Union with David Olusoga BBC Review

 

While Olisoga is an informed historian, and consulted many experts and this is a highly watchable  if it times biased program.

However he at times skims over relevant sections of the 320 years of the union between Scotland and England 1707 and later of the four nations to form the United Kingdom is 1801.

For instance he focuses on the hardships in Ireland and of their being bribed to join the United kingdom union in 1801 – but does mot mention the mass murders and of the obliteration of the highland way of life in Scotland after the Jacobite 45, when the clans were disarmed. There is no mention of the Scottish Parcel of Rogues who sold Scotland for bribes.

The only way to be able to wear the kilt was to join the British highland regiments. 

Union flags designs of James VI

After the JACOBITE 45 rebellion Olusoga states “ the British state, with the help of some clan chiefs, launched a campaign to repress the Scots” –what they really did was mass murder of women and children and the destruction of the highland way of life. the huge contribution Scotland, as the workers of the empire made to the empire is ignored, while England were the rulesr is ignored. 

By the 18^th century – one in 10 lived in London – which became the centre of Printing, key port, trade artery, parliament, monarchy, finance, banking, theatre, arts and culture. Why is it good that so many had to travel to London to make their fortune?

Then there’s the episode Four on Union and Disunion – which focuses on Wales and Ireland, with only a mention of the closing of Ravenscraig steel work at Motherwell – but no mention of Scotland’s oil which was used by Westminster to increase spending on London. 

Olusoga had a chat with A professor from Oxford who stated, ‘There isn’t a long history of power being spread outside the capitol…the starting dates of universities in the north, many are just over a 100 years old. Civic buildings are not that old.” This by implication gives the strong impression that the rest of Britain, outside of London, is backward and uncultured. This is basically untrue. 

Scotland boasts 4 of the UKs oldest universities – Oxford and Cambridge were initially centres of clerical teachings late 1090s: in the 1400s it was Scottish universities which were the four leading centres of learning – St Andrews 1410, Glasgow 1451, Aberdeen 1495, Edinburgh 1583. And it wasn’t until the 1800s that England set up its universities - Manchester 1824, London 1826, Durham 1832.

Olusoga also misses the crucial point that Scotland’s self-determination is about democracy and democratic rights and NOT identity at all. 

Celtic Connections 2024 ANNOUNCED!

Tim O'Brien

Eddi Reader

CELTIC CONNECTIONS festival 2024  set for expansive programme of unmissable music!   Images copyright Pauline Keightley

World-renowned Glasgow festival Celtic Connections returns January 2024 with a full program and many international visitors – to brighten our winter nights!

Thursday 18 January to Sunday 4 February 2024, 

 

With one of its biggest-ever capacity festivals Celtic Connections is known as Europe’s premier folk, roots and world music festival, and the home of  spectacular musical collaborations. Celtic Connections has continued to expand into a multitude of genres over its 30-year history. 

 

In 2024 the festival will stage an ambitious  genre-defying programme of acoustic, traditional, indie, Americana, Jazz, blues, orchestral, experimental and more. Glasgow, UNESCO City of Music will host over 300 events across 25 venues  over 18 days.  Venues include Glasgow Royal Concert Hall, Barrowland, Pavilion Theatre, Barony Hall, Old fruitmarket.  

 

From high-energy rhythms fusing contemporary sounds with traditional music, to intimate and soulful acoustic performances. Along with the anticipated 110,000 attendees, musicians will descend on Glasgow from Scotland, North America, West Africa, India, Australia, Ukraine, Norway, Sweden, France and Ireland, more!

General tickets on sale at 10am, Wednesday 11^th October at www.celticconnections.com. Celtic Connections 2024. 

Celtic Connections 2024 will take place from Thursday 18th January to Sunday 4th February. General tickets go on sale 10am, Wednesday 11th October 2023, with advance tickets on sale now for Celtic Rovers festival supporters. The programme can be viewed in full and tickets purchased at www.celticconnections.com.

Images copyright Pauline Keightley

Highlights include:- 

●     Celtic Connections Opening Concert, Glasgow Royal Concert Hall stages the European premiere ATTENTION! New symphonic work from American Grammy winner Chris Thile - “the best mandolin player in the world” - with the BBC Scottish Symphony Orchestra

●     100 years on since the death of Scottish iconic revolutionary socialist John MacLean, a centenary concert  to recognise the significance of the Red Clydeside era – with music, poetry on his legacy, will be led by Karine Polwart, Eddi Reader, Billy Bragg and Siobhan Miller

       Scotland burgeoning traditional music scene is celebrated with Dallahan, RANT, Breabach, Mec Lir, Heisk, Session A9 and The Canny Band alongside emerging artists like Beth Malcolm, TRIP, Lauren Collier, Tarran and Amy Laurenson

●     Another special international collaboration Citadels of the Sun, in tandem with Jodhpur Rajasthan International Folk Festival, Irish and Rajasthani musicians come together Barony Hall to share common themes that connect the two cultures. The show will feature Martin Coyle, Paul Cutliffe, Sarah E Cullen, Asin Khan Langa and Sawai Khan Manganiyar

●     A wealth of transatlantic talent at the 2024 festival includes country royalty with Carlene Carter (daughter of June Carter Cash), 15-time Grammy Award winner and banjo virtuoso Béla Fleck, beloved singer-songwriter Bruce Hornsby, and festival favourites Sarah Jarosz, Teddy Thompson, The Milk Carton Kids, Tommy Emmanuel, Darlingside and bluegrass star Tim O’Brien,who with his seminal album The Crossing.

●     50th anniversary of the Scottish Chamber Orchestra , with unique arrangements and guest performances from Scotland’s Paul Buchanan (The Blue Nile), American singer Aoife O’Donovan, visionary folk band Lau and harpist Maeve Gilchrist

●      Beloved Scottish singer-songwriter Dougie MacLean will mark five decades of extraordinary music making with a special show entitled Songmaker 2024 - Celebrating 50 Years of Music

●     Roddy Hart’s Roaming Roots Revue 12th year, Songs of Modern Scotland. modern classics along with the Royal Conservatoire of Scotland Symphony Orchestra, and Scottish talent Biffy Clyro’s Simon Neil, Idlewild’s Roddy Woomble and Rod Jones, Del Amitri’s Justin Currie, Camera Obscura’s Tracyanne Campbell, King Creosote, and more

●     Contemporary Scottish Celtic outfits with RURA and Talisk iconic Barrowlands; Skerryvore expansive sound, UK top 40 album Tempus; Skipinnish celebrate 25 years, renowned folk groups Blazin’ Fiddles celebrate 25th years, Kinnaris Quintet headline show Old Fruitmarket with Julie Fowlis and Karine Polwart, and Skye’s Valtos celebrate Gaelic song SWG3

●      Showcase Scotland - a part of the festival which facilitates international collaboration - will this year partner with the country of Norway to showcase Scandinavian talent, while other festival favourites including Transatlantic Sessions will return

Festival-goers can also look forward to the usual mix of screenings, workshops, dementia-friendly concerts, late night sessions and pop-up performances at the Festival Club, as well as a thriving education programme that will benefit thousands of children across Glasgow.

Donald Shaw, Michael McGoldrick, John McCusker, Tim O'Brien, John Doyle- Late Sessions

Donald Shaw, Creative Producer for Celtic Connections, said: “It’s that time of year where we lift the lid on the incredible shows and events we have in the works for Celtic Connections. Celebration and collaboration are at the heart of the festival and once again we will bring the world’s music to Glasgow audiences this winter. I’m very excited that our 2024 edition will welcome a huge portion of international talent back to our stages, particularly our transatlantic cousins in America, and that we will be back to staging one of our biggest ever capacity festivals. We would encourage audiences old and new with a love of music to discover all that this diverse programme has to offer and spend the dark winter nights with us.”

Creative Scotland Head of Music, Alan Morrison said: “The 2024 Celtic Connections programme puts Scotland at the heart of a musical map of the world. This is arguably the festival’s strongest-ever international line-up, opening our ears to the inspirational sounds of artists from so many different countries and cultures. Running through it all, of course, is Scotland’s own musical lifeblood, the traditional tunes and contemporary twists that continue to thrill audiences and brighten up our winter days and nights.”

Culture Secretary Angus Robertson said: “I’m greatly looking forward to this year’s Celtic Connections and the warmth it always brings to the colder months with leading Scottish and international musicians across a variety of genres set to descend on Glasgow for what looks to be another fantastic showcase of talent. 

 

New National Scottish Gallery at the National gallery

 

Margaret MacDonald

Brand new galleries have been built behind the Mound art galleries Edinburgh to be a new and open home to display Scottish art From 1800s to 1845 – from the Glasgow Colourists: Francis Cadell, Leslie hunter, Samuel Peploe and JD Fergusson (1890 – 1914)

William McTaggart

The galleries hold over 60K works of Scottish art and 140 will be on display. Including – William McTaggart, Anne Redpath, Phoebe Anna Traquair, Margaret Macdonald, Charles Rennie Mackintosh and the Glasgow Boys.

Director john Leighton, Before retiring was ambitious to fulfil his desire for a proud spacious showcase for Scottish art at the national galleries. Before this Scottish art was displayed down some steep steps to  a confined, dark gallery space. 

 

On display is the controversial *Monarch of the Glen by English artist Edwin Landseer, 1661 - “thousands of real local people were cleared from surrounding glens to make way for aesthetically pleasing emptiness, deer and sportsmen.”

 

In 1830s, English reform campaigner William Corbett, was outraged that Edinburgh – which he regarded as the worlds finest city – was not surrounded by thriving agricultural villages, because aristocrats preferred their estates empty, rural and unspoiled. 

Allan Ramsay

 

SONGS make a Nation

The Proclaimers

And the poetry and art. Since the 60s Scots have been singing in their own Scots and Gaelic voices – first with Flower of Scotland on the football terraces, the resurgence of Scots folk protest songs such as Hamish Henderson’s Freedom Come All Ye and then with the Proclaimers songs. 

We might ask who is writing new songs for the union?

 

“Now everyone sings Scottish songs and if I were a unionist politician of whatever party, but especially the Labour party, I would be counting the songs, have a habit of making the laws also.” Ian Hamilton wrote. 

 

Since the 60s and 70s, the resurgence of Scots voices, culture and arts have had more impact on our hearts and minds - than the often hollow and ignorant political chat. Early in 1970s Edinburgh, traditional folk songs were flourishing around the folk clubs, bars and folk festivals – Girvan, Ayr, Arran, Sandy Bells and many more. 

Before this I had mainly listened to music on recorded albums, so the live local music scene was a revelation for me, with its foot-stomping fiddles, the strumming banjos, guitar and bohran, the perfect unaccompanied singers, and the traditional Scots ballads. 

 

The impact of the Proclaimers first tv appearance on channel Four’s music program the Tube – when they performed Letter to American in strong Scottish accent was immediate. They combined folk and punk music. Then we also have dougie macLleans powerful Caledonia and David Steele's Scotland Yet.

 

As attitudes towards the British empire changed after the war, in the mid 1960s at the men’s football game they started to boo and agitate and to sing their own songs as the band played the national anthem, God Save the Queen. In 1966-67 fans started to sing Flower of Scotland – and eventually authorities recognised this and dropped the UK National Anthem for Scotland.

 

The Corries

Ian Hamilton, who along with other student stole the Stone of Destiny from Westminster Abbey, wrote -

“Nobody sang in Scotland in the ­middle part of the century. To be more correct, those who sang did not derive their songs from Scotland. Their sources were ­foreign and what they sang was only an alien copy of other people’s ways of life.”    He saw a very different Scotland in the early 1990s compared to the past: “Now everyone sings Scottish songs, and if I were a Unionist politician of whatever party, but especially of the Labour ­Party, I would be counting the songs, rather than the votes. The people who make the songs of a country have a habit of making the laws also.”

Perhaps that is a little too romantic for some but it contains a kernel of truth. What we sing and who sings says something about who we see ourselves as ­being and how we stake our claim in the world. Maybe in his heart, Ally McCoist knows this too.

Extracted The Songs We Sing, Gerry Hassan, The Sunday National 17^th September 202 - 

https://www.thenational.scot/news/23794397.gerry-hassan-god-save-king-flower-scotland-unites-us/