Showing posts with label composer. Show all posts
Showing posts with label composer. Show all posts

Wednesday 30 June 2021

HAPPY 80th BIRTHDAY BOB!

 

HAPPY 80th BIRTHDAY BOB! 

 

A bit late - my favourite Dylan songs - Visions of Joanna, If not for You, Make you Feel my Love, Tangled up in Blue, Tambourine Man. So many questioning, ironic, layered, story telling songs. Thanks Bob. Good to be alive in the times of our Bard.

 

.. oh yes things have changed alright...

 

https://www.youtube.com/watch?v=L9EKqQWPjyo





Wednesday 31 January 2018

Max Richter at Celtic Connections 2018


A night to remember!
Max Richter, renowned composer for stage and screen, performed his eighth album of classical and electronic sound, Three Worlds: Music from Woolf Works (2017) at Celtic Connections 2018.

The music is from the score that Richter composed for the ballet Woolf Works in collaboration with choreographer Wayne McGregor and includes a recording of Virginia Woolf’s voice. The work follows a three-part structure offering evocations of three books by Woolf (Mrs Dalloway, Orlando, and The Waves).

Richter played on piano and electronic keys along with the world class Scottish Chamber Orchestra (SCO) at Glasgow concert hall. There were slow, nurturing bass lines along with a repeating piano melancholy, questioning violin, pondering cello and electronic beats. 
Then a violin menace as danger lurks, electronica beats too and a plaintive solitary cello repeated the forlorn melody. A sad xylophone played slow notes to release the tension, let it fly and brought us back to a more hopeful sound. 

 A bell tolled as we heard Woolf’s hesitant and strange voice speak of her memories, before she gave up words and life, ‘No one could have been happier.’ Then the poignant piano melody returned with waves in the background. And after in a powerful moment, there were mournful crescendos with the haunting soprano voice of Grace Davidson.


His music is at times pioneering, aching, immersive and searching for resolutions. The stage was lit over the performance with a flow of colours from soft purple to deep reds. For a Reprise Richter performed a short piece entitled ‘On the Nature of Daylight’.  A truly memorable concert. The performance was opened by harpist Catriona McKay and Alastair MacDonald with tales of Scottish times past.

Review and Photos by Pauline Keightley - http://pkimage.co.uk/
Richter is a British composer post-minimalist with contemporary and alternative musical styles with films such as Testament of Youth, Arrival, Miss Sloane.
**Three Worlds: Music from Woolf Works (2017Three Worlds: Music From Woolf Works is Max Richter’s eighth album, released in January 2017. The music is taken from the score that Richter composed for the ballet Woolf Works in collaboration with choreographer Wayne McGregor at the royal Opera House in London. The work follows a three-part structure offering evocations of three books by Woolf (Mrs DallowayOrlando, and The Waves). The album features classical and electronic sound as well as an original voice recording of Virginia Woolf herself.

Sunday 24 September 2017

'Framing the Arts' with Alan Riach Edinburgh book festival (EIBF 2017)

Sandy Moffat, Alan Riach, John Purser
'Framing The Arts' - Three elder statesmen of the Arts in Scotland – with Professor Alan Riach, Painter Sandy Moffat, Musician and composer John Purser, gave a talk at Edinburgh international Book festival 2017.
"Arts at the heart of life in Scotland and the cultural history of literature, painting, and music."

"ARTS and the NATION" - There were limited copies of their new book and I have just received my copy via Amazon. It is a great read so far and i highly recommend to anyone who sees the importance of the arts in shaping our society to a more caring and compassionate one. The arts are first about our humanity. 

LITERATURE
They spoke of the reconstruction by the Arts for a new vision of Scotland that are totally different in nature than the national movement of fascists, and that the Scottish arts are not focused inwards at all. Also the opening up of the arts to the young in order to move ideas forwards. They discussed places like the Abbotsford bar, which were once physical meeting places and gave connections for artists and journalists back in the 50s.
Professor Raich spoke of his two page spread in the National newspaper, that day with no adds or interference, and he said that the writing was of a very high standard.

Scots always look outward with their Arts and festivals, but we need, as these respected artists state, to also understand and know our own heritage and stories - and to look inside our own house too. Scotland does not want to leave Europe (or England) – but also there are strong movements to reconnect to Scottish stories, cross borders, and to open windows on Scotland’s arts.

*MUSIC
John Purser, composer an writer 
Until recently, Scots had no knowledge of Scottish classical music, composers or Scottish folk music. Scottish theatre, folk music, pipe music, and classical music were neglected – which has led to a cultural destruction. Purser spoke of the Scottish Music archive.
He said all students at Glasgow’s RCS (The Royal Conservatoire of Scotland) had studied in Europe, and that music is of course  international. They were instructed never to look within the house and always asked to look outward! It is scandalous that those who graduate know nothing of their own country’s heritage. Purser told a story of a young girl studying for her music higher, she was part of the travelling peoples and felt she lacked musical knowledge, but said that she made reeds for her uncle’s pipes. He told her that she probably knew more of Scottish music than those studying at the colleges!
John Purser
*ART
Painter Moffat said they were starting to take the Scottish art out of the basement at the National galleries.
Scottish Artists - Raeburn, Ramsay, David Willkie, Glasgow Boys, JD Fergusso., He said that Scottish artists won’t leave Europe. The highly respected art critic John Bellamy was mentioned. Scots are very poorly educated in our Scots history and arts.

They all spoke of the aim to build a grassroots audience for arts and not only an elite audience. (1934 SNP established.) The modern Scot world of reconstruction; the Montrose Renaissance which was then the equivalent of Paris in the 30s and was led by the revolutionary poet Hugh MacDiarmid, a co-founder of the SNP.


I agree with all of this. I was educated in Edinburgh and learned nothing of Scottish history, heritage, arts or music! I mean nothing here!  Even though I studied Art, History and English Highers and went on to teaching!  (Now I am older I am teaching myself Scottish heritage!) I did learn English heritage though, of the Tudors and Shakespeare. 
  
BOOK – ‘ARTS AND THE NATION’ - To engage in the recovery of neglected Scottish composers, artists and writers, locating them in an international context.
As the poet Hugh MacDiarmid wrote, artists must be both national and international. Perhaps in our fast moving Digital age there is a strong desire to reconnect to permanence, to traditions and to those lasting stories...
https://www.amazon.co.uk/Arts-Nation-Alexander-Moffat/dp/1912147106


MEDIA ?? (PS  There was no mention of Digital, Media, TV or film – and how Scots can access their own and international arts via the new platforms. For young people they want diverse ease of access via many mediums and that’s how they access their news also. They want control, which is a good thing.
The new film, tv studio at the Pentlands is welcome new and long overdue. Scotland first tv channel will air in autumn 2018! it’s a scandal. (both Wales and Northern Ireland have studios with the massive Game of Thrones film in Northern Ireland.) Good news is that both the recent success of Outlander and T2, have brought recognition to Scotland.Other regions such as Catalonia, has Five TV channels. 

Thursday 9 April 2015

Pipers


Finlay MacDonald

Recently Scottish musician and composer Phil Cunningham presented a fascinating 2 part TV program on the Pipes called 'Pipe Dreams'. He travelled to hear pipes and pipers play worldwide - from Ireland to India. – to inspire his new composition for the pipes. 

In January I attended the brilliant opening concert of Celtic Connections 2015 - the orchestral debut of Scottish piper Martyn Bennett’s last album GRIT. The range of dynamics , tones, energy, emotions, fun – play the tune on the chanter!

I wrote in my review of the music - This album offers a musical journey - producing pounding bass rhythms, hesitant strings, gradual and also unexpected crescendos, brass epic grandeur, haunting Gaelic voices, thematic stirring pipes and also humour. The Grit album is about pushing the boundaries and limitations.

Liam O’Flynn of the Irish folk band Planxty, who plays the uilleann pipes, spoke of the importance of valuing traditions, ‘ To find a secure place to be part of a tradition. Hard won thing to be part of a tradition and its important to be aware of that.’

The uilleann pipes, have a lovely colour and emotion
In the 50s there were only abut 100 players and today there are over 6,000 players of the uilleann pipes worldwide. 



At a Canadian pipe school the children were told, ‘We hope you have fun and work hard – fun and work - .work WINS, fun never wins!  Excellent instruction! 


Wednesday 11 February 2015

Craig Armstrong's Music


The stage was set out wide over the first few rows to accommodate the full orchestra of the Scottish Opera on the concert hall stage - and I knew we were in for a treat! The concert was one of the sell out shows of Celtic Connections.

Armstrong is an award-winning Scottish film composer who has written music for films such as Romeo and Juliet (1996), The Great Gatsby (2013), Moulin Rouge and many more.

The songs from Armstrong’s latest album, It’s Nearly Tomorrow, were performed by some top class singers - Jerry Burns, James Grant, Clio Gould, Katie O'Halloran, Alison Lawrance, Ryan Joseph Burns, Alastair Ogilvy and Lucia Fontaine.

The Songs included -
Weather Storm, This Love (The Space Between)
O Verona, Balcony Scene (Romeo and Juliet)
One Day I'll Fly Away, Nature Boy (Moulin Rouge)
Infinite hope, Louisville, Lets' Go To Town (The Great Gatsby)
The Love Theme (Far From the Maddening Crowd)
Main Theme (The Quiet American)
Let It Be Love (As If To Nothing) 
Dust, Crash, Powder, Strange Kind of Love, Lontano, Sing, (It's Nearly Tomorrow)

The grand piano for Armstrong to play was however on the other side of the stage on the left of the stage and I wished he might have stood on occasions to introduce his music so those of us on the other side of the concert hall might be able to see him better. Otherwise my seat was great and near the front of the stage and the full rich sound of the Scottish opera orchestra wafted over us, to add to the full on drama.  

Behind the orchestra scenes from the movies he has scored were shown, while movie-like coloured spotlights hovered over the orchestra.

I particularly enjoyed Jerry Burns subtle performance of Dust, with her ethereal, haunting voice and The Love Theme from Far From the Maddening Crowd, and the very poignant and gripping finale of the Balcony scene from Romeo and Juliet. 

Every year at Celtic I am astonished by the musical talent today in Scotland and beyond. Armstrong who graduated from the London school of music and is from Glasgow, is a wonderful example. He then served his musical apprenticeship at Glasgow's Tron theatre. The concert proved exhilarating, poignant and joyful.  

Armstrong sees no difference in credibility between popular and classical forms of music and he has collaborated with pop bands such as Massive Attack and as well as writing compositions for the SNO (Scottish National Orchestra). Film music has brought the full orchestra back into the mainstream and into peoples lives.