Showing posts with label Milngavie Folk Club. Show all posts
Showing posts with label Milngavie Folk Club. Show all posts

Wednesday 30 November 2022

My Chats and Tributes to Scots Legend Rab Noakes

Rab Noakes Oran Mor

A Present with no Past has No Idea, Quote Rab Noakes Branch song. Good Roots

So sad to hear the news of our loss of singer songwriter Rab Noakes - what a true gent and legend of Scottish music. Rest in peace. I've had the privilege of taking Rab's photos at several concerts over many years since 2010. 

I’ve had several chats with him over the past decade, both in person and online. I have such fond memories in my twenties we used to sing his early songs. More recently my son played an excellent version of his classic Gently Does It and Moonlight and Gold.

Rab was always a smartly dressed folk singer songwriter, and one of the top guitarist. He drew influences from the 60s radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many influences. The story of the song mattered to Rab, so his chat between songs laid the musical scene and atmosphere.

In the 60s and 70s, Rab played with greats such as Gerry Rafferty and Lindisfarne. When I hung out in the folk scene then, i remember well the harmony singing of Noakes songs, such as Branch, Clear Day, Together Forever. Back in 2007 I saw Noakes still going strong at an Oran Mor gig. He often includes a fifties classic, this time a song my husband remembered his mother singing. He is also a dedicated Dylan follower – check out his excellent version of Dylan’s Mississippi. 


Martha Rafferty & Rab Noakes

Noakes says music is all about the dialogue and more about performing than simply the song. Those residency night gigs were artists can learn their craft in front of the live audience and the live performance when 'flying' in the heart of the music toughens you up and you have to learn loads of songs. He played in Denmark six nights a week.
 Noakes ran his own production company Neon. 

Rab led several tribute concerts at Glasgow’s major music festival. Celtic Connections, for Gerry Rafferty and Michael Marra. I expect we will have a concert for Rab – it’s the passing of a whole generation of the folk scene – and we look forward to the passing of the baton to the younger generations. 

He will be sadly missed, his music lives on and in my memories of my son playing his classic "Gently Does it" and Rafferty's "Moonlight and Gold".


Rab at Milngavie folk club

He has been at the forefront of Scottish folk music for over 50 years, and has recorded over 19 studio albums. He often performed at the Glasgow music festival Celtic Connections. In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me. In 1971 Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan, He played on the first album by Gerry Rafferty’s Can I Have My Money Back, notably Mary SkeffingtonHe also played with the band Stealers Wheel. 

Noakes songs have been covered by Lindisfarne (Together Forever) and Barbara Dickson.

I will post some extracts on his songwriting from my nine RAB NOAKES reviews. 

Rab at a house party

**RAB gig reviews on my blog

2010 -  Oran Mor

2012 -  Concert for Gerry Rafferty

2012 – Milngavie folk club

2013 -  Concert for Michael Marra

2014 -  tour Barbara Dickson

2016 - MFC

2017 – Celtic, Old Fruitmarket

2022 - MFC

Rab with Alice Marra Celtic Connections

Eddi Reader, Rab Noakes, Dougie MacLean

Rab & Kathleen McInnes

Rab & Barbara Dickson
Rab & Jill Jackson

CHATS with RAB 

A gentle, questioning soul – with a generosity of spirit. 

I sat beside him at a couple of times at Celtic press release mornings. I told him of my sons guitar playing but that he lacked confidence, Rab said in his young days, performers laid the ground work playing the folk clubs for years – but today people seem to often expect quick, instant results. I told him my son enjoyed playing some of the folk tunes, particularly Gently Does It – I had taken my son to our local folk club to see Gaughan, Noakes, Dylan at Braehead Arena. My son also enjoyed rock and pop and learned electric guitar and bass from the rock band the Red Hot Chillis!

 CHATS with Rab at Celtic

I sat beside Rab at the Celtic Press launch on Tuesday. He seemed to know me - maybe from his Oran Mor gig, my review and photos for him and his chatting to me on facebook. Cool and what an interesting guy. 

He’s a massive Dylan fan too!  I asked him if he mentored younger artists – he said no he wasn’t going to simply give his secrets away! He said that too many young people expected things on a plate, and that they were spoon-fed everything. He had to put in years of graft to learn his craft and he thought that was the way things should be done.  He mentioned all these music schools now where they are simply ‘given’ everything rather than finding out for themselves. 

 

I agree. I worry so many young artists in the folk scene for instance have less depth of character in their voice. He said he enjoyed the thread on FB chat with me - interesting thread he said! I told him how interesting the book festival is, and that many authors are also painters and musicians too. I spoke of the Dylan ‘Forever Young’ photos, probably my favourite of an artist.  He remarked that Dylan had so much character he must be good for photos. And I told him of the Chinese writer who when he paints only listens to music for weeks and tries not to think in words at all.   

 

*On Facebook I posted – “The best music is timeless’

Rab replied, ‘No, the best music is very much of its time, and that a present with no past has no future.’ 





Noakes was born in St Andrews Fife in 1947 and grew up in CuparHe drew influences from the 60s Radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many musical influences. In 1963 Noakes moved to London and worked for the Civil Service, and he played folk clubs at night. He returned to Scotland in 1967 and began a duo with Robin McKidd and they played their first gig at the Glasgow Folk centre. In 1769 he played a months residency in Denmark. Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan. 

In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me.

He played on the first album by Gerry Rafferty’s Can I Have My Money Back in 1971, notably Mary SkeffingtonHe also played with the band Stealers Wheel. He performed with Lindisfarne in 1972, on songs Turn a Deaf Ear, Nicely out of Tune, Together Forever, and Fog on the Tyne. He recorded with Lindisfarne for a John Peel concert and in 1995 produced a Radio 2 programme The Story of Lindisfarne. 

One of Noakes's best-known recordings, "Branch", from the Red Pump Special album, was released as a single in 1974 (recorded in Nashville Tennessee and produced by Elliot Mazer) and received Radio One airplay.  He played on a Woody Guthrie tribute album 1987, and toured with the Veraflames – along with Pick Withers, Rod Clements and Fraser Speirs.


Rab & Gerry Rafferty

Rab & Stealers Wheel



 

Thursday 30 June 2022

Rab Noakes at Milngavie folk club

 

Noakes performed SONGS: Branch, Gently Does It, Together Forever, Oh Me Oh My, Out of Sight Out of Mind. 

 

This evening at the Milngavie folk club was to celebrate Noakes 75th birthday and still going strong.

 

Rab spoke of all those significant people he has worked with over the years. Rod Clements, Gerry Rafferty, Brooke Williams, Jill Jackson, Barbara Dickson, And praised the women’s voices - and the all women in his band he had backing him at Celtic connections 2019.b

 

For his interview with 

He spoke of his respect for women’s voices - Helen Forrest, thanks for everything. The gorgeous voice, Jill Jackson, Jo Stafford, unforgettable, And of working with the young Scots singer Iona Fyfe and he spoke of her harassment and Equalities award. 

 

Rab spoke of his influences, such as the Everly brothers, his depth of interest in the song, and of Studio B Nashville, and his experiences travelling in the American south. He spoke of Bob Dylan’s 2021 album 'Rough and Rowdy' ways, a terrific place of work, and quoted from the song 'False Prophet' - I’m the enemy of treason, I’m the enemy of your meaningless life.”

 

He spoke of his style/ image he enjoyed Italian suits and aspired to be a teddy boy, winkle pickers, He likes to keep things smart. He said he was less political then he was, as it gets in the way, He was asked if he might write s book of his experiences, and replied that authors are very disciplined

 

He took some audience questions – How much was he influenced by Gerry Rafferty, back in1969 with the band Stealers Wheel? He responded that Rafferty had been a stimulus rather than inspiration. 

 

Noaeks was asked about the best song ever written - he dipped into his back catalogue for the song Westerin Home 1952. He talked of the great Michael Marra and his writing of his Fife connections, and said its good to write songs where you live, to write local. 

 

Rab’s been through some tough years with illness and loosing his wife Stephie last year from MSA illness. “When I had throat cancer, and Stephie got sick, He spoke of the pain but that “I don’t let myself get dragged into dark places, times getting short.” He spoke of writing songs with Stephie which influenced and channelled into his music, with the Treatment Tapes and Water is My Friend. 

 

He keeps his spirits up with music and friendships keeping him going – as do his long time supportive fans! Rab has often played house parties. I hope he keeps writing and being inspired by his musical heroes, such as the legend genius songwriter Bob Dylan! 

 

Noakes’s influences are broad from Americana, folk and blues. His songs express personal and memorable storytelling, matched to his intricate and melodic guitar style. 

 

http://rabnoakes.com

I will never forget singing in harmony his early songs on folk nights many years ago…

 

 

Wednesday 31 July 2019

The Best Concerts take place at Small Venues

The best concerts take place in small venues!

Many are spending ridiculous amounts of money to see the big stars of the 70s, 60s or 80s at the big venues such as the Hydro Glasgow, O2 London and others. 

This is Big Business Music! 
The issue is though that many of the best gigs are often at those intimate smaller venues. 
~Who wouldn’t want to see Arcade Fire at Glasgow’s Barrowlands or Radiohead at a small London venue? 

~Now with the master lyrical bard Bob Dylan – I have seen him play the huge dark and characterless Glasgow SECC and at a smaller Braehead arena. He was so much better at the smaller venue, there si no doubt of it.

~Also Paul Simon at the Clyde Auditorium, and he was wonderful at this smaller venue. 

A few of my best smaller venue gigs – 
~ Scots storytellers Michael Marra at the Mugdock theatre, Dick Gaughan at Milngavie folk club, 
~ The Caledonia soul of Blue Rose Code impressed also at my folk club; Rab Noaeks at a house party, Radiohead at the Edinburgh festival. 

This is not to say that I have enjoyed some incredible music experiences on the bigger venues or open air stages and tents. Its just that we don’t necessarily have to pay mega bucks to see an artist we admire. The other trick is to see emerging talent before they hit the big time and simply enjoy them in a more intimate setting. 

Or to hear the really talented songwriters and musicians who prefer to play the smaller circuits. 


Alan Raich 
“All the arts involve writing and reading, in the widest sense, writing as in composition, creation, production , publication and reading as in attentive analysis, interpretation, conversation, comparisons and contacts.”

Wednesday 30 May 2018

Milngavie folk club PHOTOS

Banny Gallagher

MY PHOTOS at the very popular local Milngavie folk club, run by Jason Smith . I’ve taken some of my favourite images here at some wonderful intimate concerts from some of the cream of Scottish folk talent – Dick Gaughan, Michael Marra Kris Drever, Karine Polwart, Rab Noakes, Benny Gallagher, Cara Dillon, Dougie MacLean,  Donovan, Rose Code Blue. 

MILNGAVIE FOLK CLUB - http://tickets.jmsconcerts.co.uk

DICK GAUGHAN
Kris Drever
John McCusker
Rab Noakes
Michael Marra
Karine Polwart
Dougie MacLean

Michael Marra
Rab Noakes & Barbara Dickson
Blue Rose Code


Monday 30 October 2017

Dougie MacLean at Milngavie folk club


‘Dougie captured the mood with his embracing warm and spiritual voice’

He has become something of a legend for many in Scotland and his songs have deep connections to the land. Dougie grew up in Perthshire where he now runs the MacLean Perthshire Amber festival – his grandfather was a shepherd and his father a gardener. Both his parents taught him the love of music – his mother played melodeon and his father fiddle. His family came from Mull, where they were crofters. Dougie now runs the old school both he and is father attended, as his studio.

For his first set he sang songs from his new album, 'New Tomorrow’ along with older favourites -   
‘Shadow of the Mountain’, ‘Talking with my Father’ when he spoke of his father walking over the moors to school. He spoke of his travels to gig at many far flung places. He sang of the ‘Singing Land’ (Shine on Your Singing Tree), 'Holding On', 'Feel So Near', and 'Holding Back'.

And a moving song too to his grandson ‘New Tomorrow’ with the words – If time will be our friend / I’ll help you to defend/ Your new tomorrows. If fear should enter in /You’ll find me hiding in the wings / Ever near you.

He sang ‘Broken Wings’ at the start of his second set and ‘Child of this Place.'  We all sang along to - Will you Catch me if I’m Falling ‘On This Wild and Windy Night’, Dougie enthusiastically encourages his audience to sing his choruses.His songs are often poignant and tender. And we sang his well loved 'Caledonia’, and ‘She Loves me when I’m Gone’. 

His Encore song was ‘This Love will Carry me.' 


His ’Caledonia’ has become part of Scottish culture – and is sung at weddings, major events and played at the Edinburgh Tattoo. He wrote this song while on a French beach and thinking of his Scottish homeland. He is also a passionate supporter of freedom for Scotland. One fan spoke of the emotions at Stirling castle Hogmanay event a few years ago when Dougie played Caledonia at the new year and hoped that Westminster might hear the singing!

Dougie knows the beauty of keeping things simple – with catchy choruses and also hidden depths.

the Friel Sisters
 *He was ably supported by the award-winning and talented Friel Sisters – whose roots are in Ireland’s Donegal. They included a quality guitarist from Japan.

Thursday 25 May 2017

Cara Dillon at Milngavie folk club 2017

Sam Lakemand & Cara Dillon
Cara sings with  a purity of tone and very natural sound.

She both looks and sounds angelic. Dillon and her talented husband Sam Lakeman (brother to Seth Lakeman) performed a full set at Milngavie town hall stage along with their top quality folk band - Luke Daniels (accordion), Niel Murphy (fiddle),  Ed Boyd (guitar).


With only Sam on piano, on ‘Bright Morning Star’ Cara encouraged her audience to join her chorus, with the words ‘Day is breaking in my Soul’. She also sang an intimate version of Beth Sorrentino’s ‘River Run.’

She sang a moving Tommy Sands ‘There were Roses’ for these turbulent days and a hope there may remain peace in Ireland. She sang of that the shamrock and thistle may flourish together.

She performed an expressive ‘She’s like the Swallow’, and the folk classic ‘Black is the Colour.’ Along with two new album songs and a couple of Irish language songs. She does many quality interpretations of folk classics – although I missed her wonderful take on Dougie MacLean’s ‘Garden Valley’. Her songs touch on themes of love, human frailty,

Between songs we enjoyed her friendly chat. There is a special close synergy between Lakeman’s dynamic piano and Dillon’s perfect subtle floating voice.

Cara also sang her excellent interpretation of  Van Morrison’s ’Crazy Love’  and then she finished her set with her award-winning song ‘Hill of Thieves’.

An evening of intimate song and heartfelt honesty, as Cara wished us joy with her encore song ‘Parting Glass.’
*Luke Donnelly from her band, was the entertaining support with his ‘Revolve and Rotate’ from the 1880.

ALBUMS, A Thousand Hearts 2014, Hill of Thieves 2009, Cara Dillon 2001, Sweet Liberty 2003, Upon a Winters Nights 2016.
http://www.caradillon.co.uk