MARTHA WAINWRIGHT Old Fruitmarket

MARTHA WAINWRIGHT Old Fruitmarket Celtic Connections 2009
Shimmers like the sun – Something very gentle yet surreal and very strong in Martha’s performance of her meaningful songs. They swoop, yet also carry a clarity and depth to them. Her influences are strongly folk (from both her parents) yet blend and converge with other song writing and vocal styles - such as contemporary pop/rock, alt American country and even cabaret chanson, as heard in the early 20th century vaudeville clubs of Europe. Honing her own very unique style.

QUOTE -
Hamish Henderson Poet, translator, Highland folklorist, campaigner for Scottish parliament and guiding light behind the Edinburgh fringe festival. The tryst of Hamish Henderson, who has died aged 82, was with Scotland. It was a meeting of high consequence - across the 20th century, in darkness and in sun, Scotland informed all that Henderson was as a man and a poet. And in his Nelson Mandela freedom song, Rivonia, when Henderson sings, "Spear of the nation unbroken", it is to Scotland as much as South Africa that he refers. Like Burns, Henderson was, first and last, a poet, and poetry was for them both language rising into song, responsible to moment, people, place and joy. (QUOTE GUARDIAN Timothy Neat March 2002)

JERRY DOUGLAS & TRANSATLANTIC SESSIONS

JERRY DOUGLAS
I was pleased to see both Cherryholmes and dubro player Jerry Douglas and his band at their Old Fruitmarket gig. After so many Scottish performances it was fun to see and hear the exuberant energy, fearlessness and joy of the road that I hear in American music.

Douglas had several award winning musicians with his band - Luke Bulla on the fiddle, who played with an energetic and fun style; Guthrie Trapp on dynamic and energetic guitar and bassist /composer Victor Krauss on electric cello who all perfectly complimented Jerry’s highly accomplished and engrossing musical style.
I first noted Jerry Douglas backing singer Allison Krauss and thought what an awesome band she had backing her. Jerry plays with total skill and ease producing an entertaining and fun set. Well worth reading his Bio too, a great read!



*THE TRANSATLANTIC SESSIONS
Celtic Connections festival finishes each year with the Transatlantic Sessions and bringing the songs back home. The theme was about how the Scots and Irish took their songs over to the US and how  the songs came back home again.
The festival always ends with these two sold out concerts. Scottish fiddler Aly Bain and slide guitarist Jerry Douglas invite their friends to join them on stage. The concert included singers from the USA such as the powerful talents of Nancy Griffith, Dan Tyminski, Kathie Mattau - and from Scotland the clear perfect voices of Eddi Reader and Julie Fowlis, The cast of top musicians performed songs such as Hey Joe and Dylan’s Man of Constant Sorrow. We are reminded of the strong ties between America and Scotland.
Kathie Mattaau performed John Martyn’s ‘May You Never’ as a tribute to him. John died on January 29th. One of Glasgow’s great sons - Martyn performed with both Kathie and Jerry Douglas at the first ever Transatlantic Sessions back in 1995.



SALSAS CELTICA
Provided a fun party sound. This band work in pairs with a great deal of synergy and energy and ran seamlessly through their set. Many were dancing and I enjoyed their gig enormously.
Julie Fowlis and Kath McInnes joined them on stage for several numbers. On the left were the rich brass section behind the fun rhythms and on the right the emotive Celtic sounds (fiddle, banjo, accordion, pipes) while in front were the two colourful lead singers who danced in perfect rhythm together. There was lots of colour and they blew those winter chills away with their hot, hot sound! The unique combination of sounds works. They clearly enjoyed themselves and had great rapport with the audience. There was movement, vibrant colour, smooth rhythm and positive energy.  They finished the gig with a rumba conga line through the audience. We could have partied all night!

Celtic Connections Review 2009

This 3 week festival in the heart of Glasgow is one of the music and folk calendars biggest events and plays on a world stage, with visitors from around the world. I had a wonderful time taking shots at the Celtic Connections this year and I enjoyed the festival more than last year.  There was a great line-up and variety/breadth of artists and it was good to hear new things being ventured by the younger artists such as with the 'Burns Unit' with Karine Polwart - sometimes things intersect? Well done to all involved.  The festival raises the profile of Scottish musicians and artists worldwide with a gathering of some of the best Scottish musical talent. It also encourages new artists and collaborations as well as bringing over many well-respected artists from around the world.

EDINBURGH FRINGE FESTIVAL 2008 reports

I was reading that the Edinburgh festival is short on cash and may not do a fringe Sunday in the meadows this year, and they also lack a headline sponsor. . There was a big Ticket Box Office problem last year with the new online system messing up ticket sales. I went directly to the venues for my tickets.
THE EDINBURGH INTERNATIONAL FESTIVAL (EIF) was begun to pick peoples spirits up after the Second World War. We headed over this year on the Friday to the Pleasance venue to see some comedians up from England.