*Michael Marra Milngavie folk club

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'He paints with Words'

I have heard Marra twice at the Mugdock theatre, which with the grand piano off to the left is simply the perfect venue for him, and I list his concerts there as some of my favourite ever small venue gigs.  The first thing that I noticed at his gigs was how frail he looked, but then when he performed he surprised me with this deep gravelly voice. 

With endearing heart and ironic dry wit Marra led us through his medley of songs which were brim full of unforgettable characters and carefully crafted images of places and time.  Oddly he props his keyboards on top of a small ironing board.  He has a strong character for photos with his humour and expressive eyes.

In March the Milngavie Fraser centre was packed for his gig for the Milngavie Folk Club.    

Marra played piano and guitar during his set here and he sang songs with grand titles such as -  'If Dundee was Africa', 'Bob Dylan's Visit to Embra', 'Grace Kelly's Visit to Dundee,' 'Muggie Shaw', 'Freda Kohl's Visit to the Tay Bridge Bar', and 'Lonesome Death of Francis Clarke'.  In 'Schenectady Calling', Marra paid tribute to Peerie Willie Johnson, a noted folk musician from Shetland.  He finished his set with a Burns song ' Green Grow the Rashes O' and an encore song 'Mary Skeffington' by the late Gerry Rafferty of Paisley.  

Marra's songs often mix Scottish places with a fantasy of American celebrity. He writes songs about such diverse topics as football, ladies choirs, and American idols!  At times his stories and songs are highly amusing, while other songs are thoughtful and touching. He derives his musical influences from the likes of Tom Waits, Randy Newman and Bob Dylan.  His music has grown out of both his Dundee Scottish roots and his American musical tastes, and he calls his sound 'groovy traditional music.'

Although predominantly known as a songwriter, Marra has worked extensively in theatre, radio and television.  Marra's children, Alice Marra Clark and Matthew Marra, are are members of The Hazy Janes. Marra was in a band called Skeets Boliver in the late seventies.

'There's Love in this world for everyone, Every precious smile you make, Be sure love is out there looking for you.'   Michael Marra

Mugdock Music Festival 2009

This year the festival was held in a marquee in the walled garden, which seemed much simpler while missing the activities in the courtyard. The Mugdock festival brought together a broad range and depth of artists and had a strong international flavour. The Shawlands, Chinese and belly dancer dance groups brought colour. The flamenco dancers and musicians brought energy and colourful African drums with Arawarra. Seylan Baxter and Cheyanne Brown played their warm flowing harp and cello tunes. The Sighthill Project was a fresh, well taught group of talented youngsters from different countries, who sing and play violin together.

Headlining this year were John McCusker, Michel Marra, and the Battlefield band. The Battlefield band played a fun energy-filled set of Scottish tunes. McCusker. Woomble and Drever, three talented artists plus Heidi Talbot, have joined forces to produce a class album of contemporary tunes with folk influences. To our delight Scottish singing royalty Eddi Reader turned up and sang on a couple of songs with the group! 

Some artists are both unassuming and also brimming with talent and they play intelligent, insightful and instinctive music. Michael Marra and John McCusker both fall into the category in different ways. McCusker has that ability to sink into the emotion and grip you with his music through his expressive dynamic fiddle playing.

 

Michael Marra at Mugdock theatre

When he arrived at Mugdock he discovered the perfect small theatre. The theatre is fairly new and seats about 50 in a tiered semi circle and with a shiny grand piano to the left of the small stage. There is one side entrance and the door to the back stage room. It has been built with music lovers in mind. 

I managed a chat with Marra and he appeared to recognise me from last year. I sense he doesn’t miss a beat. He had his green shirt laid out on the side table and he said how much he loved the Mugdock theatre and the beautiful piano. You could feel his excitement. Last year in 2008 he said he had travelled through the rain and the winding country roads wondering where he was coming to. 

Marra's is unforgettable playing the small Murdock theatre. His songs are both very humorous (as is his chat) and insightful and his clever use of words and images in his songs, he takes himself into the others heads. There are echoes of his poet and musical hero, Bob Dylan. He cleverly uses humour and irony to describe the truths of the diversity of human nature. He draws on Dundee his home town often and of the football team Dundee United FC. All eyes are fixed on Marra throughout. 

Marra finished with the Robert Burn's song Green Grow the Rashes O and his smile said it all. For his encore he sang a beautiful, moving song, He talked about an uncle he never knew who died and about family being in the huff with each other 

He sang the words, ‘Did you forget the world and did the world forget you?’ 

You could feel Marra’s joy of it after his encore song. A perfect ending to the Saturday.

Whenever I think of the special audience connection this has to be the perfect small venue where that magic can happen. Buckley calls it the 'romance of the small venue'. 

MICHAEL MARRA at Mugdock Festival theatre

The theatre highlight was Michael Marra. Marra is a Scottish songwriting legend from Dundee. Out of this small grey haired man with the weather beaten face came this huge gravely voice and clever songs, with a strong Scottish and American favour to them. With his clever wit and playful way with words, his songs talk about the eccentricities of the Scottish character. He writes about women’s choirs, meeting artist Freda Kahlo at the pearly gates -well more exactly at a pub on the Tay Bridge because she’s held up! He sang ‘If Dundee was Africa’ ‘Maggie Shae’ ‘Wa can Tell the Difference’ Jersey Kitchen Partner’ ‘Hamish’ and Dylan’s ‘Tomorrow wasn’t such along Time’. He’s the real deal! He finished his set with a perfect version of a Burns classic - ‘Green Grow the Rashes O’

While Marra’s voice draws from jazz, blues, pop and folk with the likes of Tom Waits, Randy Newman and Dylan, he keeps it essentially Scottish in flavour. In 1985 he released his solo album, Gaels Blue, on his own label. .’.

MARRA's music is soaked in the Scottish experience, strained through a gauze of ragtime blues-piano and shot with filaments of traditional folk and American voices ... ‘; Scotland on Sunday