Showing posts with label Allan Ramsay. Show all posts
Showing posts with label Allan Ramsay. Show all posts

Sunday, 29 October 2023

Romanticism in Scotland

 

Nigel Leask rites Burns has been tragically over-looked in academic studies and the need to consider Burns in a de-centralized four nation approach to British culture and of the marginalisation of Burns as a major Romantic poet.

 

The book is entitled 'Scottish Pastoral: Robert Burn and British Romanticism' Leask

sets out to recover a major Romantic poet in a Scottish, British, and colonial context. Burns's fame as Scotland's national bard, and his influence on Scottish writers like Hogg, Scott, Elizabeth Hamilton, Lockhart, Wilson and Carlyle, has achieved local recognition. The goal of this book is to reassess the global significance of Scottish and British Romanticism in the light of Burns's achievement and influence. ' And a more historically contextualised notion of the Scottish Enlightenment. And to situate Burns and 18th century Scottish poetry in relation to Enlightenment theories.

 

But much light remains to be cast on his literary and intellectual context in the Scottish Enlightenment, as well as his far-reaching influence on English and Irish Romantic writers like Wordsworth, Coleridge, Lamb, Roscoe, Byron, Shelley, Keats, Clare, Hazlitt, De Quincey Tom Moore and J.C.Mangan. 

 

MUSIC  - Burns is best known as a songwriter and song collector

Burns's poetry is now largely excluded from a revised canon of Romantic literature as it is taught in UK and US English departments, despite the fact that the canon has broadened to include women and minority writers. In fact the decline of his reputation as a major Romantic poet has continued measurably even since 1945. Astonishingly, there is to date no dedicated study of Burns's influence on British Romanticism.

 

Contemporary Burns scholarship is still largely concerned with studying the poet in a national literary framework, despite important recent work by Carol McGuirk, Liam McIllvanney, Robert Crawford and Gerry Carruthers, opening up Burns to broader contexts. 

 

Robert Burns was part of an attempt to produce a canon of Scottish song, which resulted in a cross fertilisation of Scottish and continental classical music, with romantic music becoming dominant in Scotland into the 20th century. 

Robert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian poems. Burns, an Ayrshire poet and lyricist, is widely regarded as the national poet of Scotland and a major influence on the Romantic movement. His poem (and song) "Auld Lang Syne" is often sung at Hogmanay (the last day of the year), and Scots Wha Hae served for a long time as an unofficial national anthem of the country. Burns A Mans a Man as sung by Sheena Wellington at the opening of the Scottish parliament.

 

Novelist Walter Scott popularised Scottish cultural identity 19th century.  He played a major part in defining Scottish and British politics, helping to create a romanticised view of Scotland and the Highlands that changed Scottish national identity. Tom Nairn argues to a false mythical Scotland gone forever. Scott has a highly successful career, with other historical novels - Rob Roy (1817), The Heart of Midlothian (1818) and Ivanhoe (1820) 

 

Burns was greatly influenced by Scots poets Allan Ramsay, James Macpherson, and Robert Fergusson – who wrote poems in scots about Edinburgh. And English poets such as Alexander Pope. Allan Ramsay(1686–1758) laid the foundations of a reawakening of interest in older Scottish literature, as well as leading the trend for pastoral poetry, developed the Habbie stanza as a poetic form. 

 

James Macpherson(1736–96) was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by the ancient bard Ossian, he published translations that were internationally popular, being proclaimed as a Celtic equivalent of the Classical epics. Fingal, written in 1762, was translated into European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and in German literature (Johann Herder and Johann Goethe). Also popular in France –read by Napoleon.

 

Other major Scottish literary figures connected with Romanticism include the poets James Hogg (1770–1835), Allan Cunningham (1784–1842) and John Galt (1779–1839). One of the most significant figures of the Romantic movement, Lord Bryon, was brought up in Scotland until he acquired his English title. 

 


**Romanticism in Scotland  II

was an artistic, literary and intellectual movement late 1700s and early 1800s. 

Part of the wider European romantic movement, which was partly a reaction against the Age of Enlightenment, emphasizing individual, national and emotional responses, moving beyond Renaissance and Classical models. In the arts, Romanticism manifested itself in literature with the mythical bard Ossian, the exploration of national poetry in the work of Robert Burns and in the historical novels of Walter Scott. Scott also had a major impact on the development of a national Scottish drama. Art was heavily influenced by Ossian and of the Highlands as the location of a wild and dramatic landscape. 

In music, 

 

In art there was a stress on imagination, landscape and a spiritual correspondence with nature. It has been described by Margaret Drabble as "an unending revolt against classical form, conservative morality, authoritarian government, personal insincerity, and human moderation" Although after union 1707 Scotland increasingly adopted English language and cultural norms, its literature developed a distinct national identity and began to enjoy an international reputation.

 

The editors of the recent essay collection Scotland and the Borders of Romanticism argue, from the 19th century Scottish literature came to stand for an 'inauthentic Romanticism, defined by a mystified commitment to history and folklore', in marginal relationship to an 'organic' English Romanticism. 

 

Scotland was also the location of two of the most important literary magazines of the era, The Edinburgh Review, (1802) and Blackwood Magazine(1817)which significantly influenced the development of British literature and drama in the era of Romanticism. 

 

Romanticism declined in the 1830s, but it continued to affect music and art. It had a lasting impact on the nature of Scottish identity and outside perceptions of Scotland. It is often thought to incorporate an emotional assertion of the self and of individual experience along with a sense of the infinite, transcendental and sublime. 

 

James MacPherson


Robert Burns and Pastoral is a full-scale reassessment of the writings of Robert Burns (1759-1796), arguably the most original poet writing in the British Isles between Pope and Blake, and the creator of the first modern vernacular style in British poetry. Although still celebrated as Scotland's national poet, Burns has long been marginalised in English literary studies worldwide, due to a mistaken view that his poetry is linguistically incomprehensible and of interest to Scottish readers only. 

 

Nigel Leask challenges this view by interpreting Burns's poetry as an innovative and critical engagement with the experience of rural modernity, namely to the revolutionary transformation of Scottish agriculture and society in the decades between 1760 and 1800, thereby resituating it within the mainstream of the Scottish and European enlightenments. Detailed study of the literary, social, and historical contexts of Burns's poetry explodes the myth of the 'Heaven-taught ploughman', revealing his poetic artfulness and critical acumen as a social observer, as well as his significance as a Romantic precursor. Leask discusses Burns's radical decision to write 'Scots pastoral' (rather than English georgic) poetry in the tradition of Allan Ramsay and Robert Fergusson, focusing on themes of Scottish and British identity, agricultural improvement, poetic self-fashioning, language, politics, religion, patronage, poverty, antiquarianism, and the animal world. The book offers fresh interpretations of all Burns's major poems and some of the songs, the first to do so since Thomas Crawford's landmark study of 1960. It concludes with a new assessment of his importance for British Romanticism and to a 'Four Nations' understanding of Scottish literature and culture.

 

Sunday, 27 November 2016

Scotlands Many Voices


Thinking this over – it seems England views Scotland as a north region, like Yorkshire say – rather than a separate country that has centuries old entirely separate history, many ancient traditions and old Celtic ballads and a distinct culture. Before James VI left to become King of England, Scotland had its line of Scottish Kings, from King David and later the Stuart kings. It's really a question of - does Scotland's separate identity matter for the success of the country and for the UK too?
Scotland is one of the oldest countries in Europe. Scotland is also a land of many huge contrasts from the great imposing drama of the highlands; the misty heathers and fast running streams; the green and cultivated lands of the north east; the quiet beauties of St Andrews and Fife and the coastal walks; and the charm of the borders.  

Alasdair Moffat and Alan Raich in their book, Arts of Resistance write of the destruction of Scottish culture. 
“The wholesale reduction of a culture to tartan tourist clichés. Ian Crichton Smith evoked images of the white streams screaming through the moonlight of the Cullen’s – a permanent scream of protest against all the trivialization of our history that has been foisted upon us.”  

Keeping Scots Alive!; culture, words, art and Music
In the 18th century after union of Parliament – many poets and others worked diligently to keep Scots and what the Scots believe in, alive...such as Allan Ramsay, Fergusson and Robert Burns.
They felt it was vitally important.
In the 17th century after Union of the Crowns, the Scottish royal court left Holyrood for London. This was good! It meant all the hangers on left too -  and meant the Thinkers and the Philosophers, were free to voice opinions! The Scottish Enlightenment led Europe. Many great Scottish thinkers left a huge mark on the world.

The poet Hugh MacDiarmid said in his Lost Interview, ""Lord [Harold] Acton, the historian, has said that no small nation in the history of the world has had a greater impact on mankind at large than the Scots have had. That influence flowed from the national character which is utterly different from the English. To analyze that national character is to discover the factors comprising our Scottish culture."

*Some Forgotten Scots Heroes – Thomas Muir, George Hamilton, James Clerk Maxwell, (Maxwell is the greatest physicist ever – and yet it was only in 2008 that a statue of him was unnveiled in Edinburgh. Odd really considering)


James Clerk Maxwell
*Scottish Artists – Arthur Melville, Rennie Mackintosh, Margaret MacDonald, Glasgow Boys, Henry Raeburn, 

*Great Scottish Poets – Allan Ramsay, Robert Fergusson, James MacPherson, Robert Burns, Hugh MacDiarmid,

*Scottish Writers – Walter Scott, Arthur Conan Doyle, Robert Louis Stevenson, Iain Banks,
Alasdair Gray, Irvine Welsh, Janice Gallowy, Lewis Grassic Gibbon, Nan Sheperd, George MacDonald,

*Scottish Scientists  - James Watt, Alexander Graham Bell, James Chrichton, Alexander Fleming, John Napier, John Leslie, Joseph Black, James Hutton, John Leslie, James Clerk Maxwell.

(I'm ashamed and saddened that growing up in Edinburgh I learned practically nothing of Scottish history, culture and the arts. I used to walk down the Royal Mile and wonder about all the history here... I am now teaching myself.


‘To be truly internationalism, we must first be nationalists.’ Hugh MacDiarmid.
The sky in Scotland changes with often rapid speed – when the wind gets up one moment and is suddenly still and clear the next. Then a sharp wind catches us as the skies darken and heavy clouds roll over and there will be a sudden heavy shower as we hurry for cover and wait for the weather to shift and for some warm rays to descend and we are grateful.

The dark and light of our weather.

 

Tuesday, 4 October 2016

Allan Ramsay festival



New Allan Ramsay festival Carlops 14 - 16 October 2016. 

Allan Ramsay Snr Born 1684 – 1758 Leadhills Lanarkshire, was a Scottish poet who strongly influenced Robert Burns. He was one of the founders of the Easy Club, a group of like-minded men who enjoyed literary discussions over a bottle of claret. It was known for Jacobite sympathies and Ramsay was determined the Scots language would not die out in the years after the Act Of Union (1707) when “North Britishness” was all the rage.
He started to earn money for his verse collections in Scots and then decided to turn his wigmaking shop in the Old Town into a booksellers. He also decided to  rent out books, and became known as the founder of Britain’s first library.

He also composed Scotland’s first opera The Gentle Shepherd, which is a ballad opera both comedy and a homage to the joy of pastoral life, which was his masterpiece. There is monument to Allan Ramsay Snr in Princes St Gardens.

Allan Ramsay Jnr was his eldest son. He studied art in London and Italy and then based himself in Edinburgh in 1738. He established himself as a portrait painter and later moved to London. Where he was appointed official portrait painter to King George III. Earlier this year, his long lost portrait of Charles Edward Stuart, painted at Hollywood in 1745, was bought for the nation at a cost of £1m and now hangs in the Scottish National Portrait Gallery.