Saturday, 30 August 2025

Nicola Sturgeon memoir Frankly at the Front list EIBF 2025



Former Scotland’s first minster Nicola Sturgeon, was interviewed by journalist Kirsty Wark at the McEwan hall to discuss her newly released memoir Frankly: as part of the Edinburgh International book festival 2025,

 

Wark: Sturgeon was first elected in 1991 and now 33 years later here is her memoir Frankly. She writes about her anxiety and being introverted – which she had to work to overcome. But that masking came at a cost. In eight and a half years she won eight elections. Sturgeon reflected that these were volatile times and an incredible period in Scottish history.

 

Wark commented that Alex Salmond looms large in her book. Nicola replied that he was a strong, charismatic leader and a force for good. They complimented each other. His approval mattered to her and his disapproval counted. Was it coercive control, Kirsty asked, Nicola didn’t believe so.  

 

The White Paper, Stronger for Scotland, Salmond couldn’t do the details and he never fully read the hundreds of pages Nicola believes, on his trip to China. (I have to assume the main people who read all the hundreds of pages, would have been unionist opponents). Alex both undermined and bolstered her. He was integral to her life and she felt a profound sense of sadness at his death. Alex advised her that her then husband Peter Murrell should not be chief executive – all rather poignant now. She spoke of all the optimism around the inydref. 



Sturgeon’s Record in Office, what was she proud of? She mentioned the Pre school education while this has still not reduced the attainment gap. Nicola said she was proud of Baby Box, doubling early years support and the Scottish child payment – but all this needs to work through the system. Nicola commented that poverty is a big part of the problem. She set up a National investment bank.

 

The Trans issue was a bruising time and highly polarising. Sturgeon wondered, could there have been a less divisive way? The tenor of the debate has been vicious, with all the prejudices of the far right and that these extremes need to be ignored. She appeared very tense during the trans chat.

The general election 2017. She had a severe chest infection. and thought she would collapse at the first leaders debate. Salmond lost his seat and he then refused to take her calls. 

 

The trial and acquittal of Alex Salmond - There was no evidence of a conspiracy: who leaked the story she questioned, as journalists didn’t know. The dark arts of media manipulation, the leak turned him into a victim. He said he behaved badly, with at times inappropriate behaviour.



Wark questioned was she collegiate enough, was she too insular? 


Nicola said she was enjoying being single and that she now hopes to travel maybe to Europe, to lay aside the glass bowl of Scottish politics. She was very young getting into politics. She spoke of reading more books – my passion, solace and inspiration. Wark mentioned the FMs Reading Challenge and support for libraries.

 

She said that things are stuck here in Scotland, but that they can come unstuck suddenly. There is no magic solution and that we must connect to the real challenges of poverty and the economy. After her chat one man said that he had lived over thirty years in Hong Kong and returned to a Scotland transformed. This was a very positive chat, with a supportive audience with clearly many SNP voters!



Many have questioned why the two Big Beasts of Scottish politics of our devolution era have ended up in the justice system: have ended up being hounded. What’s really going on? Herald journalist Iain MacWhirter, has questioned this on BBC Radio Scotland, asking why this has happened. After all we don’t have former PMs in the courts, even as we know there has been gross negligence and corruption. Both Sturgeon and Salmond have been taken in for questioning, and subsequently found innocent of all charges. (Salmond of inappropriate behaviour, Sturgeon of embellishment. And that big tent outside Nicola’s house). 




All day the book festival buzzed with press – both print journalists, broadcasters and photographers. From Scotland and abroad. Some were promised one to one interviews. But Sturgeon’s Press conference in the afternoon was a rushed affair. As if she couldn’t wait to get away. Then again she did have another event in Glasgow later to promote her new book


Cultural History Disconnects

Cultural History Disconnects

 

I had a big disconnect between my primary school and secondary school. At primary we had Scottish dancing, Scots poetry and song. Then at secondary we had no Scottish history, culture or music at all. Only English literature, history and music. Quite a strange disconnect. We used to go to the military tattoo at the castle every year. 

 

Then I attended college down the cobbled royal mile Edinburgh, and wondered about all the history here – the Canongate Kirkyard, John Knox house, St Giles, Holyrood, the Grassmarket – and the castle. 

 

Going to secondary school Edina, I travelled across the town by bus via princes street. I passed a statue to the Scotch Bard Robert Burns at the bottom of Leith walk each day. On the top deck there were many teenagers in brightly coloured blazers who spoke with posh English accents and I wondered where they came from. In Edina around 25% of children attend private schools. 

 

No it wasn’t and isn’t an integrated melting pot at all but a stiff social hierarchy here. Back in the 60s though, young people had more options to go to study. Houses were built to offer greater social mixing, but that often hasn't succeeded. When people don't feel they have things in common, many put up defensive barriers. 

 

Visiting Holyrood palace I once picked up a small blue book on the Stuart kings of Scotland. I became fascinated by the Scots history and stories. I visited the Scottish national galleries, with their many portraits of Scottish royalty. My parents were from Northern Ireland, so I was very confused, as no doubt they were too. 


Mark Kermode Front list with Brian Cox EIBF 2025



Film critic Mark Kermode gave a Front List talk with renowned Scots actor Brian Cox, and Scots actors Kate Dickie and Michelle Gomez.

 

Brian Cox spoke of his background; he is 88% Irish, 12% Burnt island Scottish. He was in both Braveheart and Rob Roy films – he said that Braveheart was a lie and the film didn’t make sense and they didn’t have kilts then. Wheras Rob Roy was a really well written script and had a wonderful director. 

 

They discussed that all drama is politicised when you have a voice its important to speak up. Kate spoke of all the Palestine authors and shows at the festival (Put your soul in your hands and walk). She spoke of having to pretend that she lived in London to get work.

Mark Kermode

Kermode asked about their Scots Identity

Kate spoke: “I love England as a neighbour, but if you’re roof is leaking, you don’t ask your neighbour to fix it.” 

 

Brian: The boomers have dropped the ball and now we have to fight again. The horror of Gaza, Ukraine and Trump – we all have to speak up. There are good guys in America but they are not good with women.

 

We need good people: honest, true and good I don’t like Starmer. He doesn’t believe in anything, he’s closed everything down. Scots are authentic but have an inner depression. Scots are not boastful about what we’ve contributed. We should boast more for our self confidence. Scots are popular in America with many having Scots heritage. And by the way, Scotch is the correct term, and was used in Burns day!  As is used by Scotch whisky too.

 

His new film Glenrothan will debut at Toronto film festival  He said with directing you are a cog in the wheel, for everyone contributing. He spoke of troubled times at Edinburgh film festival, with tickets not selling.

 

Kate Dickie

Brian Cox's new film is a directorial feature debut called Glenrothan, a Scottish family whisky drama where he also stars opposite Alan Cumming. Described as a "love letter to Scotland," the film features Cox and Cumming as estranged brothers who reunite to save their family's distillery. The film was shot in Scotland and is expected to have its premiere at the 
Toronto International Film Festival in September 2025.
Brian Cox

Brian Cox and Michelle Gomez


Thursday, 28 August 2025

Mark Kermode and Jenny Nelson Surround Sound EIBF 2025

 

There has been a hundred year history of movie sound. The Sting, Dune, Jaws, Gladiator…Would these movies be quite as iconic without their incredible scores? 

Journalist, broadcaster and film critic Mark Kermode, along with writer and radio producer Jenny Nelson, explored film scores in their talk at Edinburgh international book festival. They are Co-authors of Surround Sound: The Stories of Movie Music

 

Surround Sound is a book of interviews with film composers, on the genres and evolution of film music. They also looked at the context and structure. Jenny and Mark had worked on a film musicradio show together, when it became clear Jenny could help move the book project along.  

 

In this talk they shared their passion for the craft of making music for movies and a composer’s ability to elevate a film from ‘great’ to ‘epic’. There are the connections between composer and director – you want to sound like the film (not yourself) - or sound like the director. Radiohead’s guitarist Johnny Greenwood wrote to the themes and not to the scenes, On films such as there will be blood. Sometimes there is some kind of alchemy that can’t be explained. 

A good film score will make or break a film. In fact most of the greatest films have incredible scores. 

 

WHY do all the best movies have great and distinctive and highly memorable music - 

MY PERSONAL LIST OF BEST FILM SCORES

Scott Joplin’s music for - The Sting.

The Godfather – Nina Rota

Hans Zimmer - Dune

The Graduate – Paul Simon

Blade Runner -  Vangelis

Star Wars – John Williams

Gladiator – Hans Zimmer

Out of Africa – John Barry

Chariots of Fire - Vangelis


In the live score – the slight imperfections of live music made by humans: the mistakes are where creativity happens. There are now many film screenings with a live score. The film Drive my Car breaking new ground through vocals, chorale music. Integrated music birdman


A good film score will make or break a film. In fact most of the greatest films have incredible scores. 

 

 

Jenny Nelson’s website - 

“We cover A LOT, from how a score is made, how composers put the director’s vision into sounds, and the evolution of movie music from the silent era to the present day, to examining specific musical or cinematic genres that hold particular significance for Mark, such as Horror, Electronica and Pop.

We spoke to many talented and inspirational composers who kindly took the time to share their experiences and working methods with us – people like Hildur Gudnadottir, Michael Abels, Isobel Waller-Bridge, Jonny Greenwood, Warren Ellis, Lorne Balfe, Jocelyn Pook and Laura Karpman. Our aim has been to write a book about film music that’s accessible and entertaining and, hopefully, a great read, whether you’re a film score aficionado or you have a general interest in this broad and beautiful world.

The official back cover blurb is: How can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? 

Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition, exploring the evolution of film scoring from silent films to the present day and examining how what we hear has an impact on what we see.

Including interviews with extraordinary talents from Radiohead’s Jonny Greenwood to Oscar-winning composers Rachel Portman, Anne Dudley and Howard Shore, and ranging from classics to blockbusters to horrors, Mark Kermode’s Surround Sound is a thrilling take on how great scores are brought to life on the silver screen.

 

Mark Kermode is an English film critic, radio and tv presenter, author and podcaster. He is the co-presenter (with Ellen E. Jones) of the BBC Radio 4 programme Screenshot, and co-presenter (alongside long-time collaborator Simon Mayo) of the film-review podcast Kermode & Mayo's Take. Kermode is a regular contributor to The Observer, for which he was chief film critic between September 2013 and September 2023. He plays bass in a skiffle band, Dodge Brothers – they play accompaniments for silent films.