Celtic Connections 2026 kicks off!

Celtic Connections 2026 kicks off next week - Thursday, 15 January - and is set to attracts thousands of music lovers  across the world to Glasgow for the premier winter music festival of its kind. Famed for its adventurous spirit, the festival will stage more than 300 events across 25 venues and spanning more than 10 genres across 18 days.

I have attended, covered and photographed at the festival since 2008, nearly twenty years now!! The lighting at concerts is now much more sophisticated. At this cold, dark time of year Celtic Connections offers some joyous warmth with the range, quality and diversity of their unique and international collaborations. Over the years I’ve been to so many memorable concerts. 

 

Everything You Need to Know About Celtic Connections 2026

 

The renowned festival every year transforms Glasgow in January into a must-visit destination for music lovers is now just over a week away.

Celtic Connections – Scotland’s premier winter festival of its kind – attracts thousands of fans and performers to the city from all corners of the world, offering unforgettable moments, groundbreaking collaborations, and a love for music that only Glasgow can provide with its many outstanding venues.

 

When is it?

The countdown is on! Celtic Connections 2026 runs from 15 January to 1 February 2026. Over 300 events at 25+ venues across the city, with audiences of more than 110,000 expected to experience Glasgow’s biggest winter celebration of music and culture.

 

Who’s performing?

With a lineup of over 1,200 artists, of global icons, homegrown heroes and breakthrough names.

Headliners 2026 include country music royalty Emmylou Harris, legendary Cuban collective Buena Vista All Stars, Americana powerhouse Lucinda Williams,Scottish folk-rock pioneers Skerryvore, Grammy-winning banjo virtuoso Béla Fleck, Senegalese orchestral sensation Baobab,

 

Québec’s vibrant music scene contributes acts like Le Vent du Nord and Bon Débarras, highlighting the festival’s commitment to international cultural exchange. indie duo Watchhouse and Mon Rovîa, who tells his refugee story through the healing sound of Afro-Appalachian folk.

Opening Concert at the Glasgow Royal Concert Hall, World Connections, and a range of one-off collaborations featured throughout the programme. Festival favourites return, including Roaming Roots Revue (Icons Vol. 2), Transatlantic Sessions, and the Danny Kyle Open Stage that showcases emerging talent.

 

Is it for young people?

Absolutely! Celtic Connections is dedicated to making world-class music accessible to everyone, including the next generation. The popular Under 26 Festival Pass is back, providing discounted entry for those aged 18 - 25 to a selection of events – perfect for students, young professionals, and anyone discovering new sounds.

Additionally, the acclaimed Education Programme returns, with thousands of local schoolchildren invited to special concerts and workshops, planting the seeds for a lifelong love of music.

 

What type of music can you hear?

Celtic Connections is famed for its adventurous spirit – audiences will enjoy traditional folk, roots, indie, and world music; blues, jazz, orchestral, Americana, and even electronic influences. 

Experience Gaelic song and Scottish ballads, orchestral world premieres, like The Ayoub Sisters’ Arabic Symphony, roots collaborations linking Scotland with Brazil, Mexico, and beyond, and captivating new commissions. Whether you crave the pulse of a late-night ceilidh or the intimacy of story-driven folk, the festival showcases music in all its diversity.

 

What’s new for 2026?

Once again ambitious collaborations and boundary-pushing debuts take centre stage:

•    For the first time, the Emirates Arena will host two back to back shows: an incredible farewell show from Emmylou Harris and its largest folk-rock party yet with Skerryvore

•    Citizens Theatre becomes an official festival venue for the first time, welcoming the likes of Glasgow’s own spellbinding Alice Faye and Òran Ùr, a night celebrating 25 years of new Gaelic songs

•    Cross-cultural projects bring together musicians from Scotland, Sweden, Ireland, Mexico, Brazil and Iraq

•    Innovative shows like Tràigh Mhòr will bring Brazilian and Scottish roots together, and the world premiere of Delusions blends music, spoken word and multimedia art, while the Maclean Brothers’ night will celebrate extraordinary stories of endurance and global connection

•    A new multi-year partnership with the Edinburgh International Book Festival sees groundbreaking collaborations between Scotland's celebrated writers and musicians including The Golden Road featuring William Dalrymple, India Alba and renowned artists.

 

How do I get a ticket?

Tickets for the festival are available now at www.celticconnections.com. 

 

Celtic Connections Creative Producer, Donald Shaw, said: “Celtic Connections is big, bold and inspiring – it’s a festival that isn’t afraid to take risks, champions artistic expression and believes in collaboration, and having fun. There’s a special kind of magic that fills Glasgow every January during Celtic Connections. Come and join us to experience unforgettable shows, world-class artists, and surprises around every corner. We can’t wait to share these moments with everyone who loves music as much as we do!”

 

This year’s festival, delivered by Glasgow Life in partnership with Innis & Gunn, promises inspiration, discovery and the warmest of welcomes – here’s everything you need to know.

Celtic Connections is delivered with funding from Glasgow City Council through Glasgow Life. Creative Scotland and The Scottish Government Festivals Expo Fund continue to provide invaluable support to Celtic Connections.

Edinburgh Festivals Truth 2025

Evening light high street

Arts as hope – as Truth, connection, liberal thought, new horizons.

I travelled on warm sunny days and with high anticipation for new inspirations. The high street was extra buzzing with the festival crowds – as was the station!

 

**The festivals theme for 2025 was THE TRUTH WE SEEK**

Its about searching for truth – to remind the world of the role of culture and the arts. And of the Freedoms needed to Create.

The Festival Fringe began in the 80s, to compliment the main international festival and to offer platforms for all kinds of artists. The Fringe festival is the place to be seen, and to get exposure. 

This year with 400 shows, 1.2 million in ticket sales, thousands of visitors and with provocative bold shows. To question yourself. From the mainstream musicals shows, the ever popular comedy, to experimental new work. There are questions over who is investing and the domination of the big venues?

*AWARD, Fringe First Scotsman, good drama - Jean Frank, "Eat the Rich, Maybe not your Mates!"

 

There are classy performances on the main EIF stages. I went to several challenging EIBF talks on film, politics, and poetry. 

This year I attended the excellent ‘Make it Happen’ with Dundee Rep and Brian Cox at the Festival theatre: the Festival Chorus performed an overwhelming Mendelssohn’s Elijah at the Usher Hall. Palestinian festival at Portobello. All that joy of IN PERSON events.  

**QUOTES from the festival:

*Search for the Truth rather than impartiality” Joyce Macmillan, Scotsman 15^th August, BBC impartiality risks being complicit in the spread of misinformation

“Brexit, Trump, Gaza, have all made journalists impartiality a barrier to uncovering the truth.”

Nicola Sturgeon, Fearful of the rise of the far right during a chat at EIBF with journalist Kirsty Wark

Brian Cox, We need good people. 

Kate Dickie, “I love England as a neighbour, but if you’re roof is leaking, you don’t ask your neighbour to fix it.”   Tariq Ali, fighting the empire. 

 

*Richard Demarco - “Reform is a danger to the Edinburgh Festivals”, he claims.

The rise of the Far Right is trying to shut down freedom of thought for creativity. How much does the media reflect truth today, and not simply Soundbites and Clickbaits - and the lack of informed debate. How is impartiality possible when one side peddle obvious lies.

 

* Martin Roche writes, “‘They fear the author, writer, poet, dancer, playwright, composer, musician, and great performer – because great art requires freedom. Where culture is dictated by strong men, it is produced not by free minds but by people in fear.” 

 

Encourage the global majority, There is healthy competiveness, but also questions around whether the festival has become too much a flashy theme park, dominated by the big venues and expensive shows? Next year will be Edinburgh’s 80^th one!

 

Crowds high street

**Demarco’s Festival of Thought

Freedom to find truth

Freedom to Create

Scottish Festival cultural icon, Richard Demarco calls for “a Festival of Thought” 

to help save liberal democracy and with no politicians.

“..to bring to the city the world’s finest liberal thinkers from the humanities, from the Arts and culture, from all the sciences and technologies. “There should be no separation between science and the Arts. Leonardo Da Vinci, perhaps the greatest artist ever to live, was a great scientist, an engineer and artist.”…..Edinburgh’s history as the home of the Scottish Enlightenment. He envisages a flowering of ideas and, eventually, a new kind of university of all the disciplines and all the talents.”  

Demarco calls for his friend Robert Sturus to come of Scotland for the EIFs 80the birthday. Sturus is Director of Rustaveli State Theatre of Georgia and he brought Shakespeare’s Richard II to Edinburgh. Political debate today is thin, ill-informed and ignorant and uses “immigration” as a scapegoat from the real failings that are facing us – the cost of living, the widening inequalities, the rich elites getting ever richer. Economist Richard Murphy, claims the neoliberal economic policies are failing us, pretending there can be uniformity across the board…….

 An academic from Dublin suggests that “America should never have united, under its centralised control.” The Maga movement for instance, appears to be culture wars between the extreme left and the extreme right. And the toxic online culture, which can’t differentiate between healthy debate and saying I dislike you, because of your views……Trump attempts to shut down free debate and take control of hugely respected American universities. Could we trust Putin or Trump to allow unfettered publishing of poetry or novels? Trump marginalizes the media over anyone who challenges him. And tells the Smithsonian museum how to tell the 'American story'. 

All Nationalisms are different. By contrast Scots Nationalism is about our self determination, and according to political theory expert Tom Nairn, Scotland’s nationalism is unique – as Scotland jumped ahead to a modern state 1700s. By contrast European states moved to a modern state 1800s, due to the uneven nature of capitalism. We should find out what unites us, what we have in common rather than what divides us. 

Evening crowds Edina High street

Black & White festival images

 Black and white festival images from last year. #edfest

Edinburgh festival 2025 Opens

 

 

The whirr of excitement to be back on the celebrated cobbled streets of Edinburgh festival in August – as it comes to life with the world's biggest Arts gathering together. To encourage innovation and creative thinking in the world of books, art, music, drama and dance. Also to offer the cross over between the Arts. 

 

The searching to hold a spotlight on the world of today, with many wars and climate crisis. The festival was begun after the great war to offer hope of reconciliations and our shared humanity through the arts.  

There’s a dark shadow today: we live in a world of crises – from the destruction of Gaza and people starving – with people turning to simplistic answers. 

The festival opens this weekend with Dougie MacLean’s Singalong of Caledonia, and a family ceilidh and a family concert. The Hub with Kathryn Joseph and the Usher Hall will host a variety of musical concerts, with Mendelssohn’s Elijah and Puccinni’s opera. The Festival theatre, Mary Queen of Scots ballet and Brian Cox in a new theatre production Make It Happen. Cox will play the ghost of Adam Smith and Sandy Grierson will play Fred, the Shred, Goodwin - 17 years since the banking crisis has led to our present cost of living crisis.

With new theatre productions at the Traverse theatre, the festival theatre, and the Lyceum.  

Consumed at the Traverse, July 31 to Aug 24

The Nature of Forgetting at the Pleasance, Aug 9 to Aug 25

https://www.eif.co.uk

 

It encompasses several festivals – Edinburgh Arts festival, Edinburgh International book festival, Edinburgh film festival and The Fringe. 

THE TRUTH WE SEEK

Dick Gaughan Retrospective, interview Radio Scotland

 

Dick Gaughan Retrospective, interview BBC Radio Scotland Anna Massie 

 

Thursday 17 July, 7.30pm - https://www.bbc.co.uk/programmes/p0lqmsnp/p0lqmrsj

 

Gaughan had a stroke in 2016, which means he can no longer play the guitar or perform for nearly ten years. 

 

His guitar is earthy, real and powerful –  an incredible presence and depth. 

 

Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. 

There has been fundraising to support Gaughan's battle to reclaim his music. Please support -

 

https://www.gofundme.com/f/aatux2

 

Hinterlands and Confusions

Hinterlands, so we are confused, what is going on?

Regrets over what might have been or could have been here in Scotland. Our voices lost. I read of our great poets and philosophers – from Dunbar, Duns Scotus, Buchanan, Allan Ramsey, Hugh MacDiarmid, and of course our national bard Rabbie Burns. The great Scots songbooks: rediscovered, reframed and renewed, and given a fresh and memorable voice. So many voices calling on the vibrant, challenging Scottish winds – that blow wildly on our rugged coastlines and empty shores and islands. 

 

I visited the small coastal town of Montrose: birthplace of the Scottish renaissance 1930s. And then onto Arbroath Abbey and the stories of the return of the Stone of Destiny here. 

The folk singers and folk musicians, play their melodies and lively jigs and reels at the folk festivals and folk clubs. Looking back and building on and also taking the song forwards. Its crucial to have a hinterland – it’s the strong foundations, clarity, visions, 

Great artists instinctively know this.

 

At the Edinburgh book festival I hear many confused voices over the years I’ve attended. Debate and diverse voices are encouraged to broaden our outlooks. There can be controversy alongside a fear too. A fear of upsetting the voices of unionism. Guardian Sathnam Sanghera spoke of empire land; Kezia Dugdale recognised that Scotland is stuck; Lesley Riddick spoke of Scandinavia and better local governing; Irvine Welsh spoke of his personal journeys and successes and his dislike of imperialism; Ruth Wishart spoke of a free press. 'Together We repair' Edinburgh International book festival EIBF 2025. The question now is – to repair what path must we follow. We are mostly confused.

 

Nearly or over half of Scots support independence, but what does that mean? Indy in Europe? The picture is unclear. I try to hear as many and varied voices. Unionists feel brave and often speak up. While Britain feels broken and in chaos. Those in England have lost support for the Tory Brexit, then they lost support for Labour Change, and now turn to Reform, whose answers feel unclear and populist. 

 

The many voices from the National newspaper: vary from the writers of art, culture, history, economists and engineers. Where is Scotland now and where is it heading and how do we understand and know the past? What are we afraid of? Scotland’s songs fill my head. Caledonia, Westlin Winds, Sunshine on Leith, Ye banks and Braes, Jock O Hazeldean, Scots Wa Hae, Auld Lyne Syne. 

 

There are shoots and blooms of positive change – a new Scottish art galleries, national Scottish Theatre, National newspaper….This doesn’t mean inward naval gazing. But to be international, we must first be national. 

 

A Scottish narrative – a sense of place, and understanding of Scots voices. Sunset song, Waverly, A Drunk Man Looks at a Thistle.

Voices that wonder, what unionism really means? Are we united? There is so mush talk of political failure on every side – how is this constructive at all? Where is the vision and creativity for the future?

Peggy Seeger centre stage: Have we lost our Protest songs

Peggy Seeger

Is back on tour at 91, still on top of her game. She is a member of the musical Seeger family. 

Seeger’s father Charles Seeger was a folklorist and her mother Ruth Porter Crawford is a respected composer. Pete Seeger is her half brother. She was married to English/Scots folk singer Ewan MacColl, who wrote the famous song “The First Time Ever I saw your face” for Peggy.

She was part of the folk revival of the 50s and 60s. She writes songs from a feminist point of view and has recorded 25 albums. 

 

She was blacklisted by America back in the 60s, after her trips to Russia and China. Seeger was later Invited over to the UK by the folklorist Alan Lomax to join the folk group the Ramblers. She was part of the union movement and blazed a trail for women in folk music. 

Seeger was asked by broadcaster Anna Massie, what has happened  to the Protest song – to which she replied she understood the issues as today people would get arrested. She sings Wedge songs, which are about one thing but are really about something else. Much as Burns songs did in his day. 

After Ewan died Peggy returned to America. She returned to the UK in 2010 and has recorded her first ever solo album which marks a musical rebirth after she suffered from serious ill health. 

In 2015 Peggy released Everything Changes. She has said that she enjoyed greatly working with a full session band for the album, which was produced by her son Calum MacColl and features musicians Simon Edwards (Talk Talk, Kirsty MacColl), James Hallawell (The Waterboys, David Gray), Martyn Barker (Shriekback, Goldfrapp) and Kate St John (Dream Academy, Nick Drake). 

I took photos ta the 2015 gig Oran Mor Glasgow. I was pleased with my photos and hope they tell the story of the gig - it is always a challenge and at a classy gig like this full of dedicated folk fans I don’t like to disturb the set and I always aim to be discreet.  I take photos either seated or at the side. This was a family affair with her sister-in-law managing the tour.

 

I wrote at the time -  Folk artists sing with a realism and true heart and never over sing or over do the emotions. There are no pretensions or airs or graces around Peggy. She stood for several songs and for others she clutched her instruments. Occasionally she waved her hands and arms wide. Peggy beamed and showered little pearls of wisdom.  It was heartening to see Peggy still full of joie de vivre and ready to command the stage! At 80, not only is she wise and like the highest quality red wine, she is still challenging herself to be fresh and relevant.