Showing posts with label Dick Gaughan. Show all posts
Showing posts with label Dick Gaughan. Show all posts

Tuesday 1 May 2012

*Dick Gaughan Interview with Phil Cunningham


This photo of Gaughan was taken at Milngavie Folk Club in 2011
Dick Gaughan Interview with Phil Cunningham Radio Scotland March 2012
Dick chose five songs that have influenced him –
(1) Big Bill Broonzy – Glory of Love
(2) The Shadows – Apache
(3) The Beatles – Love Me Do
(4)  Bob Dylan – Subterranean Homesick Blues
(5)  Davy Graham – 67

Gaughan talked about his musical influences. His chat is often profound, sometimes humorous and always entertaining.
He said that The Shadows were the first eclectic guitar group and that back then we were discovering all these new sounds for the first time. Before that nearly every American singer  seemed to be called ‘Frankie’ and sang songs about what it was like ‘to be a young lad at summer camp!’   
Gaughan said that ‘Love Me Do’ from the Beatles was another defining song.

He became obsessed with songs - he was like a magpie and studied songs at the National Library. In 1979 the Thatcher government made him first think about ‘why’ he was singing the songs and he became a political artist then. He said that Traditional music is about fair play, the totality of life and about the community.
Nowadays the barrage of media attempts to put forwards ‘one’ message he claimed and he likes to be part of what he calls the ‘awkward squad’ who are the grain of sand in the ointment and have other ways of looking at reality - and try to at least think about it!
He spoke about Dylan’s beautifully crafted songs that punched out images such as ‘Subterranean Homesick Blues’. Gaughan played with Aly Bain’s Boys of the Lough and a punk band called Five Hand Reel. Like many others on the folkscene back then he developed a drink problem and then he had a breakdown. He had to clean up and dry up.
Lastly he talked about Davy Graham’s guitar which was tuned differently. His musical ideas were unbelievably creative - he was predictably unpredictable!  Hearing Graham's guitar it becomes clear where Gaughan had learned his distinctive playing style from. His list of favourite song choices is interesting too and shows the breadth of his roots in both traditions and more contemporary musical styles. 

Gaughan is best known for singing the songs Both Sides the Tweed and Westlin’ Winds. 
Some very few artists have the ability to transport and transcend the moment, and Dick does so with forceful guitar playing and classic traditional songs with a strong message and a deep expressive, growling voice.  He draws from both Irish and Scottish folk traditions. I first heard Gaughan play in the 70s in Edinburgh when I was dating a folk guitarist who raved about how incredible and very distinctive his playing was. Many years later (after being in America for nearly ten years and having three children) I heard Dick again at Milngavie Folk club in 2007, and this was an intimate gig where his chat between songs was worth going for alone. In his own so distinctive style, Gaughan hammers and speaks with his acoustic guitar. He performs traditional folk tunes, Robert Burns, favourite cover songs and his own songs.
He doesn't play the predictable smoothed-over sugar box 'tartan shortbread' songs - and he may not be to everyone's taste. Gaughan is plain spoken and holds firmly held beliefs on the rights of everyman and at one time he took past folk stories and songs from the library archives and put new melodies to them. You come away from his gigs questioning but ultimately renewed in the faith of our shared humanity. Dick Gaughan is a Scottish living legend, and he usually performs every January at 'Celtic Connections' Glasgow.   
 

Saturday 16 July 2011

*Dick Gaughan Milngavie Folk Club June 2011

Dick Gaughan is a Scottish traditional folk singer and guitarist, a songwriter, composer and record producer. He sings of Scottish heroes and of stories of our lost past and long forgotten voices.  Gaughan has been playing the circuits both at home and abroad for many years now. He is a legend among folk circles and also one of the most down-to-earth and likeable artists without pretensions of any kind.  
 
I arrived early at the venue and met Gaughan and he seemed to know me from his last visit here. He spoke of playing with Emmylou Harris and what a nice person she was.


Gaughan sang Burn's Now Westlin Winds, his favourite songs of all time; a traditional song re-interpreted by Gaughan Both Sides The Tweed;  What You Do With What You've Got, the best opening song (Si Kahn);  Thomas Muir of Huntershill; Why Old Men Cry; No God and Precious Few Heroes (Brian MacNeill); Song For Ireland; Huntershill. He also played a powerful guitar instrumental and a song by the Scottish poet Hamish Henderson. 

He wondered on No God and Precious Few Heroes (Brian MacNeill) whether we have forgotten the protest voices of the 60s and sang - 'Whatever happened to ' We Shall Overcome' and 'What Are We Fighting For'.  On Why Old Men Cry he told of how he had felt connected to his paternal grandfather while visiting the first World War graveyards in Germany. His grandfather had died when he was half Gaughan's age from mustard gas poisoning and he connected this to the faces he remembered well as a child.  Now, he said, he understood the sadness in the eyes of old miners. 

There is an urgency and force about Gaughan's music as if he feels strongly he has important messages to get off his chest in his music. Gaughan searches below the surface of songs. He plays open chords on guitar and his playing is melodic and strongly emotive.  His voice has a poignant edge and is both harsh and deep in tone and it hits home hard. The words of his songs ring true and with his opening song 'What You Do With What You've Got (which he said he would keep as his opening song until he found a better one) he sang - 


Its' not just what you're born with, but what you do with what you've got.
What's the use of two strong legs, if you only run away.
And what use is the finest voice if you've nothing good to say?
What's the use of two good ears, if you don't hear those you love.
Words & Music : Si Kahn

He sang not of resolutions but of holding on to your vision. Gaughan was warmly received and seemed to enjoy the gig. I felt that his substance, refreshing honesty and questioning words must have impacted on the younger members of the audience.  On the older ones too!  


LYRICS
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Now Westlin Winds (Written by Robert Burns as sung by Dick Gaughan)
Now westlin winds and slaughtering guns
Bring autumn's pleasant weather
The moorcock springs on whirring wings
Among the blooming heather
Now waving grain, wild o'er the plain
Delights the weary farmer
And the moon shines bright as I rove at night
To muse upon my charmer
The partridge loves the fruitful fells
The plover loves the mountain
The woodcock haunts the lonely dells
The soaring hern the fountain
Through lofty groves the cushat roves
The path of man to shun it
The hazel bush o'erhangs the thrush
The spreading thorn the linnet
Thus every kind their pleasure find
The savage and the tender
Some social join and leagues combine
Some solitary wander
Avaunt! Away! the cruel sway,
Tyrannic man's dominion
The sportsman's joy, the murdering cry
The fluttering, gory pinion
But Peggy dear the evening's clear
Thick flies the skimming swallow
The sky is blue, the fields in view
All fading green and yellow
Come let us stray our gladsome way
And view the charms of nature
The rustling corn, the fruited thorn
And every happy creature
We'll gently walk and sweetly talk
Till the silent moon shines clearly
I'll grasp thy waist and, fondly pressed,
Swear how I love thee dearly
Not vernal showers to budding flowers
Not autumn to the farmer
So dear can be as thou to me
My fair, my lovely charmer

What You Do With What You've Got  ( Music and Words by Si Kahn as sung by Dick Gaughan)

You must know someone like him
He was tall and strong and lean
With a body like a greyhound
And a mind so sharp and keen
But his heart, just like a laurel,
Grew twisted round itself
Till almost every thing he did
Caused pain to someone else
It's not just what you're born with
It's what you choose to bear
It's not how big your share is
But how much you can share
And it's not the fights you dreamed of
But those you really fought
It's not what you've been given
It's what you do with what you've got
Now what's the good of two strong legs
If you only run away?
And what use is the finest voice
If you've nothing good to say?
And what good is strength and muscle
If you only push and shove?
And what's the use of two good ears
If you can't hear those you love?
Between those who use their neighbours
And those who use a cane
Between those in constant power
And those in constant pain
Between those who run to evil
And those who cannot run
Tell me which ones are the cripples
And which ones touch the sun?

Dick Gaughan Photo gallery - http://pkimage.co.uk/dickgaughan
Dick singing Burn's Westlin Winds, his favourite song.  http://www.dickgaughan.co.uk/  

Gaughan was born in Glasgow and was raised in Leith Edinburgh. His mother was a Highland Scot, his father a generation away from Ireland. From childhood, he was immersed in Scots and Irish musical traditions by both sides of his family. Gaughan is a national treasure. He is a world weary traveller of stories and music.