Showing posts with label grit. Show all posts
Showing posts with label grit. Show all posts

Sunday, 31 May 2015

Folklorist Margaret Bennett

Her background is Glasgow, Irish and on her mothers side from Skye and the Stewarts. Her father was a piper.  
When she was young she was ill with polio and during that time heard stories from her grandfather. 

She went over to Newfoundland Canada with her father and discovered all these old Scottish traditions that had died out in Skye and in Scotland. She had trained as a primary teacher but now decided to become a folklorist and she has been teaching at the school of Scottish studies at Edinburgh university. There she worked with the Scottish poet Hamish Henderson who was always asking her to poetry readings.    

Her talented son Martyn Bennett went with her everywhere and heard as a child all these traditional singers and pipers. He had an excellent teacher at school and when he was doing his higher music students were allowed to play the Spanish guitar but NOT the Scottish pipes!  So he sat his higher music playing the pipes, one of the first to do so.

Martyn sadly died at the young age of 32. I was at the wonderful opening concert at Celtic Connections 2014 which was the first orchestration of Martyn's incredible Grit album - one of the best concerts I have been at. I wondered where he got all these references for his music as if he'd pluck them out of the air - now I know it was from his mother. She said in a recent radio interview that she tries to be thankful every day for the small gifts.  Things that rankle - let them go. 
Martyn Bennett was influential in the evolution of modern Celtic fusion, a blending of traditional Celtic and modern music.

Sunday, 18 January 2015

Martyn Bennett’s GRIT, Connections Connections 2015

We were treated to an outstanding Celtic Connections Opening Concert - 'Nae Regrets'
Highly innovative. Multi-talented, multi-layered orchestra. Put a smile on my face.

Martyn Bennett's 2003 GRIT was given its live premier with a colourful score by composer Greg Lawson and the concert proved one of the best events I've been to at Celtic Connections music festival.

Bennett was a Scottish musician and composer and the concert marked the tenth anniversary of his untimely death at the age of thirty-three - poignantly he wrote the album while he was dying of cancer. The album offers a musical journey - producing pounding bass rhythms, hesitant strings, gradual and also unexpected crescendos, brass epic grandeur, haunting Gaelic voices, thematic stirring pipes and also humour. The Grit album is about pushing the boundaries and limitations.
The orchestra of over 80 musicians on the Glasgow concert hall stage tonight consisted of mostly younger folk, jazz and classical musicians. I expect they enjoyed playing a new piece that felt contemporary yet drawing strongly on past traditions. 

Conductor Greg appeared overcome as he reached the summit tonight, after years in the planning and he commented that he needed a crash helmet as it felt like his head might explode!
I The first half was of songs from the Grit album and performed by a cast of accomplished Scottish singers - Quebec quartet LeVent Du Nord began with strong harmonies; followed by Fiona Hunter who sang Berry fields of Blair and Young Emslie with Mike Vass on guitar; Rab Noakes sang MacPherson's Rant and To Each and Everyone of You. Gaelic singer Isabel Ann Martin sang beautifully accompanied by Donald Shaw on piano.

II For the second half the full orchestra played the entire GRIT album. Even the word Grit produces earthy, real connotations. Lawson commented that folk music draws strongly on solid music roots, but  ike a river needs to play and experiment with those traditions in order not to stay stagnant and to be brought into the modern age.

On Blackbird male choral voices were brought into the modern age with dancing African drumbeats, resonating textures and bass beats. On the track Why there were soothing strings and clarinet along with Karen Matheson haunting voice. The Wedding track was heart breaking with hesitant, sad, subdued strings when a song breaks the stillness with happier times and then with a dynamic sax melody.  

Bennet's music shifted on its axis taking sound into new orbits - ground breaking and energizing. For anyone who thinks folk music is backward looking this concert was highly innovative with jazz, rock elements, classical, Gaelic songs, MORE!  I have never seen an orchestra bobbing up and down and enjoying themselves so much - especially all those eight double bass players!

Only a few concerts put a smile on your face but this one did!

Bennett - ‘Try and find those things that make us Scottish. They are not necessarily tartan, but are no less colorful. They are in the sound of the kick drum, the bass line, the distortion, the punk guitar, the break-beat. Try and see the old ways in new surroundings.‘
'This album was a chance for me to present a truthful picture, yet face my own reflection in the great mirror of all cultures.’

In the studio, he traversed and transcended boundaries, of multiple levels, from that of image – as ‘the dreadlocked piper’ – to those of genre, art-form and audience.

PS Renowned traditional Scottish folk singer Dick Gaughan decided to withdraw from the concert as it was being filmed by the BBC and due to his feeling strongly that the BBC bias during the referendum was intolerable for him.  He is performing his own concert during Celtic –
 'Scots music has never sounded like this before. No music has ever sounded like this before’ Mojo
GRIT Track listing
1.      'Move' – 4.10 Minutes
2.      'Blackbird' – 6.10 Minutes
3.      'Chanter' – 4.10 Minutes
4.      'Nae Regrets' – 3.50 Minutes
5.      'Liberation' – 4.20 Minutes
6.      'Why' – 4.30 Minutes
7.      'Ale House' – 3.50 Minutes
8.      'Wedding' – 5.45 Minutes
9.      'Rant' – 4.31 Minutes
10.   'Storyteller' – 9.39 Minutes

Filmed by the BBC the concert will be shown 22nd January 9pm - 
Here’s a BBC slip of Chanter  -
Music journalist Sue Wilson is presently writing Bennett’s autobiography.