Showing posts with label scotland. Show all posts
Showing posts with label scotland. Show all posts

Tuesday, 30 June 2026

Edina, THE NEW WORLD

 

Edina Lochenbooths high st

THE NEW WORLD - Life in Edinburgh 1700s 

A city of taverns, turnpike, steps, towering apartment blocks, theatre, dancing assemblies, city chambers and strong gusts of wind. The row of towers rising from the palace to a castle on the rock- some 12 storeys high were crowded. Seen from the wide views out along the shores of the Firth of Forth there were garlands of wood and peat smoke round the town which gave rise to the name Auld Reekie. And the wynds and closes ran down to the waters of the north loch or to the Canongate. From the lawn market, the Royal mile opens out near St Giles to be wide enough for five carriages, and then narrowed down to the Canongate, down towards Holyrood palace and Arthurs seats.

 

There was the Jacobite/ Whig divide. There were 2 thrice weekly newspapers – one Whig, one Jacobite; and The Scots Magazine – full of trails, poetry, world affairs, narrative of Scots; 4 printing works, brewers, insurance, 9 Presbyterian churches. Musselburgh fish wives, sweeps, coal porters, barefoot housemaids. Women wore scarlet plaid or tartan over their heads down to their waist. There were 600 taverns, where work took place and people drank ale, claret and whisky.  There was archery for Jacobites, at Musselburgh. Golf for the Whigs at Leith links.

There was a weekly concert at St Marys chapel Cowgate. The women sang old songs and held tea parties. A well-dressed duchess appeared from a dirty close. it was the Duchess of Gordon, the leader of Edinburgh society, was once seen riding up the high street on a sow, which her sister drove with a stick!

Georgian New Town built late 1700s

The heart of Edinburgh was at St Giles cathedral since the abolition of the bishops during the Reformation – there was the new church choir, old church nave, Haddow Holes northwest corner, Tolbooth west. The General Assembly met here once a year.  

At the Luckenbooths near St Giles were shops – on the East side was the flat of poet Allan Ramsay senior who established the first library 1725 and in the ground floor flat was the printer, William Creech. And on the west side were the dark turrets of the Old Tolbooth prison. At the back of St Giles, there was the Parliament house where the Scottish Parliament sat from 1639. The Edinburgh town council sat at Parliament Close.

From Edinburgh there were 3 mail coaches to London each week. A stagecoach ran monthly to London and took 10 days on the road. There were ships to London – from the Port of Leith. Edinburgh did not have the colonial trade with the Americas or a merchant class, that Glasgow had - but the town had lawyers, Court of Session, clergymen, General Assembly. 

 

There was intellectual infrastructure, reading societies, libraries, periodicals, museums and masonic lodges. The Edinburgh College (university) – William Castares, who’d been in Dutch exile before 1688 revolution. In 1708 introduced a system of professors – new chairs in Arts, Law. The Edinburgh Faculty of Medicine, founded in 1726 was the first in Britain. Jacobite printers Thomas and Walter Ruddima produced editions of Scots Renaissance writers such as George Buchannan and Gavin Douglas. They also expanded the Advocates library at Parliament House 1680 to over 2 thousand volumes. The Academy of Painting opened in 1729. The High school was one of the largest grammar schools with 400 pupils – plus 4 hospitals or boarding schools for orphans – George Heriots for boys and George Watson for girls in 1659.The Royal Infirmary was founded in 1741. 

Scottish Writers museum

Baxters Close
 

Monday, 29 June 2026

Edinburgh book festival images

 



I recall the excitement of my first times at Edinburgh book festival in Charlotte square back in 2009 – and the many famous faces I have encountered on my walk over the wooded walkways, as they left the Press yurt; it was always a surprise and the trying to act nonchalant! I met here Seamus Heaney, Brian Cox, Alex Salomnd, George RR Martin, Liz Lochhead, John Byrne, Val McDermid, Elif Shakfak, Ian Rankin, Alexander McCalll Smith, Allan Cummings, and many more!

 

The challenging light – at lunchtime, with any overhead sunshine causing far too many shadows, or the perfect late light, hitting the townhouses of the square and on Bute house. I remember George RR Martin waiting at the side gate.Or Seamus Heaney walking into the cafe.  

 

The many fun photographers I have met here – from Wales, Italy, Spain and elsewhere. The banter,

 

George RR Martin arrives
Seamus Heaney & Andrew O'Hagan
Unbound

Edna OBrien


Art has always been a big part of my life – poetry, songs, images, books. I enjoyed sketching, singing, playing piano, reading and writing in my small notebooks. I was constantly drawing; I went to visit art galleries, took art at school, wondered what makes artists great – the brilliant composer, the inspired painter, or the great poet. 

 

Art is how I imagine and visualise my references. 

Music is my main point of wonder, escape and emotional release. 

Poetry is how I make sense of the turmoil, confusion and troubles. 

And the stories we tell ourselves. 


Photographers set up Charlotte Sq


Edinburgh book festival 2026 announced!



Programme for Edinburgh International Book Festival has been announced, with nearly 600 writers from 41 different countries taking part.

The renowned festival, taking place in the capital between August 15 and 30, published its full programme on Tuesday, with more than 600 events spanning fiction, politics, science, history, music and live performances. There are more than 150 events scheduled for children and families, along with a young adults programme tailored for audiences under 30.

The theme of the 2026 festival, "Changing Your Mind", may encourage visitors to "stay open and curious, championing deep listening and celebrating our capacity to evolve our thinking".

Among those to appear at the festival are former first minister Nicola Sturgeon, who will speak on a panel titled "How to lead a country" alongside former Finnish prime minister Sanna Marin, to discuss their respective memoirs, Frankly and Hope in Action. Other prominent figures to speak at the festival include former UK prime minister Gordon Brown, Wikipedia founder Jimmy Wales, and technology writer Cory Doctorow.

They will be joined by leading writers from around the world, including John Grisham, Ian Rankin, Maggie O'Farrell, Ali Smith, Jenni Fagan, Matt Haig and 2026 International Booker Prize winner Yáng Shuāng-z(Image: D

This year's programme also places focus on trust and information, featuring conversations with journalists, analysists and researchers examining misinformation, data and global narratives. The festival will also explore the rapid growth of artificial intelligence (AI) and its regulation, featuring voices such as Steve Crossan, who was part of the original DeepMind team, and Sarah Wynn-Williams, former director of public policy at Facebook.

The festival will run a schools programme to support around 5000 pupils through free tickets for those in need, along with transport and books.


Jenny Niven, director of Edinburgh international Book Festival, said: “Our theme 'Changing Your Mind' speaks to the moment we're in. At a time when opinions seem increasingly polarised and online debate is so divisive, we're creating space for thoughtful, nuanced conversations – exploring the reasons for our increasing social and political divides, and how we might change each others' minds, or at least agree to disagree, more agreeably. We're also looking at the potential of the human brain to adapt and relearn, and at the unparalleled power of stories to change our thinking."

Niven added: "Changing your mind is a lifelong process of staying open to new ideas.

"By bringing amazing speakers and curious audiences together, around knowledge and perspectives that help us challenge our assumptions and see the world differently, we hope the Festival programme this year will help us gain a deeper understanding of both ourselves and each other."

Edinburgh International Book Festival 2026 tickets

Tickets for this year's Edinburgh International Book Festival Thursday, June 25. https://www.edbookfest.co.uk   

 

Friday, 29 May 2026

Shortest History of Scotland Murray Pittock

 

Wars of Bruce and William 13thc and 14thc and the sophisticate political thought, 

 

1760 to 1914 – Scotland that caught up  with rest of UK.  Scottish associations and Burns clubs

 

 

From Columba to The Corries, the Picts to Paisley, Doggerland to Devolution – here is the unmissable story of Scotland.

Scotland is one of the oldest nations in Europe. Its territory remains fundamentally unchanged since the fifteenth century, and its southern border with England has barely altered since 1237.


And yet Scotland – a country with its own law, education and church – is not a state at all. In The Shortest History of Scotland, Murray Pittock argues that this very ambiguity has helped make the nation a central part of the global story.


From first tribes to Scotland’s multicultural present, Pittock unpicks the myths from the reality. He explores the glories – real and imagined – of Scottish history, from the Bruce to Balmoral, William Wallace to Walter Scott, Enlightenment to Devolution. And he asks what this rich past can tell us about what may lie ahead.

 

 The International aspects of Scotland has an unusually distinctive brand 15th or 16th brand. 

 

“Culture is resistant to change, and history is being manipulated.” 

“Tribalism based on ignorance is not a good idea.” Murray Pittock




Thursday, 30 April 2026

Dismantling the Burns Myths

 




(Or attempting to!)  Our Scots bard has been portrayed at times as a reckless, womanising drunk, and his poetry work has not been taken seriously by academics and educators. I believe these false myths are far from the truth and are of serious consideration. Because our national bard continues to this day to have a significant impact on Scots national image and psyche. 

He has written some of Scots most loved poetry and songs and we celebrate Burns night each January 25th.

 

He has been dismissed as an uneducated farmer. These myths matter, because as our Scots national bard Burns image is one of the most famous image for Scots. It matters on our images of “Scottishness” and of our long history of Scots cultural identity. 

  In fact Burns was voted by Scots as the most iconic Scots image, much like Mozart’s image in Vienna. During Victorian empire times Burns was viewed as part of the empire narrative associated to Walter Scott’s romantic Scottish nostalgia – of a Scotland that was lost and gone forever – and this image focused on Burns love poems, while neglecting his other work.

 

The elites, the academics and literati in Edinburgh found it hard to accept the farmer Burns in his boots, who never attended university: but was self-educated through his local education, his father and his own reading. He met the great and the good here and began his song collecting journeys, after meeting James Jamieson who published the Scot musical museum.    

  

Burns was far more than the peasant farmer or ploughman poet and was highly educated. What is often ignored is that Burns father was a cultured, disciplined and well spoken man himself, who greatly valued education for his family. His mother knew and sang all the old Scots ballads. For a few years Burns attended a school in Ayr, where he was taught by the young teacher John Murdoch, at the age of seven, and he became a great reader. After which he and Gilbert were tutored by Murdoch over the occasional summer months.

 

 Yes he may have occasionally enjoyed social drinking, but as he writes from Ellisland to his friend Robert Cunningham in 1791, after a party when he had sold off the Ellisland farm equipment:  “After the roup was over, about thirty people engaged in a battle and fought it out for three hours. Nor was the scene much better in the house. Not fighting, indeed, but folk lying drunk on the floor and decanting, until both my dogs got so drunk by attending them, that they could not stand. You will easily guess how I enjoyed the scene as I was no further over than you used to see me.”  

Tam O Shanter by Alexander Goudie

Anchors Close Edinburgh
Edina , the New World
Poozie Nansies

Burns & highland Mary
Library books Ellisland

There has been too much negativity written. Why? Was it because Burns didn’t fit into normal accepted norms, and had friends he met at the Globe Inn who were reformers for votes for all men? Because he grew up the son of a tenant farmer?  Because he was a free, independent thinker, who challenged the elites narratives. Or mainly because he wrote in the Scots language and therefore was not to be taken seriously. 

Considering all Burns writing, studying, researching and collecting – his many letters, poems, songs and epistles. His years of toil and hard farm labour growing up, plus his Scotia travels during his short life and all the myths that surround him. I find it hard to believe that Burns was a hard drinker as some myths put out. Because, how did he find time to write some of his best poetry at Ellisland and in Dumfries – plus his Excise work of detailed record keeping, long days travelling on horseback and being a young father. 





Burns poetry and song have become a symbolic touchstone of Scottish identity for generations, The Patriot Bard, by Patrick Scott Hogg

 

In the age of enlightenment Burns believed in the power of reason and common sense. When there was a crackdown on democratic reform. The Jacobite cause was symbolic of the country’s lost, romantic past. The tyrannical oppression of the Pitt government

brought the enlightenment movement to its knees, and silenced the leading minds of a generation. Burns risked his life and freedom to continue composing such radical material of social satire during his last few years. He published anonymously Scots Wa Hae as he considered it too seditious.



Edinburgh Festival All Rise 2026


“I am, All Rise.. look further, look beyond, can’t you see - look higher .
I’m going   to rise and rise.

World-class Opera, Music, Theatre and Dance  Spanning 24 days and 147 performances, 

The Edinburgh International Festival returns 7–30 August 2026. With five world premieres and ten works commissioned by the International Festival, this year marks Nicola Benedetti's fourth year as Festival Director.


Nicola Benedetti - I fell in love with U S of A. instantly. I was 16 years old and within 24 hours my relationship to its “wild, abrasive, exuberant, heart filled yet harsh ferocity was sealed. I was shocked and intoxicated.”





Angels in America
An Enemy of the People

This years program celebrates the ideas and impact of the USA’s 250 years, from the signing of the Declaration of Independence. 

With “recurring themes of freedom and ingenuity, leadership and cruelty, prejudice and perseverance and hypocrisy sit colourfully within proud demarcations of the height of artistic and creative achievement.’ Many of these could happen only in America.  

 

2026 Theme: All Rise  All Rise is a rallying cry encompassing collaboration, resilience and ascendance. 


Marking the 250th anniversary of American independence. To experience themes of freedom, ingenuity, prejudice, and hypocrisy, alongside the creative achievements made possible by the friction and energy of America's cultural melting pot. 



ALL RISE ! With Wynton Marselis

All Rise Opening concert! -

All Rise celebrates togetherness and transcendence.”

The world of the magnificent, the dazzling, the dark, the powerful, the tragic, its extreme, the powerful, the tragic, the 

virtuous, the art of the possible.

Opens with a rise to action, All Rise is an epic symphonic work, by Wynton Marselis, with over 200 performers in a communal journey through 12 stages of living - of Joy, romance, virtuosity, fun and improvisation, our making mistakes and subsequent suffering and ultimate forgiveness, freedom and self knowledge.

 

Opera The 2026 opera programme hosts two staged operas at the Festival Theatre. Verdi's A Masked Ball from Zurich Opera is set in the opulent American Gilded Age, whilst The Galloping Cure, a world premiere from Missy Mazzoli and Royce Vavrek’s confronts the global opioid crisis. Scottish companies lead the charge with two thrilling operas-in-concert at the Usher Hall.  


TICKETS for Edinburgh International festival 2026 now on sale - https://www.eif.co.uk