Showing posts with label female. Show all posts
Showing posts with label female. Show all posts

Wednesday 8 October 2014

Exhibition Margaret MacDonald

There is a big exhibition of Rennie Macintosh's work at the Huntarian Glasgow. I am a great admirer of his work and it was devastating about the Glasgow Art school fire this year.
His wife Margaret MacDonald, I probably admire her work even more - and her exhibition is away in Helensburgh. I've been writing on women artists recently - and they are usually treated as second class or ignored and hidden away. I notice too how often female artists are referred to as - collaborating with their partners, or being painted by them - when the reality is that these women artists were strong independent artists in their own right.
Margaret influenced the wonderful Austrian artist Klimt and others.
Macintosh credited her with being an important part of his figurative and symbolic interior designs. "Remember, you are half if not four-quarters of all my architectural...Margaret has genius, I have only talent."


Margaret MacDonald, (1864 Scotland) She was celebrated for her panels in Glasgow's famous Willow Tearooms - The May Queen, and Oh ye, all ye that walk in Willowood. Along with her husband Rennie Macintosh and Herbert MacNair, she was one of the most influential members of the collective known as the Glasgow Four. She exhibited with Mackintosh at the 1900 Vienna Secession, where she was an influence on the Secessionists Gustav Klimt and Josef Hoffmann.

Thursday 9 January 2014

The NEW female Piano singer songwriters


Back in the 70s there were so many wonderful piano singer songwriters. There is something quite special about piano melodies as opposed to guitar composed songs.
There was Paul Simon's Bridge over Troubled Water (while he composed mostly on guitar), McCartney's Long and Winding Road, Elton John's Your Song, Carole King's Tomorrow and of course Joni Mitchell's songs.
But today, while there are many top guitar carrying singer songwriters I struggle to find any quality piano singer songwriters ... where are they? 
  
The only high quality younger piano singer songwriters I can think of are all female - Adele, who had to fight to have ONLY piano on her massive hit Someone Like You; Emeli Sande and her lovely Clown and River songs; and Canadian singer songwriter the irrepressible Sarah McLachlan and her very moving piano song Answer (new album next year).  She sings songs of understanding that are haunting and questioning. 

The only guy I can think of is Chris Martin's piano songs with his Coldplay band (Fix You).
Here's the irrepressible piano singer songwriter Sarah McLachlan. I listened to her Afterglow album quite often a few years back and I went to check on her and she has a great YouTube clip with a great band too here -    

Sarah McLachlan, is a Canadian musician, singer, and songwriter. Known for her emotional ballads and mezzo-soprano vocal range, as of 2009, she has sold over 40 million albums worldwide. McLachlan's best-selling album to date is Surfacing, for which she won two Grammy Awards (out of four nominations) and four Juno Awards.

The Right Arrangements
I watched Lana del Ray’s 'National Anthem' video trailer with its' strong black and whites and it moves at just the right pace. I also watched Lana's gig at Hackney weekend where the crowd was singing along and clearly into the music. This was very good and touching too her joy of the crowd and lovely to see after the poor reviews for her Saturday Night Live performance - when the rock band backing her didn't work with the style of her music and I posted that she needed simply 'strings and piano.' So why do label people always think 'to be cool' the artists needs a rock band when it all depends on the type of music.

Monday 9 July 2012

Rachel Sermanni, Katie Sutherland and Laura Marling

Laura Marling

Rachel Sermanni
Katie Sutherland

 

Folk vs Pop? – the different routes into the business.
I first saw Rachel Sermanni at a Celtic Connections Open Mic at the Concert hall a couple of years back and noticed then her lovely voice and songs. That year she won the open mic at the festival.http://www.rachelsermanni.net/

Also here in Glasgow I went to gigs by Katie Sutherland in 2009, another 22 year old Scottish singer with a lovely vocals and catchy songs who also looked good. Katie, who was then calling herself ‘Pearl and the Puppets’, had put her songs up on myspace where they drew the attention of record labels. Katie has a mesmerising honey toned voice live. http://www.katiesutherland.co.uk/
I know of several other young people given major record label deals a few years back – the thing is they are little more than an advance and young people should be warned of the pitfalls here.
This year Katie has been recording an album and using Pledge Music to fund this and Rachel is playing several UK festivals this summer. I can’t help wondering comparing the two that going via the folk route can bring more ‘respect’ generally in the industry but can also mean less attention sometimes. It’s a very strange thing music. At the end of the day it should be all about the talent.  

Then there is also the very young Laura Marling – who sings slightly folk influenced songs. She has a distinctive image and sound which is also key and her father runs a studio. She is also Neil Young influenced and her voice has edge and depth in it. She has managed that valued cross over between being respected and also having commercial successes. Laura is from Hampshire and drew attention on the London folk circuit and it seems to be easier for younger artists in London to get the right label deals into the industry. Marling is playing at the London Albert Hall this weekend. http://www.lauramarling.com/

Even more worrying is the lack of many young male singer songwriters with much depth or much to say- where are they? Marling became prominent with the London folk scene, she has also toured with a number of well-known indie artists in the UK. Her debut album Alas, I Cannot Swim and her second album I Speak Because I Can were nominated for the Mercury Music Prize in 2008 and 2010 respectively. She won Best Female Solo Artist at the 2011 Brit Awards.