant joy and energy of reds and oranges. Those hilltops Bothys were like this too -  fires were lit, warm drinks were had and traditional songs were sung. It’s the all embracing warmth of the human connection and celebration. Why should we remember? Why does it matter? We live in glossy, shallow times. It’s important to look beyond – to seek truth.

What really matters in the end. On our journeys, over sea or land – to pause, to wonder, to seek renewals. To hope.. To seek shared human joy.  ‘Bothy Culture”

Seeking difference enhances perspective of who we are. ‘

Scotland does not want to silence ‘other’ voices but to embrace them – while we keep our rich heritage alive and well and so she sings for all. * I might have wished for more info on Martin Bennett himself with perhaps clips of him telling his colourful story in the interval before the GRIT performance.

(Scottish Independence is not about ‘identity’ – rather how we can embrace our past, have understanding and build a better Scotland for all.)

1.    "Aye?" (6:22)

2.    "Shputnik In Glenshiel" (5:50)

3.    "Hallaig" (8:19)

4.    "Ud The Doudouk" (5:44)

5.    "4 Notes" (5:55)

6.    "Joik" (3:26)

7.    "Yer Man From Athlone" (6:25)

8.    "Waltz For Hector" (9:20)

All or Nothing Aerial dance

Vocalist Innes Watson

Fiona Hunter vocals

Sorley Maclean’s poem, read by actor David Hayman