CELTIC CONNECTIONS REVIEW 2025

Loudon Wainwright III

Julie Fowlis

Celtic Connections 2025 closed on a high note, presenting the world’s best trad, folk, world and roots music to Glasgow each winter. The 32nd edition of Scotland’s premier winter music festival reached attendances of 110,000, 125 sold out shows across 18 days. (Despite rescheduled events, the festival made a triumphant return after Storm Éowyn  to match 2023 festival attendance figures.)  For three weeks, Glasgow – a UNESCO City of Music – reflected the richness of Celtic traditions and demonstrated the power of global cultural exchange and innovation. From a spectacular birthday celebration to mark Glasgow 850 for the festival’s Opening Concert, to 300 community choir singers joining Karine Polwart on stage for an emotion-fuelled show. 

1,500 musicians from 40 nationalities took part in 300 events in 24 venues, celebrating the unifying power of live music and vibrancy of Scotland’s cultural scene. Over 7,000 pupils travelled to Glasgow Concert Hall for the festival’s Schools Concerts and music workshops were delivered to every primary 7 pupil across Glasgow. 900 people of all ages took part in ceilidhs and family events, and 1,500 took part in music and song workshops.

Lake Street Dive

Concerts such as Transatlantic Sessions proves the size of the audience for this kind of traditional, acoustic music. Celtic Connections music festival has taken the closed off live local pub sessions on to the bigger stage. And also taken Celtic music forward, while respecting the traditions. In particular certain folk musicians aim to keep carrying the stream. 

 

*Highlight concerts for me included - Dialogues Su a Lee, with Donald Shaw, Duncan Chisholm and Hamish Napier. Su a Lee celebrated her many collaborations. This wasn’t a concert about Lee’s classical musical roots (vie Julliard school) but about her journey through Scottish trad folk journeys and through it’s innovative new directions. 

 

Blue Rose Code gave an assured performance at the Pavilion with his emotive, soulful songs and backed by his accomplished band.  Lake street Dive from Boston at the Old Fruitmarket venue, got everyone in party mood with their upbeat soul, good times vibes. The 30^th Transatlantic Sessions was led by impressive artists – Niall McCabe from Ireland, accomplished Larry Campbell and Teresa Williams from Tennessee, Loudon Wainwright III who commanded the concert hall stage with his gritty character and story telling songs, plus the wonderful Gaelic singer Julie Fowlis, with her latest album ‘Following the Thread.’ 

Another highlight was the diversity on display with the anticipation of the festival’s Opening Concert – with notably Madison Cunningham, James Grant, Siobhan Miller and Oswali Project. While I might have wished to hear from some of Glasgow’s outstanding poets.  

There is always also an accomplished international flavour at the festival. CC hosted q concert of a Palestinian/Scottish collaboration with Palestinian pipers. Unfortunately three pipers had their visas refused by the Home Office. Bethlehem Calling: An evening of stories, music and pipers from Palestine. Bethlehem Calling champions artists and young people from both nations to tell a vital story of our time; sharing the experiences of girls in Bethlehem during the 2nd Intifada (2000-05) alongside to present-day testimony from students 20 years on. Performance integrated with music.

 Larry Campbell and Teresa Williams 

Niall McCabe

Duncan Chisholm

The program remained concert based, with enough to satisfy the broadest of tastes, whether it’s the Hebridean punk of Peat and Diesel at the Emirates Arena, the inspired Gaelic pipe and song collaboration Canntaireachd, at Glasgow Royal Concert Hall (GRCH), country hero Lyle Lovett at the same venue, or KT Tunstall reprising her Eye to the Telescope album 20 years on at both the Concert Hall and the Barrowland Ballroom.

Sometimes (if not often) culture leads the way for new visions. And new collaborations of how to view the world today and how our futures might be. Celtic Connections shines a light on this vision, after all music is the universal language.    CELTIC CONNECTIONS - https://www.celticconnections.com

Keeping the Celtic Traditions Alive! 

Sixty years ago the folk revival followed on from the Scottish Cultural Renaissance from Montrose in the 1930s – with figures such a Hugh MacDiarmid, Edwin Muir, William Soutar, Edwin Morgan, Neil Gunn, Eric Linklater, Lewis Grassic Gibbon, Willa Muir, Nan Shepherd, Catherine Carswell, George Blake, Iain Chrichton Smith, Sorley MacLean, 

Later 1960s poets, writers, song smiths, song collectors, such as Hamish Henderson, Margaret Bennet, Dick Gaughan. Just as poets – Allan Ramsey, Robert Fergusson, Robert Burns - wrote to keep the Scots language, culture, ballads and heritage alive, in 1700s after the union 1707 (and the suppressions of Scots musical instruments and highland dress after Culloden)

 

Celtic Connections music festival has brought folk music (and indie, world, roots, Americana) onto the bigger stage. Back in the 70s I had little idea when I attended Sandy Bells bar Edinburgh, and folk festivals – that there was a revival happening. I feel so fortunate to have enjoyed this experiences of the wonderful live music. So odd looking back.  

 

Today there are Celtic musicians keeping Scotland’s musical traditions alive such as – Julie Fowlis, Kris Drever, Karine Polwart, Manran, Braebach, Duncan Chisholm, Ross Ainslie, Glasgow Trad Collective and many more. My impression is that many younger musicians are highly aware of the traditions. 

 

Sadly troubadours such as the folk legends Dick Gaughan, Rab Noakes, Michael Marra, Gerry Rafferty, are no longer with us or performing. I remember Noakes saying – ‘A present with no past has no future.’ Scotland has a centuries old tradition of believing in the rights of all people. From the clan system, Declaration of Arbroath, scholars such a George Buchanan, Enlightenment, and Robert Burns humanity. This matters for our views of the world. Music without any hinterland lacks substance, soul and depth. 

 

The voices of the ordinary folks. In 1960s Hamish Henderson wrote, ‘Freedom Come All Ye’

 

Celtic Connections 2024 ANNOUNCED!

Tim O'Brien

Eddi Reader

CELTIC CONNECTIONS festival 2024  set for expansive programme of unmissable music!   Images copyright Pauline Keightley

World-renowned Glasgow festival Celtic Connections returns January 2024 with a full program and many international visitors – to brighten our winter nights!

Thursday 18 January to Sunday 4 February 2024, 

 

With one of its biggest-ever capacity festivals Celtic Connections is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. 

 

In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. Glasgow, UNESCO City of Music will host over 300 events across 25 venues  over 18 days.  Venues include Glasgow Royal Concert Hall, Barrowland, Pavilion Theatre, Barony Hall, Old fruitmarket.  

 

From high-energy rhythms fusing contemporary sounds with traditional music, to intimate and soulful acoustic performances. Along with the anticipated 110,000 attendees, musicians will descend on Glasgow from Scotland, North America, West Africa, India, Australia, Ukraine, Norway, Sweden, France and Ireland, more!

General tickets on sale at 10am, Wednesday 11^th October at www.celticconnections.com. Celtic Connections 2024. 

Celtic Connections 2024 will take place from Thursday 18th January to Sunday 4th February. General tickets go on sale 10am, Wednesday 11th October 2023, with advance tickets on sale now for Celtic Rovers festival supporters. The programme can be viewed in full and tickets purchased at www.celticconnections.com.

Images copyright Pauline Keightley

Highlights include:- 

●     Celtic Connections Opening Concert, Glasgow Royal Concert Hall stages the European premiere ATTENTION! New symphonic work from American Grammy winner Chris Thile - “the best mandolin player in the world” - with the BBC Scottish Symphony Orchestra

●     100 years on since the death of Scottish iconic revolutionary socialist John MacLean, a centenary concert  to recognise the significance of the Red Clydeside era – with music, poetry on his legacy, will be led by Karine Polwart, Eddi Reader, Billy Bragg and Siobhan Miller

       Scotland burgeoning traditional music scene is celebrated with Dallahan, RANT, Breabach, Mec Lir, Heisk, Session A9 and The Canny Band alongside emerging artists like Beth Malcolm, TRIP, Lauren Collier, Tarran and Amy Laurenson

●     Another special international collaboration Citadels of the Sun, in tandem with Jodhpur Rajasthan International Folk Festival, Irish and Rajasthani musicians come together Barony Hall to share common themes that connect the two cultures. The show will feature Martin Coyle, Paul Cutliffe, Sarah E Cullen, Asin Khan Langa and Sawai Khan Manganiyar

●     A wealth of transatlantic talent at the 2024 festival includes country royalty with Carlene Carter (daughter of June Carter Cash), 15-time Grammy Award winner and banjo virtuoso Béla Fleck, beloved singer-songwriter Bruce Hornsby, and festival favourites Sarah Jarosz, Teddy Thompson, The Milk Carton Kids, Tommy Emmanuel, Darlingside and bluegrass star Tim O’Brien,who with his seminal album The Crossing.

●     50th anniversary of the Scottish Chamber Orchestra , with unique arrangements and guest performances from Scotland’s Paul Buchanan (The Blue Nile), American singer Aoife O’Donovan, visionary folk band Lau and harpist Maeve Gilchrist

●      Beloved Scottish singer-songwriter Dougie MacLean will mark five decades of extraordinary music making with a special show entitled Songmaker 2024 - Celebrating 50 Years of Music

●     Roddy Hart’s Roaming Roots Revue 12th year, Songs of Modern Scotland. modern classics along with the Royal Conservatoire of Scotland Symphony Orchestra, and Scottish talent Biffy Clyro’s Simon Neil, Idlewild’s Roddy Woomble and Rod Jones, Del Amitri’s Justin Currie, Camera Obscura’s Tracyanne Campbell, King Creosote, and more

●     Contemporary Scottish Celtic outfits with RURA and Talisk iconic Barrowlands; Skerryvore expansive sound, UK top 40 album Tempus; Skipinnish celebrate 25 years, renowned folk groups Blazin’ Fiddles celebrate 25th years, Kinnaris Quintet headline show Old Fruitmarket with Julie Fowlis and Karine Polwart, and Skye’s Valtos celebrate Gaelic song SWG3

●      Showcase Scotland - a part of the festival which facilitates international collaboration - will this year partner with the country of Norway to showcase Scandinavian talent, while other festival favourites including Transatlantic Sessions will return

Festival-goers can also look forward to the usual mix of screenings, workshops, dementia-friendly concerts, late night sessions and pop-up performances at the Festival Club, as well as a thriving education programme that will benefit thousands of children across Glasgow.

Donald Shaw, Michael McGoldrick, John McCusker, Tim O'Brien, John Doyle- Late Sessions

Donald Shaw, Creative Producer for Celtic Connections, said: “It’s that time of year where we lift the lid on the incredible shows and events we have in the works for Celtic Connections. Celebration and collaboration are at the heart of the festival and once again we will bring the world’s music to Glasgow audiences this winter. I’m very excited that our 2024 edition will welcome a huge portion of international talent back to our stages, particularly our transatlantic cousins in America, and that we will be back to staging one of our biggest ever capacity festivals. We would encourage audiences old and new with a love of music to discover all that this diverse programme has to offer and spend the dark winter nights with us.”

Creative Scotland Head of Music, Alan Morrison said: “The 2024 Celtic Connections programme puts Scotland at the heart of a musical map of the world. This is arguably the festival’s strongest-ever international line-up, opening our ears to the inspirational sounds of artists from so many different countries and cultures. Running through it all, of course, is Scotland’s own musical lifeblood, the traditional tunes and contemporary twists that continue to thrill audiences and brighten up our winter days and nights.”

Culture Secretary Angus Robertson said: “I’m greatly looking forward to this year’s Celtic Connections and the warmth it always brings to the colder months with leading Scottish and international musicians across a variety of genres set to descend on Glasgow for what looks to be another fantastic showcase of talent. 

 

CELTIC Connections Glasgow 2017!

Breabach

I’m excited as this will be my tenth year anniversary covering Celtic Connections.! Hard to believe. Here are some of my strongest memories and personal favourites over my time at the festival.

THE GAELIC SONG

One of my most memorable experiences at Celtic Connections festival is hearing the Gaelic songs – sung by the incomparable beauty of the voices of both Julie Fowlis or Karen Matheson. Also newcomer Mischa MacPherson. I don’t understand each word – but I understand the feelings and there is something expressive in Gaelic that comes over in a way that’s not possible in English. I remember taking to press director Hannah about newcomer singer songwriter Rachel Sermanni. She commented how important it was too to have the Gaelic singers as they were so popular.

THE CEILIDH BAND

Another top memory at Celtic is at the Old worldly atmospheric Old Fruitmarket venue, with its coloured fairy lights is the perfect setting for some of Scotland’s top ceillidh bands - Ceilidh Bands this year include – The Unusual Suspects, Manran, Session A9 and Shooglenity.

Rura

THE INDIE ARTISTS

Celtic provides a platform for hearing quality indie artists and attracts a wide variety of talent and a music lover audience. I heard the top guitarist RM Hubbert and the very loud prog rock band Mogwai at the concert hall.

THE TRADITIONAL SINGERS AND SONGS

Naturally the festival hosts some of the best traditional Scottish singers and musicians - Dick Gaughan, Rod Paterson, Karen Matheson, Siobhan Miller. 

THE DANNY KYLE STAGE  (open mic)

Every day at Celtic its enriching to visit the open mic at 5, which attracts top folk musicians world wide. I’ve heard many top musicians here and sometimes those artists who have gone on to win such as Karine Polwart, Rachel Sermanni, Manran, Genesee. 

MY TOP CONCERTS?

Tricky one and its hard to choose. I have to mention the stand out GRIT opening concert 2015 of Martin Bennett’s class album with the full orchestra. A highly unforgettable experience! Martha Wainwright, who held the Fruitmarket audience with only her guitar, voice and songs. The Tribute concerts led by Rab Noakes for the great Scottish singer songwriters – Gerry Rafferty and Michael Marra. And of course the outstanding Transatlantic Sessions - for the musicianship of the band and the quality singers.

Karine Polwart

At Celtic Connections 2016, I enjoyed the concerts of The Chieftains, Lucinda Williams, Rachel Sermanni, Siobhan Wilson and especially the fun ceilidh bands of Rura and Blazin Fiddles. As usual the highlight was the classy accomplished musicianship of the Transatlantic band with the wonderful singers Rhiannon Giddens and Cara Dillon. 

Adam Holmes

**At Celtic 2017, they will focus on the half of the population often ignored – the women’s voices with the singers and musicians. The women care about home, children and mother earth. There is a story of a south American tribe where the women said, Stop, stop! – there is enough food and shelter and telling the men to stop hunting and killing. Some of the many outstanding women this year include - Laura Marling, Eddi Reader, Mary Chapman Carpenter, Alice Marra, Karine Polwart, Beth Neilson Chapman, Shirley Collins, Olivia Newton john, Roberta Sa 

This year I look forward the wonderful and often unexpected collaborations; Showcase Scotland; Celtic’s Educational Program. Celtic is one of the leading annual festivals of folk, world, and roots music – 18 days of concerts, ceilidhs, talks, art exhibitions, workshops, free events, late sessions and a host of one-off musical collaborations. To the opening concert with Laura Marling and the RSNO.

Eddi Reader

Martha Wainwright

And not forgetting the men – Rab Noakes, Adam Holmes, King Creoste, Billy Bragg, Jerry Douglas and more.

I look forward to the Buzz of the festival – the gathering of like minded music fans and artists!

The festival will also celebrate the anniversary of the independence of Canada and India.  The festivals partner for this year is Brazil.
**This year also holds several major anniversaries.

http://www.celticconnections.com/

Blazin Fiddles

Rab Noakes and Alice Marra

The Dirty Beggars at Stereo: Farewell Party For Now

 The Dirty Beggars entertained us with their exuberant Americana

With a ‘Hey Hey Mama Rock Me’ (the Wagon Wheel song) and the energy of bluegrass rockabilly, they sent us out into the balmy Glasgow streets. Dirty Beggars clearly have the best time on stage with their strumming banjo, strong bass lines, melodic fiddle

The band played Americana songs of the deep south with catchy refrains which brought images of sunny highways. The packed venue appeared to really enjoy their well chosen songs. The boys sweated in their suits and ties and eventually they looked more relaxed in their white shirts.

For a rousing finale song the support artists Ho-Ro and Wire Wool, joined the band on stage and the audience bopped and danced and sang along. 

The band’s sound was tight and well rehearsed, and with well matched harmonies. The band is led by the Begbee brothers, Kieran, Finn and Pete, which aids their blend of voices. I got a nice shot of the talented Pedro Cameron on fiddle. All top musicians and with Stuart Printie on double bass completing the line up.

I am always struck by how much American music has influenced Glasgow and also by how much Scottish and Celtic sounds impacted on America in those times past. 

Dirty Beggars played an up-tempo fun sound enjoyed by all ages!

The band are - Kieran Begbie Vocals, Guitar Finn Begbie Vocals, Harmonica, Mandolin, Guitar Pete Begbie Vocals, Banjo, Guitar Stuart Printie Double Bass, Dobro, Mandolin Pedro Cameron Fiddle

The Dirty Beggars released an album entitled Bite the Bullet in 2011 on independent label Dime Roc. They have toured with The Wilders in the UK and also toured in the US.   

http://www.thedirtybeggars.com

Jim Byrne and the Blackwoods and Dinny at Bar Brel Feb 2012

On a wet Glasgow night Jim Byrne and his band brought colour to the dull February days with enriching and soothing sounds..

The Bar Brel was full and cosy and I took a seat near the front in the hope of getting some good shots. This was the CD launch for Jim’s new set of tunes for his album The Innocent and he was accompanied by the Blackwood’s which consisted of Graham MacKintosh (banjo, violin), Elanor Gunn (violin) Dinny (guitar, harp and vocals), and Peter Bryne (bass, percussion, backing vocals). The band all did a very good job of backing Jim’s deep soothing bluesman vocals.

Stand out songs were requested - Two Empty Chairs, Sand in Our Shoes, and cover song Thirteen. I enjoyed the gypsy guitar vibe of Down by the Wildwood, after which Bryne took the temperature down with the comforting Sweeter than a Rose and the earthy Sand in Our Shoes.  He sang the covers Thinking Tonight Of My Blue Eyes, Satisfied Mind ( Joe "Red" Hayes), There Stands The Glass (Russ Hull, Mary Jean Shurtz and Audrey Greisham) and a fun Make Me a Pallet on the Floor. His cover songs are well thought out as are his own songs which show his obvious love of music.

Jim’s music has a warm nostalgic feel and their set was very much in Jim’s chilled out late night groove style.

I am impressed with the way Jim maintains his Scottishness while taking on his American folk and blues influences. His sound draws on diverse influences such as Johnny Cash and Tom Waits, as well as other lesser known folk artists. Jim Byrne is a singer songwriter influenced by Americana, folk, alt-country and blues music. 

Byrne has an expressive voice and slightly eccentric songs making for a distinctive sound. He steered a calm ship with his quiet relaxed manner and smile which filters through his mellow country tunes and quality guitar playing. 

His new album has a cover by Susanne McGreevy and is called The Innocent. It has more atmosphere and is a step on from his well received previous album "Every Day is Sunshine.” The Innocent has an earthy sound and his songs have quirky and unexpected lyrics. The backing musicians play a wide variety of instruments on the record which adds a rootsy sound with a richer depth and with more fluid soundscapes.

A highly enjoyable night and I recommend checking out Jim's latest offerings.

Dinny sang a few of her own songs as the support slot and she has a very good voice with a pure quality to it as well as being a talented guitarist.  http://songsbyjimbyrne.com/

 As on Jim's previous album, he's joined by some of Glasgow's best musicians, notably Yvonne Lyon (delicate piano on Sleepy Head) and virtuoso guitarist and banjo picker Graham Mackintosh (Satisfied Mind, Thirteen). Jim’s brother, Peter Byrne, adds harmonic richness on backing vocals (check the chorus on Sand in your Shoes) as does Glasgow singer songwriter Dinny (Two Empty Chairs, You Are A Good Friend Of Mine).   

Set List Fancy Wooden Box
Tell Me You Love Me Again
Down By The Wildwood
Thinking Tonight Of My Blue Eyes
Satisfied Mind (cover song by Joe "Red" Hayes)
Thirteen
Sweeter Than A Rose
Sand In Our Shoes
II
You Dont know
There Stands The Glass
Two Empty Chairs
When You Bit Into That Apple
Make Me down A Pallette On Your Floor
The Handle's Broken On my Cup
Daddy's Car