Keeping the Celtic Traditions Alive

 

Sixty years there was the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Chrichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, writers and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture,  fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. 

For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan about the significance of culture over lives. 

I believe people vote with their hearts not their heads. Then again there’s bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The national has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

Poetry Shapes Us

 

While Burns loved the lassies, his legacy is much deeper and more wide-ranging poetically than his love life. Some of his songs are so familiar, perhaps we can overlook his literary significance – both of his time and of ours.  The musicality of his song writing and poems, is unmatched and many famous poets and songsmiths name Burns as a favourite writer– from Bob Dylan to Wordsworth. 

In his short life he touched hearts, wrote of the worth of man (and woman), respect for the natural world, of freedom fighters, and he was a man o independent mind. 

 

“Poetry hold s mirror to a nations heart and soul. “ Jackie Key

“Its the language of being human” 

 

 *Famous Scots Poems 20^th century 

 

Memo for Spring - Liz Lochead

Drunk man looks at a Thistle – Hugh MacDiarmid

In my Country – Jackie Kay

A Man in Assynt – Norman McCaig

 

Gaelic Song

A rare beauty, or the big sky of Lewis. 

Gaelic poems were songs, tunes and words intertwined. The connections to place.

  

Norman McCaig

“Who owns this landscape – has it anything to do with love? Even the dead are part of it. Land is a character…Landscape is my religion, I feel at home. My substitute for religion and politics.“

 

Drunk man looks at a thistle – Hugh MacDiarmid – Where extremes meet

His poem, revolutionized Scots poetry ’to be yoursell” 

“He showed us that small nations are better than large ones, and the possibility of a new Scotland.” Alan Riach. “A revolutionary vision of what society can be. To rethink the Burns cult for a multi-faceted identity. Language matters.”

 

CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Su-a Lee: Dialogues at Mackintosh church Celtic Connections 2025

 

What a glorious setting for her rich, glowing tones and the depth of character on Su a Lee’s cello! The concert explored Lee’s astute journey of her compelling musicianship and celebrating her collaboration work with Duncan Chisholm, one of Scotland's most revered fiddlers, celebrated multi-instrumentalist/composer/producer Donald Shaw, and husband and composer Hamish Napier. The cream of Celtic musicians Lee’s work ranges from classical, experimental and folk traditions.

The Concert

Lee explored her years playing the rhythmic drive of Scottish traditional music within the landscapes of classical music. She performed tracks from her album Dialogues 2023, including mostly original compositions. She was accompanied by pianists Hamish Napier and Donald Shaw and violinist Duncan Chisholm. (Shaw is also Celtic Connections festival director since 2006). 

Tonight rather than the fiddle or voice centre stage, it was the deep tones and dynamic range of the cello. Lee began with a poignant cello solo of Burns ‘Ae fond Kiss’, followed by the emotive drama of Donald Shaw’s Baroque suite, with three dance forms and a slow air – ‘Baroque March Mull’, ‘Cathedral of Trees’, ‘Malpica’ ‘Ocean Poem’. As well as performing Shaw’s renowned music ‘Islands on the Edge’.

“Shaw’s tunes are all bangers” she exclaimed! Her welcome and informed chat between sets added a personal note. With violin and cello, we were treated to Chisholm’s poignant slow airs ‘Prince Charlie’s Last View’ and ‘Precious Place’. Also Phil Cunningham’s ‘The Wedding Celebration’. Hamish Napier’s joyful strathspeys and reels on piano, flute and cello, with ‘John Stephens of Chance In’ and ‘Windsong’. 
All four musicians performed a moving Gaelic song ‘Mo Rùn Geal Òg’, (sung by Julie Fowlis on the album). They finished this lovely concert with the energy of upbeat tunes such as ‘The Wound and the Gift’.

Su a Lee celebrates her many collaborations. This wasn’t a concert about Lee’s classical music roots (via the New York’s Julliard school) but about her journey through Scottish musical traditions and it’s innovative new directions. The cello is the original Scottish folk rhythm section, long before guitar or piano and is now enjoying a revival through artists like Su-a Lee. The leading fiddle players of their day, Neil Gow and Peter Milne, had cellists that toured with them. Lee is a lead cellist with the Scottish Chamber Orchestra. 

The Album:  Her album Dialogues (2023) is about her musical connections from this expressive musician, with her accomplished fellow musicians. While Lee has played on many albums over her thirty year career, this is her first solo album of 15 compositions. Dialogues is both grounded in traditions and new compositions: exploring Scottish traditional music from reels and strathspeys, slow ballads and Gaelic song ending with the solo setting of her Burns Ae Fond Kiss. 

"As much as this album is about finding my own voice and a voice for Scottish folk cello, it is also about the interaction of two voices…..Welcome to our dialogue." Su-a Lee

(Sometimes if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. Her work ranges from classical, experimental, folk traditional. 

Su-a Lee is a cellist born is Seoul, South Korea and resident in Scotland. She is known for her wide-ranging collaborations across classical, contemporary, jazz and Scottish traditional music. Through her prolific career as lead cellist in groups like the Scottish Chamber Orchestra & Mr McFall’s Chamber Su-a has constantly explored the role of the cello in folk & world traditions.

Hamish Napier is a folk musician, composer and tutor who taught Stagecraft on the Trad Music degree course at the Royal Conservatoire of Scotland for many years; Merryn Glover is a writer, workshop leader and storyteller, with a teaching degree in English, drama & dance.

Duncan Chisholm is a Scottish fiddle player and composer. He has released seven solo albums as a solo artist. His studio album, Affric 2012, was longlisted for the Scottish Album of the Year (SAY) Award. In 2022, he released a seventh studio album, titled Black Cuillin. He tours with the Scottish Gaelic singer Julie Fowlis band. He is also a founder member of the folk rock group Wolfstone, He played fiddle for Runrig. .

 

Donald Shaw,  is a Scottish award winning musician, composer, producer, and one of the founding members of Capercaillie Shaw has composed for film and TV. In 2004, he composed Harvest, a commission for the opening night of Celtic Connections festival. He won the Scots Trad Music Composer of the Year award in December 2006.

CC Mackintosh Church Setlist

1.  Ae Fond Kiss 


2.  Baroque Suite
(i) Baroque March Mull (ii) Cathedral of Trees (iii) Malpica
 (iv) Ocean Poem 


3.  EbytheC 


4.  F Strathspey Set
(i) John Stephen of Chance In (ii) Windsong 


5.  Duncan Slow Airs
i) Prince Charlie’s Last View (ii) Precious Place 


6.  Water Set
(i) The Dance 
(ii) Waltz of the Grey River (iii) Corryvreckan 


7.  Bach Bourrées 


8.  Mo Rùn Geal Òg Instr 


9.   Donald’s Set 
(i) Madame Lulu
(ii) Islands on the Edge 


10. Hamish Tune Set 

(i) Bagh Seannabhad (ii) Speyside Line 

11. Paths Finale Set 

(i) Phillippa’s Tune (ii) Josianne
(iii) Speyside Way (iv) The Deer Path 

Encore The Wound and the Gift   62 mins   6 mins applause 

Su-a, Duncan, Donald, Hamish 

Change Forward Scotland Needs for 2025

 

Education is the key and foundation. Without a solid, well educated workforce how can any country move forward? Many new independent countries recognised this – specifically Ireland and Estonia. Apart from funding, there are several ways to achieve solid education for all

1. All teachers should have a masters degree.

2. Teach to the higher average, not the lower average, to raise standards. Yes slower learners and late starters need to be encouraged and a good start at kindergarten or pre-schools is the key to giving ALL children the right start in education - with a focus on personal development and structural play. 

With many 4 year olds now held back to start P1 until they are ta least five and a half - this can make the more formal learning of reading books mean children are more emotionally and developmentally ready to learn having developed concentration skills, an interest in books, number and size skills, oral language etc. 

 

3. Eliminate private schools. Private schools mean a secure network and privileged bubble. They mean a two tier society. Those educated privately have only limited understanding of the rest of society that they have often never met or worked with. They believe they are a “cut above” the rest. 

 

4. A good start. Without a good start to education, the rest of the 10 years of school can be wasted.

The focus must be on quality early years. 

 

 ‘The Age of disruption needs a different kind of Scotland’ Gerry Hassan writes we needs radical ideas to move Scotland forward with independence, Sunday National 29^th December 2024. He writes of the unequal opportunities and expectations. While I agree we need new ideas – why vote for independence if it will only be more of the same failing economic models. He doesn’t offer concrete details of priorities, but mostly theoretical views. 

 

Its important to set priorities to move forward. But a sound economy needs to underpin this – otherwise where is the money to fund public service? While Scotland is rich in resources, we also need to harness our potential for innovation, business education, opportunities for all, immigration (we need young workers), and prioritise education for all. Finland decided to abolish private education, as they felt this system was holding the country back. 

 

Glasgow 850

Del Amitri

Glasgow is a city of surprises. Dotted around the city centre are many impressive, architecturally interesting buildings. The city also boasts several unique areas that offer culturally fun walks. Glasgow is a vibrant city of the arts. Its a challenging, dynamic place. There are many historic Victorian buildings, art galleries and tenements.

 

Glasgow is the City of Music and boasts world famous venues including the Barrowlands  King Tuts, Oran Mor, old Fruitmarket. 

 

First there is Glasgow’s Westend. With its university spires atop Kelvingrove park, where there is the dominate Kelvingrove galleries. Close by is the up and coming Finnieston with its unique cafes and shops and close to the new Glasgow Hydro arena and SECC exhibition centre. Up the hill is the lively and picturesque Ashton Lane. Glasgow’s university is one of the UKs oldest and here its worth seeing the cloisters and the Huntarian art gallery. 

 

On the east side there is the Merchant city, with the Old Fruitmarket and City halls venues, and busy night life. There are reminders here of Glasgow’s links to the tobacco and sugar trade. Glasgow was once the engine room of the British empire.  

 

The city’s main street, Buchanan St has the Lighthouse and the concert hall with Donald Dewar’s statue looking on. Just across from this street is the modern art galleries and the cone atop the Duke of Wellington’s statue. Then along Sauchiehall St are Macintosh’s famous tea room. There’s also Glasgow’s cathedral further east and the Acropolis views. 

 

Glasgow is a city of steep hills and long skylines with its many bridges over the river Clyde to Govan, once the world’s ship building centre where the Queen Mary liner was launched in 1934. 

 

Elaine C Smith

Eddi Reader

*There are major artists, writer, scientists, innovators, actors and musicians from Glasgow. 

Most well known Rennie Macintosh, The Glasgow Boys, 

William Macgregor, James Guthrie, Arthur Melville,

Glasgow Girls – Margaret & Francis MacDonald, Bessie Macnicol,

 

Actors - James McAvoy, Robert Carlisle, Kelly Macdonald, Peter Mullan, Elaine C smith, Gary Lewis, Janey Godley, Billy Connolly, 

 

Lord Kelvin, professor or maths & Physics, kelvin temperature scale, important for thermo dynamics.

 

Writers – Alasdair Gray, James Kelman, Jackie Kay, peter may, Debi Gliori, Edwin Morgan, 

 

Musicians -  Simple Minds, Del Amitri, Texas, Deacon Blue, Blue Nile, Wet Wet Wet, 

Franz Ferdinand, Lulu, Mogwai, Mark Knopler, Dick Gaughan, Eddi Reader, Donovan, Emma Pollock,

 

(Gerry Rafferty - Paisley, John Martyn, grew up in Glasgow)

Dick Gaughan

Mogwai