Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

Thursday 29 February 2024

Lindsay Lou


American singer songwriter Lindsay Lou performed at the Transatlantic Sessions as part of Celtic Connections 2024

Lindsay's silky smooth and rhythmic voice mixes bluegrass with modern Americana. Her performance was magnetic as she danced along to her emotive songs, Nothings Working and Love CallsNew album Queen of Time released 2023.   #ccfest2024








Wednesday 18 January 2023

CELTIC CONNECTIONS OPENS!

 

Alongside the usual varied musical selection, visitors can enjoy ceilidhs, workshops, talks, exhibitions and more over the 18 days.

The festival will run from Thursday 19 January to Sunday 5 February 2023. Follow the conversation   at @ccfest.

Europe’s premier winter music festival, Celtic Connections opens in Glasgow today, Thursday 19th January, showcasing performances from some of Scotland and the world’s brightest emerging musical talent alongside stalwarts of the scene and returning favourites, and runs to Sunday 5th February. Thousands of musicians from across the world - USA, Ireland, Mali, Morocco, will perform across Glasgow over its two weeks as it celebrates 30 years of pushing the boundaries of traditional folk, roots, Americana, jazz, soul and world music.

With thousands of visitors passing through the doors of Celtic Connections each year, the festival’s contribution over the last three decades to Scotland’s cultural landscape and international reputation, and the Glasgow economy during the dark month of January, cannot be understated. Since the festival’s inception in 1994, the number of events staged at Celtic Connections has quadrupled and the number of venues has grown 25-fold. 

Education program. Since its learning programme was established in 1999, more than 200,000 children and young people have taken part in its cultural events. This year sees the return of its educational arm in earnest, with three free school concerts and 44 workshops set to be delivered to school children throughout Glasgow.

 

The festival’s legacy for championing emerging talent with the much-loved Danny Kyle Open Stage and has showcased 146 finalists comprising 440 artists and the festival’s New Voices strand, which allows young musicians to develop and perform brand new compositions, will this year top 76 stunning commissions. Celtic Connections is also supported by a team of 100 volunteers.



**Tonight’s 30
th opening concert Glasgow Royal Concert Hall will celebrate Celtic Connections’ rich history with artists who have featured over the last three decades. The once-in-a-lifetime line up includes Basco, Duncan Chisholm, Fergus McCreadie and Matt Carmichael, Karine Polwart, Kathleen MacInnes, Liam Ó Maonlaí, Maeve Gilchris, Peat & Diesel, Rachel Sermanni, Sierra HullScottish Dance TheatreTRIP, and The National Youth Pipe Band of Scotland.  They are joined by a special big band, originally brought together for the 2021 digital opening night - Duncan LyallSorren MacleanFraser FifieldPatsy ReidGraham MacKenzieLaura WilkieMichael McGoldrickHannah FisherRoss AinslieAnna MassieGreg Lawson,Alice AllenAlyn CoskerJames Mackintosh.

Mercury-nominated jazz pianist and Scottish Album of the Year Fergus McCreadie and acclaimed harpist Maeve Gilchrist team up with Mr McFall’s String Quartet for a performance at The Mackintosh Church, while Ian Carr & The Various Artists and Madeleine Stewart Trio at Drygate Brewery.

This weekend’s packed schedule includes festivals legends Saltfishforty along with award-winning Scandinavian band BascoTreacherous Orchestra, alongside VÍÍK, who combine Scandinavian song tradition, progressive jazz and alternative rock. Colonel Mustard and The Dijon 5 , and the legendary John McCusker will celebrate 30 years with a host of special guests at City Halls.

*Highlights  include - Shetland musicians Jenna Reid and Harris Playfair, celebrating the upcoming release of their long-awaited duo record; When Mountains Meet / Jub Milain Pahaar: A musical adventure from Scotland to Pakistan combines Scottish and South Asian influenced music, storytelling, and striking visual images to recount the true story of Anne Wood as she sets forth on a voyage from the Scottish Highlands to the Himalayas.

Glasgow Royal Concert Hall’s Strathclyde Suite will host dementia-friendly concerts, with Josie Duncan and Owen Sinclair, and Robyn Stapleton and Claire Hastings showcasing the power of music and its ability to kick-start the brain and unlock memories. 

Afro Celtic Connections - Saint Luke’s play host to Rise Kagona, with lead guitarist of the Zimbabwean band The Bhundu Boys, Diwan, who bring an exuberant fusion of funky mbalax and Afrobeat grooves, with ska, rock and Senegalese soul led by Senegalese singer Samba Sene, and Chief Cheb, a celebrated African philosopher, poet storyteller and teacher.

Tramway will host the world premiere of Moving Cloud – a collaboration of contemporary dance and traditional music created by Celtic Connections and Scottish Dance Theatre, with a new score performed by a 14-piece folk ensemble  with TRIP and Sian along with Greg Lawson and Alice Allen

Celtic Odyssée perform atz Glasgow Royal Concert Hall along with the Festival Interceltique de Lorient, with 18 artists from the eight European Celtic nations coming together in a celebration of a shared heritage. Musical Director is Breton piper Ronan Le Bars, along with Denez Prigent (Brittany), Karen Matheson (Scotland), Karan Casey (Ireland), Cerys Hafana (Wales), Fransy Gonzàlez (Galicia), Sylvia Quesada (Asturias), Lauren Chandler (Cornwall), Finlay MacDonald (Scotland) and many more. They will share the stage with Scottish fiddle-led four-piece FARA, who will bring their unique mix of intricate fiddle harmonies and skilled storytelling.

Troubadour Jim Malcolm, trad singer Susie Malcolm, their daughter, Beth Malcolm, and fiddle legend Pete Clark will celebrate Burns Night with an evening of song at The National Piping Centre, while record label Last Night will host a show at Oran Mòr, celebrating three of the label's most recent successes: wojtek the bearSister John, and Album Club.

James Grant and The Hallelujah Strings will perform at the beautiful Kelvingrove Art Gallery and Museum this year, not once but twice, after a second date was added due to demand. Audiences will be treated to James’ signature rich vocals and outstanding guitar work, his incredible back catalogue performed alongside the Hallelujah Strings, a 14-piece string section led by Greg Lawson.

The festival will draw to a close on Sunday 5 February when the hotly contested BBC Young Traditional Musician of the Year competition reaches its conclusion, while Transatlantic Sessions celebrates its 20th year of showcasing the shared traditions of Scotland, Ireland and the US, and the GRAMMY Award-winning Fantastic Negrito plays tracks from his new album, supported by talented Nashville-based singer-songwriter and performer Tommy Prine.  

Donald Shaw, Creative Producer for Celtic Connections, said: “Sharing our music and our arts is a vital part of our human existence – it allows us to feel rooted in place and connected to one another, enriching our lives in the process. Over the last 30 years, this is what Celtic Connections has always been about. As we take a moment to recognise and appreciate what we’ve managed to achieve over the last three decades, we go into this year’s festival with feelings of immense determination, pride and gratitude.

“As ever we’re incredibly excited to be welcoming people from across Scotland and the world to Glasgow to enjoy the very best in Celtic, folk, roots and world music. I know our musicians and everyone involved in the festival is ready to make this another incredibly special one in the calendar. With an incredible array of entertainment on offer, audiences can expect to be amazed wherever they find themselves across the city. It’s amazing how when the atmosphere in a venue is so warm and the music so restorative, you don’t notice the January rain or the wind outside.”

Bailie Annette Christie, Chair of Glasgow Life, said: “The curtain rising on Celtic Connections’ showcase of outstanding musical talent from Scotland and all over the world, with its vibrant programme of wonderful live performances in our city’s venues, is always exciting.  And it’s a particularly special occasion this year as we celebrate the 30th anniversary of the festival and acknowledge the huge contribution it has made over three decades to Glasgow’s rich cultural offer. 

“The richly deserved, exceptional reputation Celtic Connections has earned as Europe’s leading traditional music festival - and the event’s great importance to the city as a much-loved highlight that attracts thousands of visitors, enriching the lives of local, national and international audiences - is something that Glasgow takes great pride in. We are very much looking forward to welcoming everyone taking part in this year’s festival.”

Culture Secretary Angus Robertson said: “Celtic Connections shines a bright cultural light in the winter darkness and I’m delighted the Scottish Government is able to support this year’s 30th anniversary event. This year’s stunning line up of musicians reflects the huge amount of talent we have in Scotland and also the festival’s standing internationally as world-famous artists travel to Glasgow to take part in the celebrations.”

Tickets for Celtic Connections 2023 are available from www.celticconnections.com.

Friday 30 December 2022

Song Bird Christine McVie

 

Fleetwood Mac 1970s

I was deeply saddened to hear of the death of our beautiful songbird Christine McVie. – best known for songs with the rock band Fleetwood Mac such as Don’t Stop, Little Lies, Hold On, and of course her classic Songbird. She says the song came to her overnight and she had to keep singing it until morning when she was able to then record! 

 

Christine began playing with Fleetwood Mac in 1968, initially as a session player and joining the band in 1970. Her first compositions with Fleetwood Mac appeared on their fifth album, Future Games. She remained with the band through many changes of line-up, writing songs and performing lead vocals. 

In early 1970s the band moved to LA after the death of Peter Green and Lindsay Buckingham and Stevie Nicks joined. Christine and Stevie were great friends. Rumours is one of my all time favourite albums. 


Christine spoke of her long standing friendship with Stevie Nicks -  “We're totally different, but totally sympathetic with each other. We are dear, dear friends. We don't have any competition on stage,” McVie told Rolling Stone of her band mate Nicks in 2014; that was but one of the many compliments the two artists have exchanged in public over the years.”

Fleetwood Mac were distinctive being led musically by two women! Also for mixing English rock and LA sounds. 


Lindsay Buckingham & Christine McVie


In 1998, after 30 years with the band, she left and returned to England to set up home there. She then lived in semi-retirement, releasing a solo album in 2004. After therapy to over come her fear of flying she was able to visit band mate drummer Mick Fleetwood in Hawaii and returned to playing with the band. She also recorded an album with L
indsay Buckingham.

Reunion Fleetwood Mac 2014

McVie was an English musician and songwriter. She was best known as keyboardist and one of the vocalists of Fleetwood Mac. McVie was a member of several bands, notably Chicken Shack, in the mid-1960s British blues scene

She was described as "the prime mover behind some of Fleetwood Mac's biggest hits". Eight songs written or co-written by McVie, including - “Don’t Stop, Everywhere, Little Lies, Hold On, (on Fleetwood Macs 1988 Greatest Hits album)

She played on the band's last studio album, Say You Will. McVie also released three solo studio albums. As a member of Fleetwood Mac, McVie was inducted into the Rock and Roll Hall of Fame and in 1998 received the Brit Award for Outstanding Contribution to Music.

She appeared on stage with Fleetwood Mac at the O2 Arena London 2013 and rejoined the band in 2014 and for their On the Show tour 2014. McVie received a Gold Badge of Merit Award from BASCA, the Ivor Novello award for Lifetime achievement. She was also the recipient of two Grammy awards

 


 

Wednesday 30 November 2022

Bob Dylan on Good Voice Ovo Armadillo Glasgow



Dylan held us inspired with his voice, the master of his song craft, and the unforgettable storyteller. Our iconic bard held sway with his top-rated band – Bob Britt’s flying-V guitar solos, multi instrumentalist Donnie Herron on lapsteel, mandolin and fiddle, the dynamic, unconventional drummer Charlie Drayton, Tony Garnier on upright bass. 


Dylan was centre stage and he stood at times behind his wooden piano: he’s worked to get the sound just right and though he’s mostly in shadow, he appeared upbeat. Dylan digs deep into the American and the more distant European songbooks –and he states both the Scots and Irish folk ballads as influences, along with the classics. He mixes up with Chicago blues, blistering rock n roll, new Orleans flavoured knockabouts and stately melodic reflections.


*Tonight Dylan sang his new album, Rough and Rowdy Ways, 

Bob is proud of his new album which has had top reviews, his first of new songs since Tempest in 2012. Dressed all in black, the band are silhouettes and as the songs begin they are illuminated by the brightly lit squares beneath them, backdropped by deep red velvet – as if floating to that promised land Dylan’s’ words and songs offer us. He’s the true prophet of our times, even though he asks not to be! 

We’ve entered slower paced past times before mobile phones, before flashing lights, to inhabit the moment and be free of burdens. The band are strung as one, emphasising the rush and flow – asking, questioning, apologising, and quiet searching of our souls. Dylan’s been through many doorways, seen many distant shorelines. At 80 he’s given us another classic album.

 

Now at 80 he continues as the journeyman going strong – His band are on top form with surging guitars, to subtle, gentle, backing rhythms surrounding the deep power of Dylan’s words. He savours the live experience, that exchange of song and audience, sharing his voice with his long standing and admiring fans. He seems more at ease with himself, and certainly the new album is slower tempo, chilled and intimate: while still offering the questioning and grit we expect. His songs don’t come easy and they get under your skin. 


**SONGS

**Dylan sang 17 songs tonight – 9 from his 2022 album Rough and Rowdy Ways

He began his show with Watching the River Flow (written 1971) about those creative urges so crucial to his life. And followed by the complex opening track from R & R, I Contain Multitudes.

The memorable and often quoted lyrics of False Prophet and When I Make my Masterpiece. The intimate stillness of a lovely love song I’ve made up my Mind to give Myself to You. He sang an impressive Black Rider, with unexpected key changes, ‘The road that you’re on, same road that you knew, just not the same as it was a minute ago.” My mind is at war, Hnag off your arm. 

Followed by My Own Version of YouMother of Muses.The haunting slow drumbeat of Crossing the Rubicon, a metaphor to take a leap into the unknown and commit to certain journeys - Take the big road, whatever road you can. Bob sang the chilled relaxed happy rituals of favourite track Key West. We were left in harmonyAfter which he said, “Hello everyone”. Dylan was centre stage and he stood at times behind his wooden piano: he’s worked to get the sound just right and though he’s mostly in shadow, he appeared upbeat

 

**Other than the album, Dylan performed Most Likely You’ll go your Way and I’ll go Mine from Blonde on Blonde album. Followed by one of his ultimate classics with surging guitars Gotta Serve Someone, from Slow Train Coming album – backed by Bob Britt’s surging guitar, Donnie Herron’s dynamic pedal steel guitar and the thundering drummer Charlie Drayton. And a very slow version of I’ll be Your Baby Tonight; a cheerful and an cheerful upbeat Be Alone with You, from 1969 album Nashville Skyline - Under the starlight sky; and a swinging cover version of That Old Black Magic


Dylan performed a rousing rock blues Goodbye Jimmy Reid on which he plays harmonica – an upbeat tribute to the blues giant. To those having a free voice. When Dylan said, ”Thank you everybody, Hope you are all well.” For their final song the band performed Every Grain of Sand – and with band introductions. 


After which the band and Dylan lined up centre stage, then exited and came back for a final bow, when there was a rush of applause when I thought how much Dylan’s songs and music have meant to so many, and especially for those musicians in his footsteps (and for me). Like the Scots bard Robert Burns, Dylan looks back to the great writers before him and also to what lies ahead.

I might have hoped, as in 2011, Dylan had encored two of his classics (Rolling stone, All Along the Watchtower), but this show was about new material mostly and we left grateful, satisfied and thankful.  He sits at the turbulent crossroads. He continues being the journeyman bringing his messages of a better way. Hope of those journeys, Fear of time taking us all. 

 

In my life by far, his long life of music and poet of our times. I’ll cross that Rubicon to the Promised land. Take me to the river – free me from sin. Will he still be touring at 80, still the journeyman, journey home. The Never ending Tour runs through 2024.



This is Bob at his classic and contemporary best! This is my third Dylan concert. First was with my son at the SECC Glasgow, when Dylan was hunched over his keyboards. The second gig, 2011, was a much livelier Dylan performance at the Braehead arena, where Dylan even danced! And we stood alongside his long-standing disciples at the front. The fan beside me was my age and also with his son and he had been to every Dylan concert here since his first one in Scotland – at the age of 18. It was a humbling experience and Dylan performed several of his classic songs (set lists are online)

Dylan clearly much prefers the smaller venues and this concert in 2022 at the Armadillo was more intimate and old worldly, took us back in time, before mobile phones, before internet and before flashing lights, glitz and glamour- when we could simply be in the moment to listen clearly to the quality, aged instruments, to the changes in tempo, clarity, depth, resonance and range of voice. We’ve forgotten today how to be in the moment, how to look or listen, as we disappear into our virtual realities.

I hope Dylan continues on his ever ending world tour and continues to write and perform such memorable and hard hitting words and music. And that I get to hear him some more live – it’s a surreal and uplifting experience.


**SET LIST

*Watching the River Flow

*Most Likely You’ll go your way and I’ll go Mine

I Contain multitudes

False Prophet

When I make my Masterpiece

Black Rider

My Own Version of you

*I’ll be our Baby Tonight

Crossing the Rubicon

*Be Alone with you

Key West

*Gotta Serve Someone

I’ve made up my mind to give myself to You

*That Old Black Magic

Mother of Muses


**REVIEWS

Neil McCormick on the Telegraph, as “one long magnificent ride for his most loyal fans and “The wise old poet has stirred up a cryptic cauldron of truths and clues, philosophy, myths and magic.”

 

“Breath of its cultural references and the depth of Dylan’s lyrics ‘ Mikal Wood Los Angeles Times.

“old blues songs, Shakespeare, classical mythology, the bible and pop culture” Kenny Doole Exclaim

 “why are intellectual references so rare in contemporary music.”

 

Rolling Stone ranked Key West as second best songs of 2020 and 7th in a list of 25 best Bob Dylan songs 20th century. 

“ a poetic balm for a world in profound turmoil.” 

Bob Dylan, All the Songs, Philippe Margolin and Jean Michel Guesdon, claim R & R is placed between Highway 61 Revisited, Blond on Blonde and Blood on the Tracks, and in other words on the same level as his master works. Several stand out tracks are singled out for mention – Key West, I Contain Multitudes, Black Rider. 

Rough and Rowdy Ways album -  is the 39th studio album by American singer-songwriter Bob Dylan released on June 2020, through Columbia Records.It is Dylan's first album of original songs since his 2012 album Tempest following three releases, one a triple album a triple album that covered traditional pop standards. The album was recorded at Sound City Studios in January and February 2020. The session musicians included all of the then-current members of Dylan's Never Ending tour band alongside other musicians, such as Blake Mills and Fiona Apple. The album's sound was described by critics as Americana, folk, blues and R & B. 

Rough and Rowdy Ways was preceded by the singles "Murder Most Foul", "I Contain Multitudes" and "False Prophet", "Murder Most Foul" became Dylan's first song to top any US Billboard chart. The album was universally praised by critics, described as being one of Dylan's best works and placing highly in many year-end album lists, including the top spot on four lists. It peaked at No. 1 in more than ten countries and No. 2 in the United States and Australia.

Surrounding Dylan, leaning in like heliotropes, are three guitarists playing electric, acoustic, lap steel, mandolin and fiddle (the latter three are by Donnie Herron, and not all at the same time). Longtime electric upright bassist Tony Garnier plucks away next to newbie Charley Drayton, a loose and bouncy drummer who seems to make contact with his kit via anything but wooden sticks. The transitions between the songs are jazzy and fantasia-like, as though each cut played is conjured afresh out of a shimmering ether.

Crucially, there’s an air of playfulness here – testament to Dylan actually being in a very good mood


Tuesday 20 September 2022

Noam Chomsky Dissent Across the Decades,

 

Noam Chomsky Dissent Across the Decades, gave an online talk at Edinburgh International book festival 2022.

 

Whether it’s discussing linguistics with Foucault in a televised debate, authoring more than 100 books or being a fierce critic of American foreign policy, Noam Chomsky has been a highly influential figure for nearly seven decades. Now in his mid 90s, he shows no signs of stopping and joins us today to discuss Chronicles of Dissent, an accessible and broad-ranging collection of talks for those who seek new perspectives on the big topics of our time.

 

*BOOK, Chronicles of Dissent, an accessible and broad-ranging collection of talks for those who seek new perspectives on the big topics of our time. Chomsky said that the corporate press often gets it wrong when ideas can be suppressed with things that you just cant think. We must encourage debate and to look elsewhere. To be different to totalitarian regimes. 

 

In 1920s,  where were the Russians getting information, from BBC and America – in fact many censored Russians better informed than Americans. Could the Ukraine war have been avoided if there had been some thought of Russian security and to Russian red lines, and not to move Nato to border closer.

 

Identity politics can be good. Scottish independence might be good, he said we would need think though the many consequences, and decide what you want for yourselves and also to retain the unity of UK. The UK can’t hang together in present form – is federalism an option? There will be lots of complications and consequences. Ireland reunification?

 

Brexit was a major error, and driven the UK into the pockets of the US. We face madman Putin, and the threat of fascism all over the world. Today levels of poverty are unprecedented.



Sunday 20 February 2022

Transatlantic Sessions at Celtic Connections 2022

 



The Transatlantic Sessions concert celebrates the important connections between Scots, Irish and American traditional music. Those sometimes forgotten stories of emigration across the rough seas in often small wooden sailing ships, with so many hopes and dreams of building a better life and enjoying democratic freedoms – and they took their old ballads and tunes with them. Sometimes they had no choice. 

And it’s important to remember. 

 

Fiddler Ali Bain toured in the States, decades back, and after he enjoyed his special collaborations there, he was a part of setting up Celtic Connections 29 years ago in 1994. Normally Celtic Connections welcomes 80 musicians from America – festival director Donald Shaw said, “but due to all the Covid restrictions for this year only five Americans were able to make it across and they are all on stage tonight!” 



Paul Brady


The TS 2022 included veteran, long standing members along with new faces, From the States and US roots music we were treated to the talent of is a Grammy-award winning American singer songwriter Sarah Jarosz. She has a quiet stillness and one of those hypnotic voices that pulls you in. She sang Orange and Blue, Blue Heron, Hometown and Dylan’s Ring them Bell. 

Siobhan Miller

Sarah Jarosz


New faces also included, Haitian-American musician Leyla McCaila sang Merci Mon Dieu with her cello and is an earthy and soulful singer (previously with the band The Carolina Chocolate Drops)  Award-winning and talented Scots singer songwriter Siobhan Miller sang traditional songs May Morning Dew, Honest Man and her own song Drifting and was clearly thrilled to have joined this elite band!

 

Long standing member Dirk Powell from Kentucky, he is a leading expert of Appalachian music. He performed songs of his family’s inspiring history; Bright Light of Day, Waterdown and Walking Through Clay, He said its important to tell our stories and spoke of his grandfather carving his name on an old tree with his young hopes. 

 

Popular Irish musician Paul Brady was another highlight and performed a top class show finale when he sang Concert Going, and Harvest time. Followed by a grand finale which was as always of exhilarating Scots tunes. 
A special mention for the talents of the band’s outstanding musicianship, they don’t come any better than this!

 


Highlights from the wide variety of styles – Dirk Powell’s Waterdown, Sara Jarosz’s vocals along side Douglas’s dubro and Daniel Kimdro on double bass. And of course Ali Bain’s accomplished Shetland fiddle – Phil told how his musical partner Ali, after 35 years playing together, told him how talented he was!

Long may we be treated to such accomplished musicians! I hope there will be some recordings of the Transatlantic sessions to enjoy on YouTube! I highly recommend checking out.  

 

**The Transatlantic Sessions band is led by musical directors of Shetland fiddle legend Aly Bain, accordion legend Phil Cunningham and dobro genius Jerry Douglas, the line-up includes John DoyleDaniel KimbroMichael McGoldrickJohn McCuskerDonald Shaw and James Mackintosh

 

“Part melting pot, part jam band. .  spinetingling and rollicking” (The Guardian)

 

 Dirk Powell is an American fiddler, banjo player from Kentucky and a leading expert of Appalachian music. He has won several Grammys.   

Wednesday 8 September 2021

Chrissie Hynde sings Bob Dylan and other songs Queens Hall




‘Hippy stuff much easier than rock!’

Hynde sang an effortless, heady mix of folk, jazz and rock – which draws the audience in with her great blues voice.

The Queens hall, Edinburgh, was the perfect size for a socially distance audience in the middle sitting at small round tables. Edinburgh was honoured to host one of the most popular female rock singers of our generation! 


These acoustic concerts showcased songs from Hynde’s recent album: 'Standing In The Doorway’, Chrissie Hynde Sings Bob Dylan’ which was recorded in lockdown by Chrissie and her Pretender’s band mate, guitarist James Walbourne, by text message. James recorded on his phone and sent it off to Chrissie to add her vocal, before the tracks were mixed by renowned producer Tchad Blake. 


Hynde was backed by her expert, high quality band enjoying themselves greatly! The Bob Dylan Quartet of James Walbourne guitarist of The Pogues and The Pretenders, Carwyn Ellis keyboards, Danny Williams double bass. 

 

She opened with the song ‘In the Summer Time, Sweetheart like You, Don’t Fall apart on me Tonight, Every Grain of Sand, Time is a Jet Plane, Desolation Row, Tomorrow is a Long Time’ - Hynde’s song choices from Dylan’s extensive catalogue were unusual. 

 

And included a brighter change of tempo with the songs - ‘You’re s Big Girl Now’ from Blood on the Tracks (1974); two songs from ‘Shot of Love’ (1981) from Dylan’s religious period, and three from the Infidels Sessions (1983); ‘Tomorrow is a Long Time’, a moving love song from the Freewheelin’ session(1963), and ‘Love Minus Zero/No Limit’ from Bringing It All Back Home (1965) .

 

A highlight was her insightful interpretation of Dylan’s ‘Blind Willie McTell’ backed by a wonderful interplay of instrumental lines. Her choice of a couple of Ray Davies of the Kinks, songs were also popular – ‘I go to Sleep’.

Later in the set she stood to perform which changed the vibe totally – and sang Stuck in the Middle, I get along without you, Crying in Public, For her encore Hydne performed the unexpected and expertly woven treasure the French song “Que reste-t-il de nos amours”, Chauliac-Trenet classic from her album Valve Bone Woe. 


Her voice gives goose bumps and is instantly memorable and magnetically expressive, with the distinctive depth and range of her husky tones that hug her lower register. My favourite Chrissie song is I’ll stand by you and I might have wished she would have performed a few more favourites for us all to sing along to. How wonderful to be back in a live gig though!


The Rails

**Hynde was well supported by the duo The Rails, Kami Thompson (daughter of Richard and Linda) and James Walbourne (guitarist with The Pretenders) previous winners of Best New Artist at the BBC Radio 2 Folk Awards and I enjoyed their song, ‘Breakneck Speed.’ 


A companion film called 'Tomorrow Is A Long Time', which details the recording of the album, is also available via Sky Arts.

Saturday 5 October 2019

Bonnie Greer on Question Time spoke some Home truths!

Bonnie Greer on Question Time – spoke some Home truths! 

Bonnie Greer on BBC Question Time – spoke some Home truths! 
First of all , she said, "‘Ireland owes this country nothing, the UK doesn’t own Ireland. It is not a play thing for the UK. Ireland is Europe." 
Second. "’The US is Irish. There will be trouble with the US if the UK thinks it can mess with Ireland. I’m from Chicago, you must understand on St Patricks day the river there is green!"

She spoke a few home truths to people with closed minds – to people who really need to hear.
I often watch BBC question time each week with some trepidation, of the small minded, insular and ignorance often displayed, both by the audience and by the panel. 
What a breath of fresh air she was



She put journalist Melanie Phillips in her place too.
Bonnie Greer attended the Edinburgh book festival in 2014 – she is an American-British playwright, novelist, critic and broadcaster, who has lived in the UK since 1986. She is the Chancellor of Kingston University in Kingston upon Thames, London.