Celtic Connections 2022 RETURNS!

 

Transatlantic Sessions

Thrilling to hear that CELTIC CONNECTIONS will return January 20^th to 6^th Feb, to celebrate its 29^th year,  as the world premier winter roots, folk and world music festival. It will be held in Glasgow’s iconic venues.  With over a thousand musicians, and events over 18 days. And is famous for its unique collaborations and connections. The focus this year is on young talent with "Tradovation". 

A bright light of emerging talent with a series of concerts from young acts that seek to find innovation, inspiration and exploration within traditional music.  New commissions from musicians at the forefront of the roots, folk, jazz and orchestral scene in Scotland.

Grit Orchestra

New Talent. The opening concert Neath the Gloaming Star – will mean a great deal , after the lockdown months of this Pandemic.“Celtic Connections 2022’s opening concert is a statement of the festival’s commitment to present and hold up emerging acts, recognising what is being done by young musicians in Scotland and internationally to carry the torch for Scots folk song into the future”, Creative Producer, Donald Shaw, “there’s no doubt that this year’s festival has an added significance to it, and in the context of the last couple of years, we’re eager to capture the collective human experience that is at the heart of what’s been missing for people – the sharing of experiences, songs, music and stories.”

Orchestra. 21 January Skye electronic Celtic fusion band Niteworks joined by the Royal Scottish National Orchestra, with Gaelic singers Kathleen MacInnes and Sian, night of commissioned orchestrations.  Capercaillie will be joined by Scottish Symphony Orchestra, led by Greg Lawson in a world premiere of orchestrations of the band’s illustrious back catalogue.

Anniversaries. English folk singer-songwriter Kate Rusby, will celebrate 30 years at Glasgow’s Royal Concert Hall  1 February.   Plus the 20-year anniversary for Quebecois folk quintet Le Vent du Nord, who will bring The Old Fruitmarket to life 28th January with their raucously blend of guitar, fiddle, hurdy gurdy and lusty French vocals. They blend a modern sound, rooted in Celtic music from both Ireland and Brittany, and showcase the festival’s cross-cultural spirit

Indie bands will showcase several gigs, including Twilight Sad at the Old Fruitmarket. Plus the ever popular concerts of the Transatlantic Session and the Roaming Roots Revue.

The festival line up will include Fergus McCreadie, Matt Carmichael, RANT & The Ledger, Kim Carnie, Westward The Light, Hamish Napier & Adam Sutherland, Mairearad Green, Jenn Butterworth, Mike Vass and Charlie Grey & Joseph Peach.

 

** Celtic provides a place of warm cheer with the energy of eclectic, accomplished and enriching roots music for those long, chill January nights and days – that challenge as well as being inspired by the past. Last year the festival was online only which saw over   30K fans worldwide tune in. 

Braebach

 *Celtic Connections began in 1994, when it offered 66 events at one venue. Since then it’s grown more adventurous, experimental and diverse each year and now offers thousands of events in locations across Glasgow.  Funded by - The Scottish Government Festivals Expo Fund by Caledonian MacBrayne, La Bonne Auberge and Holiday Inn Glasgow Theatreland. The BBC has supported Celtic Connections since its first year and the festival is pleased to collaborate once again with them for 2022.

Rachel Sermanni

Women Musicians

Nicola Benedetti

When I decided to write this blog and I started to go through my photos of women musicians, I felt quite emotional about these wonderful artists - over the incredible gigs they have performed and the insightful songs they have written. Women have powerful voices. Women are often the heart of any home and strong families matter. When women are not respected countries and societies are the weaker for it.

Recently we have witnessed in the UK the huge success of several female singer songwriters – Adele, Emeli Sande, Laura Marling and several others.  I have been fortuate to follow Emeli's career since 2007 and i never imagined that I would see her sing at the London Olympic Games one day!

Laura Marling

I have noted that female rock bands have come over from America - Warpaint, Haim, The Bangles and others - and there are few female rock bands here in the UK.  

Haim

I was surprised to learn recently that women's numbers generally in music though are very small.  I was pretty surprised to learn some of the statistics - a PRS (Publishing Rights Society) statistic showed that only 14%  of its members were female. Other statistics -  BBC Proms - 4% women,

BBC Introducing compilations CD - women have 7 tracks out of 32 tracks.

In February 2015 singer songwriter Beth Orton looked at the lack of women generally in the world of music and the ways women might deal with the challenges today in the music biz with an event in Manchester.

Emeli Sande

Julie Fowlis

Certainly the Grammy's and Brits are testament to this - where women are viewed as 'youthful decoration.' Some women of course play along to this stereotype in ridiculous revealing outfits.  Another issue is that women are not allowed to age (??)  Yet look at the strong older women in the film industry and the positive image and role models they create - Meryl Streep, Oprah Winfry, Helen Mirren and others.

It is better in the folk world (and for writers) for women generally speaking - where age is viewed more as an asset and gender seems irrelevant in the main

Rab Noakes & Barbara Dickson

Cara Dillon

*Beverly Martyn (or Bev Kutner)

I also read the story of Beverly Martyn who co-wrote many of John Martyn's early songs but received little recognition - John told her not to worry and that she would get the credits.  Bev played piano while they wrote songs together for the album Solid Air and John would say that he would ‘credit her on the next song!’  Bev and Martyn recorded three albums together  - Stormbringer, Road to Ruin and Bless the Weather - before John was persuaded by his record label to go solo. Beverly was then left on the house on the hill to raise their children while John toured. I wrote about her here – http://www.musicfootnotes.com/2013/06/normal-0-false-false-false.html

There are also several forgotten women poets.

Orchestra's have been mostly male - the Viennese Orchestra that plays Strauss for the New Years Day concert - it was all men until recent times when they have allowed in a few women musicians.

I read recently too of *Mrs Bach!  In the Age of Enlightenment (18^TH Century) most women would never write under their own name and so they have been forgotten by history.

Sara Watkins

Mrs Bach – or rather Anna Magdelena – has been now revealed as the author of the cello suites by forensic musicologist Professor Martin Jarvis of Charles Darwin university in Australia. Anna has been airbrushed from history (much as many women painters have been) .

The program claims that she was the composer of the Cello Suites and more perhaps. Magdalena was a gifted soprano and came from a family of musicians and it is believed was writing with Johann Sebastian Bach from the age of 12.  After her death, Bach's older sons by his first marriage, had Magdalena air-brushed from the records and no composer Day books or family portraits have survived. Bach's first biography was written fifty years after his death. Bach was also blind for much for his life. 

Jarvis has been investigating the story for 25 years and the program is narrated by composer Sally Beamish. - http://www.bbc.co.uk/iplayer/episode/b04t91gf/written-by-mrs-bach

One of the greatest musicians and songwriters of modern times has been Canadian Joni Mitchell.

My Photo Gallery of Women Musicians here -  http://pkimage.co.uk/women musicians

Stevie Nicks