Julie Fowlis with SCO at Celtic Connections 2026

 

The touching, mystical and lyrical beauty of these well-crafted Gaelic songs surrounded by live trad folk music  Julie Fowlis with the Scottish Chamber orchestra - Celtic Scots and Irish traditional folk voices enhanced by the depth of sound of the classical orchestra. As well as her crystal clear voice – Julie has a clear, deeply felt, musicality, along with her husband Irish bouzouki (Greek mandolin) player Eamon Doorley and now partnered with Irish fiddler and Gaelic singer Zoe Conway and Irish musician John McIntyre. 

 

The quartet’s 2024 ALLT albums captures their authentic traditional music with that impactful live vibe and cohesive sound: with soaring pipes, fiddles, melodies, dynamic rhythm guitar, the emotional solo voice, and the collective and caressing soothing vocal harmonies. 

They played the range and depth of traditional music – and the long roots between Irish and Scottish music. Both intimate and powerful. All performers were clearly thrilled to have the impact and range of the SCO behind them, to enrich their music with strings, percussions, wind instruments. Creatively conducted by David Brophy.

 

They began with tunes with Fowlis on small pipes. As well as their toe-tapping, uplifting tunes, there were several stand out ballads, namely the memorable Puthrag Nom Puth’r (Sister o sister, about love and loss), the haunting Cuimhne, the melodic Caim chaluim chille chaoimh specially commissioned for Ireland. And the expressive Theid Mi Do Loch Alainn. 

 

The live trad folk music worked so well along side the live orchestra settings, perfectly back by Doorley’s counter-melodies on bouzouki and withMcIntyre’s dramatic melodic and rhythmic guitar, floated over with the perfect calming Gaelic voices. This was a quality collaboration of kindred musical voices, with Fowlis and Conway’s interwoven harmonies. These Gaelic songs were given heart-stirring, joyful, lyrical and uplifting musical settings. 

 

Their song Faoiseamh was dedicated to the people of Ukraine. Conway spoke of how their music and songs were based on their personal inspirations of Gaelic poems, both old and new. Songs of the natural world, homelands: open hearted story-telling, with songs of place and time, love and loss. 

 

They finished their set with speys and reels and a couple of Polka tunes. For their encore they performed beautiful harmony singing on La Rouil. Followed by lively tunes, when they were joined on stage by Mairtin O’Connor on accordion. 

 

Fowlis’s voice is a delight and her performances always have her audiences entranced. Her music expresses her Hebridean Uist roots, with her intimate and pure voice. Perfectly matched by the Irish voices of Conway and McIntyre’s counterbalancing Gaelic harmonies. A high quality, sublime, engrossing and enriching concert. 

 

*Fowlis was very well supported by renowned Irish accordion player and composer Mairtin O’Connor, also backed by the orchestra on some powerful tunes. O’Connor has performed with Boys of the Lough and Riverdance. 

 

I’m personally a massive fan of the live album and I highly recommend both volumes of ALLT. Fowlis plays the Scottish small pipes, oboe, bagpipes  and a melodeon shruti box, which provided a graceful surround to her voice. Mairttn O’Connor, as a session musician has played with the Chieftains, Dubliners, Moga Brennan, Christy Moore, Mark Knopler, Rad Stewart, Elvis Costello, Tim and Neil Finn more. 

 

** Julie Fowlis is an acclaimed Scots Gaelic singer and is well known for her vocals on films – recently on Outlander’s Blood of my Blood and on Disney’s Brave film. She has performed with James Taylor, KT Tunstall, Chris Thile, Graham Coxon (Blur), Nicola Benedetti, Le Vent du Nord, Carlos Nuñez and Mary Chapin Carpenter. Plus a TV and radio presenter (BBC, SKY ARTS, TG4), a voice artist, for The Lost Spells, and on the worldwide best-selling video game Assassins Creed Valhalla, with renowned Norwegian composer Einar Selvik.

 

REVIEW AND PHOTOS PAULINE KEIGHTLEY – www.pkimage.co.uk

 

**ALLT album is a beautiful collection of newly crafted songs and tunes by Julie Fowlis, Éamon Doorley, Zoë Conway and John Mc Intyre.   Recorded live in the round, ‘Allt’ is the culmination of a composition project inspired by old and new Gaelic poetry from Scotland and Ireland. Emotive and powerful melodies coupled with thoughtful and understanding accompaniment, this album captures the spirit and the energy of a live performance.  ‘Allt’ is a truly collaborative venture which artfully and sensitively threads together words and music from their home countries, and reaffirms the ancient musical connection between Ireland and Scotland.  

 Irish musician Mairtin O’Connor

Fowlis was very well supported by renowned Irish accordion player Mairtin O’Connor, also backed by the orchestra on some powerful tunes. O’Connor has performed with Boys of the Lough and Riverdance. 

Tonight we were treated to two celebrated musicians and composers – Julie Fowlis and Mairtin O’Connor, both brilliantly backed by the SCO. O’Connor performed his composition The Mighty Ocean: a musical dialogue between mankind and the sea, with his band, Cathal Hayden (fiddle), Seamie O’Dowd (guitar), Matthew Berrill (clarinet), Jimmy Higgins (percussion), Ciara O’Connor (cello), Sinead O’Connor (fiddle). 

 

Dick Gaughan Retrospective, interview Radio Scotland

 

Dick Gaughan Retrospective, interview BBC Radio Scotland Anna Massie 

 

Thursday 17 July, 7.30pm - https://www.bbc.co.uk/programmes/p0lqmsnp/p0lqmrsj

 

Gaughan had a stroke in 2016, which means he can no longer play the guitar or perform for nearly ten years. 

 

His guitar is earthy, real and powerful –  an incredible presence and depth. 

 

Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. 

There has been fundraising to support Gaughan's battle to reclaim his music. Please support -

 

https://www.gofundme.com/f/aatux2

 

Lindsay Lou

American singer songwriter Lindsay Lou performed at the Transatlantic Sessions as part of Celtic Connections 2024

Lindsay's silky smooth and rhythmic voice mixes bluegrass with modern Americana. Her performance was magnetic as she danced along to her emotive songs, Nothings Working and Love Calls. New album Queen of Time released 2023.   #ccfest2024

Scots Gaelic Kim Carnie Transatlantic Sessions, Celtic Connections 2024, #ccfest2024,

 

Scots Gaelic singer songwriter, Kim Carnie, lead singer with Manran, performed at the Transatlantic Sessions, Celtic Connections 2024, #ccfest2024,

Martha Wainwright at Celtic Connections 2023

 

This year’s Transatlantic Sessions 2023 at the CELTIC CONNECTIONS music festival Glasgow,  

hosted its eclectic and diverse line-up with firstly Canadian folk royalty, singer songwriter Martha Wainwright who recently released her fifth album ‘Love Will Be Reborn, as well as her autobiography No Regrets: She sang a poignant Love Will Be Reborn and later more joyous songs with her guitar. She is an accomplished and engrossing performer, with her contemplative vocal nuance. The session then went on tour to six venues across the UK.

I saw Martha back in 2009 at the Old Fruitmarket venue during Celtic Connections and she held the audience with only her guitar, she was impressive with her seasoned performance. I got some fun photos there too! Stage lighting has improved since then.

Rachel Sermanni at Celtic Connections.

 

Rachel Sermanni sang her haunting lockdown song ‘Lay my heart’ at the Celtic Connections opening concert. One of Scotland's rising stars. 

My Chats and Tributes to Scots Legend Rab Noakes

Rab Noakes Oran Mor

A Present with no Past has No Idea, Quote Rab Noakes Branch song. Good Roots

So sad to hear the news of our loss of singer songwriter Rab Noakes - what a true gent and legend of Scottish music. Rest in peace. I've had the privilege of taking Rab's photos at several concerts over many years since 2010. 

I’ve had several chats with him over the past decade, both in person and online. I have such fond memories in my twenties we used to sing his early songs. More recently my son played an excellent version of his classic Gently Does It and Moonlight and Gold.

Rab was always a smartly dressed folk singer songwriter, and one of the top guitarist. He drew influences from the 60s radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many influences. The story of the song mattered to Rab, so his chat between songs laid the musical scene and atmosphere.

In the 60s and 70s, Rab played with greats such as Gerry Rafferty and Lindisfarne. When I hung out in the folk scene then, i remember well the harmony singing of Noakes songs, such as Branch, Clear Day, Together Forever. Back in 2007 I saw Noakes still going strong at an Oran Mor gig. He often includes a fifties classic, this time a song my husband remembered his mother singing. He is also a dedicated Dylan follower – check out his excellent version of Dylan’s Mississippi. 

Martha Rafferty & Rab Noakes

Noakes says music is all about the dialogue and more about performing than simply the song. Those residency night gigs were artists can learn their craft in front of the live audience and the live performance when 'flying' in the heart of the music toughens you up and you have to learn loads of songs. He played in Denmark six nights a week. Noakes ran his own production company Neon. 

Rab led several tribute concerts at Glasgow’s major music festival. Celtic Connections, for Gerry Rafferty and Michael Marra. I expect we will have a concert for Rab – it’s the passing of a whole generation of the folk scene – and we look forward to the passing of the baton to the younger generations. 

He will be sadly missed, his music lives on and in my memories of my son playing his classic "Gently Does it" and Rafferty's "Moonlight and Gold".

Rab at Milngavie folk club

He has been at the forefront of Scottish folk music for over 50 years, and has recorded over 19 studio albums. He often performed at the Glasgow music festival Celtic Connections. In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me. In 1971 Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan, He played on the first album by Gerry Rafferty’s Can I Have My Money Back, notably Mary Skeffington. He also played with the band Stealers Wheel. 

Noakes songs have been covered by Lindisfarne (Together Forever) and Barbara Dickson.

I will post some extracts on his songwriting from my nine RAB NOAKES reviews. 

Rab at a house party

**RAB gig reviews on my blog

2010 -  Oran Mor

2012 -  Concert for Gerry Rafferty

2012 – Milngavie folk club

2013 -  Concert for Michael Marra

2014 -  tour Barbara Dickson

2016 - MFC

2017 – Celtic, Old Fruitmarket

2022 - MFC

Rab with Alice Marra Celtic Connections

Eddi Reader, Rab Noakes, Dougie MacLean

Rab & Kathleen McInnes

Rab & Barbara Dickson

Rab & Jill Jackson

CHATS with RAB 

A gentle, questioning soul – with a generosity of spirit. 

I sat beside him at a couple of times at Celtic press release mornings. I told him of my sons guitar playing but that he lacked confidence, Rab said in his young days, performers laid the ground work playing the folk clubs for years – but today people seem to often expect quick, instant results. I told him my son enjoyed playing some of the folk tunes, particularly Gently Does It – I had taken my son to our local folk club to see Gaughan, Noakes, Dylan at Braehead Arena. My son also enjoyed rock and pop and learned electric guitar and bass from the rock band the Red Hot Chillis!

 CHATS with Rab at Celtic

I sat beside Rab at the Celtic Press launch on Tuesday. He seemed to know me - maybe from his Oran Mor gig, my review and photos for him and his chatting to me on facebook. Cool and what an interesting guy. 

He’s a massive Dylan fan too!  I asked him if he mentored younger artists – he said no he wasn’t going to simply give his secrets away! He said that too many young people expected things on a plate, and that they were spoon-fed everything. He had to put in years of graft to learn his craft and he thought that was the way things should be done.  He mentioned all these music schools now where they are simply ‘given’ everything rather than finding out for themselves. 

 

I agree. I worry so many young artists in the folk scene for instance have less depth of character in their voice. He said he enjoyed the thread on FB chat with me - interesting thread he said! I told him how interesting the book festival is, and that many authors are also painters and musicians too. I spoke of the Dylan ‘Forever Young’ photos, probably my favourite of an artist.  He remarked that Dylan had so much character he must be good for photos. And I told him of the Chinese writer who when he paints only listens to music for weeks and tries not to think in words at all.   

 

*On Facebook I posted – “The best music is timeless’

Rab replied, ‘No, the best music is very much of its time, and that a present with no past has no future.’ 

Noakes was born in St Andrews Fife in 1947 and grew up in Cupar. He drew influences from the 60s Radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many musical influences. In 1963 Noakes moved to London and worked for the Civil Service, and he played folk clubs at night. He returned to Scotland in 1967 and began a duo with Robin McKidd and they played their first gig at the Glasgow Folk centre. In 1769 he played a months residency in Denmark. Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan. 

In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me.

He played on the first album by Gerry Rafferty’s Can I Have My Money Back in 1971, notably Mary Skeffington. He also played with the band Stealers Wheel. He performed with Lindisfarne in 1972, on songs Turn a Deaf Ear, Nicely out of Tune, Together Forever, and Fog on the Tyne. He recorded with Lindisfarne for a John Peel concert and in 1995 produced a Radio 2 programme The Story of Lindisfarne. 

One of Noakes's best-known recordings, "Branch", from the Red Pump Special album, was released as a single in 1974 (recorded in Nashville Tennessee and produced by Elliot Mazer) and received Radio One airplay.  He played on a Woody Guthrie tribute album 1987, and toured with the Veraflames – along with Pick Withers, Rod Clements and Fraser Speirs.

Rab & Gerry Rafferty

Rab & Stealers Wheel