Lindsey Hilsum Poetry in Times of War EIBF 2025

It’s the Poetry we’ll remember

Channel four foreign news correspondent gave a talk at Edinburgh international book festival 2025, on her book I Brought the War with me, about her poetry in times of war. She always carries a book of poetry with her. After her horrific experiences of fighting in Rwanda, she felt she needed philosophical more than psychological help.

 

She says that people remember the great poets of the world wars, and not the journalists reports. 

When in Ukraine in 2022, at a town called Izium, she stood beside an apartment block split apart by a missile. Fifty four people had been killed in the Russian attack six months before. 

 

"Purple and yellow wild flowers were growing in the rubble that filled the chasm between the two parts of the block. It is not the houses. It is the space between the houses,” I thought. “It is not the streets that exist. It is the streets that no longer exist.” 

She then thought of James Fenton 1981 poem A German Requiem, about selective memory in the second world war. 

 It is not your memories which haunt you.
It is not what you have written down.
It is what you have forgotten, what you must forget.
What you must go on forgetting all your life.

“The idea that the spaces between the houses symbolised gaps in memory, and that forgetting might be essential if people were to live together in peace, 

Poetry helps us see parallels with the past, and puts up a mirror to our fears.

 

Hilsum spoke of her often traumatic experiences covering many foreign wars over her 40 years of experience…” Many journalists are resilient, and – at least for now – I would count myself as fortunate in this regard. Witnessing the suffering of others, surviving danger and experiencing grief are all profound experiences, to which nightmares, anger, tears and bouts of despondency are all normal, human responses. They are not necessarily signs of a clinical condition.”

She explained that Poets don’t have the answers. But they may help us understand our own actions and reactions and find a way through the darkness.  

She got into reporting via aid work in Central America in the 70s. ‘I didn’t really know that war was brewing across the region – my concern was social justice, and, at 20 years old, I just wanted to have an adventure and change the world. (I succeeded in the former but not – needless to say – in the latter.) In 1982, I moved to Kenya to work for the UN International Children’s Emergency Fund, Unicef.

She realised her main skill was to pivot to journalism. “Reality overcame the illusions I harboured. Nearly every country neighbouring Kenya – Uganda, Sudan, Somalia, Ethiopia – was going through civil war… I found that while reporting on people in war zones was at times upsetting and occasionally terrifying, it was also rewarding and exciting. I felt that I was living through history as it happened. Later, I was lucky enough to get a job with Channel 4 News, based in London, and while I have never been exclusively a war correspondent, I have spent a lot of my career reporting conflict”

She spoke of the great war poets, and said that many war poems are written by women. “I am drawn to what Wilfred Owen described as: “The pity of war, the pity war distilled.” 

Hilsum, was handed a rose in Velyka Novosilka, eastern Ukraine, by Oleksiy, who was cycling across town to see his friend, at the start of the Ukrainian counter-offensive in June 2023.” 

“ journalism is ephemeral. We rarely read the stories written by reporters who covered the first and second world wars. We do, of course, read the poetry. They focus on what is critical now – this village taken, that truce broken, a new atrocity by occupying forces. But poets through the ages have turned the horror of war into transcendent works of beauty and meaning.

The late Irish musician Frank Harte said: “Those in power write the history; those who suffer write the songs.”

 This is an extract from I Brought the War with Me by Lindsey Hilsum, which is published by Chatto & Windus on 19 September (£16.99). 

II  Extract from her memoir, she explains why her own words were not always enough    

My TV news report reflected some of this, but it did not have the allusive power of the poem.

“In my nearly four decades as a foreign correspondent, I have always carried a book of poetry with me. While the images we show have great impact, I feel that journalistic language sometimes fails to convey the intensity of the experience. Maybe Fenton’s poetry resonates with me because he was a war correspondent as well as a poet – he sees what I see but has found a more compelling way of expressing it, as if he is working in three dimensions while I am stuck in two. We journalists pride ourselves on the clarity of our prose and on making complex stories simple. That’s our job – to explain why terrible things are happening and to challenge the euphemisms used by politicians and military spokespeople. We also try to convey the thoughts and feelings of the people we meet, and a sense of what it feels like to be on the ground. Yet we may lose the deeper meaning, the universal import of what we have witnessed or the contradictory emotions that war engenders.”

She got into reporting via aid work in Central America in the 70s. "I didn’t really know that war was brewing across the region – my concern was social justice, and, at 20 years old, I just wanted to have an adventure and change the world. (I succeeded in the former but not – needless to say – in the latter.) In 1982, I moved to Kenya to work for the UN International Children’s Emergency Fund, Unicef."

”She realised her main skill was to pivot to journalism. “Reality overcame the illusions I harboured. Nearly every country neighbouring Kenya – Uganda, Sudan, Somalia, Ethiopia – was going through civil war… I found that while reporting on people in war zones was at times upsetting and occasionally terrifying, it was also rewarding and exciting. I felt that I was living through history as it happened. Later, I was lucky enough to get a job with Channel 4 News, based in London, and while I have never been exclusively a war correspondent, I have spent a lot of my career reporting conflict”

War gives your life purpose and meaning… the colours are brighter and the mountains clearer

She spoke of her personal reporting of war zones – “The lives of those who have had war visited upon them, the children, conscripts and civilians, are desperate and miserable. But those who visit war – aid workers, journalists, military volunteers – share a secret. War gives your life purpose and meaning."

 Suddenly you believe you know what matters and what can be dismissed as unimportant. The colours are brighter and the mountains clearer. You live in the moment.” 

This is an extract from I Brought the War with Me by Lindsey Hilsum, which is published by Chatto & Windus on 19 September (£16.99). 

 

Cultural History Disconnects

Cultural History Disconnects

 

I had a big disconnect between my primary school and secondary school. At primary we had Scottish dancing, Scots poetry and song. Then at secondary we had no Scottish history, culture or music at all. Only English literature, history and music. Quite a strange disconnect. We used to go to the military tattoo at the castle every year. 

 

Then I attended college down the cobbled royal mile Edinburgh, and wondered about all the history here – the Canongate Kirkyard, John Knox house, St Giles, Holyrood, the Grassmarket – and the castle. 

 

Going to secondary school Edina, I travelled across the town by bus via princes street. I passed a statue to the Scotch Bard Robert Burns at the bottom of Leith walk each day. On the top deck there were many teenagers in brightly coloured blazers who spoke with posh English accents and I wondered where they came from. In Edina around 25% of children attend private schools. 

 

No it wasn’t and isn’t an integrated melting pot at all but a stiff social hierarchy here. Back in the 60s though, young people had more options to go to study. Houses were built to offer greater social mixing, but that often hasn't succeeded. When people don't feel they have things in common, many put up defensive barriers. 

 

Visiting Holyrood palace I once picked up a small blue book on the Stuart kings of Scotland. I became fascinated by the Scots history and stories. I visited the Scottish national galleries, with their many portraits of Scottish royalty. My parents were from Northern Ireland, so I was very confused, as no doubt they were too. 

Hinterlands and Confusions

Hinterlands, so we are confused, what is going on?

Regrets over what might have been or could have been here in Scotland. Our voices lost. I read of our great poets and philosophers – from Dunbar, Duns Scotus, Buchanan, Allan Ramsey, Hugh MacDiarmid, and of course our national bard Rabbie Burns. The great Scots songbooks: rediscovered, reframed and renewed, and given a fresh and memorable voice. So many voices calling on the vibrant, challenging Scottish winds – that blow wildly on our rugged coastlines and empty shores and islands. 

 

I visited the small coastal town of Montrose: birthplace of the Scottish renaissance 1930s. And then onto Arbroath Abbey and the stories of the return of the Stone of Destiny here. 

The folk singers and folk musicians, play their melodies and lively jigs and reels at the folk festivals and folk clubs. Looking back and building on and also taking the song forwards. Its crucial to have a hinterland – it’s the strong foundations, clarity, visions, 

Great artists instinctively know this.

 

At the Edinburgh book festival I hear many confused voices over the years I’ve attended. Debate and diverse voices are encouraged to broaden our outlooks. There can be controversy alongside a fear too. A fear of upsetting the voices of unionism. Guardian Sathnam Sanghera spoke of empire land; Kezia Dugdale recognised that Scotland is stuck; Lesley Riddick spoke of Scandinavia and better local governing; Irvine Welsh spoke of his personal journeys and successes and his dislike of imperialism; Ruth Wishart spoke of a free press. 'Together We repair' Edinburgh International book festival EIBF 2025. The question now is – to repair what path must we follow. We are mostly confused.

 

Nearly or over half of Scots support independence, but what does that mean? Indy in Europe? The picture is unclear. I try to hear as many and varied voices. Unionists feel brave and often speak up. While Britain feels broken and in chaos. Those in England have lost support for the Tory Brexit, then they lost support for Labour Change, and now turn to Reform, whose answers feel unclear and populist. 

 

The many voices from the National newspaper: vary from the writers of art, culture, history, economists and engineers. Where is Scotland now and where is it heading and how do we understand and know the past? What are we afraid of? Scotland’s songs fill my head. Caledonia, Westlin Winds, Sunshine on Leith, Ye banks and Braes, Jock O Hazeldean, Scots Wa Hae, Auld Lyne Syne. 

 

There are shoots and blooms of positive change – a new Scottish art galleries, national Scottish Theatre, National newspaper….This doesn’t mean inward naval gazing. But to be international, we must first be national. 

 

A Scottish narrative – a sense of place, and understanding of Scots voices. Sunset song, Waverly, A Drunk Man Looks at a Thistle.

Voices that wonder, what unionism really means? Are we united? There is so mush talk of political failure on every side – how is this constructive at all? Where is the vision and creativity for the future?

Keeping the Celtic Traditions Alive

 

A decade ago I spent a few days in Montrose. My partner said there’s not a lot to do here. I went a walk to the library and to my surprise discovered that Montrose had been the centre of a Scottish Renaissance in the 1930s, led by the poet Hugh MacDiarmid. 

Nearly a century ago there was the Scottish Cultural Renaissance from Montrose – with figures such as poets Hugh MacDiarmid, Willaim Soutar, Edwin and Willa Muir, Plus novelists Neil Gunn, Lewis Grassic Gibbons, Catherine Carswell, Nan shepherd, Sorely Maclean, Iain Crichton Smith, RB Cunningham Graham, George Douglas Brown.

RB Cunningham Graham

Later in the 1960s there was the Scottish Folk Revival -  with poets, musicians and song collectors such as Hamish Henderson, Margaret Bennet, and Dick Gaughan - who worked to keep the Scots traditions alive.... Just as poets back in the 1700s – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

Twisted Pine

Julie Fowlis

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back!  

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Capercaillie, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us and performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Rab Noakes & Barbara Dickson

The Importance of Culture on our Lives and Keeping the Traditions Alive - Some might wonder, does all this matter, in a globalized world of mono culture, online social network algorithms, fast food outlets global chain stores, and even one track politics of click bait conspiracy theories and right wing closed off thinking. As empty rhetoric sweeps through online media – and its more important than ever before to retain our diversity, freedom of thought, to study our sense of place, culture and history. For diverse, informed thinking. Have we lost the craft of informed debates? 

 

I agree with George Kerevan in the National newspaper about the significance of culture over live, in his article, ‘Do not lose sight of the Scotland that we are all fighting for’. 

I believe people vote with their hearts not their heads. Then again there’s Bill Clintons quote, it’s the economy stupid. At least we’re persuaded by the press that we vote with our back pockets. The trouble is there’s not much to choose between the political parties right now – except the British ones are aim to protect the status quo that has been failing Scotland for decades. 

(I was sorry to read it was Kerevan’s last weekly column and hope he continues to contribute. I’ve enjoyed reading his articles in the national. The National has been one of the biggest positives to come our of the 2014 referendum.)

 

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

In 1922 Lenin expelled the free thinkers, artists, poets on the Philosophy steamer from Russia. He was afraid of their creativity. The one thing free thinkers believe in is ‘uncertainty. ‘In the world of science or philosophy, nothing can be  proved totally, the only thing that is certain is that things change. (The Philosophy Steamer, Lesley Chamberlain)

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language. 

People remember best the songs, books, art and film that moved them or touched our hearts and not political leaders. Only a few politicians are even remembered. And often not in a good way!

Black & White Photos at Edinburgh book festival

Mark Baeumont

Tarqi Ali

Some portraits from the Edinburgh international book festival, because of their contrast go well into black and white, which is my favourite art form. 

 

We’ve had many famous faces and well known authors from across Scotland, the UK and the world, over the past twelve years. 

 

While some images only work in colour. 

Alan Cummings

Isabel Greenburg

Karl Ove Knausgaard

Katherine Quarmby

Neil Gaiman

I love the old-fashioned, graphic simplicity and impact of the black and white image. Or the way they capture textures, shadows and expression. 

Paul Muldoon

Ahdaf Souief-Andrew

Gao Xingjian

ian bell

Rowan Hisayo

100 Years of Scottish Independence Activism

Months before the Great War, Westminster passed a Homerule for Scotland bill 1914, at the time Ireland was also agitating for home rule.

1) First there was the Home rulers – Keir Hardy, a founder of Labour, a miner turned journalist, Cunningham Graham, John McLean. 

2) Then there was The Poets (late 1830s) – Hugh MacDiarmid, Hamish Henderson, Edwin Muir,

1950s National Covenant for a Scottish Parliament, which 2 million signed; 

 

3)  The Intellectuals 1960s – third generation, Stephen Maxwell, (theorist), Gavin Kennedy, Tom Nairn (political theorist), Isobel Lindsay, Margo MacDonald, 

 

*Yes majority vote Referendum 1979, not accepted by Westminster

 

4) After came The Activists, the fourth generation – Alex Salmond, Winnie Ewing, Mike Russell, Nicola Sturgeon, John Swinney, Cunningham. Knocked doors, manned stalls, leafleting, marches, 

With a message of hope they eventually won power in Holyrood. 

 

*Mini-parliament 1999, Referendum 2014.with yes vote at 45%

*The thirteen year old UK Supreme court (set up by Blair 2010) dared to compare Scotland to Quebec, when all Canadian “provinces” have the right to hold a referendum on any subject under the Canadian constitution. Reducing Scotland, as one of the founding nations of the UK union, as less than a province. 

Margo MacDonald

Winnie Ewing & Nicola Sturgeon

Jim Sillars

(**George Kerevan failed to mention the very significant and important grassroots YES movement around the INDYREF vote 2014 building momentum around the exhilarating, hope-filled debates for a better future and our independence.) 

 

5) Yes Movement - alongside vigorous diverse hard working activism, creative arts, discourse, and online activism, consists of Believe in Scotland, the National newspaper, Common Weal, 

With the Intelligentsia, academics, and journalists - Tom Devine, Lesley Riddock, Ruth Wishart, George Kerevan, Alan Bisset, Kevin McKenna, Gerry Hassan, Ian Bell, Stuart Cosgrove, more.

 

Foreign-owned media and press is another major factor.

 

John MacLean

Hugh MacDiarmid

Cunningham Graham - First elected socialist and a founder of both the Labour party and the SNP

John MacLean – revolutionist and educator

Ramsay MacDonald – first Labour Prime minster, fiery advocate of Scottish self-determination.. Home rule – meant Scottish sovereignty within the British empire

Intellectuals - traditional values of community and love of ideas with radical reconstruction of nation.

Devolution of political power to localities, local control of land and recourses.

Cunningham Graham

Thanks to George Kerecan’s recent article The National – Four Generations failed to win Scottish Independence. Will the next”  He asks “why are we still propping up Westminster… and what is to be gained from playing within the Westminster rules of the Anglo state for yet another lost generation?”  “The latest generation activists have all but exhausted constitutional avenues within the arcane, anti-democratic British prison of nations, for achieving Scottish statehood.”

I’m surprised Sunak defends Northern Ireland's sovereignty rights – but not Scotland’s. How is this democratic?

 

What next? We must stop viewing Scotland in Westminster rear view mirror. I'm so tired hearing that Scotland – CAN'T – because matters are reserved to Westminster. 

Independence is a process and journey.

And start seeing Scotland as its own free nation. With its own story to tell. The baton is now being passed to a new generation, 

 

How will they respond?

Ramsay MacDonald

Four Generations failed to win Scottish independence. Will the next?  What is to be gained from playing within the rigged rules of the Anglo state for yet another lost generation? Scotland: we are only on our knees because we refuse to stand up.

 https://www.thenational.scot/politics/23364524.four-generations-failed-win-scottish-independence-will-next/

 

 

Edinburgh International book festival 2022 Review

Edinburgh Art college

Celebrates the enduring power of books. 

The bicycle racks are full at the book festival. Its now the second year at its new venue the Edinburgh Art college. With more of its usual buzz, with both in person and online events, there’s better children’s play area with a pirate ship and garden play area, and with more seating. It was a shock last year to move from Charlotte square gardens, where the Edinburgh International book festival took place from 1983 to 2019..

 

This year there were talks both in person and online.

In 2019 there were 900 events and now in 2022 events 600. With more streamlined events as expected less interest – as a result of the cost of accommodation and the pandemic.

 

Talks. At my first talk Edinburgh book festival, Irish writer Fintan O'Toole explored Ireland’s turbulent history from 1958 and whether Ireland might reunite. People wanting change while wanting things stay the same. But if we want things to stay the same things must change! The known and the unknown. 

American author Diana Gabaldon's talk was packed out and what an interesting lady! She was there to promote her 9th book in the Outlander saga - Go Tell the Bees That I Am Gone. She was emotional when she spoke of working to protect the Gaelic language. 

Noam Chmsky explored the corporate press, and encouraging debate in his book Chronicles of Dissent 

Lea Yi, from Albania, spoke of her book Free, Coming of Age at the end of History.

Diana Gabaldon

Ocean Vuong

Good Grief

Omar Musa

*My EIBF talks included - Diana Gabaldon, Fintan O'Toole, Brian Cox, Oliver Bullough, Lea Yi, Good Grief, Noam Chomsky,

Bigger names – Brian Cox, Alan Cumming, Maggie O’Farrell, Irvine Welsh, 

(No talks by historian Tom Devine this year unfortunately.)

 *Music

PJ Harvey, Martha Wainwright, Stuart Cosgrove, 

James Runchie, The story of Bach’s masterpiece

 

*Politics

Imagine a country, Val McDermid & Jo sharp. 

Murray Pittock, Old Scotia Grandeur springs

Yasha Mounk, The Great Experiment

Franks Dikotter, The Rise of a superpower

 

*EIBF encourages us to debate, question, and look for truths, via a wide range of writers from to academics, novelists, historians, journalists, politicians, artists, poets and more. 

Some might claim Edinburgh festivals are not radical enough. But the talks I’ve attended at the book festival this year covered many challenges – freedom in Albania, turbulent Ireland since 1958, challenging debates, and encouraging Scotland language and culture. 

 

**BOOKS

Maggie OFaarrell, The Marriage Portrait

Murray Pittock, Scotland’s stories now, On this day. Part of the year of stories 2022.

Irvine Welsh, The long Knives

Alan Riach – Scottish literature an introduction (Iain banks, Irvine welsh, Alasdair Gray, Hugh MacDiarmid, Dunbar, Robert Garioch, WN Hubert, Burns Scott, Hogg, romanticism marginalized look in.