Banksy Deconstructs at First Exhibition Glasgow

He deconstructs art and is radical, surprising. Dismaland, anti-war, 

 

It’s easy to understand Banksy’s desire to have this first major show of his 25 years of art making at the Gallery of Modern Art (GoMA) Glasgow (once the Royal Exchange) with the coned Duke of Wellington proudly outside – coned comically now for 40 years after the council gave up trying to remove the cone.

 

Glasgow is a challenging and vibrant place – a place of a multitude of music venues, both big and small, where impressive stone architecture sits side by side with glass modernism, acute poverty and impressive art and architecture – tall Rennie Mackintosh design, merchant city venues, westend wealth, Clyde ships (now mostly silent like past ghosts) and swaying walkways that connect north and south Glasgow; the meetings and protests at George Square, down Ingram street and along Nelson Mandela place.

 

Glasgow is very much about its people and street art makes sense in a city that won’t be silent.

We first enter a dark, enclosed space with flickering lights, sounds and movement to represent street life – rather than the usual quiet of art galleries. There’s Banksy’s anti-war images – throwing flowers and hearts. There are many images of children. 

For Brexit - 'VOTE LOVE'

Banksy early on realised  the power art activism and art as protest can make. He eventually realised that the backgrounds didn't matter on the walls, where space played an important part too.

It was important to be seen and out on the ordinary city streets. To express how we are lost at times and our inhumanity.

It's also a protest to art elitism. Towards the end of the exhibit he shows us how he shredded his girl with a heart image, after a bidder at Sotheby's bid 750K! One thing missing after occurs though - where is nature except in his bunch of flowers? 

Hope in humanity sits alongside despair here – can we forge new pathways? Often surprising, questioning, 

“The purpose of art is not to hold up a mirror to life but to take a hammer to challenge it"

Brexit Cancellations for UK Musicians & the Arts

Costs of Brexit –

The UK music industry WAS worth 6 billion before Brexit!

 

NOW

There is a 5 stops rule for British musicians touring Europe

Touring is down 32%,coampared to 2017 – 2019 figures.

The Serial number of very cymbal must be recorded for tours Eyrope.

 

Truckers and Roadies - Britain used to run 85% of this business across Europe before Brexit.

Now the trucking business KB Events ltd, which has a fleet of 20 lorries, has set up in Ireland. 

The costs to retrain their drivers to EU certificate is 20 million.

 

Sound engineers and Lighting crews are relocating.

Orchestras require extra staff for paper work, for work permits and can no longer use UK tour buses.

 

Tours require -

Carnets – custom passes 

The cost of £1500 for one truck.

 

 

Merchandise – British lands can no longer sell T shirts and other merchandise, due to costs of import duties and export duties.

 

Brexit has caused arts and music festivals to be cancelled, as well as affecting the income of major UK arts festivals such as Edinburgh International festivals. There's been a loss of around 50,000 music related jobs.

 

Brexit also hinders cross collaborations and prevents and discourages European artists and musicians from touring in the UK.

 

Its especially damaging for emerging talent to be able to tour and gain experience of the different audiences in Europe. This comes on top of the Covid crisis and now the rising cost of living /inflation crisis UK.

 

80% of musicians income comes from touring.

 

 

Black & White Photos at Edinburgh book festival

Mark Baeumont

Tarqi Ali

Some portraits from the Edinburgh international book festival, because of their contrast go well into black and white, which is my favourite art form. 

 

We’ve had many famous faces and well known authors from across Scotland, the UK and the world, over the past twelve years. 

 

While some images only work in colour. 

Alan Cummings

Isabel Greenburg

Karl Ove Knausgaard

Katherine Quarmby

Neil Gaiman

I love the old-fashioned, graphic simplicity and impact of the black and white image. Or the way they capture textures, shadows and expression. 

Paul Muldoon

Ahdaf Souief-Andrew

Gao Xingjian

ian bell

Rowan Hisayo

Memories as Edinburgh book festival celebrates 40 Years

 

This year Edinburgh International book festival, one of the first book festivals, will celebrate 40 years. I have been attending the book festival and taken photos there as well as attending talks since 2008. My most impressive talks include – the pianist Alfred Brendel, George RR Martin, Tom Devine, Fintan OToole, 

Times Change and things move on….remember the Small Notes!

While memories inform who we are and will become. The EIBF has a new director Jenny Niven for 2024.

We had the traumas and seclusions of Covid that perhaps we’ve not recovered from really

(2020- 2022). It must have been a deadening impact on our children. Festivals were closed, the main streets empty, people were fearful of hugs and contacts – we were unprepared for anything like it. We held zoom meetings .some things continue. People moved for family now too, after the pain of separations.

 

The EIBF (and other major festivals) went online and continue with in person and online. 

 – EIBF began in 1983. I was last at Charlottes Square EIBF 2019. I used to enter its secluded and buoyant open square with many anticipation – of the famous faces, the informed conversation, the chance meetings and the vibrant buzz. The power of words, imagination, academic might, creativity, poetry and art.

 

Russian oligarchs have bought section of Charlotte Sq (why can Scotland not protect our land and resources?) and so the festival was forced after 36 years to relocate to new premises in 2021 and in 2024 will set up at the Futures Institute Edinburgh University. In 2021, EIBF set up at the Edinburgh art college for 3 years. Its not been quite the same with less space in the square for press, photo calls, books shops and people gathering. Sometimes it is simply time to move on. 

 

Last year 2022, I enjoyed several excellent talks, the inspiration continues – Fintan OToole, Oliver Bullough’s Butler to the World an the inspirational Outlander author Diana Gabaldon. 

**I have many great EIBF memories! – from the past fourteen years. Meeting Brian Cox (the actor) Alex Salmond, Alan Cummings, Nile Rodgers, George RR  Martin, Tom Devine, Alfred Brendel, Seamus Heaney, Fintan O’Toole, Li Yea, Freedom Coming of Age at the End of History. So many images!

 

The photo shoots were set up behind the press yurt, where we could see Bute house and the shadows and sunshine fall through the tall trees and over the Georgian facades. Or the late sun around five creating its own warm buzz. Having the front page of the Scotsman’s for Chelsea Clinton. Photos involve patience and waiting as well as inspiration. We learned them all at EIBF. Also the chat and meeting other interesting photographers – from Italy, Wales, Hebrides, Spain, England.

Diana Gabaldon

Martin Amos

**I have three powerful EIBF memories. 

I remember waiting one balmy afternoon, when I noted a small gathering of women and a robust man attempting to open the side gate. I realised quickly it was Game of Throne author George RR Martin. I walked quickly round to the press tent to inform them he was there (perhaps early) so he could be escorted in. I was also fortunate to get one of the two last tickets to his show! Martin talked of how much Scotland’s stories influenced his books – he spoke of standing on Hadrian’s wall thinking of the Roman soldiers there, so far from home.

 

Another vivid memory is my being mistaken as the wife of Seamus Heaney as I entered the main book signing tent! I was hugged and greeted and embarrassment followed. The great Irish poet was ahead inside the tent. 

 

My third great memory, is Nile Rodgers who gave us an impromptu concert one evening at the Spiegel tent, with chat about his life interspersed with his well loved guitar riffs and songs, and with everyone singing along. What a joy! 

Seamus Heaney

George RR Martin

Nile Rodgers

Another top talk was the great pianist Alfred Brendel (always remember the small notes!) Plus the wonderful informed talks by top Scots historian Tom Devine.who has done so much to restore Scottish stories  - the Darien Project, Scottish enlightenment, Lowland Clearances.

There is a strong international flavour at EIBF with great writers and thinkers from across the world attending. 

As well as many great Scots from the world of literature, film, politics, science, sport, art, novels, poetry, music, theatre and more besides. Many thanks to the press team for all their assistance.

 

Alfred Brendal - Remember the Small Notes! 

Quotes from his A Pianists A to Z  “Be aware of the middle voices. Chords can be illuminated from within. Character - For me it has always been the dualism of form and psychology, structure and character, intellect and feeling, that determine music making. “

Alan Cumming