Edinburgh International Festival 2025 announced

 

This years theme is “the Truth We Seek”

Now for the first time in its 75 year history run by both a scot and a woman. 

 

In our present world of chaos and uncertainties, Edinburgh festival cultural celebrations bring offerings of light and hopes. The festival offers several Scottish premiers. 

 

 Succession actor Brian Cox appears in theatre show, Make it Happen. 

 

Shakespeare’s As You Like is a Radical Retelling

 

Scottish ballet’s Mary Queen of Scots

 

Mozart’s La clemenza di Tito, opera in concert

 

Our 2025 Edinburgh International Festival invites you to explore The Truth We Seek — a journey into the elusive nature of truth, in our personal and public lives.      Nicola Benedetti, Festival Director

 

TICKETS on sale - https://www.eif.co.uk/

 

CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Opening concert Celtic connections 2025 Glasgow 850

Tonight’s welcome return Opening Concert of Celtic Connections the world leading folk and roots music festival, began with the dramatic horn blowing of an ancient Celtic instrument the  Carnyx, (a wind instrument used by the Celts during the Iron Age, between c. 200 BCE and c. 200 CE), brought over the heads of the venue. 

 

Glasgow 850 Opening concert, heralded the start of the city’s year-long 850th birthday celebration. ‘Let Glasgow Flourish’ is the motto on the city’s coat of arms, and this special concert paid tribute to the city’s rich artistic heritage and flourishing future through a concert incorporating music, spoken-word, dance and film. 

 

This concert was hosted by Siobhan Miller and Roddy Hart, and celebrated the breadth and talent of musicians, artists and poets Glasgow has produced and how this has fed into the very heart of Celtic Connections. Glasgow is a diverse, multi-cultural and vibrant city.

Glasgow Trad Collective

First there was energetic reels and jigs from the Glasgow’s Trad Collective (of Ben Nevis bar). We had nostalgia with the Bluebell’s 80s song 'Young at Heart'. Behind the stage were projected black and white images of Glasgow by photographer – Oscar Marzaroli.

 

Glasgow was celebrated with performances by the Joyous choir of Maryhill, While the Indian collective Qawali Project raised the energy levels with warm applause. The talented pipers Ross Ainslie and Finlay Macdonald impressed as did the string ensemble who performed world-renowned Glasgow composer Craig Armstrong’s Immer (Forever). 

 

Grammy award-winning American singer songwriter Madison Cunningham impressed with her haunting vocals on her song ‘Home’.Glaswegian James Grant, performed several Glasgow songs – and along with Siobhan Miller and Paul McKenna delighted us with their rendition of Michael Marra’s song “Mither Glasgow.” After which we were treated to a grand finale of multi-instrumentalists and uplifting tunes. 

James Grant

Glasgow has world class art galleries, and an ancient and leading university. Glasgow is the city of music and boasts world famous venues including the Barrowlands  King Tuts, Oran Mor, Old Fruitmarket. 

  

Image: 'Playing Ring, Gorbals, School Playground’ 1963, © Oscar Marzaroli Collection, courtesy of Street Level Photoworks.

 From the permanent exhibition ‘Oscar Marzaroli’s Gorbals’ at Gorbals Library.

 CELTIC CONNECTIONS - https://www.celticconnections.com

Change Forward Scotland Needs for 2025

 

Education is the key and foundation. Without a solid, well educated workforce how can any country move forward? Many new independent countries recognised this – specifically Ireland and Estonia. Apart from funding, there are several ways to achieve solid education for all

1. All teachers should have a masters degree.

2. Teach to the higher average, not the lower average, to raise standards. Yes slower learners and late starters need to be encouraged and a good start at kindergarten or pre-schools is the key to giving ALL children the right start in education - with a focus on personal development and structural play. 

With many 4 year olds now held back to start P1 until they are ta least five and a half - this can make the more formal learning of reading books mean children are more emotionally and developmentally ready to learn having developed concentration skills, an interest in books, number and size skills, oral language etc. 

 

3. Eliminate private schools. Private schools mean a secure network and privileged bubble. They mean a two tier society. Those educated privately have only limited understanding of the rest of society that they have often never met or worked with. They believe they are a “cut above” the rest. 

 

4. A good start. Without a good start to education, the rest of the 10 years of school can be wasted.

The focus must be on quality early years. 

 

 ‘The Age of disruption needs a different kind of Scotland’ Gerry Hassan writes we needs radical ideas to move Scotland forward with independence, Sunday National 29^th December 2024. He writes of the unequal opportunities and expectations. While I agree we need new ideas – why vote for independence if it will only be more of the same failing economic models. He doesn’t offer concrete details of priorities, but mostly theoretical views. 

 

Its important to set priorities to move forward. But a sound economy needs to underpin this – otherwise where is the money to fund public service? While Scotland is rich in resources, we also need to harness our potential for innovation, business education, opportunities for all, immigration (we need young workers), and prioritise education for all. Finland decided to abolish private education, as they felt this system was holding the country back.