Celtic Connections 2024 ANNOUNCED!

Tim O'Brien

Eddi Reader

CELTIC CONNECTIONS festival 2024  set for expansive programme of unmissable music!   Images copyright Pauline Keightley

World-renowned Glasgow festival Celtic Connections returns January 2024 with a full program and many international visitors – to brighten our winter nights!

Thursday 18 January to Sunday 4 February 2024, 

 

With one of its biggest-ever capacity festivals Celtic Connections is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. 

 

In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. Glasgow, UNESCO City of Music will host over 300 events across 25 venues  over 18 days.  Venues include Glasgow Royal Concert Hall, Barrowland, Pavilion Theatre, Barony Hall, Old fruitmarket.  

 

From high-energy rhythms fusing contemporary sounds with traditional music, to intimate and soulful acoustic performances. Along with the anticipated 110,000 attendees, musicians will descend on Glasgow from Scotland, North America, West Africa, India, Australia, Ukraine, Norway, Sweden, France and Ireland, more!

General tickets on sale at 10am, Wednesday 11^th October at www.celticconnections.com. Celtic Connections 2024. 

Celtic Connections 2024 will take place from Thursday 18th January to Sunday 4th February. General tickets go on sale 10am, Wednesday 11th October 2023, with advance tickets on sale now for Celtic Rovers festival supporters. The programme can be viewed in full and tickets purchased at www.celticconnections.com.

Images copyright Pauline Keightley

Highlights include:- 

●     Celtic Connections Opening Concert, Glasgow Royal Concert Hall stages the European premiere ATTENTION! New symphonic work from American Grammy winner Chris Thile - “the best mandolin player in the world” - with the BBC Scottish Symphony Orchestra

●     100 years on since the death of Scottish iconic revolutionary socialist John MacLean, a centenary concert  to recognise the significance of the Red Clydeside era – with music, poetry on his legacy, will be led by Karine Polwart, Eddi Reader, Billy Bragg and Siobhan Miller

       Scotland burgeoning traditional music scene is celebrated with Dallahan, RANT, Breabach, Mec Lir, Heisk, Session A9 and The Canny Band alongside emerging artists like Beth Malcolm, TRIP, Lauren Collier, Tarran and Amy Laurenson

●     Another special international collaboration Citadels of the Sun, in tandem with Jodhpur Rajasthan International Folk Festival, Irish and Rajasthani musicians come together Barony Hall to share common themes that connect the two cultures. The show will feature Martin Coyle, Paul Cutliffe, Sarah E Cullen, Asin Khan Langa and Sawai Khan Manganiyar

●     A wealth of transatlantic talent at the 2024 festival includes country royalty with Carlene Carter (daughter of June Carter Cash), 15-time Grammy Award winner and banjo virtuoso Béla Fleck, beloved singer-songwriter Bruce Hornsby, and festival favourites Sarah Jarosz, Teddy Thompson, The Milk Carton Kids, Tommy Emmanuel, Darlingside and bluegrass star Tim O’Brien,who with his seminal album The Crossing.

●     50th anniversary of the Scottish Chamber Orchestra , with unique arrangements and guest performances from Scotland’s Paul Buchanan (The Blue Nile), American singer Aoife O’Donovan, visionary folk band Lau and harpist Maeve Gilchrist

●      Beloved Scottish singer-songwriter Dougie MacLean will mark five decades of extraordinary music making with a special show entitled Songmaker 2024 - Celebrating 50 Years of Music

●     Roddy Hart’s Roaming Roots Revue 12th year, Songs of Modern Scotland. modern classics along with the Royal Conservatoire of Scotland Symphony Orchestra, and Scottish talent Biffy Clyro’s Simon Neil, Idlewild’s Roddy Woomble and Rod Jones, Del Amitri’s Justin Currie, Camera Obscura’s Tracyanne Campbell, King Creosote, and more

●     Contemporary Scottish Celtic outfits with RURA and Talisk iconic Barrowlands; Skerryvore expansive sound, UK top 40 album Tempus; Skipinnish celebrate 25 years, renowned folk groups Blazin’ Fiddles celebrate 25th years, Kinnaris Quintet headline show Old Fruitmarket with Julie Fowlis and Karine Polwart, and Skye’s Valtos celebrate Gaelic song SWG3

●      Showcase Scotland - a part of the festival which facilitates international collaboration - will this year partner with the country of Norway to showcase Scandinavian talent, while other festival favourites including Transatlantic Sessions will return

Festival-goers can also look forward to the usual mix of screenings, workshops, dementia-friendly concerts, late night sessions and pop-up performances at the Festival Club, as well as a thriving education programme that will benefit thousands of children across Glasgow.

Donald Shaw, Michael McGoldrick, John McCusker, Tim O'Brien, John Doyle- Late Sessions

Donald Shaw, Creative Producer for Celtic Connections, said: “It’s that time of year where we lift the lid on the incredible shows and events we have in the works for Celtic Connections. Celebration and collaboration are at the heart of the festival and once again we will bring the world’s music to Glasgow audiences this winter. I’m very excited that our 2024 edition will welcome a huge portion of international talent back to our stages, particularly our transatlantic cousins in America, and that we will be back to staging one of our biggest ever capacity festivals. We would encourage audiences old and new with a love of music to discover all that this diverse programme has to offer and spend the dark winter nights with us.”

Creative Scotland Head of Music, Alan Morrison said: “The 2024 Celtic Connections programme puts Scotland at the heart of a musical map of the world. This is arguably the festival’s strongest-ever international line-up, opening our ears to the inspirational sounds of artists from so many different countries and cultures. Running through it all, of course, is Scotland’s own musical lifeblood, the traditional tunes and contemporary twists that continue to thrill audiences and brighten up our winter days and nights.”

Culture Secretary Angus Robertson said: “I’m greatly looking forward to this year’s Celtic Connections and the warmth it always brings to the colder months with leading Scottish and international musicians across a variety of genres set to descend on Glasgow for what looks to be another fantastic showcase of talent. 

 

Images Scotia from Enlightenment to Kailyard

Journalists, historians and fake historians novelists have written of Scotland’s victimhood and of the false romantic myth-making of the Kailyard school of writing.Tom Devine is highly critical of the John Prebble books ( Glencoe, Culloden,  Highland Clearances) which are often on display by the National Trust for Scotland at key historical sites such as Culloden, Burns Alloway cottage, Edinburgh castle and more.

Journalist Lesley Riddoch writes, “Scots ignore what’s truly distinctive and successful about their culture, hero worship the very long dead (Wallace and Bruce) skip the interviewing period and despair about the future.”

 

Visit Scotland, who are set up to promote Scottish tourism, recently displayed on its website neon images by artist Professor Ross Sinclair, which were shown at the Glasgow gallery of modern art (GoMA) 2015 and 2016. The one sign objected to stated, “We love the highland clearances” We love Bonnie Prince Charlie”

Charles Edward Stuart

All the romantic myth-making, famously by Walter Scott, was to portray a Scotland that is gone and lost forever1800s. According to political theorist Tom Nairn, while the rest of Europe was pursuing nationalism 1800s, as a way for the bourgeoisie to encourage the workers of their nation to rise up against the “Uneven nature of capitalism.” Only Scotland was left behind and totally missed this upsurge, as Scotland after union had already transformed early 1700s after union. From a backward feudal nation to a progressive enlightenment (the Scottish enlightenment late 1700s). I paraphrase here Nairn’s highly readable academic work The Break up of Britain.

 

There is this split personality of Scotland’s that shows today in the 50/50 spilt over Scotland independent future. The Sinclair images are shocking and continue to promote this backward risk adverse Scotland and this false cringe and victimhood. 

 

Where is the pride?

Where is the real authentic Scotland? Where is the Scotland we have all forgotten?

The heart often rules the head when we decide who to support. 

 

The controversial painting Monarch of the Glen, a majestic stag surrounded by en empty glen, devoid of people and trees, provoked debate on what Scotland’s lands became, after Queen Victoria set up her holiday home at Balmoral estate. The Tory Scotland or the Jacobite myths and Jacobin reformers. The founding father of democracy and equal rights. 

 

Or the scientific achievements; the Scottish enlightenment; Robert Burns songs of shared humanity or Walter Scott’s myth-making Scotland; Scotland as traders and seafarers. 

A Canon of Scottish literature

 

Scottish literature over long eras has been neglected or deliberately obscured,  so securing its place in the firmament is a kind of redress, a reclamation. “ Alan Riach

Language expresses who we are, 

A canon is a form of cultural empowerment, “any canon of Scottish literature is a form of cultural reclamation, a resistance to the canonical weight of English, or Anglo-American, or Anglophile literatures in English, what used to be called commonwealth literature.”

Lewis Grassic Gibbons

RL Stevenson

Galt, Gibbon, Mackay Brown, Oliphant, Spark, Janice Galloway, AL Kennedy, Jackie Kay, Ali Smith, Scott, RL Stevenson, Arthur Conan Doyle, Irvine Welsh, JM Barrie,…..Celtic folklore, ghost stories, landscapes of Highlands, western isles, rich histories of Edinburgh and Glasgow. Over the 1700s many poets worked to reclaim and keep alive Scots voices and ballads, - Allan Ramsey, Robert Burns, Robert Fergusson.  

**In 1800s, Privy Council in Westminster, created the Scottish Education Department, to teach English (to replace the Church of Scotland, who taught Scots and Gaelic). The plan was cultural change. At that time Scots spoke Scots or Gaelic or both.  

In 1911, the Scottish Education Department moved to Edinburgh. English was then used to deliberately destroy Scots culture and to eradicate “Scottishness.” In 1950s Gaelic teaching was stopped, - and only English was taught. In some counties of Scotland today most English teachers are non-Scots. 

 

Scots should be taught in schools as a second language – to protect our history and culture. In the EU children are taught their own language and English as the language of western international business. 

 

The importance of Scottish literature

WHY has Scottish literature not been explored as confidently as other literatures. 

“The subject needs to be more widely known and discussed with more confidence and curiosity.... There has been work since 1980s, and more needs to be done." Alan Riach 

 

At college down Edinburgh Royal mile, I studied French author Gustave Flaubert’s Madame Bovary, and American poet Sylvia Plath, when I specialized in English, at school I studied Chaucer, Shakespeare, and novels Catch 22, English novelist Jane Austen. The union 1707 was basically an elite project begun under James VI – to incorporate Scottish history, literature and religion into the English system. Many rebelled – poets Allan Ramsay, Robert Fergusson, Robert Burns), Covenanters, academics. Holyrood must protect Scots literature and Scots language, so its taught in schools alongside English.  

 

All this began with the elite project under James VI, at a meeting of clan chiefs on Iona, when it was agreed that every eldest son would be educated in England. 

 

Robert Fergusson

**BOOKS

Why Scottish literature matters? Professor Carla Sussi

 

SCOTTISH LITERATURE – from poets

And scholars such as George Buchannan, who wrote of democracy for all. 

American founding father – John Witherspoon, 

Our great Bard Robert Burns, Scots authors - 

And todays many acclaimed Scots academics, authors, artists, musicians and innovators. Scots literature and Scots voices do matter and have unique contributions to make.  Alongside scientific discoveries and one of the world\s first surgeons and medical schools. 

 

Douglas Stuart

**SCOTS Booker Prize winners

 

Disgracefully as usual in a Time article there is no mention of Scotland’s recent Booker prize winners. The Scottish literary scene boasts several Booker prize winners – 2020 Douglas Stuart’s Shuggie Bain, 1994 James Kelman’s How Late It Was, How Late. 

Plus Booker shortlisted authors – Ali Smith, Andrew O’Hagan, AL Kennedy, Graham McCrea Burnett, Muriel Spark. World famous Scots novelists of modern times include –Iain Banks, Val McDermid, Irvine Welsh, Ian Rankin, Louise Welsh, Liz Lochhead, Alan Bisset, Chris Brookmyre, Denise Mina, Alexander McColl Smith, Alasdair Gray, Janice Galloway, William McIlcanney, Maggie O’Farrell, 

 

Famous Scots writers of the past – Arthur Conan Doyle, J M Barrie, John Buchan, Robert Louis Stevenson, James Boswell, John Barbour, Adam Smith. 

 

Hackett quotes Irish writer Magee, “The English may be too comfortable to write great novels.”  

At least six times in her article she labels ‘Britain/ England’ as one and the same, the England label can never include Scots or the Welsh and we’ll never regard Britain as England as our cultural or historic home, even though so many Scots remain in ignorance of Scotland’s rich histories of which we might be proud. Its time Londoners woke up to this reality. 

Our creative stories, arts and music are intrinsic to our shared voices and view of self.

 

Perhaps creative thinkers either can’t afford or don’t want to be in London. In ‘Britain/ England’ mind-set little exists outside of London. In the 80s London boasted a thriving literary scene around Soho. But today’s London is dominated in its skyline by foreign oligarchs empty high-rises, populist musicals, global chain outlets and over priced art. 

 

 

**BOOKS

Anthology of Scottish stories – Gerard Caruthers

Scottish literature, an introduction – Alan Riach.

The Fair Botanist – Sara Sheridan

 

Scottish Pastoral: Robert Burns and British Romanticism – 

Edinburgh Festivals 2023!

 

Warm and muggy today. There’s a long queue at the Jazz Bar, for a Joni Mitchell tribute. I’m at Biblos restaurant at the corner of Chambers st – another year, I’m not sure I am any wiser though. Biblos has its own music playlist and is off the main beaten tourist track. 

 

Climate emergency. A letter suggests it should be the scientists who need to be in charge and not hedge fund managemers. Can we keep our planet safe, for our children and grandchildren? Can we have hope? We are running out of time now…. The most urgent issue of our times. And some, even with all the wild fires and floods, still don’t take it seriously. 

 

Where Do We Go From here?

 

It’s good to be back on the high street to savour the excited buzz, the expectant crowds…. There are the handsome young men in kilts, bemused Koreans, retired Edinburgh residents, excited tourists and young families, lively students and the outlandish performers. 

 

First day I enjoyed a walk around the Scottish Portrait galleries - in the central atrium Robert Burns statue enjoys pride of place. There’s also a bust of Elsie Inglis. Here there are contemporary portraits, as well as the historical portraits on the top floor (Jacobites, Stuarts, Hanoverians) all tell of the varied and rich histories of Scotland. Later I recharged my phone at the central Library & enjoyed the High st.

Edinburgh festivals suffered during Covid and ticket sales have inevitably fallen. But this year things are more back to normal. 

Public funding for the festivals is 11m.

For the cycling world championships, 36m. 

 

There are small gems to be found – classical music concerts at St Andrews church George st or at the Scottish Portrait galleries. Alongside the renowned cultural events sits the gaudy, tacky side – overdone, raucously wild. And the unexpected comedy. 

At Edinburgh International book festival, #edbookfest23

now at the Edinburgh Art College location for its third year there. Since the lockdown years things are now more back to normal. I went to talks with the poet Don Paterson, autobiography Toy Fights; novelist Denise Mina, book Three Fires on Florence culture wars and the bonfire of the vanities;  

 

And a lively political talk on Scotland’s future - Moving Forward:  with Kezia Dugdale  Lesley Riddoch and Ruth Wishart. If we agree on the destination, how can we then agree on the road to reach it?  We must find a middle ground – otherwise we in Scotland are stuck. Riddoch’s new book Thrive – asks what is the road, now its ONLY about the road (currency, borders etc) and not the destination or our common bonds; while Wishart provided excellent sound bites and humour on these critical issues. 

EIBF is a good place to recharge batteries, consider reflections. 

 

“I can’t think of anywhere in the world that is more full of belief and joy than Edinburgh at this time.”  Andrew O’Hagan

 

Jokha Alharthi1

Kamila Shamsie

Alexander Moffat & Alan Riach 

Main Venues – Pleasance, Assembly Rooms, Gilded Balloon, Traverse, 

 

The fringe festival programme held more than 3,000 shows, in 288 venues hosting a diverse selection of work from Scotland, the UK and worldwide. Artists, arts industry representatives, media and audiences from 170 countries and with 2,445,609 tickets issued. The themes and issues tackled by artists in the 2023 programme included mental health and wellbeing, disability, queer lives, working-class representation and the climate crisis. Affordability was a big issue, with sky-high hotel prices, 

 

 

 

Culture Wars Florence in Three Fires, Denise Mina Edinburgh book festival 2023

Denise Mina held a lively chat with fellow crime writer Christopher Brookmyre

In her new book Three Fires, award-winning author Mina re-imagines the 'Bonfire of the Vanities', a series of fires lit throughout Florence.

 

Set in 15^th century Florence, Three Fires tells of the story of Florentine fanatical monk Girolamo Savonarola and the first populist uprising. – 'whip people up about a common enemy'. 

-        create bogeymen, alternative society, indefinable and attack details, give people Banner, your tribe is winning. 

 

There is the French King Charles the Affable, and theological discussions – the Proud Boys bullies; the Tepids – the centrists who hold the power. Still plagues and wars.

 

The Printing Press had just been invented and BOOKS. 

Savonarola asked, why does no one listen to the poor, our government is corrupt. Florence changed at that moment. And the struggle between low and high art. 

 

As long as we’re divided, we’re containable – no commonality. People have lives to get on with, to keep society going. We need to listen to people. 

If in power too long, there is a physical change to brain chemistry and become more callous. Time limits on power. 

Dundee Poet Don Paterson Edinburgh book festival 2023

 

Paterson is an award-winning poet

Music is his first passion – he went from musician to poet in the 90s. Paterson used music to access his memories. memories of memories

His new autobiography Toy Fights is from 1963 – 1983, which received top reviews. 

 

The Tay Bridge was built, shopping centre and industries shutting down – the rage against poverty.

His father was a musician and ran the Dundee folk club. His grandfather was a minister in the United Free church.

DC Thompson high school – invisible cities, on top of each other. 

 

He had a breakdown and was in hospital – ‘destruction of yourself in your core, thousands of fragments/ loss of self.'

Obsessive, addictive personalities. First inspired poetry by Tony Harrison on BBC.

 

Scotland’s cultural identity – there’s been an increase in confidence and more international. Plus the Kailyard school. 

 

 

We don’t have full devolution and we don’t know who we are.’

 

“Poetry is more of a diagnostic way of thinking about language.”

 

 

Moving Forward Dugdale & Riddoch, Edinburgh book festival 2023

If we agree on the destination, how can we then agree on the road to reach it? 

“We must find a middle ground – otherwise we in Scotland are stuck.”

Three high profile women - Kezia Dugdale, former Scottish labour leader, now lecturer at the John Smith Trust; Lesley Riddoch, campaigner, podcaster, new book Thrive – asked what is the road, now its ONLY about the road (currency, borders etc) and not the destination or our common bonds; while Wishart provided excellent sound bites and humour on these critical issues  

 

How do we find the middle ground and build bridges. 

This talk was a lively discussion – they looked at how we’re governed, and how we must be honest about risks. Scots are risk adverse. They agree on the destination of social policies to improve lives BUT see different routes to get there. The UK is micro-managed by a right wing government, that is cruel, elitists and can’t or won’t modernise. 

 

Kezia as former leader of the Scottish branch of the Labour party, provided the counter arguments of why left leaning voters have much in common with our counterparts in England. She agreed on the destination – on the social polices of how we might work to eradicate poverty and inequality and was an advocate for improved housing – she disagreed with Lesley on how we might reach these goals. (she is no longer a Labour party member)

 

Dugdale has softened her position on independence since Better Together 2014, and said shed prefer indy over an extreme right wing government Boris led UK government (but who wont concede a referendum). She felt there were big questions on social policy to resolve – not the yes/no constitutional lens. Trust is low, many see politics as corrupt. Is politics broken here in the UK?

Riddoch showed her metal and years of experience as a journalist, traveller, author, broadcaster and political commentator. She said that commentators took their eye off the ball. She spoke of Scotland’s overly large council areas, the largest in Europe – average Scotland 175K/ average Europe 10K. The 32 councils in Scotland are really large regions. In Norway there are 400 councils. 

 

She claimed we’ve lost our self confidence in Scotland to govern and run places ourselves. Community councils only receive £400, are Development Trusts an answer? We must get power out of Edinburgh into the rest of country – to the local village. She spoke of Shetland’s large wind farms, which are of no benefit to Shetland and they rely on diesel generation. Scotland has the best wind and waves in Europe. 30 yeas ago Norway was developing renewables.

 

While Kezia spoke of employment legislation, immigration powers, wealth redistribution and the importance of new housing. Federalism UK - is this possible? She spoke of the benefits of the EU, but hoped Keir Starmer wins the next election. Dugdale said she was proud of the Scottish government. On the question of Yes/ No, she said she would decide at the time! 

 

Riddoch said Feudalism in Scotland was only abolished by the Scottish Parliament in 1998! That we Scots are wacked back of the head, by large landowners. The country has never been ours and is treated as a playground for the rich. After Brexit, half of the highlands are shut. The Indy vote 2014 in Scotland inclusive of all who’ve lived here for 3 months. Wheras the Brexit vote was exclusive, had to be British. 

 Scotland does not compare well to other small nations. She spoke of Denmark, as the highest taxed but happiest country – with best kindergarten, security system and OPEC wind turbines of 50 years! Sweden, best elderly care and highest trust. Most sustainable country in the world. Estonia (1991) moved away from Russia and invested in education (as did Ireland) 

Lesley Riddoch

Federalism was discussed and Wishart asked, could such an Asymmetrical federalism work? And where does it work? In Wales Labour are more outspoken on small nationalism, Welsh language and culture. Proper devolution for England, where the large cities (London etc.) don’t vote Tory. Devolution for all parts of England. 

Riddoch was hopeful that things can change and progress here in Scotland. If the SNP can be bold enough. England needs to face its own problems. Do we have capacity – with the risk adverse Scots? Perhaps Scots simply want our lands and voice back. The questions remain – how do we come unstuck from Westminster – they claim Scotland is a negative to Britain’s economy yet want to hold on to Scotland. This all doesn’t add up.

Ruth Wishart

Social democracy is the settled will in Scotland. Wishart asked – what is the settled will in England? The UK is the single unitary state in Europe of 65 million, and where London runs everything. Its those in the middle who really hold the power. Vote for confidence OR a straitjacket. We need levers and capacity. 

Major issues - 

Electoral Reform – the ERG group 

FPTP voting system

Unelected House of Lords, second chamber

Well being economy