Wednesday 30 December 2009

The Clan Gathering

My Edinburgh Experience - The Clan Gathering Edinburgh 2009
A year or so back I saw a photo in the Scotsman – it was an old b & w photo of a clan parade about 50 years ago in Princes Street Edinburgh. I thought it was interesting. Many ex-pats had returned to take part and celebrate their Scottish heritage. As I arrive July 25th, my birthday, I am struck by the contrast in cities, behind the cobbled stones. Here the bin men are on strike – yet again. There are delays with the trams. Still Edinburgh always put on a good show.

This was a unique affair, several years in the making and the clan Gathering offered expats a chance to come to Scotland and celebrate a shared heritage and shared roots.

Mugdock Music Festival 2009


This year the festival was held in a marquee in the walled garden, which seemed much simpler while missing the activities in the courtyard. The Mugdock festival brought together a broad range and depth of artists and had a strong international flavour. The Shawlands, Chinese and belly dancer dance groups brought colour. The flamenco dancers and musicians brought energy and colourful African drums with Arawarra. Seylan Baxter and Cheyanne Brown played their warm flowing harp and cello tunes. The Sighthill Project was a fresh, well taught group of talented youngsters from different countries, who sing and play violin together.

Headlining this year were John McCusker, Michel Marra, and the Battlefield band. The Battlefield band played a fun energy-filled set of Scottish tunes. McCusker. Woomble and Drever, three talented artists plus Heidi Talbot, have joined forces to produce a class album of contemporary tunes with folk influences. To our delight Scottish singing royalty Eddi Reader turned up and sang on a couple of songs with the group! 

Some artists are both unassuming and also brimming with talent and they play intelligent, insightful and instinctive music. Michael Marra and John McCusker both fall into the category in different ways. McCusker has that ability to sink into the emotion and grip you with his music through his expressive dynamic fiddle playing.
 
Michael Marra at Mugdock theatre
When he arrived at Mugdock he discovered the perfect small theatre. The theatre is fairly new and seats about 50 in a tiered semi circle and with a shiny grand piano to the left of the small stage. There is one side entrance and the door to the back stage room. It has been built with music lovers in mind. 

I managed a chat with Marra and he appeared to recognise me from last year. I sense he doesn’t miss a beat. He had his green shirt laid out on the side table and he said how much he loved the Mugdock theatre and the beautiful piano. You could feel his excitement. Last year in 2008 he said he had travelled through the rain and the winding country roads wondering where he was coming to. 

Marra's is unforgettable playing the small Murdock theatre. His songs are both very humorous (as is his chat) and insightful and his clever use of words and images in his songs, he takes himself into the others heads. There are echoes of his poet and musical hero, Bob Dylan. He cleverly uses humour and irony to describe the truths of the diversity of human nature. He draws on Dundee his home town often and of the football team Dundee United FC. All eyes are fixed on Marra throughout. 

Marra finished with the Robert Burn's song Green Grow the Rashes O and his smile said it all. For his encore he sang a beautiful, moving song, He talked about an uncle he never knew who died and about family being in the huff with each other 
He sang the words, ‘Did you forget the world and did the world forget you?’ 

You could feel Marra’s joy of it after his encore song. A perfect ending to the Saturday.
Whenever I think of the special audience connection this has to be the perfect small venue where that magic can happen. Buckley calls it the 'romance of the small venue'. 



Songs & Music that make me cry

Many of these songs below are piano songs (not all) - just piano, and powerful, direct, clear vocals that are deeply moving. I play piano myself so maybe that's why piano gets me. Minor keys make us feel sad – oddly sad songs make us feel better because we know we are not alone.
Let It Be – written and sung by Paul McCartney (one of the best songs ever written, simple yet so emotional, about his mother who died when he was 13)
A Heart Needs Home - written and sung by Richard Thompson
This Cruel Country – written and sung by Richard Thompson (most moving lyrics)
Who Knows Where the Time Goes – written by Sandy Denny and sung by Fairport Convention
Persuasion - written and sung by Richard Thompson
Blue - written and sung by Joni Mitchell
River – written and sung by Joni Mitchell (can't praise Joni enough she's my musical hero)
Both Sides Now – written and sung by Joni Mitchell (my favourite all time song)
Always on My Mind – old song sung by Willie Nelson ( amazing emotions)
Clarinet Concerto In A, K 622 – Mozart (whenever I feel down the best therapy)
Nocturne In E Minor, Op.72, 1 – Chopin
Sonata Pathetique - Beethoven
Visions of Johanna – written sung by Bob Dylan ( immersing love song)
Bridge Over Troubled Water – written and sung by Paul Simon and Art Garfunkle
Tears in Heaven – written and sung by Eric Clapton (about his young son who fell to his death)
Fix You – Coldplay (wonderful mood the way it builds momentum)
Sometimes You Can't Make it on your own – written and sung by Bono and U2 (about Bono's father)
Probably more…..!!

Elton John: Music Magic Rocket Man SECC




Elton – Music Magic from the Rocket Man SECC Glasgow June 2009
Elton John was fabulous – dynamic vocals and piano and even after all these years performing he seems to thrive on it, while his voice gets better and better. Elton appeared up the steps and paused to bask in the audiences thrill to see him there!

Elton John...- I had forgotten how much I love ‘Your Song’ –  Great gig!.  Adrenalin rush to the head..I’m still standing!  

These photos of Elton were such an honour for me and I was hugely excited about my first time shooting at the SECC. It seemed quite restrictive and they were surprised I was there to shoot the support artist too. I always shoot support artists too, well you never know they might be big one day! Other press snappers turned up and we were all taken into the arena, where there was more waiting about in the dark at the front of the wide stage. Elton’s piano was the only shape lit up and then suddenly through the darkness he appeared up the side steps. We were only allowed the one song and the adrenalin rush was incredible and the knowing you only have such a short time to get that one shot. Nerve wracking!!  I thought after what an honour to shoot Elton.

Elton was wearing a pink shirt and pink glasses and a black jacket covered in colourful music notes and a keyboard and with the words ’music magic’ embroidered on the back. He ran through his back catalogue of hits and the packed SECC loved him. 
He built up the energy with strong renditions of 'I Guess That’s Why They Call it the Blues' and 'Daniel'.  Followed  by a full fifteen minute arrangement of his well known hit ‘Rocket Man’ which took the energy up after which he performed 'Sad Songs' and 'Sorry' which took the tempo down. 

The most moving moment was ‘Candle in the Wind‘ when you could hear a pin drop  in the dark with only Elton and his spot lit piano it felt like candles blowing in the air of the vast arena.  I heard echoes of Norma Jean and of Diana both beautiful ladies who shone for a brief time. He also sang 'I Need Love', 'Fly Away', 'Are You Ready For Love' and more from his wonderful back catalogue. He had his long time band members with him and Nigel Olsen on drums.  I was pleased that for his encore he played my favourite Elton song 'Your Song'. I had my Your Song piano sheet music with me with the vague hopes of getting it signed. I did get down near the front for the last songs and Elton was signing autographs, mostly gig tickets.

Elton writes piano melodies that touch people’s hearts and you could feel the love! Now this year I’ve taken photos of Richard Thompson and Elton both. If I could ever take shots of Paul McCartney (!!) I could die happy. I’d no idea what to expect and I guess the next time I take photos at the SECC I won’t be so nervous!