Edinburgh festival 2025 Opens

 

 

The whirr of excitement to be back on the celebrated cobbled streets of Edinburgh festival in August – as it comes to life with the world's biggest Arts gathering together. To encourage innovation and creative thinking in the world of books, art, music, drama and dance. Also to offer the cross over between the Arts. 

 

The searching to hold a spotlight on the world of today, with many wars and climate crisis. The festival was begun after the great war to offer hope of reconciliations and our shared humanity through the arts.  

There’s a dark shadow: we live in a world of crises – from the destruction of Gaza and people starving – with people turning to simplistic answers. 

The festival opens this weekend with Dougie MacLean’s Singalong of Caledonia, and a family ceilidh and a family concert. The Hub with Kathryn Joseph and the Usher Hall will host a variety of musical concerts, with Mendelssohn’s Elijah and Puccinni’s opera. The Festival theatre, Mary Queen of Scots ballet and Brian Cox in a new theatre production Make It Happen. Cox will play the ghost of Adam Smith and Sandy Grierson will play Fred, the Shred, Goodwin - 17 years since the banking crisis has led to our present cost of living crisis.

With new theatre productions at the Traverse theatre, the festival theatre, and the Lyceum.  

Consumed at the Traverse, July 31 to Aug 24

The Nature of Forgetting at the Pleasance, Aug 9 to Aug 25

https://www.eif.co.uk

 

It encompasses several festivals – Edinburgh Arts festival, Edinburgh International book festival, Edinburgh film festival and The Fringe. 

THE TRUTH WE SEEK

Dick Gaughan Retrospective, interview Radio Scotland

 

Dick Gaughan Retrospective, interview BBC Radio Scotland Anna Massie 

 

Thursday 17 July, 7.30pm - https://www.bbc.co.uk/programmes/p0lqmsnp/p0lqmrsj

 

Gaughan had a stroke in 2016, which means he can no longer play the guitar or perform for nearly ten years. 

 

His guitar is earthy, real and powerful –  an incredible presence and depth. 

 

Gaughan says his guitars is an integral part of his singing. The Song has a tempo all of its own. The guitar has to follow the song. 

There has been fundraising to support Gaughan's battle to reclaim his music. Please support -

 

https://www.gofundme.com/f/aatux2

 

Hinterlands and Confusions

Hinterlands, so we are confused, what is going on?

Regrets over what might have been or could have been here in Scotland. Our voices lost. I read of our great poets and philosophers – from Dunbar, Duns Scotus, Buchanan, Allan Ramsey, Hugh MacDiarmid, and of course our national bard Rabbie Burns. The great Scots songbooks: rediscovered, reframed and renewed, and given a fresh and memorable voice. So many voices calling on the vibrant, challenging Scottish winds – that blow wildly on our rugged coastlines and empty shores and islands. 

 

I visited the small coastal town of Montrose: birthplace of the Scottish renaissance 1930s. And then onto Arbroath Abbey and the stories of the return of the Stone of Destiny here. 

The folk singers and folk musicians, play their melodies and lively jigs and reels at the folk festivals and folk clubs. Looking back and building on and also taking the song forwards. Its crucial to have a hinterland – it’s the strong foundations, clarity, visions, 

Great artists instinctively know this.

 

At the Edinburgh book festival I hear many confused voices over the years I’ve attended. Debate and diverse voices are encouraged to broaden our outlooks. There can be controversy alongside a fear too. A fear of upsetting the voices of unionism. Guardian Sathnam Sanghera spoke of empire land; Kezia Dugdale recognised that Scotland is stuck; Lesley Riddick spoke of Scandinavia and better local governing; Irvine Welsh spoke of his personal journeys and successes and his dislike of imperialism; Ruth Wishart spoke of a free press. 'Together We repair' Edinburgh International book festival EIBF 2025. The question now is – to repair what path must we follow. We are mostly confused.

 

Nearly or over half of Scots support independence, but what does that mean? Indy in Europe? The picture is unclear. I try to hear as many and varied voices. Unionists feel brave and often speak up. While Britain feels broken and in chaos. Those in England have lost support for the Tory Brexit, then they lost support for Labour Change, and now turn to Reform, whose answers feel unclear and populist. 

 

The many voices from the National newspaper: vary from the writers of art, culture, history, economists and engineers. Where is Scotland now and where is it heading and how do we understand and know the past? What are we afraid of? Scotland’s songs fill my head. Caledonia, Westlin Winds, Sunshine on Leith, Ye banks and Braes, Jock O Hazeldean, Scots Wa Hae, Auld Lyne Syne. 

 

There are shoots and blooms of positive change – a new Scottish art galleries, national Scottish Theatre, National newspaper….This doesn’t mean inward naval gazing. But to be international, we must first be national. 

 

A Scottish narrative – a sense of place, and understanding of Scots voices. Sunset song, Waverly, A Drunk Man Looks at a Thistle.

Voices that wonder, what unionism really means? Are we united? There is so mush talk of political failure on every side – how is this constructive at all? Where is the vision and creativity for the future?

Peggy Seeger centre stage: Have we lost our Protest songs

Peggy Seeger

Is back on tour at 91, still on top of her game. She is a member of the musical Seeger family. 

Seeger’s father Charles Seeger was a folklorist and her mother Ruth Porter Crawford is a respected composer. Pete Seeger is her half brother. She was married to English/Scots folk singer Ewan MacColl, who wrote the famous song “The First Time Ever I saw your face” for Peggy.

She was part of the folk revival of the 50s and 60s. She writes songs from a feminist point of view and has recorded 25 albums. 

 

She was blacklisted by America back in the 60s, after her trips to Russia and China. Seeger was later Invited over to the UK by the folklorist Alan Lomax to join the folk group the Ramblers. She was part of the union movement and blazed a trail for women in folk music. 

Seeger was asked by broadcaster Anna Massie, what has happened  to the Protest song – to which she replied she understood the issues as today people would get arrested. She sings Wedge songs, which are about one thing but are really about something else. Much as Burns songs did in his day. 

After Ewan died Peggy returned to America. She returned to the UK in 2010 and has recorded her first ever solo album which marks a musical rebirth after she suffered from serious ill health. 

In 2015 Peggy released Everything Changes. She has said that she enjoyed greatly working with a full session band for the album, which was produced by her son Calum MacColl and features musicians Simon Edwards (Talk Talk, Kirsty MacColl), James Hallawell (The Waterboys, David Gray), Martyn Barker (Shriekback, Goldfrapp) and Kate St John (Dream Academy, Nick Drake). 

I took photos ta the 2015 gig Oran Mor Glasgow. I was pleased with my photos and hope they tell the story of the gig - it is always a challenge and at a classy gig like this full of dedicated folk fans I don’t like to disturb the set and I always aim to be discreet.  I take photos either seated or at the side. This was a family affair with her sister-in-law managing the tour.

 

I wrote at the time -  Folk artists sing with a realism and true heart and never over sing or over do the emotions. There are no pretensions or airs or graces around Peggy. She stood for several songs and for others she clutched her instruments. Occasionally she waved her hands and arms wide. Peggy beamed and showered little pearls of wisdom.  It was heartening to see Peggy still full of joie de vivre and ready to command the stage! At 80, not only is she wise and like the highest quality red wine, she is still challenging herself to be fresh and relevant.  

Venues, Glasgow Music

Glasgow Hydro audience

Glasgow named as City of Music

 

Glasgow is a vibrant and exciting city of music, with the diversity and range of music venues. It has a slightly wild, irreverent and challenging side. Many musicians also say Glasgow audiences are the best!

 

From the concert hall to the modern 14K seater Hydro; iconic mid-size venues and the large number of small venues. World renowned venues include – the Barrowlands, King Tuts, Oran Mor and the Old Fruitmarket. These venues offer a close up and intimate live music experience.

 

There is also the unusual and historic venues – the Tall Ship, on the Clyde, the Macintosh church, Nice n Sleazys, St Lukes, Brel. All this matters in terms of building a healthy and active grassroots music scene for the future. Plus a number of busy folk clubs, jazz bars and more.

 

The Arts and music is a huge industry for the UK and for Scotland. 

 

Glasgow boasts lively Trad sessions, decades of history, iconic venues, intimate gigs,

 

 Outstanding festivals, passionate audiences, record shops, 

 

 

Mary Chapman Carpenter and Friends

Del Imitri Hydro

MY MUSIC PHOTOGRAPHY

Over the past years I’ve been to many memorable concerts and taken photos of my musical heroes. I saw my music and lyrics hero Bob Dylan on the Braehead arena - I have to assume he found the large SECC arena impersonal and remote for his previous gig here. I went with my teenage son and his audience is certainly a broad church – from the dedicated disciples who go every concert to the curious. At 70 Dylan is a proliferate as ever with a new album release in 2020, with his stunning, immersive songs.

 

Another icon was Paul Simon, Clyde Auditorium, which was uplifting and joyous. Plus Fleetwood Mac, Elton john, Neil Young. Paul McCartney.

 

On the smaller stages – Arcade Fire, Barrowlands, Admiral Fallow, King Tuts, Hiam, swg6, 

Oran Mor, Emeli Sande. Karine Polwart, Tall ship.

 

I’ve seen other folk heroes at both Celtic Connections and Milngavie folk club - notably the legends Dick Gaughan. Dougie Maclean, Rab Noakes, Gaelic singer Julie Fowlis. And Blue Rose Code (Ross Wilson) was another favourite.

 

Plus the excitement of taking photos at the Royal Albert hall London for Emeli Sande!  2012. I’ve taken photos at many top class gigs – its often been a thrill and an honour with the buzz of the pit and the adrenalin rush to try to capture the right image, that not only tells the story but the artist expressing their innermost reflections..

Music photography expresses my passion of both art and music.

King Tuts famous steps!

Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

Edinburgh International Festival 2025 announced

 

This years theme is “the Truth We Seek”

Now for the first time in its 75 year history run by both a scot and a woman. 

 

In our present world of chaos and uncertainties, Edinburgh festival cultural celebrations bring offerings of light and hopes. The festival offers several Scottish premiers. 

 

 Succession actor Brian Cox appears in theatre show, Make it Happen. 

 

Shakespeare’s As You Like is a Radical Retelling

 

Scottish ballet’s Mary Queen of Scots

 

Mozart’s La clemenza di Tito, opera in concert

 

Our 2025 Edinburgh International Festival invites you to explore The Truth We Seek — a journey into the elusive nature of truth, in our personal and public lives.      Nicola Benedetti, Festival Director

 

TICKETS on sale - https://www.eif.co.uk/

 

CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’