Showing posts with label tour. Show all posts
Showing posts with label tour. Show all posts

Friday, 31 May 2024

Capercaillie 40 year anniversary new album Reloved


Widely respected trailblazers of Celtic music, Capercaillie are credited with being the major force in bringing Gaelic music to the world stage and inspiring the great resurgence so evident today. From their homeland roots of Argyll in the highlands of Scotland, the band’s musical journey has seen them tour 30+ countries, sell over a million albums, perform in Rob Roy (1995) alongside Liam Neeson and Jessica Lange, and enter the pop charts with Coisich a Ruin - the first Gaelic single to reach the Top 40.


To celebrate their 40th anniversary, Capercaillie release a new album “Reloved” realising their dream of creating full symphonic arrangements for their music. Comprising material from their much loved repertoire it encapsulates the spirit of the band with strident waulkings songs from the Hebrides, hypnotic groove infused instrumentals and epic modern ballads and love songs.




Capercaillie is led by Donald Shaw and Karen Matheson and is one of Scotland’s most respected bands. The band draw on rich ballad traditions, as well as their fusion of folk and more contemporary influences., while also staying with more traditional arrangements and instruments. Their music has been used in films. 


This ground-breaking and genre-defying Scots band, celebrate their 40 years of success in music. With Karen Matheson’s pure and haunting Gaelic voice. While Donald Shaw is a highly regarded Scots composer and musician, as well as musical director of Celtic connections festival since 2004. His composing credits include Bafta nominated scores for TV and film. 

 

Shaw and Matheson from Oban are married   - they are a formidable team! - https://capercaillie.co.uk





Wednesday, 30 November 2022

Bob Dylan on Good Voice Ovo Armadillo Glasgow



Dylan held us inspired with his voice, the master of his song craft, and the unforgettable storyteller. Our iconic bard held sway with his top-rated band – Bob Britt’s flying-V guitar solos, multi instrumentalist Donnie Herron on lapsteel, mandolin and fiddle, the dynamic, unconventional drummer Charlie Drayton, Tony Garnier on upright bass. 


Dylan was centre stage and he stood at times behind his wooden piano: he’s worked to get the sound just right and though he’s mostly in shadow, he appeared upbeat. Dylan digs deep into the American and the more distant European songbooks –and he states both the Scots and Irish folk ballads as influences, along with the classics. He mixes up with Chicago blues, blistering rock n roll, new Orleans flavoured knockabouts and stately melodic reflections.


*Tonight Dylan sang his new album, Rough and Rowdy Ways, 

Bob is proud of his new album which has had top reviews, his first of new songs since Tempest in 2012. Dressed all in black, the band are silhouettes and as the songs begin they are illuminated by the brightly lit squares beneath them, backdropped by deep red velvet – as if floating to that promised land Dylan’s’ words and songs offer us. He’s the true prophet of our times, even though he asks not to be! 

We’ve entered slower paced past times before mobile phones, before flashing lights, to inhabit the moment and be free of burdens. The band are strung as one, emphasising the rush and flow – asking, questioning, apologising, and quiet searching of our souls. Dylan’s been through many doorways, seen many distant shorelines. At 80 he’s given us another classic album.

 

Now at 80 he continues as the journeyman going strong – His band are on top form with surging guitars, to subtle, gentle, backing rhythms surrounding the deep power of Dylan’s words. He savours the live experience, that exchange of song and audience, sharing his voice with his long standing and admiring fans. He seems more at ease with himself, and certainly the new album is slower tempo, chilled and intimate: while still offering the questioning and grit we expect. His songs don’t come easy and they get under your skin. 


**SONGS

**Dylan sang 17 songs tonight – 9 from his 2022 album Rough and Rowdy Ways

He began his show with Watching the River Flow (written 1971) about those creative urges so crucial to his life. And followed by the complex opening track from R & R, I Contain Multitudes.

The memorable and often quoted lyrics of False Prophet and When I Make my Masterpiece. The intimate stillness of a lovely love song I’ve made up my Mind to give Myself to You. He sang an impressive Black Rider, with unexpected key changes, ‘The road that you’re on, same road that you knew, just not the same as it was a minute ago.” My mind is at war, Hnag off your arm. 

Followed by My Own Version of YouMother of Muses.The haunting slow drumbeat of Crossing the Rubicon, a metaphor to take a leap into the unknown and commit to certain journeys - Take the big road, whatever road you can. Bob sang the chilled relaxed happy rituals of favourite track Key West. We were left in harmonyAfter which he said, “Hello everyone”. Dylan was centre stage and he stood at times behind his wooden piano: he’s worked to get the sound just right and though he’s mostly in shadow, he appeared upbeat

 

**Other than the album, Dylan performed Most Likely You’ll go your Way and I’ll go Mine from Blonde on Blonde album. Followed by one of his ultimate classics with surging guitars Gotta Serve Someone, from Slow Train Coming album – backed by Bob Britt’s surging guitar, Donnie Herron’s dynamic pedal steel guitar and the thundering drummer Charlie Drayton. And a very slow version of I’ll be Your Baby Tonight; a cheerful and an cheerful upbeat Be Alone with You, from 1969 album Nashville Skyline - Under the starlight sky; and a swinging cover version of That Old Black Magic


Dylan performed a rousing rock blues Goodbye Jimmy Reid on which he plays harmonica – an upbeat tribute to the blues giant. To those having a free voice. When Dylan said, ”Thank you everybody, Hope you are all well.” For their final song the band performed Every Grain of Sand – and with band introductions. 


After which the band and Dylan lined up centre stage, then exited and came back for a final bow, when there was a rush of applause when I thought how much Dylan’s songs and music have meant to so many, and especially for those musicians in his footsteps (and for me). Like the Scots bard Robert Burns, Dylan looks back to the great writers before him and also to what lies ahead.

I might have hoped, as in 2011, Dylan had encored two of his classics (Rolling stone, All Along the Watchtower), but this show was about new material mostly and we left grateful, satisfied and thankful.  He sits at the turbulent crossroads. He continues being the journeyman bringing his messages of a better way. Hope of those journeys, Fear of time taking us all. 

 

In my life by far, his long life of music and poet of our times. I’ll cross that Rubicon to the Promised land. Take me to the river – free me from sin. Will he still be touring at 80, still the journeyman, journey home. The Never ending Tour runs through 2024.



This is Bob at his classic and contemporary best! This is my third Dylan concert. First was with my son at the SECC Glasgow, when Dylan was hunched over his keyboards. The second gig, 2011, was a much livelier Dylan performance at the Braehead arena, where Dylan even danced! And we stood alongside his long-standing disciples at the front. The fan beside me was my age and also with his son and he had been to every Dylan concert here since his first one in Scotland – at the age of 18. It was a humbling experience and Dylan performed several of his classic songs (set lists are online)

Dylan clearly much prefers the smaller venues and this concert in 2022 at the Armadillo was more intimate and old worldly, took us back in time, before mobile phones, before internet and before flashing lights, glitz and glamour- when we could simply be in the moment to listen clearly to the quality, aged instruments, to the changes in tempo, clarity, depth, resonance and range of voice. We’ve forgotten today how to be in the moment, how to look or listen, as we disappear into our virtual realities.

I hope Dylan continues on his ever ending world tour and continues to write and perform such memorable and hard hitting words and music. And that I get to hear him some more live – it’s a surreal and uplifting experience.


**SET LIST

*Watching the River Flow

*Most Likely You’ll go your way and I’ll go Mine

I Contain multitudes

False Prophet

When I make my Masterpiece

Black Rider

My Own Version of you

*I’ll be our Baby Tonight

Crossing the Rubicon

*Be Alone with you

Key West

*Gotta Serve Someone

I’ve made up my mind to give myself to You

*That Old Black Magic

Mother of Muses


**REVIEWS

Neil McCormick on the Telegraph, as “one long magnificent ride for his most loyal fans and “The wise old poet has stirred up a cryptic cauldron of truths and clues, philosophy, myths and magic.”

 

“Breath of its cultural references and the depth of Dylan’s lyrics ‘ Mikal Wood Los Angeles Times.

“old blues songs, Shakespeare, classical mythology, the bible and pop culture” Kenny Doole Exclaim

 “why are intellectual references so rare in contemporary music.”

 

Rolling Stone ranked Key West as second best songs of 2020 and 7th in a list of 25 best Bob Dylan songs 20th century. 

“ a poetic balm for a world in profound turmoil.” 

Bob Dylan, All the Songs, Philippe Margolin and Jean Michel Guesdon, claim R & R is placed between Highway 61 Revisited, Blond on Blonde and Blood on the Tracks, and in other words on the same level as his master works. Several stand out tracks are singled out for mention – Key West, I Contain Multitudes, Black Rider. 

Rough and Rowdy Ways album -  is the 39th studio album by American singer-songwriter Bob Dylan released on June 2020, through Columbia Records.It is Dylan's first album of original songs since his 2012 album Tempest following three releases, one a triple album a triple album that covered traditional pop standards. The album was recorded at Sound City Studios in January and February 2020. The session musicians included all of the then-current members of Dylan's Never Ending tour band alongside other musicians, such as Blake Mills and Fiona Apple. The album's sound was described by critics as Americana, folk, blues and R & B. 

Rough and Rowdy Ways was preceded by the singles "Murder Most Foul", "I Contain Multitudes" and "False Prophet", "Murder Most Foul" became Dylan's first song to top any US Billboard chart. The album was universally praised by critics, described as being one of Dylan's best works and placing highly in many year-end album lists, including the top spot on four lists. It peaked at No. 1 in more than ten countries and No. 2 in the United States and Australia.

Surrounding Dylan, leaning in like heliotropes, are three guitarists playing electric, acoustic, lap steel, mandolin and fiddle (the latter three are by Donnie Herron, and not all at the same time). Longtime electric upright bassist Tony Garnier plucks away next to newbie Charley Drayton, a loose and bouncy drummer who seems to make contact with his kit via anything but wooden sticks. The transitions between the songs are jazzy and fantasia-like, as though each cut played is conjured afresh out of a shimmering ether.

Crucially, there’s an air of playfulness here – testament to Dylan actually being in a very good mood


Tuesday, 31 May 2022

Emeli Sande Lets Say for Instance



It is good to see Emeli Sande return with a more authentic and true sound on indy label Chrysalis. In particular new single There isn’t Much. She seems in interviews to have found a new contentment and a new sense of self. Her new sound is also more laid back.


In 2012 she had huge commercial success with debut album Our Version of Events, which was the biggest selling album of 2012. Her range includes R&B, pop and gospel, with her inspirations including Nina Simone. Emeli has collaborated with Naughty Boy, Professor Green, Labyrinth.

She had major hits with Read all about it, Next to me, You are Beautiful.

She has performed at the London Olympic games and had major successes in America and has won four Brit awards for her music.

 

In 2012, I was thrilled to take photos at her Albert hall gig London. One of those perfect days and the excitement to be backstage and climb those stairs in front of the stage. 

 

I first heard her perform at the Oran Mor Glasgow, and took photos there that were used in her promotions. back in 2007 when she was a student at Glasgow medical school, when she impressed the packed crowd with her soul and R & B voice. Its been quite a journey and 10 years now since her debut. 

Emeli Sande Albert hall 2012



Emeli Sandé on tour UK with a solo piano show - Emeli Sande: Brighter Days Tour –  Òran Mór's Auditorium ... Date: 26th May 2022 7:00 pm. Venue: The Auditorium.

And at Belldrum festival

 

Lets Say for Instance


https://emelisande.com

Wednesday, 30 June 2021

MUSIC and creative industries badly effected by Brexit & Covid




Attending live concerts is so important to many of us – nothing beats the thrill, togetherness, emotional releases and well-being of an excellent, engrossing concerts -  either the energetic large stadium, music festival or the intimacy of the characterful smaller venues.


I’m very concerned, as are many others, over the destruction of many of our crucial industries due to this foolhardy and reckless Brexit. The Creative industries and music is a massive industry for the UK, and this is all a disaster. 

Brexit failings

The EU is by far the biggest touring market in the world–  in 2019 - with EU 20K tour dates, America 5K, and other countries much fewer. Plus it costs a fortune to tour say Australia with a much smaller population 

 

To tour the EU after Brexit now requires - Visa regulation and lots of red tape, instruments, lighting, sound equipment, rules on transportation, And only 3 stops in the EU!!  All the uncertainty now for mid-tier artists makes touring practically unviable, and there are no crews or tour managers. Devastating for artists. 

 


On top of the destructive Brexit there have also been the Covid restrictions on us all. However Covid Insurance won’t cover festivals or musicians. There is a Covid relief fund – and Festivals have been offered 35 million.

 

Sadly many artists are now quitting and leaving the industry. 

Among my hopes are that we might be able to return to the EU single market and customs union. Apart form our crucial cultural, economic and scientific connections the biggest benefit the EU has brought is “peace and prosperity”! 

 

I’m excited to have two concerts now booked for August – its 18months since my last concert at Celtic connections 2020!  - Tideines 8th August,Edinburgh Festival 2021 and Chrissie Hynde 24th August, Queens Hall Edinburgh!

 

 

Sunday, 17 June 2018

The Stones Murrayfield


The skies stayed clear for the Stones to rock Murryafield stadium – with Keith Richards recognisable riffs and the energy vibes of Jagger’s rhythmic dancing and melodic voice. A band clearly at home on stage!

There is something widely exhilarating to see live a band you have enjoyed and admired for many, many years! 
For the first part of their set they pleased their devoted fans with a well chosen hit selection - Start Me Up/ Lets Spend the Night Together/ Only Rock n Roll/ Talkin in Time/ Under my Thumb.


After which they revisited their R & B based roots with a blues song, when Mick mentioned the Glasgow Barrowlands and with black and white clips behind them. Some songs become stories in themselves and take the songs wide. Other songs have the simple and memorable riffs such as Under My Thumb.


Keith Richard plays acoustic guitar in the style of Robert Johnson, in the key of G and some of the best known riffs ever and we know the songs instantly. Jagger has a soft voice with great range, but not a rock voice. The Stones guitarists leave space for each other with a clarity of sound. When many bands fill up every available space with noise. 

As the evening light faded there was lots of ‘’oh oh oh’ singing as on I Miss You!  
Followed by She’s a Rainbow with Mick on guitar. They then took the tempo up again for their final hit selections - You Cant’ Always Get What you Want/ Paint it Black/ Honky Tonk Woman (when Mick introduced band) and a Keith Richard song followed by Please to Meet You/ I Miss You/ Brown Sugar/ Midnight Rambler/ Jumpin jack Flash. 
And for their encore they performed Gimme Shelter and Satisfaction!

My favourites tonight were Miss You, You Can't Always Get What You Want, Gimme Shelter and Jumpin Jack Flash. I wondered about their stamina at 75! And the energy required for drumming over a two hour set every night. They must have at least two road teams to set up for the next night of their tour. 

Hats off to the Stones for being one of the top and longest lasting rock bands in the world! Fans left happy to have heard their favourite hits. 

The Rolling Stones were started by Brian Jones, one of the Uks top blues guitarists in. He gave it their name and more than that their 'electric blues' sound. He realised that the niche market for R & B could be taken to a mainstream audience. The lost boy, never satisfied. Sadly he became the first of the '27 Club'. He was the UK's first slide guitarist and one of the best blues guitarists in London at that time. Before he left home, Jones said - 'I'm gonna move to London, start a band and I'm going to become rich and famous.'     

Friday, 22 June 2012

Emeli Sande Olympic Torch Relay George Square June 2012


 

Emeli Sande performed at as part of the George Square Olympic Torch Relay celebrations 8th June 2012.  She performed songs from her number one UK Album Chart, Our Version of Events, which was released in February 2012.
Emeli sang her album songs – Heaven, Tiger, Breaking the Law, My Kind of Love, Daddy, Wonder, Next To Me.
She asked us to join in her last two songs. A very young child behind me, who was about five, was singing along and knew all the words. Her mum said she had heard them on the car cd player. Emeli said that ‘Wonder’ would be the summer single, and it’s hum along chorus works well with stadium audiences – as does ;Next To Me;.

Sande appeared as a guest artist on Professor Green’s single 'Read All About It' which reached the number one spot on the UK Top 40 Singles chart in October 2011. Emeli Sandé is a Scottish R & B and soul artist and songwriter. Before pursuing her musical career, Sandé studied medicine at Glasgow University. Sandé first became known to the public eye after she featured on rapper Chipmunk’s, ;Diamond Rings; which entered the UK top Ten Singles chart. Also a top ten hit with Wiley’s 'Never Be Your Woman; Sandé released her first solo single 'Heaven' in 2011 which made No. 2 UK Singles chart.  Her album 'Our Version of Events' was released in America in June 2012 to good reviews.. Emeli Sande Photo Gallery - ttp://www.zenfolio.com/pkimage/emelisande