A Scots Media

That’s the big question I ask myself often. Why are at least half of Scots still supportive of the clearly failing union, when we’ve recently suffered so many disasters and chaos in recent years? I believe it’s all about the lack of so few representative Scottish media. I remember my son made this comment in 2014 “ how can we win independence with no media? “  

Of course younger Scots get their media and press from a variety of sources and their support for Indy is around 70%. But the over 50s still look to the mainstream unionist media and press. BBC Scotland for instance totally ignores any serious failings in England, such as England’s disastrous water scandal. (This is covered by channel Four news which is more balanced than the BBC, with Dark Waters.) 

Back in 1707, Scotland kept its own Kirk - which in those days was the media (they preached against the French terror!)  We had Scottish newspapers by 1800s. The problem started with broadcast media around the 50s, which is totally controlled from London. Even Catalonia has four tv channels, two news and two entertainment. The UK is now a highly centralised state, which is not healthy for the north of England either. 

By the late 1700s we had a Scottish Kirk and Scottish newspapers but since the war we’ve had totally biased news reporting that focuses on London and the UKs foreign owned press, that is not balanced. John Swinney should pursue legal means to regulate for a balanced press! They do this in other countries. I went to a talk at Edinburgh book festival about this issue: Ruth Wishart was there. 

Today Scotland only has the one Indy supporting Newspaper, the National that represents half of Scots. There are not one, but four English political parties in Scotland who support the union. It’s all quite bazaar and unbalanced. With Reform a far right, English nationalist party. (Why don’t we stand a Scottish political party in England? The Democrats for instance!)

Scotland is asking for normal self-determination, that’s normal across the developed world - then again Edinburgh must not be a new centralising London. The central government should only decide on federal roads, foreign policy, certain economic levers - otherwise decisions should be made at a local level on say education, health, local infrastructure etc. The economy should work for the people not against us! The politicians in London are totally out of ideas and controlled by dirty money and Trump's America. 

Why are there so many Scots in thrall to the supposed ‘union’ with England? A good read is “DeColonizing Language” by Ngugi Wa Thiong’O recommended by Alan Riach - how language repression is much cheaper and easier than military control. Colonisation of the mind. I think of how children were belted if they spoke in their native Scots at school, how clan chiefs had to have their son’s educated in England. This also happened in Africa - where children had to learn ‘To a Daffodil’ even though they had never seen one! 

Is there a reason Scots vote to be a colony of London? I’ve been trying to find out. Scotland used to benefit from the exploiting of the British Empire countries, but since the Second World War the BE has ceased to exist. Now Scotland is the last colony being exploited. Some Anglo Scots view advancement through getting a seat in the House of Lords. Is unionism about your tribe? It used to be about religion. 

Scotland could be as successful as Ireland, Norway or Denmark - instead we’re held back as part of a failing UK model. Don’t tell me the lies of the made up and fake GERS figures - these are the figures Scotland endures being shackled to the UK and treated as a branch economy. London only cares about London property prices and London voters. Westminster is shutting down Scotland. 

Since this election 2026, the prospects of the three Celtic nations working together is so positive. Crucially Swinney must appeal to all of Scotland and speak to all Scots, to counter the rise of divisiveness of Reform and the rise of the far right. 

anglo,

Tom Nairn’s “The Break up of Britain” is another great read on the archaic politics here. Where are the books on the benefits of the union, where are the songs or celebrities for the union? We are basically fed a bunch of lies constantly by the unionist press - SNP bad in among the gossip headlines. it’s very demoralising and isn’t good for anyone all this negativity. Where is the hope?? 

So how does Scotland prosper as part of the UK, what are the benefits? The crash of 2008, showed clearly how the neoliberal economic model is failing people. The politicians in London only claim, “They’ll do more of the same but better.” 

They are stuck in the 80s thinking rather than looking at new ways of modelling and moving to a modern state. This is not good enough when most people here see their standard of living falling. Scotland is stuck in an archaic Britain that is unable to move forward. ….. If you don’t believe me watch the BBCs Question Time each Thursday to hear the lack of any constructive ideas from Westminster MPs! Scotland’s freedom and sovereignty in Europe now!!    

Olde England as Britain?

 

I picked up a Sunday Times magazine recently – and there was an article with the headline In Search of Olde England - under a photo of Olde England Morris dancers, which reviewed the book - Finding Albion Myth, Folklore, and the Quest for a Hidden Britain by Zakia Sewell. Sewell writes that she is the “least likely person to go searching for Olde England, or to give it its grown up name Albion.” 

She speaks of the ‘stale history” of Albion or England as Britain – but is she writing of an unreal “Britain” or the 4 nations of the UK? Perhaps stale because this 'Britain' she searches for is not real, not a country with a defined identity, and has no hinterland. Britain is actually four ancient nations!

I looked up the meaning of ‘Albion’, which is supposed to stand for ‘Britain’. Its no wonder many are confused, the terms England as Britain are interchangeable and the same. (On the very same page a respected Irish author spoke of Elizabeth as the Queen of England!) 

Most Americans interchange England and Britain, as meaning the same nation. Its hardly surprising as encyclopaedias, radio, tv and media articles and broadcasts do the very same thing! Where does this leave the other three nations of the UK? As mere regions of England/ Britain?  

Where on earth do the ancient nations of Scotland, Ireland and Wales fit into this narrative - with not one mention, as if their contribution, language, culture and music are of no significance. 

 

Sewell is searching for Britain as England’s “stale old island story” 

She feels there is wisdom to be found in tradition. In the Hebrides she visited Imbole, a Celtic festival to mark the winter solstice and spring equinox. She celebrated Samhaim in haunted York, and attended the Notting hill carnival.

Sewell’s love of urban music drew her to a career as a presenter on Radio Six music. Her father is Welsh and her mother from the Caribbean. 

She wants to counter balance the far rights use of the English flag, to follow Albion as Britain folk ways in order to resolve her mixed heritage. In the Caribbean Granadines, the locals have long played down folk practices of the ‘other world’ such as ritual dance or drumming, not wanting to appear backward. This is colonization of the mind, were language was used to suppress different cultures. And the portrayal of local cultures as less worthy or “backward.”

 

England as a nation certainly appears to have lost is sense of itself – it still has its Constitution of 1688, castles, monarchy, Tudors - all from !600s. but with London now being a melting pot, I’m not sure – what is England/ Britain’s, national identity, lost in this empire building, what is its national costume? Or national sense of itself outside of football or the red cross of St George? 

 

Britain is in fact a landmass, not a country. Britain only came into existence after the union of the parliaments in 1707. But what is Britain or UK as a country? It is not a country with any hinterland or sense of itself – apart from the world war one and the Victorian empire. But the British empire is bland and about elitism and barely taught in schools, even as the empire existed for many centuries and shaped how this Britain as England sees itself.

 

She claims there are signs of a “weird renaissance” bubbling in Britain as England, but her grasp of historical context is severely missing, as she skims the mere surface here. I guess she is searching for a lost 'England as Britain'. In urban London much culture is a cosmopolitan world culture – as heard in the Americanisation of the Brits award show, in London Pop culture and elsewhere. 

 

In this narrative there is not one mention of Scotland, Ireland or Wales – as if they don’t even exist or have any relevance or impact. Ignorance of history in this ‘Albion’ is clearly deep rooted.

England as Britain urgently needs to move from being an archaic state to a modern one – one that no longer controls and exploits an empire. 

“Scotland is a country NOT a county!”! Alex Salmond

 

**BOOKS*: For a deeper history of Scots and Celtic cultures I recommend 

Stuart McHardy’ Scotland’s Future History, 

Tom Devine, A Scottish Nation 1707 to present

Alan Raich - Arts of the Nation

A Night for Dick Gaughan at Celtic Connections 2026

Gaughan is a voice of deep humanity in our present dark world. 

And a Message from Chicago, that spoke of playing Gaughan’s songs on the long drives to work to remind him of our shared humanity, in these dark times facing Americans today 

 

Gaughan brought many of the traditional Irish and Scots Celtic songs to new life. I’d never heard Robert Burns Westlin Winds before Gaugan introduced this as one of the best songs ever written. Guaghan searched through the Scottish national archives for the best traditional ballads. Like Burns and Dylan before him Gaughan has been a genius song collector and remaker of the old songs. Gaughan drew on his Scots and Irish traditions to develop his song craft and performance. 

 

I first heard Dick Gaughan in the 70s at the Police folk club Edinburgh. A musician friend raved about how incredible and distinctive his guitar playing was. Many years later (after being in America for nearly ten years) I heard Gaughan again at Milngavie Folk club in 2007. This was an intimate gig where his chat and stories between songs while he tuned his guitar, was worth going for alone. In his own distinctive voice, Gaughan hammers and speaks with his acoustic guitar.

 

Testament to Dick’s fame and widespread appeal among legends of the folk music scene, several had travelled far and wide to perform tonight from Ireland, England and Scotland, to perform Gaughan’s well loved songs. 

Mike Harding

**The CONCERT

What a joyful celebration of the legend that is Dick Gaughan – the most influential folk artist, musician and singer of the folk song of the 20^th century. 

 

The Dick Gaughan tribute concert was amazing! So emotional, so many folk icons. He’s the most respected Scots folk artist, song collector and awesome guitarist of the past century. The concert began with a black and white video of Gaughan performing at a folk singing session back in the 70s. 

Tonight’s concert was hosted by presenter Mike Harding and comedian Stewart Lee. Harding read warm messages from fans and from several folk icons – Ralph McTell, Peggy Seeger and more. And a Message from Chicago, that spoke of playing Gaughan’s songs on the long drives to work to remind him of our shared humanity, in these dark times facing Americans today 

 

There was a lot of love and camaraderie in the room tonight! The quality house band boasted Michael McGoldrick, Euan Burton, Innes White, Dave Milligan, Megan Henderson, Louis Abbott, They played an energetic opening performance of Workers’ Song, sung by Paul McKenna, Karine Polwart, Kris Drever, and Siobhan Miller.  

Karen Matheson

Ross and Lorraine Macintosh 

Karine Polwart

This was followed by the song Erin Go Brach sung by Paul McKenna. There were performances by accomplished guitarists – Martin Simpson, Kris Drever, Brian McNeill, Paul McKenna and Seamie O’Dowd.  And moving singers - Karen Matheson with the song Language of the Gaels, Karine Polwart sang an intimate Craigie Hill. While Ricky Ross and Lorraine Macintosh of Deacon Blue, sang Wages Day.

Lisa O'Neil

Seamie O'Dowd

The Irish folk artists impressed – Lisa O’Neil sang two of her own songs: Rock the Machine, and The Wind Doesn’t Blow This Far Right.Karen Casey who performed The haunting The Snows they melt the Soonest.

There was a powerful performance by Billy Bragg, with the song The World Turned Upside Down. The second set began with Kris Dreversinging Gaughan’s most loved Burns song, Westlin Winds. The Irish guitarist Seamie O’Dowd who performed Song for Ireland was so good, one of those hushed silence moments….  And an emotional performance by Martyn McCarthy of the song Bonny Woodha carefully assisted by Eliza McCarthy, and given warm applause by the audience. 

Dick Gaughan was there towards the end and sang a bit – the song The Shipyard’s Apprentice as a tribute to Archie Fisher. The passing of a generation. The concert finished with the rousing community singing of a Gaughan favourite Both Sides the Tweed, a song of unity and hope, led by Matheson, Casey, Bragg and Polwart. And after by Hamish Henderson’s social call Freedom Come all Ye. 

Martyn McCarthy & Eliza McCarthy

Dick Gaughan

Billy Bragg

Siobhan Miller

Billy Bragg, Karen Matheson & Karen Casey

Songs of social conscience and of contrast, quality and sincerity. Gaughan has became a legend on the Scottish and world folk circuits for more than 40 years. He is an interpreter of Scotland’s traditional folk ballads with his distinctive style of guitar playing, with open chords and timing that he learnt from guitarist Davey Graham. 

 

Gaughan is Scots/ Irish and has spent his life in Leith Edinburgh. He’s a social protester, a profound storyteller who crosses boundaries, forges alliances through the depth of his story telling, song and dramatic guitar playing. His songs don’t flow easily to the shore and they also share the full range of emotions.  Gaughan is plain spoken and holds firmly held beliefs on the rights of everyman. 

 

Tonight was a wonderful tribute and celebration to Gaughan’s genuine authenticity. He cares about the truth of things and of digging below the surface for the stories behind the songs. What an excellent song list and cast of musicians, a veritable who’s who of the folk scene, for what proved a most memorable, poignant and quality concert. The joy and enthusiasm of the performers was palpable. 

 

So glad to hope the younger generations are carrying the stream. (More so in Ireland perhaps?). I have to admit the most emotional Celtic concert I’ve been to. So many memories….You come away from his gigs questioning and renewed in the faith of our shared humanity. 

**SONGS – Erin Go Bragh, Workers Song, The Snows they Melt the Soonest, No Gods, Wages Day, Language of the Gaels, Song for Ireland, Westlin winds, Daughters and Sons, Craigie Hill, What you do with what you’ve got,  Both Sides the Tweed.

Gaughan is plain spoken and holds firmly held beliefs on the rights of everyman. Gaughan had a stroke in 2016, which means he can no longer play the guitar. He’s not been able to play for nearly ten years. Gaughan’s album Handful of Earth became an iconic folk album. 

·       (R/evolution: 1969–83) was released in January 2026 along with 

·       Live at the BBC: 1972–79 (vinyl). 

 

* The concert was recorded by BBC Radio Scotland. (Celtic concerts used to be recorded by the BBC Scotland tv.)

GUITAR  Earthy, real and powerful guitar playing, an incredible presence and depth. Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. His distinctive style of guitar playing, with open chords and timing that he learnt from guitarist Davey Graham which was tuned differently. 

 

Karine Polwart, 

Ricky Ross and Lorraine MacIntosh, 

Billy Bragg, 

Kris Drever, 

Paul Mckenna, 

Siobhan Miller, 

Karen Matheson, 

Martin and Eliza Carthy, 

Michael McGoldrick, 

Martin Simpson, 

Tommy Sands, 

Karan Casey, 

Brian McNeil, 

Seamie O'Dowd  

Lisa O'Neil 

From Ireland – Karen Casey, Tommy Sands, Lisa O’Neill, Seamie O’Dowd.

From England  - Billy Bragg, Martyn Carthy, Martin Simpson, Michael McGoldrick

From Scotland – Ricky Ross, Lorraine Macintosh, Karine Polwart, Kris Drever, Karen Matheson, Siobhan Miller, Brian McNeill, Paul McKenna.

(Gaughan is challenging Celtic Music over the copyright ownership rights of of his music. Colin Harper has set up Go fund Campaign. Gaughan has never been paid any royalties. With Photography I allow people to ‘use’ to my photos, but I never loose copyright ownership. His music has been held back from streaming and Celtic Music claims ownership of eight albums from 1972. Other musicians have also battled over ownership of their music.)

Craigmaddie Reservoir PHOTOS at Mugdock

 

Craigmaddie Reservoir PHOTOS at Mugdock, one of our best local places to walk. Often the reflected light here is very moving and beautiful. 

Voices of Hope Edinburgh Book festival 2025

Edinburgh International Book Festival at the Futures Institute

I travel on warm sunny days and with heightened senses and high anticipation for new insights and inspirations. The Edinburgh festivals offer HOPE in a present world often torn apart. A place for shared, diverse voices from across the world. The theme of this years Edinburgh International book festival was ‘How do we Repair’- looking for positives and connections, “to repair and reconcile in culture, politics and environment, through improving balance, resilience and hope”.   

 

The book festival is now hosted behind and on the ground floor of the impressive newly renovated Edinburgh Futures Institute near the Meadows walkway and Edinburgh university. The book festival aims to offer a safe place to challenge and to question – with over 600 writers from 35 countries offered differing perspectives on personal, social and global significance.100+ talks were live streamed. 

EIBF hosted workshops, school events, music and poetry, young adult and children’s talks. The children’s events included over 100 talks and included renowned authors Michael Rosen, Jacqueline Wilson and Cressida Cowell.

Nicola Sturgeon with Kirsty Wark

Jenny Nelson & Mark Kermode

Resilience: Renowned author Hanif Kureishi gave a talk about his recovery from a devastating accident which left him paralysed. Shattered But Unbroken. There were several book talks on books on the war in Gaza, which has turned into such destruction. Israeli writer Ilan Pappe and Israeli historian Avi Shlaim discussed the conflict in the Middle East and whether peace can exist.

Ivo Graham

Alexander McCall Smith

Brian Cox

Kate Dickie

Paula Hawkins

**TALKS

Foreign correspondent Lindsey Hilsum came with her book of war poetry, I Brought the War with me’

And spoke of how we remember poetry more than journalists stories of war. She always carries a book of poems with her to help make sense of the destruction. It’s the spaces between, the forgotten.

 

I enjoyed a talk by larger than life and popular film critic Mark Kermode, along with Radio producer Jenny Niven on their book on film music Surround Sound. This has interviews with film music composers – Johnny Greenwood and many more.  

The festival included prominent Front list talks at McEwan hall -

Former Scotland first minister Nicola Sturgeon held a positive chat with Kirsty Wark, about her new book Frankly. Mark Kermode talked all things film and acting with well kent Scots actors – Brian Cox, Kate Dickie and Michelle Gomez.

There were protests during a The Front List chat with: Yulia Navalnaya, about her husband the late

Alexei Navalnaya, over Russia’s aggression against Ukraine.

 

There were Podcasts, live cabaret, and exclusive talks. Young adult program, Children’s program. Something for everyone. Edinburgh book festival is supported by Creative Scotland, Edinburgh city council, Lottery funds. 

The festival promotes vision, resilience and a safe place IN PERSON to debate! To encourage liberal thought – To remind the world of the role of freedom, truth, culture and the arts. We should find out what unites us, and what we have in common rather than what divides us. 

Sam Heughan

Naga Munchetty

Michael Pedersen

Maggie O'Farrell

What can Scots do!

Some talks feel like English voices with a few Scots asking questions. The narrative here is Scotland needs to change – to what can Scots do! And NOT, we have business brought to us! We must do for ourselves. We’ve had 3 big figures of the devolution government. Now the baton needs to pass to a new generation. 

 *An academic from Dublin suggests that “America should never have united," under its centralised control. Trump attempts to take control. The Maga movement for instance, appears to be culture wars between the extreme left and the extreme right. And the toxic online culture, which can’t differentiate between healthy debate and saying I dislike you, because of your views. Many in today politics seem shallow and thin, with no moral backbone or hinterland - the opposite of a an informed debate. We need Citizens Assemblies. Use your time wisely and don’t get sucked into ignorant, sensationalistic echo chambers. Look wider and broader for ideas – for innovation, diverse views and creative freedoms. 

I met a young German book researcher at the talk on film music, who was there at the book festival for the week. She had studied at Edinburgh university (before the Brexit  Scotland did not vote for). We chatted and I asked her whether there must be plenty of excellent book festivals in Germany. To which she replied, oh no, not like the Edinburgh book festival!  I was surprised certainly. 

We should find out what unites us, what we have in common rather than what divides us. Hopefully Edinburgh festivals can continue to be a place for hope, voices form many places, to celebrate all the arts and that cross over. To celebrate the endurance of the human spirit.

 

**QUOTES from the festival:

Brian Cox, We need good people. 

Kate Dickie, “I love England as a neighbour, but if you’re roof is leaking, you don’t ask your neighbour to fix it.”   Tariq Ali, Fighting the empire

Edinburgh festival cultural icon Richard Demarco - “Reform is a danger to the Edinburgh Festivals”, 

He calls for “a Festival of Thought” to help save liberal democracy - with no politicians.

Some celebrity faces attend EIBF - 

 

**BOOKS & TALKS

Surround Sound – Mark Kermode and Jenny Niven

I Brought the War with me – Lindsey Hilsum

After Gaza – Pankaj Mishra

Frankly – Nicola Sturgeon 

Shattered but Unbroken – Hanif Kureishi 

A Truce that is not Peace – Miriam Toews

 

I would prefer not to see “History” books in the EIBF Bookshop by the archaeologist Neil Oliver or by the Canadian historical fiction writer John Prebble – of the Scotland lost and gone forever. Please stock more of Tom Devine’s well informed and articulate books. Also the excellent critiques of polticla theoristsTom Nairn. 

**Two competing Narratives 

Pakistani author Pankaj Mishra was writing about the two totally opposing narratives in the middle east – one of the Israelis (from the river to the sea) and the other of Palestinians (our Homelands) in his book After Gaza. It all made me think in Scotland we also have two opposing, irreconcilable narratives. In 2025 Scotland is stuck, so how can we move forward in love, in peace and in liberal thought?

 

Indy for Scotland’s self determination and improving democracy. Scots need a say over our own energy resources, immigration, climate, and infrastructure. We can still unite for good trade and security together. Unionism is for strength by being run by London, and being ‘together’ with the high centralization in London. Westminster refuses Scotland another vote.  

 

“Nationalism is both good and bad” wrote politician historian Tom Nairn. All Nationalisms are different. He claims Scotland’s nationalism is unique as Scotland jumped ahead to a modern state 1700s. By contrast European states moved to modern states 1800s, due to the uneven nature of capitalism. Scots nationalism is about our self determination. 

All I hear is depressive negatives and an SNP Bad message by the dominant mainstream unionist media. But indy isn’t all about the SNP. Its about democracy, accountability and how our democracy works or doesn’t work. Is devolution simply a trap? Someone at Westminster said recently – “Oh I forgot you’ve got that pretend government in Scotland.” After decades – the SNP Party was begun in 1934 - I’ve heard many reasons for Scottish indy, but so far I’m still searching for a positive reasons for the union.

STRANDS: Brilliant Fiction. Fascinating Non-Fiction will explore everything from moving memoirs to scientific excavations, family odysseys to travelogues. Good Information brings together a host of trustworthy experts well versed in sifting out hard fact and cutting through murky algorithms to give you an honest account of a diverse range of topics. New World Orders gathers the most authoritative voices across international and domestic politics, conflict, economics, and law to engage with and dissect current affairs, and Brainwaves holds up a magnifying glass to all things cranial, including mental health, neuroscience, and psychology. How to Live a Meaningful Life, guiding audiences new and deeper ways of creating connection, resilience and hope, amongst the chaos, and an expanded Table Talks series, with top chefs and food writers taking to the stage – or rather around the table – in intimate gatherings with audiences to enjoy delicious food and make memories together. Music, Poetry and Performance