Brexit & the Arts

The Arts thrive on melting pots and diversities, as does science and innovations. In fact that Bohemia energy can be essential for renewals and creativity.

Never mind our science and medicine - the creative industries are the UKs biggest export. They rely on collaborations and inter-connections to other cultures. Creativity has boomed since Europeans came here and some of the best people came here. Art is often encouraged by different voices.

Ken Loach’s funding comes from Europe and there is a lot of funding from France. Good films are not being commissioned here. The award-winning film director Ken Loach –  said in a recent tv interview that his tv docudrama ‘Cathy come Home’(1766) would not get made today. It would be stopped, he said, and it wouldn’t even get passed the script stage. 

He also has criticised the BBC News coverage as “manipulative and deeply political”. He is promoting his Palme d’Or-winning film about a man’s struggle with the UK benefits system, I, Daniel Blake, said there was a need to “democratise” the corporation. “Diversify it so that different regions can make their own dramas. And its notion of news has got to be challenged.”

We are not telling our stories and not being heard, he claimed.

Perhaps the rest of England is also fed up with all the focus and resources heading to London too?

Emeli Sande Oran Mor 2016

   

Sande returns with her second album ‘Long Live the Angels’  this September and with lead single Hurts. She was the biggest selling UK artist of 2012 and sang at the Olympic ceremonies in London when she had number one singles - 'Read All About It' with Professor Green, and 'Your Beautiful' with Labyrinth. She hails from Aberdeenshire and attended medical school in Glasgow. At that time she was travelling down to London to work on song writing on her weekends.

Sande thrilled her fans with her intimate return gig! She lit up the spiritual setting of the Oran Mor Auditorium with old songs and new for the first gig of her mini tour.  The sold out crowd of fans welcomed her with open arms and sang along to the past hits and bounced to some of the new!

Emeli was in her element to be back on stage and gave her all. She greeted us with her genuine heart, soulful voice and rhythms, and warm-hearted smile.  She said it meant so much to her to have us there and to share not just in a music biz way. A more assured Emeli gave more time, space and introspection in her music.

She performed enriching, heartfelt, reaching out songs such as 'My Kind of Love' and the poignant 'Read All About it '– to what is best in us. There was the gentle haunting beauty of 'Clown' and new song 'Intermission' with only bass or piano backing her voice when she reaches soulful heights. and in contrast  the upbeat energy of songs like Rhianna’s 'Four Five Seconds', Babe and 'Next To Me'. Her band felt very much a tight knit unit and the Oran Mor auditorium a perfect setting.

Even the older songs were given a more subtle feel while keeping those strong rhythms.  She expressed both her new found confidence and her vulnerability. In her moving new single 'Hurts' she combines sadness with spiritual healing and hopeful renewals.

Sande spoke of her spiritual journey since 2012. This is in part a break up album, as her marriage to long time boyfriend Adam Gouraguine in 2012 didn’t work out. She is now in a new relationship. This is an artist who’s been through more of life’s challenges and is stronger for them.

She digs deep into her musical roots of choir singing (her father is a music teacher) her appreciation of soul, blues, R & B and of great female songwriters like Nina Simone and Carole King. Emeli combines memorable sing-along choruses, rhythmic beats along with touching lyrics and melodies sung with her magnetic soulful voice. 

It was hard to believe it was 9 years since I saw her here for her first Oran Mor gig! 

**SET

Intermission

Heaven

Give me Something

Every Single Little Price

Eight Five Seconds

This Much is True

Happen

My Kind of love

Hurts

Clown

Babe

High and lows

Next to Me

Read All About it

In December 2007 I went to see Emeli Sande play her debut gig at the Oran Mor for the launch of her first ep. Back then she had big dark hair and was known as Adele. She had a top band backing her and we thought she had an impressive voice. Little did we know she would go on to have such huge success. I met Emeli at her King Tuts gig and took photos back stage there. I am sure it must mean a great deal to her to be back at the Oran Mor this Sunday for the first gig to promote her second album Long Live the Angels and I am excited to hear her new songs. My biggest thrill in 2012 was to take photos at her Albert hall gig London!

My Emeli Sande galleries -  http://pkimage.co.uk/emelisande

Allan Ramsay festival

New Allan Ramsay festival Carlops 14 - 16 October 2016. 

Allan Ramsay Snr Born 1684 – 1758 Leadhills Lanarkshire, was a Scottish poet who strongly influenced Robert Burns. He was one of the founders of the Easy Club, a group of like-minded men who enjoyed literary discussions over a bottle of claret. It was known for Jacobite sympathies and Ramsay was determined the Scots language would not die out in the years after the Act Of Union (1707) when “North Britishness” was all the rage.

He started to earn money for his verse collections in Scots and then decided to turn his wigmaking shop in the Old Town into a booksellers. He also decided to  rent out books, and became known as the founder of Britain’s first library.

He also composed Scotland’s first opera The Gentle Shepherd, which is a ballad opera both comedy and a homage to the joy of pastoral life, which was his masterpiece. There is monument to Allan Ramsay Snr in Princes St Gardens.

Allan Ramsay Jnr was his eldest son. He studied art in London and Italy and then based himself in Edinburgh in 1738. He established himself as a portrait painter and later moved to London. Where he was appointed official portrait painter to King George III. Earlier this year, his long lost portrait of Charles Edward Stuart, painted at Hollywood in 1745, was bought for the nation at a cost of £1m and now hangs in the Scottish National Portrait Gallery.