Showing posts with label writer. Show all posts
Showing posts with label writer. Show all posts

Tuesday 30 November 2021

Walter Scott, wizard of the north


Walter Scott, (1771 – 1832), was a Scottish historical novelist, poet, playwright and historian. Many of his books are classics of European and Scottish literature. Walter Scott is greatly misrepresented today though and sometimes thought of as the planner of a tartan Edinburgh for George IV's visit to Leith, the first British monarch to visit Scotland for 200 years! Waverly station is named after Scott's hero. In his day late 1700s, Scott was widely read and one of the most famous authors. This year is the 250th anniversary his Scott’s birth. The Scott monument rises tall over Princes street gardens and Scott clearly had a huge influence on Scots culture and heritage. Yet how many of us today read his works? 

At the age of 14, he met Robert Burns at an Edinburgh gathering and wrote about and was in awe of the genius poet: when he wrote, “[Burns’] person was strong and robust; his manners rustic, not clownish, a sort of dignified plainness and simplicity which received part of its effect perhaps from knowledge of his extraordinary talents….There was a strong expression of sense and shrewdness in all his lineaments; the eye alone, I think, indicated the poetical temperament. It was large and of a dark cast, and glowed (I say literally glowed) when he spoke with feeling or interest. I never saw such another eye in a human head, though I have seen the most distinguished men in my time…His conversation expressed perfect self-confidence without the slightest presumption. Among those who were the most learned of their time and country he expressed himself with perfect firmness, but without the least intrusive forwardness; and when he differed in opinion, he did not hesitate to express it firmly, yet at the same time with modesty.

Scott met poet Robert Burns
Scott had the good fortune to study moral philosophy and history, the former taught by Dugald Stewart and the latter by Alexander Fraser Tytler. Both these major figures of the Scottish Enlightenment had a huge influence on Scott, the former with his belief that moral philosophy should be the study of man in society while the latter preached an empirical approach to history.

Scott was internationally famous in his day

There are a great many views of the controversial novelist- He believed in the benefits of union, but he also believed in Scotland’s right to be a nation and fought for Scotland to keep its bank notes. 

 

Scott is remembered today for his friendship with George III and for draping his visit by boat to Leith, in tartan 1822. Scott tried to straddle both camps – unionist and patriot and romantic Jacobite

– and in so doing alienated some Scots. But in his day he was much celebrated. He was fascinated by history. He recovered the Scottish crown jewels, now exhibited at the Edinburgh castle, which were discovered deep in the castle and had been hidden since the union. 

 

The Scotland Scott represents in his work is very different to the one Burns wrote about. Burns walked in all parts of society. It seems to me it is Scott that has a Romanised view of what the union with England meant for Scotland, with only 3% of Landowning men having a vote.

 

Scott wrote on movements within culture and society at times of transition and seismic change.

Scott was intrigued by the way different stages of societal development can exist side by side in one country. In a discussion of his novels the poet Coleridge observed they derived 'long-sustained interest ' from 'the contest between the two great moving Principles of social Humanity—religious adherence to the Past and the Ancient, the Desire & the admiration of Permanence, on the one hand; and the Passion for increase of Knowledge, for Truth as the offspring of Reason, in short, the mighty Instincts of Progression and Free-agency, on the other'.

 

**His best known Poems by Scott’s include – 

Bonny Dundee, Lochinvar, Lady of the Lake, 

Scott’s Novels – 

Waverly, Ivanhoe, Rob Roy, The Heart of Midlothian, Kenilworth, Redgauntlet, Bride of Lammermoor, Marmion,

 

The American song for the President, “Hail to the Chief” was taken from Scott’s narrative poem Lady of the Lake.

 

As well a historical novels, he wrote reviews, the Life of Napoleon Bonaparte, Tales of a Grandfather. He was a member of the Society of Antiquaries, Fellowship of Royal Society Edina, Edinburgh Speculative Society.

Historical context: Scotland joined the incorporating union in 1707, Jacobites defeated 1745, Highland repression and clearances and calls of reform, when only 3% of landowning men had a vote. Battle of Waterloo, economic collapse. Radical war 1820, radical road Edinburgh.

Abbotsford
George IV arriving at Leith 1822

In his later years he built Abbotsford near Melrose. Abbotsford is a House of history, with 1400 acres, 4k trees, He was also a lawyer and evolutionist and was part of the Tory establishment. Advocate 1792, then sheriff deputy of Selkirkshire and later clerk of the court sessions. His face continues to be on Scottish banknotes today.

In 1826, Scott’s wife died, Britain suffered financial collapse, publishers were bankrupt. Scott worked on his Magnus opus to pay off debt.

 

Scott wrote “When we had a king and a chancellor and parliament – men o our ain, we could aye peeble them wi stanes when they wean gude bairns, but naebody’s nails can reach the length o Lunnon.”

 

Scott was by far the most popular poet and novelist of his time.

 

' Bonnie Dundee is the title of a poem and a song written by Walter Scott in 1825 in honour of John Graham, 7t Laird of Claverhouse, who was created 1st Viscount Dundee in November 1688, then in 1689 led a Jacobite rising in which he died, becoming a Jacobite hero. The older tune Bonny Dundee adapted by Scott had already been used for several songs appearing under variations of that title and referring to the bonnie town of Dundee rather than to Claverhouse. Scott's song has been used as a regimental march by several Scottish regiments in the British army. 

 

For the love of the bonnet of Bonny Dundee."

Come fill up my cup, etc. 

The Gordon demands of him which way he goes?

"Where'er shall direct me the shade of Montrose!

Your Grace in short space shall hear tidings of me,

Or that low lies the bonnet of Bonny Dundee.

Come fill up my cup, etc.

"There are hills beyond Pentland and lands beyond Forth,

If there's lords in the Lowlands, there's chiefs in the North;

There are wild Duniewassals three thousand times three,

Will cry hoigh! for the bonnet of Bonny Dundee.

Come fill up my cup, etc. 

"There's brass on the target of barkened bull-hide;

There's steel in the scabbard that dangles beside;

The brass shall be burnished, the steel shall flash free,

At the toss of the bonnet of Bonny Dundee.

Come fill up my cup, etc.

"Away to the hills, to the caves, to the rocks

Ere I own an usurper, I'll couch with the fox;

And tremble, false Whigs, in the midst of your glee,

You have not seen the last of my bonnet and me!"

Come fill up my cup, etc.

He waved his proud hand, the trumpets were blown,

The kettle-drums clashed and the horsemen rode on,

Till on Ravelston's cliffs and on Clemiston 's lee

Died away the wild war-notes of Bonny Dundee.

Come fill up my cup, come fill up my can,

Come saddle the horses, and call up the men,

Come open your gates, and let me gae free,

For it's up with the bonnets of Bonny Dundee! 

 

Crucial to Scott's historical thinking is the concept that very different societies can be observed moving through the same stages as they develop, and also that humanity is basically unchanging, or as he puts it in the first chapter of Waverley that there are 'passions common to men in all stages of society, and which have alike agitated the human heart, whether it throbbed under the steel corslet of the fifteenth century, the brocaded coat of the eighteenth, or the blue frock and white dimity waistcoat of the present day'. It was one of Scott's main achievements to give lively and detailed pictures of different stages of Scottish, British, and European society while making it clear that for all the differences in the forms they took the human passions were the same as those of his own age. His readers could therefore appreciate the depiction of an unfamiliar society while having no difficulty in relating to the characters.

 

 

Monday 30 August 2021

Ali Smith’s film 'Art in a Time of Lies' at Edinburgh International book festival 2021

 

Seeing Things - short film with wonderful images by film maker Wood Edinburgh International book festival 2021

 

The highly-respected Scottish novelist has teamed up with artist Sarah Wood to create a new short film made uniquely for Edinburgh. Seeing Things: Art in a Time of Lies, directed and edited by Wood; written and narrated by Smith (one time showing and will not be on-demand). , At the start with wonderful old black and white clips of gangsters.

 

THIS CULTURE OF LIES is like seeping rain, an aesthetic.. 

“I RANT AT THE TELEVISION AM I RESPONSIBLE FOR IT? CORRUPT GOVERNMENT. I FEEL SHAME.

INTO OURSELVES AND BEYOND OURSELVES, INSIDE OURSELVES. DARK AND LIGHT. IMAGINATIONS WAKENED – WITH A CHINK OF LIGHT IN THE DARK.

THEY ARE CUTTING THE ARTS BY 50%.”

 

These cycles come round and round – destroying. World changing too – left EU, end Trump, 

 

“Art is a lie that reveals the truth. What a slippery fish truth is. Little lies become a story. 

A lie distracts from the truth and take us down a garden path,  politics make lies sound respectable, (do they believe we believe them? Its always about power, lies are sanctioned. We become a slngle self, and persuaded to be tribal. A surface world shunts fast info, and we discard so much of it. “

 

Questions? Is art simply a displacement activity, a diversion from the ‘real things’ happening in the world? Or could it be that Ali Smith’s achievement is to reveal – with her trademark nimbleness – just how important art can be in helping make sense of a stupid, shameful, schismatic world? 

After the screening, Smith talked about her writing and some of the artists who have inspired her with Festival director Nick Barley

 

Questions: Is fake news new? “Shakespeare’s fake news is ancient: fake news today is faster – radio or t and now in our pockets.“  Split, diverted politics enrage, people under pressure, exclusion lines – becomes fascism. When we must work together.

Stories give us space, of our history, politics, and our dreams. 

 

Pull something light out of the mess,  Looking and seeing.

Art is difficult and shocking.

EDINBURGH INTERNATIONAL BOOK FESTIVAL 2021, Ali Smith - https://www.edbookfest.co.uk/the-festival/whats-on/ali-smith-art-in-a-time-of-lies

 

In each novel of Ali Smith’s Seasonal quartet, the narrative closely follows real world events. Brexit, the internment of migrants and the Coronavirus pandemic: each is woven into the fabric of Autumn, Winter, Spring and Summer, lending them a keen sense of relevance. But look again at this group of genuinely novel novels, and there are countless references – from other times and other places – to artists and thinkers. 

Visual artists Barbara Hepworth and Tacita Dean; filmmaker Lorenza Mazzetti; writers Charles Dickens and William Shakespeare – why do they have such a profound influence on Smith’s characters? 

 

Sunday 29 September 2019

Is Scotland Ready?


Irish Times writer Fintan O’Toole is an excellent, creative thinker and I enjoyed his essays, in the Sunday National. He writes that we must not idealize what independence will mean. Unlike Brexit, we have given Scottish Independence careful consideration, both by past artists and also in recent times.  

In the years leading to the historic 2014 vote on Scotland’s indy, one of the most significant changes that occurred was the rise up of renewed, energised and enthusiastic debates on all aspects of our views on how to build a healthier democracy, and with all walks of life here being more engaged. These debates led to creative imaginings of the type of country we might build here. This progress has been totally missed by the London based press. (And as Angus Robertson well points out, little attention is paid by the UK press to the UK regions, nations or to the European press) 
  
The twenty years of the Scottish Parliament has brought renewed confidence in our ability to govern ourselves, even while history tells us Scotland has always had some form of self government. Another big change was with young people. For the first time 16 and 17 year olds were given the vote, which meant political debate was considered in schools. Young people also take their news from diverse sources online. There has also been a reworking and recreating of Scotland’s arts, heritage and history. According to leading historian Tom Devine, until the 1960s Scottish history, particularly from Union to the present day, had been seriously neglected by academic study. 

My impression is all these discussions greatly moved Scotland on, with new creative ideas on how to make our own nation. Its been clear for decades now (as the polls point out) that Scotland has been moving in its own and different trajectory to those in England. 

Re Brexit – I’m getting worried now for the state of things here UK. Gerry Hassan, who has a new book, Scotland the Brave, thinks we’ve come to the limits of devolution and where do we go now?  The new guy Adam Price leading Plaid Cymru in Wales is very interesting too. He’s lived over in the States and believes we might all be stronger here with 4 diverse nations working together, as comparable to the Benelux countries of Netherlands, Luxemburg and Belgium which thrive independently but also co-operatively. Perhaps we need to define better what indy means and that the four British Isles nations would work closely together to build security, trade etc.  In todays internet world its such a different business to the days of ship travel! Worryingly UK politics appears in melt down, and with the hoping Brexit is some impossible quick fix.

On our social challenges. My view is we need to close private schools. The trouble is a big shift in culture like that can't really happen over night. After centuries of empire building and a Them versus Us culture, real social change will take some time I believe. We should seriously look at the Finnish education system - which believes in a "co-operative culture" rather than a "survival of the fittest" of creaming off an elite you nourish while the rest are disregarded. Because Scots history tells us we thrive when we are all given a chance, re libraries and education here.

There was an interesting write up in the Sunday Times June 21 (I like to read the right wing press also!) on Dr Geetha Marcus, professor of education Glasgow who advises the Scottish government. She advocates abolishing private schools in favour of a high-quality comprehensives model, and in line with the approach by Finland after the second world war, as required to reduce our nations attainment gap.Marcus argues segregated education is holding Scotland back. She also advises masters degrees for all teachers. Finland with a similar population, is recognised as an education success story since it replaced private and selective schools with ‘common’ schools on the basis that a society divided by class and poverty would weaken the country.There are 30K pupils in 74 independent schools in Scotland, around 4%, which encourages a privileged few.

It is vital we close the attainment gap. This can only be achieved, through a radical shift in attitudes. All children deserve a fair chance in life. We must also have mixed ability groups in primary schools and a Montessori type of education with mentoring. 

Worryingly the establishment and media continue to be run by private school elites. They want to protect the status quo and are rigidly against change, but this flies in the face of progress and of a real future of younger generations. So the question is, what do they really stand for? Those in London need to listen to more diverse voices, and not only to an isolated Tory party or a dysfunctional Labour. Huge changes are coming and I certainly don’t see the Brexit party or Lib Dems as an answer.

We need to look for the bigger pictures. Too many are only concerned for the personal and party issues. Why are the unionists running away from discussing Scotland’s pressing issues in a Peoples Assembly/? What are they scared of? Those on all sides of Scottish politics agree we need control of our immigration, drugs policies, and are against any Westminster power grab. We must find consensus – we can have an ever stronger British isles, just not one where all is controlled at Westminster. 

I am presently reading Fintan O’Toole’s recent book, Heroic Failure, on the Brexit carry on, and what an excellent story teller he is in this well researched tale of this highly confusing break down. He states that Brexit is really not about the EU, but an existential crisis. 

Scotland sits on the edge of Europe and for centuries has been an outward-looking nation. We must embrace this now – and become the welcoming, non-hostile nation, most who live in Scotland wish to be part of. 

Wednesday 31 October 2018

Robert Burns Ellisland


This summer I was so pleased to visit the last farm our great poet Robert Burns lived in. Ellisland is just north of Dumfries and incredibly is pretty intact as when Burns lived here and contains books and other material he had there.  
 **In 1788, Rob and Jean settled at Ellisland farm, a few miles north of the town of Dumfries. It was romantic and he was so pleased to have the river Nith running beside the new farm. A new farm house had to be built: the land was neglected with old ‘run-rigs’ strips, little drainage, no hedges to keep animals off the crops and no farm house. They had a servant and farm workers at Ellisland farm, so he was then able to write many songs and poems while he lived here - Auld Lang Syne (1988), Banks O Doon (1791) and his masterpiece the narrative poem Tam O'Shanter(1791). 

Robert Burns had enjoyed a second winter in Edina in 1788, when stayed in St Andrews square. 
He left Edina that March, little knowing I would never return there. He wanted to return to find his muse to the land and to raise his young family. 

Burns married his Jean in March 1788 and they lived for a time in a small room in Mauchline. 
He was offered the choice of three farms and decided on Ellisland. The farm houses and Byre had taken some time to build and Jean stayed with his mother to learn about cheese making for those months.



Burns found time to write near the woods of Craigie burn near Moffa and at the Hermitage.  He visited the Birks O Aberfeldy on his highland tour. He wrote and sang in the open air to study nature and human nature both. He studied the life of nature around him, from the wild flower, the river banks, the woodlands, the bird song, the small animals underneath, and the fields of corn.

His most famous song, Auld Lang Syne was written after he heard an old man singing this songs and Burns added new verses. Burns collected all these old songs on his Scotia travels, which inspired him to write his own songs too
He wrote Tam O Shanter – his most famous narrative poem on a free day as he walked along the shady path by the banks of the river Nith. He lived at Ellisland for four years. 

He also began training to be an Exciseman, which meant long rides away from home. 
Burns was only thirty and he had been the toast of Edina - he was the new father, the struggling farmer and the ambitious bard. 

Perhaps he had been doing too much - a young father, Exciseman, farmer and collecting songs and writing poetry.  
It became all too much. He sold off the stock to leave the farm life for town life in Dumfries.  
And in 1981 he and his young family left Ellisland for a town house in Dumfries town

Thursday 29 June 2017

Our European past


‘If you prick us, we’ll bleed Europe, the world.”

Excellent article by Scottish writer AL Kennedy who writes in the Bella Caledonia magazine June 2017. http://bellacaledonia.org.uk/2017/06/04/nowhere-land/
 ‘after Brexit we will rely on Europe for moral and intellectual support. And be eager for the new, travel and different voices.

With Holywood movies it may appear in recent times that there is a big American influence here, but when we dig deeper we find our connections and heritage to Europe – Scotland has a long centuries old history of trade, travel and connections to Europe – France, Italy, Netherlands, Spain, Poland Germany and more.

She writes, “First we are human, Brexit will leave us trapped on a apparently increasingly racist island with faltering press freedom and crumbling press reliability, adrift in a shrinking culture enthusiastically rejecting real-world knowledge of all kinds.”
She claims that "Europe is already viewing us as a failing state and as somewhere whose writers need support. They are supporting dissident voices in the UK. It is so important to protect our acceptance of diversity."

‘The post-war efforts to unify Europe were aimed at reversing any drive towards violent ignorance, silence and fear. We have evidence from all of nowhere that this drive always begins in the suppression of diverse voices, words, creativity, books, vitality. We must protect our diversity.”

She quotes, Homers Odyssey – “Muse sing the man of long experience tried
Who, fertile in resources, wandered wide.” 
The Odyssey is a book of polices, war, bloodshed, foolishness, wisdom, mercy, love – and at long last  - home.

“And that speaking of these things allows us to stay morally, imaginatively and literally alive."
The opposite of a free, open society is what once threatened Europe’s peace.
We’ve had a rise of populism – that one voice might speak for all -

“In the end, only one voice is permitted and that voice will only speak of entitlement, threat and hate.’

And so we really have to welcome divergence and diversity.

For anyone following RR Martin’s Game of Thrones – it’s a story of betrayals, ignorance, loyalty, faith, diversity, travel, dictatorship, magic, hope, violence, war, hatred, love, companionship, intellect, strength, morality, weakness – and the game of politics. Who wins?
It’s certainly not the one who is unable to learn….

There are often no right or wrongs, only shades of grey.

Tuesday 29 November 2016

Alan Bisset ‘Vote Britain’

Alan Bisset ‘Vote Britain’
Take a listen!
Professor Alan Riach writes of how brilliantly many of our Scots poets and writers use both satire and extreme scorn to consider very serious issues, and he mentioned Alan Bisset’s Vote Britain - in his recent article in the National, ‘A Flyting philosophy distilled from books’ : Alan Riach
Vote Britain” begins: “People of Scotland, vote with your heart. / Vote with your love for the Queen who nurtured you, cradle to grave, / Who protects you and cares for you, her most darling subjects, to whom you gave the glens she adores to roam freely through, the stags her children so dearly enjoy killing. / First into battle, loyal and true. The enemy’s scared of you.”
“It moves through very serious issues indeed and uses extreme scorn and satire and ferocious comedy to prompt us to consider them. That combination of humour and seriousness is a literary skill, an approach or technique that runs back through MacDiarmid to Burns and Fergusson all the way to Dunbar, and is another example of the democratic strain that characterises Scottish literature.” 

“I have no use for any measure of devolution. I want complete independence and the complete disjunction of Scotland from England. The Westminster Government can never give us independence. Independence is not given but taken.”

This time we will be prepared for a new vote – far far more than back in 2013. We’ve now had 5 years to gather arguments and to look at both sides.  And for us to consider what the union has meant and to question if it is really a “union” at all?  We must be more radical too – after all why have independence at all if its not for something new?

It’s too soon right now for the IndyRef 2 vote – but we need to be ready. Brexit appears to be leading us all off a cliff edge by those in Westminster who appear to not know what they are doing. It’s quite scary. What are they doing? 

We need to focus on invigorating debates, open hearts and minds, investigate what democracy really means, examine creatively, listen and read widely,

 ‘VOTE WITH YOUR HEART,  VOTE BRITAIN!’

 *A Flyting philosophy distilled from books : Alan Riach
He writes about how important it is for all of us to read – and to read a variety of materials. And how that will effect change to a more democratic Scotland. Flyting is when poets get together and try to out do each other in words!

“If folk are to be open to the big questions and have some fun talking about them, the discussion needs to be snappy and sharp, and the whole world is the location in which the debate needs to take place, in popular culture and also in the entertainment world as much as in the most serious, esoteric or difficult arenas. Politics has for so long normally been the provenance of slippery, sneaky, snaky evaders of direct questions, the organised and impenetrable self-congratulators or the unapproachably smug and affluent. Radical thinking makes a different politics, informed by irreverence, imagination, honesty and respect for what matters. It gets us to the fundamental things. This is what close reading helps us to do. Or close listening.
When we open the maps to find the destination of a different Scotland, more democratic and less institutionally dominated, we know that even if the cartography is mistaken today, at least the maps show that the land is there. Whatever actually happens, or can be made to happen, change starts happening in the way you think about what might happen.” 

Extract from A Flyting philosophy distilled from books : Alan Raich -  http://www.thenational.scot/culture/14927143.Alan_Riach__A_flyting_philosophy_distilled_from_Scottish_literature/

We need to focus on invigorating debates, open hearts and minds, investigate what democracy really means, examine creatively, listen and read widely,