Showing posts with label edinburgh. Show all posts
Showing posts with label edinburgh. Show all posts

Saturday 22 December 2018

Scottish Collaborations: Medici Intersection


In Edina at the Mercat Cross, the great and good gathered -  from all walks of life and it was a great melting pot of ideas. They met near William Creech’s publishing house, in the time of great men such a David Hume, Adam Smith, Dugald Stewart, Robert Burns, Alexander Nasmyth, and many others. 

During the renaissance the Medici family provided opportunities for people from different disciplines – artists, writers, scientists, engineers, natural philosophies – to all come together, in a space where they could work together to solve problems. All the labs in England and Wales are commercially driven and are completely privatised. Whereas in Scotland we have  a more cohesive organisation, not driven commercially.”
‘its partly our philosophy of working together, which comes out of the Scottish enlightenment. The enlightenment here emerged in a different way than it did in England and Wales and France and elsewhere, because instead of just having scientists and natural philosophers working together to solve problems we also had artists and writers and poets and we brought them all together in some sort of a rammy.” Forensic scientists Dundee centre, on their multi disciplinary approach. "  
Namh Nic Daeid, Dorector Forensic centre Dundee

Medici intersection

Thursday 29 November 2018

Welcoming Different Cultures

It makes me unspeakably angry. The two big events I attend, take photos at and greatly enjoy each year – Celtic Connections and Edinburgh international book festival - are solidly based on diversity, inclusion, openness and collaboration from different cultures.

Since the Brexit vote it has become impossible for some international artists to travel to these festivals. This year several major African artists have decided it is far too difficult to try to attend Scottish festivals. 


The visa application process for artists, musicians and writers has been made so difficult by the UK Home Office, that many are now deciding its not worth the hassle. Donald Shaw (director of Celtic Connections) and Nick Barley (director of EIBF), both report that Britain is now a closed gate, particularly for African visas, and that festivals here will now have to be less international. Celtic Connections has been running for 26 years and EIBF, the oldest UK book festival since 1982; as well as hitting the main Edinburgh International festival.  

What will it mean for international festivals if our doors appear closed? Breixt sends out totally the wrong message. As Pat Kane puts it so well (National November 2018) – "Scottish nationalism is a cosmopolitan nationalism, as some German academics recently described their own country’s mainstream identity."  


British Nationals misunderstand Scottish Nationalism – which is not about isolationism but about democracy: its about all voices having a say, inclusiveness, more local government, equality and not isolation at all!?

Many artists, musicians and writers depend and thrive on cultural exchanges. Creatives value the ‘Four Freedoms’ – free movement of goods, services, capital and people. The academics, entrepreneurs and financial sectors also do. 


African acts were also unable to attended Peter Gabriel’s Womad festival, ‘ Do we really want  a white breaded Brexit flatland? A country that is losing the will to welcome the world?”

The withdrawal of the acts, from Mali and Senegal, has emerged months after Mr 
Shaw warned the festival may have to become less international in future over concerns Brexit would create a financial and logistical “nightmare.” 

Shaw has previously had to scale back his programme due to the plunging value of sterling since the EU vote. Celtic Connections has been hit months after the Edinburgh International Book Festival revealed up to a dozen authors had faced prolonged problems. 
Director Nick Barley warned the “humiliating” process – including demands to provide bank statements and birth certificates, and undergo biometric tests – would deter artists from visiting the UK in future. 

Mr Shaw said: “We had two quite large world music acts who I had pencilled in to perform that both pulled out about six weeks ago due to the hassle and stress of the visa application process. 

They just felt it wasn’t worth the grief. The application process was made so difficult for them they decided not to persevere. “These are top-class musicians who have been travelling around the world for 20 years. Britain now has a very solidly-locked gate, certainly in terms of African visas. 
“The whole thing undermines us as a Scottish festival with an international outlook. We always looked to embrace an internationalist programme. Anything that restricts that is disappointing. I don’t see any good reason for it.” 


Friday 31 August 2018

Blue Rose Code and Caledonia Soul Voices, Queens hall


I missed his guitar playing, but the song selection was fab – long live Celtic Soul! .
Tonight’s Fringe show was a celebration of Caledonia soul voices (in association with Made in Scotland)

Blue Rose Code, aka Ross Wilson, played a full on, energetic set of a classy selection of soul-influenced Celtic songs and with a quality line up of Duke Special, Eddi Reader, Julie Fowlis and Hamish Stuart of the Average White band. I first heard Ross last year at my local folk club and became a fan after hearing his authentic and charged soul voice. Born in Edinburgh, Ross has also been south for several years and now returned to his home town, for which he has written his homage song Edina.


Ross showed us his major musical influences tonight, in the perfect surrounding of the Queens hall – in this celebration of soul and Celtic music - and he has great taste! His firm favourites being legends John Martyn, from Glasgow and London, and Van the Man from Belfast (and the deep south influences). Both mix great bass rhythms with perfect expressive soul voices.  

Ross was clearly up for enjoying this packed show and he was sporting new look longer hair and no beard!  He was backed by a full 14-piece band with a string section. He performed some of his own songs, as well as his soul selection. He finished the first set with John Martyn’s, I Only Want to Know About Love. Then in the second set his well loved song, Edina morphed into the Proclaimers ever popular, My Heart.  

Eddi Reader treated us to an upbeat Perfect. It was another joy to hear accomplished guitarist Hamish Stuart, who performed My Fathers Son and a memorable No More Days. While Gaelic singer Julie Fowlis sang, I Just can’t Get Over You (from the film Garden State) and she knows how to take a song on an emotional and intimate journey.  

BRC spoke of John Martyn’s ‘killing it’, and how seeing him live inspired him to be a soul singer too. Ross said, for him the best Van Morrison album was his live 1975 one and his Caledonia soul orchestra. Ross has an ear for the deep emotion of a song, that catches your breath. And none other than Martyn’s double bass player Danny Thompson played on his album.

For the full encore line up finale we enjoyed the cool vibes of renowned Edwyn Collin’s hit song, I Never met a Girl Like you Before, and an inspired version of Van Morrison's Crazy Love - and of course an exhilarating version of the Average White Band’s Pick up the Pieces! 

What a fun night!  Top marks. Thanks Ross.




Postscript: 
A few nights later legendary queen of soul Aretha Franklin died, sadly BRC hadn’t included any Aretha songs!
Van Morrison grew up listening to his dad’s collection of blues and R & B records.  – and mixed his Celtic and soul influences to create a unique soul genre and fusion: when the poignant Celtic moods and stories mixed with the riffs, vibes and relaxed R & B. Along with the improvisation and instinctiveness of the live musicianship of jazz.  

Ross has worked with renowned Gaelic singers Julie Fowlis, Kathleen MacInnes, BBC Folk Award Winner, Ross Ainslie, 2017’s Scottish Jazz Awards’ instrumentalist of the year Konrad Wiszniewski, leading violinist Seonaid Aitken and three of Scotland's finest jazz musicians; John Lowrie, Colin Steele and James Lindsay. His album ‘THE BALLADS OF PECKHAM RYE’, was nominated for SAY awards 2014 (Scottish Album Of The Year) and featured Danny Thompson, Karine Polwart, John Wetton, Aidan O’Rourke and Kathryn Williams.  He can be heard on BBC (TV and Radio), STV, Alba, TG4, Virgin Radio. He has toured the length of the UK to sold out venues and to festivals Celtic Connections, Edinburgh Fringe, Looe, Summer Isles, Lindisfarne, Southern Fried, Underneath The stars.

Monday 13 August 2018

Music and Art Edinburgh festival

Mogwai
*ART
Scottish Photography at the City Arts Centre -  charting the development of fine art photography in Scotland. The exhibition features work by a range of historic and contemporary artists - Hill and Adamson, Thomas Begbie, Joseph McKenzie, David Williams, Maud Sulter, Wendy McMurdo, Calum Colvin, Christine Borland and Dalziel + Scullion. https://edinburghartfestival.com/whats-on/detail/in-focus-scottish-photography

Rembrandt at the National galleries Mound. 
Victoria Crowe: Beyond Likeness– Scottish Portrait gallery - https://edinburghartfestival.com/whats-on/detail/beyond-likeness (also A Certain Light at the Scottish gallery)  #edartfest

*MUSIC on offer at Edinburgh festival caters for every taste – from guitar blues, live folk sessions,, grand opera, lively musicals, fun acapella choirs, exciting live shows, intimate concerts Queens hall - Blue Rose Code, Lindisfarne, Blazin Fiddles; and impressive classical orchestras – which include Scottish and international artists; long term favourites such as Tom Jones and Brian Wilson; contemporary performers such as Paloma Faith, Rag n Bone Man; progressive rockers Mogwai at the Leith theatre; folk artists. 

Blue Rose Code

There is the Summer Nights at Princes street gardens- 
Monday 6th August: Tom Jones, with Into The Ark 
Thursday 9th August:
 Bastille, and The Vaccines, and Retro Video Club 
Tuesday 14th August:
 Rag n Bone Man, with Grace Carter, and The LaFontaines 
Friday 17th August:
 Paloma Faith, with Ward Thomas 
Saturday 18th August:
 Kasabian, plus special guests
Sunday 19th August:
 Brian Wilson presents Pet Sounds, with Al Jardine + Blondie Chaplinand Beat Root Revival
.
#edfringe
#edmusicfest

COMEDY is of course the main event with many respected and well known comedians appearing – Pleasance venue, Underbelly and many more.

VENUES – Assembly Rooms, Edinburgh Festival theatre, George Square theatre, Pleasance, Lyceum, 
Make time for a walk up the Royal mile and down the Mound to Princes street to savour the unique, colourful and often very obscure street entertainment!  Well worth it. Hope the weather holds…..




Wednesday 30 May 2018

Why Our Stories Matter

In London there is the Tate Britain, the Imperial War Museum, the British Museum, the Beefeaters at the Tower of London, Carnaby street, the Globe theatre and the Thames flowing past. My favourite London walk is from the National Portrait Galleries and Trafalgar Square, along Whitehall and no 10, past the now crumbling (and being rebuilt at a cost of millions) gothic Westminster, and on over the bridge to the Southbank and the late evening sun.

I am not very proud of the great wars, I think it is sad a generation of young men had to die to prove a point against Germany, not once, but twice. There are stories of great heroism, fighter planes, muddy trenches and gas gas boys, from the poignant Dulce et Decorum Est poem by Wilfred Owen. He ended up in a rehabilitation centre at Craiglochart in Edinburgh and then was sent back to die at the front. It all seemed pointless.

Thankfully out of the ashes the European project emerged (one of Winston Churchill’s ideas) sand we’ve had free trade, prosperity and peace now for over 70 years. After the war many of the British empire countries regained independence. At one time the British navy (along with the Dutch navy which joined forces with our navy under William of Orange or King Billy)  ruled the waves and many small islands around the world. And Glasgow and Belfast were the greatest centres for shipbuilding.

But times change. Our long reigning Queen has presided over a Commonwealth of faded past glories and now places like China and India have strong growing economies. And recently the stories coming from England have become defensive, confused, floundering. I don’t really know what modern Tory England stands for today. Has it lost its way? I am often reminded of the past stories that England once stood for - Bath and Jane Austen; Brunel Kingdom’s bridges; Cameron Mackintosh and Lloyd Weber and Cats; Liverpool and the Beatles; the great painters Freud and Hockney, Turner and Constable. Royal babies 

Campaigning in council elections recently in London, Tory MP Tom Johnson claimed, “Everyone knows the Tories will spend less and deliver more and better resources.” I am not sure I understand this logic unless they are miracle workers? Is it possible to spend less and provide more, like Jesus and his fishes? They are attempting to hire more nurses from Jamaica, which will drive nurses salaries down. And in London near the Thames there are shining empty monuments to failing London centric capitalism, the blackened Grenfell tower and tellingly knife crime and murders have increased. Whatever happened to training those British workers?

And sadly some have decided that Britain’s leaving the EU project will sort out Britain’s housing and NHS crisis. It won’t. Europe has given Britain prosperity by being an integral part of the world’s largest trading block and I fear this self-harming will seriously damage our economy. Brexit has become this strange word banded about like a dangerous football.

But there are other stories among these crisis. After two weeks of Commonwealth Games this April at the Gold Coast, we discovered that there is a Windrush generation – those from Jamaica who were invited to help Britain rebuild after the war. They came here and worked in our hospitals and buses and have lived here all their lives since the 50s and 60s., mostly in Birmingham and the south east. Scandalously their rights have been taken away – their right to work, health care, passports and some have been put in detention centres and deported. Because of Ukip’s anti-immigrant rhetoric and May’s hostile environment at the Home Office, these grandparents suddenly found they had no rights to citizenship. We were asking Commonwealth citizens to leave!

There are many other stories often forgotten in ‘Britishness’ though – the Welsh valleys, the Scottish mountains, islands and seas, and the Irish rolling hills and dairy farms. During the Brexit debates I heard no mention of the British ‘regions’. So much is centralised on the white cliffs of Dover, the London’s financial markets and the cosy shires, that the regions are looked on as peripheral and unimportant backwaters. Recent polls suggest those in England would sacrifice the union for their Brexit and care more about Gibraltar.

For the people who live in Belfast or near the Irish border in Newry or Derry or in the busy harbour of Aberdeen or the remote Hebrides or historic Edinburgh, they feel isolated and cut off from this ‘British’ story. I recently visited the western isles and it struck me to have a healthy economy we must care about all our remote regions. Scotland has run its own devolved parliament since 1997 with limited powers, and now dominated by the SNP since 2007 for ten years now. In fact ever since the Union of the Parliaments 1707, Scotland has been run by some kind of Scottish government (or over lord suppressor). At that time only the landowners, or less than 5% of the population had a vote – so this take over was never democratically voted on. In fact, most Scots at the time, rioted in the streets!

The south east of England knows even less of their Irish cousins and the Irish border was never mentioned before the referendum vote - would the English have voted for Brexit if there was a risk of the dreadful Troubles starting again? I remember the horrific nightly news broadcasts of knee capping, bombs and murders. The DUP are presently propping up May’s Tories, so how the customs alignment is to be achieved is beyond most people’s understanding and some think a few cameras might suffice at the three hundred mile border. 

A majority of Scots want home rule or devolved government: the question might be, how much should Scotland be run by those in London- on defence (trident in Scottish lochs); on welfare (bedroom tax), on foreign affairs (Brexit, Windrush), pensions (lowest in the OECD). The Scots language has been protected within the EU by a European charter. One third of today’s population speak a modern version of the same language used by Burns. Will old Scotia’s heritage, laws, rights, language, culture and arts be protected once we leave the EU? Will our wildlife be protected?

Westminster may not imprison Scottish indy supporters, instead they tie our hands with limited free press or media. Around half of Scots support indy and undemocratically less than 5% of the media represents these views. Scotland’s stories have always been different, and Scotland kept its church, law and education and runs its separate health service. Three hundred years ago, politics mattered less than the church, which held the dominating powers. 

Are there British stories in Scotland - well yes but mostly not good ones? In St Andrews Square Edinburgh we have the tall, dominating statue of the tyrant who enforced the highland clearances Henry Dundas. Overlord of the clearances. Also in Edinburgh the new town has streets named after the Hanoverian kings (rather than the Stewarts) although I discovered recently that George of Hanover was the grandson of Elizabeth Stuart (daughter of James VI of Scotland). I read of the golden eagle being endangered by these large Robber Barons grouse shooting estates. Our Britishness here means the flag waving of aggressive Orange parades or the empty shipyards on the Clyde… 

Otherwise I struggle to think what Britishness means here in Scotland. Most of our statues are to great Scottish thinkers or poets. Edinburgh had a great 18thcentury enlightenment and then in the 19thcentury series of books by John Prebble, which put out a false myth of a poor downtrodden Scots people. Scotland has many unique and different stories we must be proud of – Reformation, radical thinkers, enlightenment, expressive Scots Poets, Gaelic song, scientific and engineering discoveries.

The young Robert Burns admired independent minded freedom fighters such as Hannibal and William Wallace and from his writing it is clear he supported democratic values and votes for all men. A Mans a Man for o That, the Slaves Lament, Parcel of Rogues to the Nation, the Tree of Liberty. At this time (1765 to 1783) the American and (1789 to 1799) French revolutions were raging and there were great fears of rebellion in Britain too. Equality means we all deserve equal rights – but equality does not mean we are all the same. Humans have succeeded because of their diversity and also from co-operation. I believe in some capitalism (as in Sweden) but also far more social programs to benefit all. 

Edina now runs one of the world’s most important International Arts festival. I had no idea though, growing up in Edinburgh how major it was, or of all Edina’s important stories. I studied history at school, but it was all English imperialist history and literature. I am teaching myself Scottish history now and I am sad for the not knowing when I once walked down her cobbled high street to college. 


Monday 30 April 2018

Scottish festivals & MUSIC 2018

Broken Records Queens Hall Edinburgh
Music revenues are up, with more formats than ever before, but still a third down on the peak of 2002.

25% are spent into A & R to develop new music and it is crucially important to have investment in new talent coming through and for the grassroots to be supported. Also important to have curators.
We have to ask - can we be passive or engage in shaping our own choices?

**NEW ALBUMS:
Blue Rose Code - https://bluerosecode.com
Father John Misty - https://www.fatherjohnmisty.com

Mugstock

**There are many great festivals Scotland lined up for the summer 2018 –

Nile Rodgers presents a new festival Kelvingrove park Glasgow.
"FIESTA & FOLD" - 30th June - 1st July - http://westendfiesta.co.uk

Doune the Rabbit hole – 13th – 15th July - https://dounetherabbithole.co.uk

MugStock – 27th – 30th July -  http://mugstock.org

TRNSMT – Glasgow Green – http://trnsmtfest.com


Belladrum festival, Inverness – 2nd – 4th August -  http://www.tartanheartfestival.co.uk

Edinburgh festival 2018 – 3rd – 27th August - https://www.eif.co.uk
 
Nile Rodgers & Irvine Welsh
On radio Scotland Rodgers spoke of his excitement over his new festival, and playing with good mates Earth wind and Fire at Glasgow’ Kelvinggrove park.
I met Nile at Edinburgh book festival a few year back and he did an awesome fun talk there with his guitar in the Spiegel tent! Earth Wind and Fire and Chic! Great fun!

Sunday 29 October 2017

Women Writers EIBF 2017

Sheila  Rowbotham
Evelyn Glennie
Hera Lindsay Bird
Laura Albert
Lura Waddell
Katy Mahood
Elif Shafak
Caroline Brothers
Harriet Walter