The folk songs

Pete Seeger

The folk music world is more interested in the heritage and building on the past then on fashions or commercial motivations.

Folk songs are often about social commentary of the conditions or situations people found themselves in and in the human condition. Folk musicians write new songs in old folk styles.

American folk singer **Pete Seeger who died recently left a rich heritage of now classic folk songs - such as Turn Turn Turn, Where Have all the Flowers Gone.  His light delivery sometimes masked a clever commentary on the times. The song Little Boxes was his only chart hit (written by Malina Reynolds) and the song commentated on our decline towards cultural shallowness ' Little boxes all made out of ticky, tacky and they all look just the same'

Seeger was blacklisted in the McCarthy era and shunned by radio and tv. Like Woody Guthrie and his song 'this land is our land', Seeger sang about the rights of everyman. He was respected as a cult hero in the folk worlds by musicians such as Dylan or Springsteen and by folk musicians here in the UK. 'He was a folk commentator with a bitingly humanist touch.'  Quote Times.  Seeger was 95 and had lived through 17 presidents.  

Bob Dylan & Pete Seeger

My journey. I had my own journey into folk music in my early twenties when I dated a guitarist folk singer from Ayr. He played folk rhythms along with fiddles and banjos at Sandy Bells bar Edinburgh. It was a new world to me of live gig playing, melodic fiddle, harmony singing and foot tapping and hand clapping reels. It was wonderful.  

Before this I had mostly heard my music via vinyl Beatles LPs (also wonderful in a different way) radio, theatre music with a small orchestra, singing in school choirs, playing piano, my father singing Irish songs and some live gigs such as Jethro Tull and Cream.  My father used to ask me to accompany him on piano while he sang.  

I also developed a love of the classic masters through playing piano. I had lessons over several years from age 7 to 15 and I was very fortunate that my first teacher taught me firstly the joy of playing and to use the correct touch on the piano keys. I eventually studied and played Bach, Beethoven and Mozart Sonatas. At first I thought Mozart’s piano music had too many notes! but after some practice.... I realised he was rather a genius at expressing emotional melodies.   

My folk boyfriend introduced me to traditional music such a Dick Gaughan, who I saw live in Edinburgh, and to his record collection that included other great guitarists - John Martyn, Richard Thompson and more.  We went to folk festivals. I was taken in by the difference in the folk world to the other music worlds.

Folk songs care about the message and the story of the song and music is also considered a shared experience. 

Today there are folk singers here (and elsewhere) who continue this tradition of singing about the human condition – such as in Scotland Karine Polwart, Dick Gaughan, Rab Noakes,

 I don't believe in socialism or hand outs - but I believe in equality.

And the folk traditionalists are right,  the 'equality' raises us all up! - not by dragging us all down but by raising standards! 

Transatlantic Sessions at Celtic Connections 2014

This unique concert is enriching and heart warming.

There was more banter tonight with fun chat between songs and as always superb playing by the strong cast of musicians. It was clear how much fun they all have playing together and Jerry Douglas even said this was his favourite time of the year. I know too how much I enjoy the buzz during Celtic. My son usually comes to Transatlantic with me and he enjoys seeing guys like Douglas and Aly Bain playing – he’s now at Aberdeen University so I missed him tonight.

The stage was set with the Scottish musicians on the left and the American musicians on the right. Musical directors - Aly Bain, Jerry Douglas. Also, Phil Cunningham, Danny Thompson, Russ Barenberg, Bruce Molsky, Mike McGoldrick, John Doyle, John McCusker, James Mackintosh and Donald Shaw.

Bands don’t come much better than this one and it is always a joy to hear them play!  I always enjoy John Doyle and Danny Thompson on their dynamic rhythm section. One of the reasons for the success of the TS is the way they have the stage set as an informal jam session, with those not performing sitting on a couch at the side of the stage with their customary onstage ‘green room.’

Kris Drever

We were treated to some excellent singers at this concert – Gaelic singer Julie Fowlis sang a beautiful version of McCartney’s Blackbird, while Kris Drever, who’s had a brilliant year, sang the songs - You are The Call, Isle of France and Shining Star.  Kris and Julie joined in also with the band and clearly enjoyed every minute.

Tim O'Brien & Darrell Scott

There was also the top quality from American singers were – Shawn Colvin and Sarah Jarosz. Shawn Colvin had success in the 80s.

Plus two very talented American regulars at Transatlantic, who are from West Virginia and Kentucky respectively - Tim O’Brien and Darrell Scott who recently released a duo album, entitled Memories & Moments.  Brilliant guitarist Russ Barenberg played one of his lovely guitar melodies. There was the emotion of Aly’s fiddle and the highly individual drama of Jerry Douglas's resonator guitar - a highlight of the night is his solo performance at the start of the second half. (Douglas is an award winning American Dobro master)

Jerry Douglas

Transatlantic is the big event for the last weekend and now tours the UK after its two sold out shows at Celtic Connections.

I also attended a couple of Late Sessions at the Piping centre and saw some quality artists there too. I am now sad the fun weeks of the festival are over for another year.

Phil Cunningham, Aly Bain, Jerry Douglas

**SET LIST :  Band - Waitin for the federal; Kris Drever – You are the call, Isle of France; Sarah Jarosz – Runaway, Ring Them balls;  Band - The Hull; Julie Fowlis – Blackbird, 

Bruce Molsky - Blackest Crow; Band - Wee Michael; Tim O’Brien & Darrell Scott - One more Drink; Darrell Scott – Come into the room;  Shawn Colvin  - All Fall Down, Don’t worry me now.

Second half. Band - Irish Beauty Air; Sarah, Julie, John D, Jerry, Danny, Donald, John, Mike -

Build me up from bones;  Shady Grove - Sarah Jarosz, Tim O’Brien – Brother Wind; Russ Barenberg – Out Time; Julie Fowlis – Roghain air and The Choice;  Kris Drever – Shining Star: Shawn Colvin – These Four Walls, Diamond in the Rough.

Lau Glasgow City Halls Celtic Connections 2014

The stage at the City Halls was set with a line of glowing lights and the sign on Martin Green's keyboards, which was set on it's side, proclaimed 'I Love The NHS'. Lau of course is an Orcadian word that means 'natural light.' 

Lau are an award-winning folk band who have been gaining attention last year for their music of traditional folk voices and traditional folk song themes mixed with contemporary influences. They played on the BBCs Jools Holland show in 2012. The band are - respected singer songwriter and guitarist Kris Drever, acclaimed fiddler Aidan O’Rourke and an innovative accordionist Martin Green.  

 

They played mostly instrumental tunes and also some songs. Kris sang with his warm voice the songs Ghost and Midnight Feast.  Martin said their Ghost EP was about social migration and documented how we are stronger through our diversity.  

During the concert tonight Lau played one of the first performances for the UK's first New Music Biennial as part of Glasgow 2014 Events - 'The Bell That Never Rang.' 
The piece was commissioned by Celtic Connections and PRSF and composed and performed along with the contemporary experimental strings of the Elysian Quartet.  The music was carried through with Drever’s subtle guitar, while the layering textures and challenge of Lau’s traditional folk sound worked perfectly with the classical musicians.

Kris often leans forward on his guitar and they pull their energies together. Aidan is a powerful fiddler who moves a lot as he plays. While Martin experiments with varied soundscapes, and on one tune he played the soothing sounds of the sea

Lau are an experimental outfit and also work on Lau-land mini festivals and on other collaborations and they are taking folk in new directions and crossing boundaries with their music.

Quote Aidan O'Rourke on Lau's website - the band's music makes excursions into jazz, world, Gaelic and classical music and fiddling to the fore of another magnificent supergroup, Kan. “We’re folk musicians but firstly we’re musicians with a love of different styles and we don’t think we’re cheating on anybody by drawing on that. We all love and play a wide range of music but what we have in common is a deep love of hardcore traditional music.”

They were well supported by Canadian Annabelle Chvostek, who was previously with the Wailin Jennys. She had a silky soft-toned voice and played country folk tunes with echoing violin and electric bass.    

I saw several other faces from the Scottish music scene at the concert, such as Louis Abbot of Admiral Fallow (Lau supported his band at the Queens Hall Edinburgh last year).

The event was preceded at the City Halls by the press launch for the UK's first New Music Biennial as part of Glasgow 2014 Events. (funded by PRSF for music)

http://www.lau-music.co.uk/

New Music Biennial

Lau at the City Hall's premier

New Music Biennial
There was a press launch at the Glasgow City Halls 30th January for the Premiere of 'The Bell That Never Rang' by Lau w/ Elysian Quartet.

The event was funded by PRSF For Music for the UK's first New Music Biennial as part of the Glasgow 2014 program.  It consists of 20 pieces of music from composers and performers across the UK which have been inspired by an international collaboration of idea. 
 
All the new pieces will be performed at two showcases over one weekend - one at London's Southbank Centre (4-6 July) and Glasgow Concert Halls (1-2 August). These performances will also be available to listen to on BBC Radio 3.  
Aims - To explore the connections between audiences and artist and to take art to new places and new audiences.
The projects are also about how people view Scotland - how people see us, what we value. 

The launch was presented by Vanessa Reid - Executive Director PRS for Music Foundation, who praised Glasgow’s creative spirit and commented that the city never tires of experimenting. 
oundation, who praised Glasgow’s creative spirit and commented that the city never tires of experimenting. 
http://www.newmusicbiennial.com/lau-premiere/