CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Su-a Lee: Dialogues at Mackintosh church Celtic Connections 2025

 

What a glorious setting for her rich, glowing tones and the depth of character on Su a Lee’s cello! The concert explored Lee’s astute journey of her compelling musicianship and celebrating her collaboration work with Duncan Chisholm, one of Scotland's most revered fiddlers, celebrated multi-instrumentalist/composer/producer Donald Shaw, and husband and composer Hamish Napier. The cream of Celtic musicians Lee’s work ranges from classical, experimental and folk traditions.

The Concert

Lee explored her years playing the rhythmic drive of Scottish traditional music within the landscapes of classical music. She performed tracks from her album Dialogues 2023, including mostly original compositions. She was accompanied by pianists Hamish Napier and Donald Shaw and violinist Duncan Chisholm. (Shaw is also Celtic Connections festival director since 2006). 

Tonight rather than the fiddle or voice centre stage, it was the deep tones and dynamic range of the cello. Lee began with a poignant cello solo of Burns ‘Ae fond Kiss’, followed by the emotive drama of Donald Shaw’s Baroque suite, with three dance forms and a slow air – ‘Baroque March Mull’, ‘Cathedral of Trees’, ‘Malpica’ ‘Ocean Poem’. As well as performing Shaw’s renowned music ‘Islands on the Edge’.

“Shaw’s tunes are all bangers” she exclaimed! Her welcome and informed chat between sets added a personal note. With violin and cello, we were treated to Chisholm’s poignant slow airs ‘Prince Charlie’s Last View’ and ‘Precious Place’. Also Phil Cunningham’s ‘The Wedding Celebration’. Hamish Napier’s joyful strathspeys and reels on piano, flute and cello, with ‘John Stephens of Chance In’ and ‘Windsong’. 
All four musicians performed a moving Gaelic song ‘Mo Rùn Geal Òg’, (sung by Julie Fowlis on the album). They finished this lovely concert with the energy of upbeat tunes such as ‘The Wound and the Gift’.

Su a Lee celebrates her many collaborations. This wasn’t a concert about Lee’s classical music roots (via the New York’s Julliard school) but about her journey through Scottish musical traditions and it’s innovative new directions. The cello is the original Scottish folk rhythm section, long before guitar or piano and is now enjoying a revival through artists like Su-a Lee. The leading fiddle players of their day, Neil Gow and Peter Milne, had cellists that toured with them. Lee is a lead cellist with the Scottish Chamber Orchestra. 

The Album:  Her album Dialogues (2023) is about her musical connections from this expressive musician, with her accomplished fellow musicians. While Lee has played on many albums over her thirty year career, this is her first solo album of 15 compositions. Dialogues is both grounded in traditions and new compositions: exploring Scottish traditional music from reels and strathspeys, slow ballads and Gaelic song ending with the solo setting of her Burns Ae Fond Kiss. 

"As much as this album is about finding my own voice and a voice for Scottish folk cello, it is also about the interaction of two voices…..Welcome to our dialogue." Su-a Lee

(Sometimes if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. Her work ranges from classical, experimental, folk traditional. 

Su-a Lee is a cellist born is Seoul, South Korea and resident in Scotland. She is known for her wide-ranging collaborations across classical, contemporary, jazz and Scottish traditional music. Through her prolific career as lead cellist in groups like the Scottish Chamber Orchestra & Mr McFall’s Chamber Su-a has constantly explored the role of the cello in folk & world traditions.

Hamish Napier is a folk musician, composer and tutor who taught Stagecraft on the Trad Music degree course at the Royal Conservatoire of Scotland for many years; Merryn Glover is a writer, workshop leader and storyteller, with a teaching degree in English, drama & dance.

Duncan Chisholm is a Scottish fiddle player and composer. He has released seven solo albums as a solo artist. His studio album, Affric 2012, was longlisted for the Scottish Album of the Year (SAY) Award. In 2022, he released a seventh studio album, titled Black Cuillin. He tours with the Scottish Gaelic singer Julie Fowlis band. He is also a founder member of the folk rock group Wolfstone, He played fiddle for Runrig. .

 

Donald Shaw,  is a Scottish award winning musician, composer, producer, and one of the founding members of Capercaillie Shaw has composed for film and TV. In 2004, he composed Harvest, a commission for the opening night of Celtic Connections festival. He won the Scots Trad Music Composer of the Year award in December 2006.

CC Mackintosh Church Setlist

1.  Ae Fond Kiss 


2.  Baroque Suite
(i) Baroque March Mull (ii) Cathedral of Trees (iii) Malpica
 (iv) Ocean Poem 


3.  EbytheC 


4.  F Strathspey Set
(i) John Stephen of Chance In (ii) Windsong 


5.  Duncan Slow Airs
i) Prince Charlie’s Last View (ii) Precious Place 


6.  Water Set
(i) The Dance 
(ii) Waltz of the Grey River (iii) Corryvreckan 


7.  Bach Bourrées 


8.  Mo Rùn Geal Òg Instr 


9.   Donald’s Set 
(i) Madame Lulu
(ii) Islands on the Edge 


10. Hamish Tune Set 

(i) Bagh Seannabhad (ii) Speyside Line 

11. Paths Finale Set 

(i) Phillippa’s Tune (ii) Josianne
(iii) Speyside Way (iv) The Deer Path 

Encore The Wound and the Gift   62 mins   6 mins applause 

Su-a, Duncan, Donald, Hamish 

Blue Rose Code Martyn tributes at Celtic Connections 2025

Blue Rose Code is led by Ross Wilson who was on top form and gave an assured and joyous performance of his heartfelt and rhythmic songs. They are a top quality band and tonight were celebrating their sixth studio album. Their influences include folk, Americana, jazz, soul and contemporary. 

The concert was a tribute to Wilson's musical hero John Martyn. Fifteen years after Martyn’s Glasgow gig to start his 2010 tour, his concert inspired Wilson to head for London to pursue music. He grew up in Leith Edinburgh and he talks of his troubled time growing up. For those of us who have known difficulties, music can offer a life line and Wilson’s soothing soul voice often hits the right notes and tone.  

Wilson sang his popular songs - ‘Grateful’, ‘Love a Little’, ‘Red Kites’ ‘Love is Action' and ‘Stardust.” He performed an expressive Jackson Browne cover ‘Something Fine’ and a moving, poignant and soulful ‘Amazing Grace’. 

He wished us peace in our hearts with an encore song, his colourful interpretation of Martyn’s ‘Over the Hill’.

He was well supported by Rhona McFarlane, on piano and guitar and with her excellent band.  Her debut album “As the Chaos Unfolds’ out 25^th January 2025.  

Rhona McFarlane

 

Opening concert Celtic connections 2025 Glasgow 850

Tonight’s welcome return Opening Concert of Celtic Connections the world leading folk and roots music festival, began with the dramatic horn blowing of an ancient Celtic instrument the  Carnyx, (a wind instrument used by the Celts during the Iron Age, between c. 200 BCE and c. 200 CE), brought over the heads of the venue. 

 

Glasgow 850 Opening concert, heralded the start of the city’s year-long 850th birthday celebration. ‘Let Glasgow Flourish’ is the motto on the city’s coat of arms, and this special concert paid tribute to the city’s rich artistic heritage and flourishing future through a concert incorporating music, spoken-word, dance and film. 

 

This concert was hosted by Siobhan Miller and Roddy Hart, and celebrated the breadth and talent of musicians, artists and poets Glasgow has produced and how this has fed into the very heart of Celtic Connections. Glasgow is a diverse, multi-cultural and vibrant city.

Glasgow Trad Collective

First there was energetic reels and jigs from the Glasgow’s Trad Collective (of Ben Nevis bar). We had nostalgia with the Bluebell’s 80s song 'Young at Heart'. Behind the stage were projected black and white images of Glasgow by photographer – Oscar Marzaroli.

 

Glasgow was celebrated with performances by the Joyous choir of Maryhill, While the Indian collective Qawali Project raised the energy levels with warm applause. The talented pipers Ross Ainslie and Finlay Macdonald impressed as did the string ensemble who performed world-renowned Glasgow composer Craig Armstrong’s Immer (Forever). 

 

Grammy award-winning American singer songwriter Madison Cunningham impressed with her haunting vocals on her song ‘Home’.Glaswegian James Grant, performed several Glasgow songs – and along with Siobhan Miller and Paul McKenna delighted us with their rendition of Michael Marra’s song “Mither Glasgow.” After which we were treated to a grand finale of multi-instrumentalists and uplifting tunes. 

James Grant

Glasgow has world class art galleries, and an ancient and leading university. Glasgow is the city of music and boasts world famous venues including the Barrowlands  King Tuts, Oran Mor, Old Fruitmarket. 

  

Image: 'Playing Ring, Gorbals, School Playground’ 1963, © Oscar Marzaroli Collection, courtesy of Street Level Photoworks.

 From the permanent exhibition ‘Oscar Marzaroli’s Gorbals’ at Gorbals Library.

 CELTIC CONNECTIONS - https://www.celticconnections.com

Hoolie in the Hydro 2024!

 

Rare Rabbie fiddle to take centre stage at groundbreaking shows in Scotland and the States

Duncan Chisholm Burns fiddle

 Celebrated musician Duncan Chisholm will perform on the special fiddle  at Carnegie Hall for "Hoolie in New York" April 2025. 

In its third year, Hoolie 100 Saturday 7th December 2024,has become a world-renowned event, commemorating 100 years of Scottish music. Hosted by Gary Innes, the events seek to preserve and promote Scotland’s rich cultural heritage. Partnered with the National Trust, Hoolie 100’s official, and a shared commitment to honouring Scotland’s rich musical history and celebrating the incredible talent that defines our modern and traditional music scene.

 

The Gregg fiddle 

An 18th century fiddle thought to be played by Robert Burns will be played on two of the world’s biggest stages for the first time. The ancient, decorated baroque fiddle is kept on display in the Robert Burns Birthplace Museum Alloway. Thanks to partnership between Hoolie in the Hydro and National Trust Scotland……Played by Burns’ dance teacher William Gregg, 250 years ago, will be played by two of Scotland’s accomplished players. in some of the grandest music venues – the OVO Hydro Glasgow and Carnegie Hall New York.

History will be made when Lochaber multi-instrumentalist Ewen Henderson plays the Gregg fiddle at "Hoolie in the Hydro Glasgow", Scotland’s biggest night of traditional music, December. 7th

Constructed around 1750, the fiddle was thought to have been played at the Bachelor's Club in Tarbolton where Burns was learning dance steps, and was named among the 25 Objects That Shaped Scotland’s History by VisitScotland. The Gregg fiddle is only played a handful of times a year and has never been played in front of audiences of this size and in arenas of this scale before.

 

The line up Hoolie in the Hydro hosts forward-thinking talent on the folk scene, and celebrating landmark years of Scottish music - pioneers Capercaillie, iconic Skerryvore, award-winning group Mànran, leading lights RURA and exhilarating Talisk.  Plus the prestigious The Royal Edinburgh Military Tattoo joined the star-studded line-up to celebrate its 75th birthday. The event will pay tribute to the late Fergie MacDonald MBE, with special guests performing some of his most-loved songs.

 

Hoolie in the Hydro Glasgow 2024, Saturday 7th December 2024. Tickets –- www.sec.co.uk/events/detail/hoolie-in-the-hydro-2024.

"Hoolie New York!" The cultural extravaganza will cross the Atlantic for an unprecedented event at  Carnegie Hall New York, part of NYC Tartan Week - which promises an evening of vibrant Scottish music and culture, showcasing talent from Scotland. Celtic supergroup Mànran along with renowned vocalist Julie Fowlis and legendary Dougie MacLean.The evening will be compered by the Alan Cumming. Both events will feature on BBC ALBA.

  

Hoolie New York, 5th April 2025. Tickets  - www.carnegiehall.org/calendar/2025/04/05/scotlands-hoolie-in-new-york-0800pm.

 

Hoolie in the Hydro organiser, broadcaster and musician Gary Innes, said: “Robert Burns is an unparalleled figure within Scotland’s culture, so to be able to bring part of his legacy to the Hoolie stages, both at home and across the Atlantic, is remarkable. With the Hoolie brand, I am always looking to break new ground and create memories, reflecting the excitement, energy and heritage of Scotland’s vibrant traditional music scene. To be able to work with the National Trust for Scotland on something as special as this feels like a landmark occasion – I hope it will create a moment of magic for both the musicians and our audiences.”