Monday 24 October 2016

Mr Bob Dylan’s Nobel Literature prize


Political choice too - in todays rather scary world of extreme, fearful and narrow governments, who are giving into the voices of fear.
 Bob wrote of our common humanity, of tolerance, of inclusion and diversity, harmony.  Play a song for me Bob, play it questioning, sometimes angry sometimes full of wonder. Play it loud and deep.. The answers may yet be blowing in the wind.

Bob wrote of Masters of War, of a hard rain a going to fall, of love conquering all, of important freedoms,
He tied himself to the nearest tree, with the deepest roots.
Play it loud now Bob for all the disenfranchised, for those who cannot be heard, for the weak, for the blind….
 
Forever Young photos by Douglas Gilbert
 Journey to Becoming:  the Travelling Journeyman 
 FOLK SONGS spoke to him most directly… Dylan looked for songs that make you question what you’d always accepted, that break hearts, have power of spirit.
We are in a constant state of becoming.
He always believed in the constant state of becoming, that you must always travel and never arrive, that the road does not lead to the truth - the road is the truth.
The times writer Bryan Appleyard wrote,  ‘Not only does Dylan make great art, he inspires it I others.’
‘When you got nothing you got nothing to lose,
You’re invisible now, you go no secrets to conceal.’ 
His voice was full of honesty about life - yes life is tough at times - but also his voice and words are full of hopes.  I missed Dylan the first time around.  I was too young for his first albums while I remember his songs, Blowin In The Winds, Mr Tambourine Man and Like A Rolling Stone - although these songs were often sung by others on the radio. In 2009 I watched Scorceses' informed, clever and inspired documentary on Dylan and what an 'ear' opener that was and from then everything changed for me - thank you Scorcese! 
Times they are A-Changing
You never arrive.
Words change their meaning.
Time changes everything
Can’t be wise and in love at the same time.

I read these notes he wrote for Broadside 1962. And this is it for me too - those who see wrong but walk on by.   "Too many people are telling me where the answer is, but oh, I don't believe that. I still say its in the wind and just like a restless piece of paper , its got to come down some time, But the only trouble is that no one picks up the answer when it comes down so not many people get to see and know it.. and then it flies away again, I still say that some of the biggest criminals are those who turn their heads away when they see wrong and know its wrong.............."
It is all about spin when there is no vision or passions, that's what worries me the most...about centralizing power and in so doing restricting our basic human rights and freedoms, its very very scary. We have a system in place with no checks and balances to the power of the 'Crown' or Royal perrogative that resides with our prime minister. I read the Tory's in Westminster want to restrict our Human Rights and ban Extremism.

We have to value our independent, informed and free thinkers – they are few and far in-between.

Dylan, "People seldom do what they believe in. They do what is convenient and then repent... "
Is it the large media companies and their accountants who only want artists to play safe and who sing of the MOR and everything's OK with nothing too controversial? What would they make of a young Dylan singing Masters of War today? Would he even get a label deal?  I guess only in the folk circuits – how did Dylan get heard!

Where are any young singer songwriter with a voice of grit who might challenge assumptions. After all what is art is it doesn’t challenge?

One of the greatest Biographers of Bob Dylan was the award-winning Scottish journalist Ian Bell (who sadly died in 2015). I went to his talk on his book Time Out of Mind at Edinburgh book festival in 2015.  My BLOG on Ian Bell http://www.musicfootnotes.com/search?q=ian+bell

Thursday 13 October 2016

Brexit & the Arts


The Arts thrive on melting pots and diversities, as does science and innovations. In fact that Bohemia energy can be essential for renewals and creativity.

Never mind our science and medicine - the creative industries are the UKs biggest export. They rely on collaborations and inter-connections to other cultures. Creativity has boomed since Europeans came here and some of the best people came here. Art is often encouraged by different voices.

Ken Loach’s funding comes from Europe and there is a lot of funding from France. Good films are not being commissioned here. The award-winning film director Ken Loach –  said in a recent tv interview that his tv docudrama ‘Cathy come Home’(1766) would not get made today. It would be stopped, he said, and it wouldn’t even get passed the script stage. 

He also has criticised the BBC News coverage as “manipulative and deeply political”. He is promoting his Palme d’Or-winning film about a man’s struggle with the UK benefits system, I, Daniel Blake, said there was a need to “democratise” the corporation. “Diversify it so that different regions can make their own dramas. And its notion of news has got to be challenged.”
We are not telling our stories and not being heard, he claimed.

Perhaps the rest of England is also fed up with all the focus and resources heading to London too?

Thursday 6 October 2016

Emeli Sande Oran Mor 2016


   
Sande returns with her second album ‘Long Live the Angels’  this September and with lead single Hurts. She was the biggest selling UK artist of 2012 and sang at the Olympic ceremonies in London when she had number one singles - 'Read All About It' with Professor Green, and 'Your Beautiful' with Labyrinth. She hails from Aberdeenshire and attended medical school in Glasgow. At that time she was travelling down to London to work on song writing on her weekends.


Sande thrilled her fans with her intimate return gig! She lit up the spiritual setting of the Oran Mor Auditorium with old songs and new for the first gig of her mini tour.  The sold out crowd of fans welcomed her with open arms and sang along to the past hits and bounced to some of the new!
Emeli was in her element to be back on stage and gave her all. She greeted us with her genuine heart, soulful voice and rhythms, and warm-hearted smile.  She said it meant so much to her to have us there and to share not just in a music biz way. A more assured Emeli gave more time, space and introspection in her music.

She performed enriching, heartfelt, reaching out songs such as 'My Kind of Love' and the poignant 'Read All About it '– to what is best in us. There was the gentle haunting beauty of 'Clown' and new song 'Intermission' with only bass or piano backing her voice when she reaches soulful heights. and in contrast  the upbeat energy of songs like Rhianna’s 'Four Five Seconds', Babe and 'Next To Me'. Her band felt very much a tight knit unit and the Oran Mor auditorium a perfect setting.

Even the older songs were given a more subtle feel while keeping those strong rhythms.  She expressed both her new found confidence and her vulnerability. In her moving new single 'Hurts' she combines sadness with spiritual healing and hopeful renewals.

Sande spoke of her spiritual journey since 2012. This is in part a break up album, as her marriage to long time boyfriend Adam Gouraguine in 2012 didn’t work out. She is now in a new relationship. This is an artist who’s been through more of life’s challenges and is stronger for them.


She digs deep into her musical roots of choir singing (her father is a music teacher) her appreciation of soul, blues, R & B and of great female songwriters like Nina Simone and Carole King. Emeli combines memorable sing-along choruses, rhythmic beats along with touching lyrics and melodies sung with her magnetic soulful voice. 

It was hard to believe it was 9 years since I saw her here for her first Oran Mor gig! 


**SET
Intermission
Heaven
Give me Something
Every Single Little Price
Eight Five Seconds
This Much is True
Happen
My Kind of love
Hurts
Clown
Babe
High and lows
Next to Me
Read All About it

In December 2007 I went to see Emeli Sande play her debut gig at the Oran Mor for the launch of her first ep. Back then she had big dark hair and was known as Adele. She had a top band backing her and we thought she had an impressive voice. Little did we know she would go on to have such huge success. I met Emeli at her King Tuts gig and took photos back stage there. I am sure it must mean a great deal to her to be back at the Oran Mor this Sunday for the first gig to promote her second album Long Live the Angels and I am excited to hear her new songs. My biggest thrill in 2012 was to take photos at her Albert hall gig London!
My Emeli Sande galleries -  http://pkimage.co.uk/emelisande