Su-a Lee: Dialogues at Mackintosh church Celtic Connections 2025

 

What a glorious setting for her rich, glowing tones and the depth of character on Su a Lee’s cello! The concert explored Lee’s astute journey of her compelling musicianship and celebrating her collaboration work with Duncan Chisholm, one of Scotland's most revered fiddlers, celebrated multi-instrumentalist/composer/producer Donald Shaw, and husband and composer Hamish Napier. The cream of Celtic musicians Lee’s work ranges from classical, experimental and folk traditions.

The Concert

Lee explored her years playing the rhythmic drive of Scottish traditional music within the landscapes of classical music. She performed tracks from her album Dialogues 2023, including mostly original compositions. She was accompanied by pianists Hamish Napier and Donald Shaw and violinist Duncan Chisholm. (Shaw is also Celtic Connections festival director since 2006). 

Tonight rather than the fiddle or voice centre stage, it was the deep tones and dynamic range of the cello. Lee began with a poignant cello solo of Burns ‘Ae fond Kiss’, followed by the emotive drama of Donald Shaw’s Baroque suite, with three dance forms and a slow air – ‘Baroque March Mull’, ‘Cathedral of Trees’, ‘Malpica’ ‘Ocean Poem’. As well as performing Shaw’s renowned music ‘Islands on the Edge’.

“Shaw’s tunes are all bangers” she exclaimed! Her welcome and informed chat between sets added a personal note. With violin and cello, we were treated to Chisholm’s poignant slow airs ‘Prince Charlie’s Last View’ and ‘Precious Place’. Also Phil Cunningham’s ‘The Wedding Celebration’. Hamish Napier’s joyful strathspeys and reels on piano, flute and cello, with ‘John Stephens of Chance In’ and ‘Windsong’. 
All four musicians performed a moving Gaelic song ‘Mo Rùn Geal Òg’, (sung by Julie Fowlis on the album). They finished this lovely concert with the energy of upbeat tunes such as ‘The Wound and the Gift’.

Su a Lee celebrates her many collaborations. This wasn’t a concert about Lee’s classical music roots (via the New York’s Julliard school) but about her journey through Scottish musical traditions and it’s innovative new directions. The cello is the original Scottish folk rhythm section, long before guitar or piano and is now enjoying a revival through artists like Su-a Lee. The leading fiddle players of their day, Neil Gow and Peter Milne, had cellists that toured with them. Lee is a lead cellist with the Scottish Chamber Orchestra. 

The Album:  Her album Dialogues (2023) is about her musical connections from this expressive musician, with her accomplished fellow musicians. While Lee has played on many albums over her thirty year career, this is her first solo album of 15 compositions. Dialogues is both grounded in traditions and new compositions: exploring Scottish traditional music from reels and strathspeys, slow ballads and Gaelic song ending with the solo setting of her Burns Ae Fond Kiss. 

"As much as this album is about finding my own voice and a voice for Scottish folk cello, it is also about the interaction of two voices…..Welcome to our dialogue." Su-a Lee

(Sometimes if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. Her work ranges from classical, experimental, folk traditional. 

Su-a Lee is a cellist born is Seoul, South Korea and resident in Scotland. She is known for her wide-ranging collaborations across classical, contemporary, jazz and Scottish traditional music. Through her prolific career as lead cellist in groups like the Scottish Chamber Orchestra & Mr McFall’s Chamber Su-a has constantly explored the role of the cello in folk & world traditions.

Hamish Napier is a folk musician, composer and tutor who taught Stagecraft on the Trad Music degree course at the Royal Conservatoire of Scotland for many years; Merryn Glover is a writer, workshop leader and storyteller, with a teaching degree in English, drama & dance.

Duncan Chisholm is a Scottish fiddle player and composer. He has released seven solo albums as a solo artist. His studio album, Affric 2012, was longlisted for the Scottish Album of the Year (SAY) Award. In 2022, he released a seventh studio album, titled Black Cuillin. He tours with the Scottish Gaelic singer Julie Fowlis band. He is also a founder member of the folk rock group Wolfstone, He played fiddle for Runrig. .

 

Donald Shaw,  is a Scottish award winning musician, composer, producer, and one of the founding members of Capercaillie Shaw has composed for film and TV. In 2004, he composed Harvest, a commission for the opening night of Celtic Connections festival. He won the Scots Trad Music Composer of the Year award in December 2006.

CC Mackintosh Church Setlist

1.  Ae Fond Kiss 


2.  Baroque Suite
(i) Baroque March Mull (ii) Cathedral of Trees (iii) Malpica
 (iv) Ocean Poem 


3.  EbytheC 


4.  F Strathspey Set
(i) John Stephen of Chance In (ii) Windsong 


5.  Duncan Slow Airs
i) Prince Charlie’s Last View (ii) Precious Place 


6.  Water Set
(i) The Dance 
(ii) Waltz of the Grey River (iii) Corryvreckan 


7.  Bach Bourrées 


8.  Mo Rùn Geal Òg Instr 


9.   Donald’s Set 
(i) Madame Lulu
(ii) Islands on the Edge 


10. Hamish Tune Set 

(i) Bagh Seannabhad (ii) Speyside Line 

11. Paths Finale Set 

(i) Phillippa’s Tune (ii) Josianne
(iii) Speyside Way (iv) The Deer Path 

Encore The Wound and the Gift   62 mins   6 mins applause 

Su-a, Duncan, Donald, Hamish 

Lifted Up at Edinburgh festivals 2024!

 

high street performers

Weather warm and muggy this year over for the Edinburgh festivals. Who says Scotland is always cold? asks a young American girl. But the next day the humidity lifts and its clear, windy and sunny. In Scotland, often has the three seasons in one day. We meet old friends and later make our way up the very busy high street – past the excited performers, the tourists young and old, as Edinburgh comes to life again for its annual celebration of the arts, culture, drama and music, from the sublime to the idiotic. Entrancing audiences both young and old, and from near and far.

 

One of the world’s oldest and biggest Arts festivals, begun in 1947 after the war. (which might have ended all wars but didn’t)

Sunday – Bach’s St Matthews Passion. Such a wall of sound: spine-tingling and goose bumps. 

With the Festival chorus, BBC symphony orchestra and a top line up of soloists. What joyous, soul enriching and uplifting music by the genius of Bach. – and interpreted by Mendelsohn. 

 

Festival chorus & Symphony orchestra

Carmen Festival Theatre

Monday – Scottish National art gallery to see the exhibition of John Laverty. Persuasive impressions.

A major exhibition of Irish and Scots impressionist painter John Lavery July to October, 2024. He was a great journeyman, who painted extraordinary images of ordinary life in Glasgow, Spain and Morocco. His portraits have a surreal quality: both commanding and expressive. 

 

Tuesday – Carmen Opera with incredible singing and performances and unforgettable music by Bisset. What a treat! 

Paintings by Sir John Lavery July to October 2024.  ‘An Irish Impressionist: Lavery on Location’, a collaboration between the National Gallery of Ireland, Dublin, National Museums NI, and the National Galleries of Scotland. That capture Lavery's impressions of people and places, from his travels - Scotland, Ireland, France, Switzerland, Italy, Spain, Palm Springs, Glasgow, London, and Venice. Portraits, genre scenes, landscapes, and cityscapes. 

The Arts are under pressure like never before. Recent funding has been cut.  But art is not an extra in life or for our heritage and stories. Its central.

 

This year’s festival theme was ‘The Rituals that Unite Us’. 

 

We must hold on – to the past and to future innovations.

 

Edinburgh festival returns for 2023!

To offer new horizons

 

Edinburgh International festival 2023 now with new director Nicola Benedetti – firsts women and first Scot – this August with 2,000 artists, from 48 countries. 

of theatre, music, dance and drama. How can our institutions embolden and make people’s lives better.’

 

This years theme of ‘IDENITITY, COMMUNITY AND RESILIENCE.”

 

Nicola wants the festival to offer something mystical, magical, community and resilience. 

 

This year the festival will host the BUDAPEST FESTIVAL ORCHESTRA – their motto  is “To serve the people”

Nicola discussed concerns over recent cuts to the Arts. “We must work together to put arts as a must. We must go out to the community. Once you’ve felt it, you want to feel it again. How can we make progress in a different way? It’s a complete picture. The Arts are not an added extra. “

Nicola spoke of positive ways we can make the arts matter.

Where do We Go From Here?

Eclectic Taste in Music

I was wondering about this - why I have eclectic taste in music and why it is that many people like to focus on only one or two genres of music. I believe I perhaps I have broad tastes in music because of my own personal journey in music. 

I started piano lessons when I was seven and the focus then was on simple tunes and then musical and national tunes. I sang in school and church choirs -  sometimes Burns songs. Eventually I moved on to classical pieces - such as Bach, Beethoven and Mozart. In my teens I got very into pop music - from Motown, The Beatles, The Stones, Cream and more. I played Joni Mitchell, James Taylor and Elton John on the piano. In my twenties I got involved with the 'folk scene' in Edinburgh and enjoyed traditional reels and unaccompanied and harmony singing.  

I enjoy all the genres and I wouldn't want to have to choose between them!

However for some 'music' is about their image of themselves - how cool or otherwise they see themselves. For me it's' about music or voices that move me and what makes a good song or melody.

There are great folk tunes and fairly boring folk tunes; there are also great pop songs and boring pop songs; there are great classical pieces and dull classical pieces of music; there are energizing rock gigs and dull rock gigs too. I get annoyed on Wikipedia or elsewhere when I read the music snobs who think pop music is only for young people and only for commercial reasons... and that by contrast all classical or jazz music is wonderful.   

Sometimes it is the simple song that we remember, the endearing folk song that moves us or the classical piano sonata that touches our heart.