Maeve Gilchrist Celtic Connections 2023

 

Maeve Gilchrist soothing harp melodies at Celtic Connections 2023. 

CELTIC CONNECTIONS OPENS!

 

Alongside the usual varied musical selection, visitors can enjoy ceilidhs, workshops, talks, exhibitions and more over the 18 days.

The festival will run from Thursday 19 January to Sunday 5 February 2023. Follow the conversation   at @ccfest.

Europe’s premier winter music festival, Celtic Connections opens in Glasgow today, Thursday 19th January, showcasing performances from some of Scotland and the world’s brightest emerging musical talent alongside stalwarts of the scene and returning favourites, and runs to Sunday 5th February. Thousands of musicians from across the world - USA, Ireland, Mali, Morocco, will perform across Glasgow over its two weeks as it celebrates 30 years of pushing the boundaries of traditional folk, roots, Americana, jazz, soul and world music.

With thousands of visitors passing through the doors of Celtic Connections each year, the festival’s contribution over the last three decades to Scotland’s cultural landscape and international reputation, and the Glasgow economy during the dark month of January, cannot be understated. Since the festival’s inception in 1994, the number of events staged at Celtic Connections has quadrupled and the number of venues has grown 25-fold. 

Education program. Since its learning programme was established in 1999, more than 200,000 children and young people have taken part in its cultural events. This year sees the return of its educational arm in earnest, with three free school concerts and 44 workshops set to be delivered to school children throughout Glasgow.

 

The festival’s legacy for championing emerging talent with the much-loved Danny Kyle Open Stage and has showcased 146 finalists comprising 440 artists and the festival’s New Voices strand, which allows young musicians to develop and perform brand new compositions, will this year top 76 stunning commissions. Celtic Connections is also supported by a team of 100 volunteers.

**Tonight’s 30^th opening concert Glasgow Royal Concert Hall will celebrate Celtic Connections’ rich history with artists who have featured over the last three decades. The once-in-a-lifetime line up includes Basco, Duncan Chisholm, Fergus McCreadie and Matt Carmichael, Karine Polwart, Kathleen MacInnes, Liam Ó Maonlaí, Maeve Gilchris, Peat & Diesel, Rachel Sermanni, Sierra Hull, Scottish Dance Theatre, TRIP, and The National Youth Pipe Band of Scotland.  They are joined by a special big band, originally brought together for the 2021 digital opening night - Duncan Lyall, Sorren Maclean, Fraser Fifield, Patsy Reid, Graham MacKenzie, Laura Wilkie, Michael McGoldrick, Hannah Fisher, Ross Ainslie, Anna Massie, Greg Lawson,Alice Allen, Alyn Cosker, James Mackintosh.

Mercury-nominated jazz pianist and Scottish Album of the Year Fergus McCreadie and acclaimed harpist Maeve Gilchrist team up with Mr McFall’s String Quartet for a performance at The Mackintosh Church, while Ian Carr & The Various Artists and Madeleine Stewart Trio at Drygate Brewery.

This weekend’s packed schedule includes festivals legends Saltfishforty along with award-winning Scandinavian band Basco; Treacherous Orchestra, alongside VÍÍK, who combine Scandinavian song tradition, progressive jazz and alternative rock. Colonel Mustard and The Dijon 5 , and the legendary John McCusker will celebrate 30 years with a host of special guests at City Halls.

*Highlights  include - Shetland musicians Jenna Reid and Harris Playfair, celebrating the upcoming release of their long-awaited duo record; When Mountains Meet / Jub Milain Pahaar: A musical adventure from Scotland to Pakistan combines Scottish and South Asian influenced music, storytelling, and striking visual images to recount the true story of Anne Wood as she sets forth on a voyage from the Scottish Highlands to the Himalayas.

Glasgow Royal Concert Hall’s Strathclyde Suite will host dementia-friendly concerts, with Josie Duncan and Owen Sinclair, and Robyn Stapleton and Claire Hastings showcasing the power of music and its ability to kick-start the brain and unlock memories. 

Afro Celtic Connections - Saint Luke’s play host to Rise Kagona, with lead guitarist of the Zimbabwean band The Bhundu Boys, Diwan, who bring an exuberant fusion of funky mbalax and Afrobeat grooves, with ska, rock and Senegalese soul led by Senegalese singer Samba Sene, and Chief Cheb, a celebrated African philosopher, poet storyteller and teacher.

Tramway will host the world premiere of Moving Cloud – a collaboration of contemporary dance and traditional music created by Celtic Connections and Scottish Dance Theatre, with a new score performed by a 14-piece folk ensemble  with TRIP and Sian along with Greg Lawson and Alice Allen. 

Celtic Odyssée perform atz Glasgow Royal Concert Hall along with the Festival Interceltique de Lorient, with 18 artists from the eight European Celtic nations coming together in a celebration of a shared heritage. Musical Director is Breton piper Ronan Le Bars, along with Denez Prigent (Brittany), Karen Matheson (Scotland), Karan Casey (Ireland), Cerys Hafana (Wales), Fransy Gonzàlez (Galicia), Sylvia Quesada (Asturias), Lauren Chandler (Cornwall), Finlay MacDonald (Scotland) and many more. They will share the stage with Scottish fiddle-led four-piece FARA, who will bring their unique mix of intricate fiddle harmonies and skilled storytelling.

Troubadour Jim Malcolm, trad singer Susie Malcolm, their daughter, Beth Malcolm, and fiddle legend Pete Clark will celebrate Burns Night with an evening of song at The National Piping Centre, while record label Last Night will host a show at Oran Mòr, celebrating three of the label's most recent successes: wojtek the bear, Sister John, and Album Club.

James Grant and The Hallelujah Strings will perform at the beautiful Kelvingrove Art Gallery and Museum this year, not once but twice, after a second date was added due to demand. Audiences will be treated to James’ signature rich vocals and outstanding guitar work, his incredible back catalogue performed alongside the Hallelujah Strings, a 14-piece string section led by Greg Lawson.

The festival will draw to a close on Sunday 5 February when the hotly contested BBC Young Traditional Musician of the Year competition reaches its conclusion, while Transatlantic Sessions celebrates its 20th year of showcasing the shared traditions of Scotland, Ireland and the US, and the GRAMMY Award-winning Fantastic Negrito plays tracks from his new album, supported by talented Nashville-based singer-songwriter and performer Tommy Prine.  

Donald Shaw, Creative Producer for Celtic Connections, said: “Sharing our music and our arts is a vital part of our human existence – it allows us to feel rooted in place and connected to one another, enriching our lives in the process. Over the last 30 years, this is what Celtic Connections has always been about. As we take a moment to recognise and appreciate what we’ve managed to achieve over the last three decades, we go into this year’s festival with feelings of immense determination, pride and gratitude.

“As ever we’re incredibly excited to be welcoming people from across Scotland and the world to Glasgow to enjoy the very best in Celtic, folk, roots and world music. I know our musicians and everyone involved in the festival is ready to make this another incredibly special one in the calendar. With an incredible array of entertainment on offer, audiences can expect to be amazed wherever they find themselves across the city. It’s amazing how when the atmosphere in a venue is so warm and the music so restorative, you don’t notice the January rain or the wind outside.”

Bailie Annette Christie, Chair of Glasgow Life, said: “The curtain rising on Celtic Connections’ showcase of outstanding musical talent from Scotland and all over the world, with its vibrant programme of wonderful live performances in our city’s venues, is always exciting.  And it’s a particularly special occasion this year as we celebrate the 30^th anniversary of the festival and acknowledge the huge contribution it has made over three decades to Glasgow’s rich cultural offer. 

“The richly deserved, exceptional reputation Celtic Connections has earned as Europe’s leading traditional music festival - and the event’s great importance to the city as a much-loved highlight that attracts thousands of visitors, enriching the lives of local, national and international audiences - is something that Glasgow takes great pride in. We are very much looking forward to welcoming everyone taking part in this year’s festival.”

Culture Secretary Angus Robertson said: “Celtic Connections shines a bright cultural light in the winter darkness and I’m delighted the Scottish Government is able to support this year’s 30^th anniversary event. This year’s stunning line up of musicians reflects the huge amount of talent we have in Scotland and also the festival’s standing internationally as world-famous artists travel to Glasgow to take part in the celebrations.”

Tickets for Celtic Connections 2023 are available from www.celticconnections.com.

Our Year of Chaos 2022

 

Talisk Celtic Connections

And Politics!! Its become impossible to keep up or understand the chaos at the heart of the UK system! With the cost of living crisis, public sector strikes, the Kwertang budget – we have to wonder the UK government is prepared to spend billions on strange projects, wars etc but not on the workers. We are hit with strikes after our 10 years of Tory austerity – workers have had enough! – of paying the price for financial services failures and the UK as masters of war.

It has been great to see concerts return after the long months of the pandemic – the Edinburgh festivals were back in August with, while reduced programs, at least the return of the buzz of in person events.  

CELTIC CONNECTIONS music festival Glasgow 2023 will return this January with a full and in person program, celebrating its 30^th year! Celtic Connections 2022: A highlight was a top concert with the Skye band Niteworks backed by the RSNO, who performed original material with their fusion of Gaelic and Scottish traditions. Another highlight as always was the Transatlantic Sessions led by Jerry Douglas and Aly Bain and featuring American singer 

REVIEW - http://www.musicfootnotes.com/2022/02/celtic-connections-highlights-2022.html

  

Edinburgh International book fetsival 2022 returned with in person events. Outlander author Diana Gabaldon gave an inspiring talk – as did Irish Times journalist Fintan O’Toole; Yi Lea from Albania spoke of freedoms; along with Oliver Bullough on his book Butler to the World - http://www.musicfootnotes.com/2022/09/edinburgh-international-book-festival.html

 

PLUS in October I enjoyed seeing another artistic stalwart, Bob Dylan in Glasgow, who has written one of his best albums at 80 and still going strong - http://www.musicfootnotes.com/2022/09/edinburgh-international-book-festival.html

 

Bob Dylan Clyde Auditorium Glasgow

Rab Noakes

*Music Loses  

We lost several top artists this year, including well kent folk music legend Rab Noakes, I will miss his concerts  Its now the passing of the baton to a new generation. Rab believed in the organic way to learn your craft, through the live performance. I am glad I attended his last concert here Milngavie folk club, last June. My Chats & Tribute to Rab Noakes here - http://www.musicfootnotes.com/2022/11/goodbye-to-scots-legend-rab-noakes.html

PLUS the songbird Christine McVie – Rumours is one of my top ten albums of all time.

 

**Do Scots have equal rights in our unequal union?

Balfour Report: It appears that British dominions are considered “equal” – what exactly does that mean?! The Balfour Reports of 1926 was an important development in Canada’s evolution become a fully self governing nation .the report declared tat Britain and its Dominions were constitutionally equal. The findings of the report were made law by the British Parliament in the 1931 statue of Westminster.

 

**ARTS funding

Many of the arts continue to struggle due to reduced audiences and increased energy costs. The Edinburgh film house has closed along with a major Edinburgh art gallery. I can understand focus on sports, but for the aspirations and long term to me the ARTS are very much not a side issues but the essence of who we are. 

 

In Switzerland they speak High German in lectures at university and the local German dialect is spoken in the common rooms – but one is not considered of higher value than the other. 

 

The skill of being able to see the Big Picture amongst the chaos.

No time for standing still. Some have no time for taking notice and they miss so much. 

Arts and culture I believe, are crucial in our lives – they express who we are, our stories, aspirations…Perhaps new crossroads lie ahead. 

#Scotland and #EUROPE. Many across the UK are now turning against Brexit, while the Tories continue to battle to keep the extreme right wing at bay. One of the main reasons for Scotland’s enlightened thought - Reformation 1560 to the 1700s – was our close collaboration, integration and trade with Europe. Our scholars studied in Paris and beyond, and also taught there.

 When the UKs Brexit happened it was such a profound and distressing wrench for Scotland, it was extremely hard to write about. Many of us thought the EU project had brought us peace, stability, security, and prosperity. Most Scots feel European of heart and mind and culturally.  http://www.musicfootnotes.com/2022/11/scotlands-ties-to-europe.html

  

My Chats and Tributes to Scots Legend Rab Noakes

Rab Noakes Oran Mor

A Present with no Past has No Idea, Quote Rab Noakes Branch song. Good Roots

So sad to hear the news of our loss of singer songwriter Rab Noakes - what a true gent and legend of Scottish music. Rest in peace. I've had the privilege of taking Rab's photos at several concerts over many years since 2010. 

I’ve had several chats with him over the past decade, both in person and online. I have such fond memories in my twenties we used to sing his early songs. More recently my son played an excellent version of his classic Gently Does It and Moonlight and Gold.

Rab was always a smartly dressed folk singer songwriter, and one of the top guitarist. He drew influences from the 60s radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many influences. The story of the song mattered to Rab, so his chat between songs laid the musical scene and atmosphere.

In the 60s and 70s, Rab played with greats such as Gerry Rafferty and Lindisfarne. When I hung out in the folk scene then, i remember well the harmony singing of Noakes songs, such as Branch, Clear Day, Together Forever. Back in 2007 I saw Noakes still going strong at an Oran Mor gig. He often includes a fifties classic, this time a song my husband remembered his mother singing. He is also a dedicated Dylan follower – check out his excellent version of Dylan’s Mississippi. 

Martha Rafferty & Rab Noakes

Noakes says music is all about the dialogue and more about performing than simply the song. Those residency night gigs were artists can learn their craft in front of the live audience and the live performance when 'flying' in the heart of the music toughens you up and you have to learn loads of songs. He played in Denmark six nights a week. Noakes ran his own production company Neon. 

Rab led several tribute concerts at Glasgow’s major music festival. Celtic Connections, for Gerry Rafferty and Michael Marra. I expect we will have a concert for Rab – it’s the passing of a whole generation of the folk scene – and we look forward to the passing of the baton to the younger generations. 

He will be sadly missed, his music lives on and in my memories of my son playing his classic "Gently Does it" and Rafferty's "Moonlight and Gold".

Rab at Milngavie folk club

He has been at the forefront of Scottish folk music for over 50 years, and has recorded over 19 studio albums. He often performed at the Glasgow music festival Celtic Connections. In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me. In 1971 Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan, He played on the first album by Gerry Rafferty’s Can I Have My Money Back, notably Mary Skeffington. He also played with the band Stealers Wheel. 

Noakes songs have been covered by Lindisfarne (Together Forever) and Barbara Dickson.

I will post some extracts on his songwriting from my nine RAB NOAKES reviews. 

Rab at a house party

**RAB gig reviews on my blog

2010 -  Oran Mor

2012 -  Concert for Gerry Rafferty

2012 – Milngavie folk club

2013 -  Concert for Michael Marra

2014 -  tour Barbara Dickson

2016 - MFC

2017 – Celtic, Old Fruitmarket

2022 - MFC

Rab with Alice Marra Celtic Connections

Eddi Reader, Rab Noakes, Dougie MacLean

Rab & Kathleen McInnes

Rab & Barbara Dickson

Rab & Jill Jackson

CHATS with RAB 

A gentle, questioning soul – with a generosity of spirit. 

I sat beside him at a couple of times at Celtic press release mornings. I told him of my sons guitar playing but that he lacked confidence, Rab said in his young days, performers laid the ground work playing the folk clubs for years – but today people seem to often expect quick, instant results. I told him my son enjoyed playing some of the folk tunes, particularly Gently Does It – I had taken my son to our local folk club to see Gaughan, Noakes, Dylan at Braehead Arena. My son also enjoyed rock and pop and learned electric guitar and bass from the rock band the Red Hot Chillis!

 CHATS with Rab at Celtic

I sat beside Rab at the Celtic Press launch on Tuesday. He seemed to know me - maybe from his Oran Mor gig, my review and photos for him and his chatting to me on facebook. Cool and what an interesting guy. 

He’s a massive Dylan fan too!  I asked him if he mentored younger artists – he said no he wasn’t going to simply give his secrets away! He said that too many young people expected things on a plate, and that they were spoon-fed everything. He had to put in years of graft to learn his craft and he thought that was the way things should be done.  He mentioned all these music schools now where they are simply ‘given’ everything rather than finding out for themselves. 

 

I agree. I worry so many young artists in the folk scene for instance have less depth of character in their voice. He said he enjoyed the thread on FB chat with me - interesting thread he said! I told him how interesting the book festival is, and that many authors are also painters and musicians too. I spoke of the Dylan ‘Forever Young’ photos, probably my favourite of an artist.  He remarked that Dylan had so much character he must be good for photos. And I told him of the Chinese writer who when he paints only listens to music for weeks and tries not to think in words at all.   

 

*On Facebook I posted – “The best music is timeless’

Rab replied, ‘No, the best music is very much of its time, and that a present with no past has no future.’ 

Noakes was born in St Andrews Fife in 1947 and grew up in Cupar. He drew influences from the 60s Radio growing up in Fife, much as his musical hero Bob Dylan did too. While he drew on many musical influences. In 1963 Noakes moved to London and worked for the Civil Service, and he played folk clubs at night. He returned to Scotland in 1967 and began a duo with Robin McKidd and they played their first gig at the Glasgow Folk centre. In 1769 he played a months residency in Denmark. Noakes was a founding member of the folk rock band Stealers Wheel, along with Gerry Rafferty and Joe Egan. 

In 1970 Noakes released his first solo recording Do You See The Lights, a blend of easy going country rock, with a line-up that included Robin McKidd, electric guitar and jazz bassist Ronnie Rae, and included songs Too Old To Die, Together Forever and Somebody Counts On Me.

He played on the first album by Gerry Rafferty’s Can I Have My Money Back in 1971, notably Mary Skeffington. He also played with the band Stealers Wheel. He performed with Lindisfarne in 1972, on songs Turn a Deaf Ear, Nicely out of Tune, Together Forever, and Fog on the Tyne. He recorded with Lindisfarne for a John Peel concert and in 1995 produced a Radio 2 programme The Story of Lindisfarne. 

One of Noakes's best-known recordings, "Branch", from the Red Pump Special album, was released as a single in 1974 (recorded in Nashville Tennessee and produced by Elliot Mazer) and received Radio One airplay.  He played on a Woody Guthrie tribute album 1987, and toured with the Veraflames – along with Pick Withers, Rod Clements and Fraser Speirs.

Rab & Gerry Rafferty

Rab & Stealers Wheel

 

Celtic Connections 30th Anniversary Festival 2023!

Phil Cunningham, Aly Bain, Jerry Douglas

 The festival will run from Thursday 19 January to Sunday 5 February 2023.   @ccfest

Celtic Connections is one of the world’s largest winter festival that celebrates roots, folk and world music. Celtic Connections began in 1994, when it offered 66 events at one venue. Since then it’s grown in adventurousness, experimenting and diversity each year and now offers thousands of events in locations across Glasgow.

Opening Concert will celebrate the festival with artists who’ve featured over the years, along with new folk talent - reflecting Celtic Connections' multi-generational breadth, its Internationalism and collaborative, cross-genre spirit. And includes Karine Polwart, Sierra Hull, Basco, Peat & Diesel, TRIP, Fergus McCreadie & Matt Carmichael, Maeve Gilchrist, Rachel Sermanni and more.

With the Big Band, originally conceived 2021 digital festival’s Opening Night - Patsy Reid, Graham Mackenzie, Laura Wilkie, Michael McGoldrick, Hannah Fisher, Ross Ainslie, Anna Massie, Alyn Cosker, James Mackintosh, Duncan Lyall and Sorren Maclean, along with guests.

Dance. World premiere of Moving Cloud – a collaboration of contemporary dance and traditional music with a new score by Celtic Connections and Scottish Dance Theatre led by Artistic Director Joan Clevillé  with TRIP, Sian, Greg Lawson and Alice Allen. 

**PLUS festival FAVOURITES - Irish-American Cherish the Ladies, Scots strings Blazin’ Fiddles, trad fusion powerhouse Treacherous Orchestra, Colin Hay, of Australia’s Grammy-winning Men at Work.. 

The Irish Chamber Orchestra, Róisín ReImagined , with award-winning singer Muireann Nic Amhlaoibh’s renditions of classic sean nós songs, of richly ornamented songs. The (SCO) Scottish Chamber Orchestra returns with Chris Stout (fiddle) and Catriona McKay (Clarsach) (SCO) Scottish Chamber Orchestra returns with Chris Stout (fiddle) and Catriona McKay (Clarsach).African and Gaelic music with Malian’s Trio Da Kali with Gaelic singers Jenna Cummings and Kim Carnie. 

Collaborations. Piper Ross Ainslie, and American Old-Time and roots musician Dirk Powell. Orchestral Qawwali will showcase a unique collaboration. The Song Circle show with vocals of Mary Chapin Carpenter, Karine Polwart, Julie Fowlis and Robert Vincent at The Theatre Royal.

Festival highlight Transatlantic Sessions celebrate 20th Anniversary with all-star line-up - Martha Wainwright, Hothouse Flowers frontman Liam Ó Maonlai, Capercaillie’s Karen Matheson and Amethyst Kiah. House band of top Celtic and Americana roots talent – Phil Cunningham, John Dole, Michael McGodlrick, John McCusker, Donald Shaw, James Mackintosh and Daniel Kimbro and masters of ceremonies Sherland fiddler Aly Bain and dubro master Jerry Douglas.

Braebach

Gaelic. Scottish folk band Breabach album Fàs–meaning ‘growth’, inspired by the natural environment of Scotland. Gaelic singer of the Year at the MG Alba Scots Trad Music Award the haunting vocals of Kim Carnie –new album And So We Gather,

Plus live mic at the Danny Kyle stage the Late Sessions and Folk club and much more. 

Showcase Scotland 2023 will see Brittany showcased, to advance opportunities, along with Wales, to celebrates the folk traditions of two of Scotland’s closest Celtic cousins. 

**Tickets for Celtic Connections 2023 will be available from 10am on Wednesday 12^th October at www.celticconnections.com.

Rachel Sermanni

Sarah Jarosz

Donald Shaw, Creative Producer for Celtic Connections, said: “Our 30^th anniversary is a hugely important moment for the festival, especially considering the last couple of years. We will, of course, be paying homage to the musicians, bands and artists who have contributed, supported and inspired the festival over the last three decades, but importantly this is also a moment to look to the future. The last two years have been incredibly tough for so many musicians and the live entertainment industry in general, so Celtic Connections 2023 is an opportunity to commemorate how far the festival and the Scottish music scene has come, and to also celebrate the fact that we are still here. 

“Celtic Connections is still showcasing some of the best music Scotland and the world has to offer, established and emerging musicians are still here creating and performing, audiences are still here enjoying the cultural exponents of our country and other nations  from across the world. Sharing our music and our arts is a vital part of our human existence, connecting us and enriching lives, and we have missed that. I can’t wait to revel in a live festival once again and celebrate the resilience and the longevity of our sector.”