Blue Rose Code is now touring his new 2024 album 'Bright Circumstances'
(Ronachan Songs) Digital album, limited edition vinyl and CD available May 2024
The album contains contributions from folk icons like Danny Thompson, Steve Knightley, and the marvellous Eddie Reader. ‘Bright Circumstance’ oscillates between the grim circumstances of existence and salvation and joy. The result is a beautifully crafted, open-hearted meditation—a rich and rewarding experience.
Ross Wilson (aka Blue Rose Code) sings with emotional intimacy, tracing our painful lows and joyous highs – Wilsons vocals, harmonies and rhythmic energy are deeply connected and soulful – with emotional release and open hearted climax. He’s also well backed by hi along term bandmate Lyle Watt on his wonderfully evocative blues electric guitar solos and often his highly professional band with keys, drums and brass sections. (Ross's long-standing foil on guitar and finder of the bluest of blue notes in any situation leads us in with a quietly strummed ..,) - https://bluerosecode.com
I first saw Blue Rose Code at Milngavie folk club in 2026. A fan beside me raved about his album and said he travelled to many of his gigs. Wilson started his concert with high energy guitar and I was impressed with his soulful voice. I sought out his albums and since then BRC has been a top favourite. He has performed at several Celtic Connections concerts over the years.
Opening with ‘Jericho,’ a propulsive burst of horns and energy that delivers on the band’s live performance credentials, it swirls vigorously with Caledonian soul. “It’s been a long time coming… but here we go.” Wilson’s vocals are soulful and urgent. Throughout, there’s a dichotomy, weaving between the bright and dark, love and mercy, desperate circumstances, and small victories of the heart.
‘Sadie‘ is a close portrait of addiction. Wilson stated that it was “written from a very personal perspective, a song about generational trauma and addiction,” its pained lyrics underpinned by a beautifully evocative pedal steel. ‘Thirteen Years‘ reflects on the desolation wrought by Tory policies, asking, “Why should one child go to sleep tonight hungry or cold?“
The album title alludes to the Buddhist practices that inspire the album, intertwining reality and the human capacity to transcend suffering through thought—like the golden age Haiku poet, Issa, wrote,
“We walk on the roof of hell / gazing at flowers.” This album sings this song in all its joy and sorrow. It’s realised most perfectly on ‘Never Know Why.‘ That matches sunny horns and shimmering Vampire Weekend guitar with Zen Koan-like lyrics that suggest our joy, in some part, is unnameable to us, “‘There’s a certain code of joy on the mundane path we tread.” That code might be unknowable, but at the heart of our shared consciousness is love. Love, kindness, and humanity; ‘Bright Circumstance’’s cup overflows.
Wilson’s writing is filled with humanity. There are many gifts; bright bouquets like ‘Easy as We Go‘, or quieter consolations like the acoustic psalm ‘Peace In Your Heart.‘ The cover of ‘Amazing Grace‘ feels well-earned and triumphs, while ‘Don’t Be Afraid’ stirs with a slow build into a holy evocation, proclaiming, “The divine in me sees the divine in you.” It’s engaging emotional rescue, peak era Van Morrison.
The album contains contributions from folk icons like Danny Thompson, Steve Knightley, and the marvellous Eddie Reader. ‘Bright Circumstance’ oscillates between the grim circumstances of existence and salvation and joy. The result is a beautifully crafted, open-hearted meditation—a rich and rewarding experience.
